1 00:00:05,573 --> 00:00:08,374 (bell rings) 2 00:00:19,954 --> 00:00:22,955 (slow synth music) 3 00:00:52,887 --> 00:00:53,752 - Run! 4 00:00:55,423 --> 00:00:56,555 Keep running! 5 00:00:58,993 --> 00:01:00,325 Run! 6 00:01:00,327 --> 00:01:03,662 (slow electronic music) 7 00:01:21,348 --> 00:01:25,350 (speaking in foreign language) 8 00:01:26,887 --> 00:01:27,786 - No! 9 00:01:31,292 --> 00:01:32,958 - Something on your mind, Anton? 10 00:01:35,129 --> 00:01:37,796 Excellent, thank god. 11 00:01:39,733 --> 00:01:42,534 You have no idea how important this memorandum is. 12 00:01:45,473 --> 00:01:48,574 It is essential to the future of this company. 13 00:01:50,411 --> 00:01:53,078 You must tell me how you found it. 14 00:02:00,488 --> 00:02:01,420 - No big deal. 15 00:02:05,059 --> 00:02:06,425 With the evidence at hand. 16 00:02:07,361 --> 00:02:09,661 - Hmm, you may look like a, 17 00:02:11,298 --> 00:02:14,733 an overgrown adolescent, but you have 18 00:02:16,237 --> 00:02:17,536 something special. 19 00:02:19,740 --> 00:02:21,373 A drink 20 00:02:21,375 --> 00:02:22,274 to celebrate? 21 00:02:25,546 --> 00:02:27,946 - Just the check, please. 22 00:02:31,485 --> 00:02:32,384 - Of course. 23 00:02:33,320 --> 00:02:36,488 (slow ambient music) 24 00:03:02,216 --> 00:03:07,119 Next time, negotiate the price before taking the job. 25 00:03:09,423 --> 00:03:12,591 (Mr. Keith chuckles) 26 00:03:13,527 --> 00:03:16,762 (slow ambient music) 27 00:03:19,500 --> 00:03:20,399 - Mr. Keith. 28 00:03:22,102 --> 00:03:23,735 Now that you have the memo, 29 00:03:26,106 --> 00:03:28,540 what do you intend to do with it? 30 00:03:28,542 --> 00:03:30,776 - I see you have deduced some other things. 31 00:03:32,580 --> 00:03:36,448 But perhaps you should concern yourself 32 00:03:37,751 --> 00:03:40,619 with deducing the things you are paid 33 00:03:40,621 --> 00:03:42,721 to deduce. (slow ambient music) 34 00:03:42,723 --> 00:03:44,089 What do you say? 35 00:03:44,825 --> 00:03:45,991 (gun dry fires) 36 00:03:45,993 --> 00:03:47,826 (guard laughs) 37 00:03:47,828 --> 00:03:50,596 (Mr. Keith chuckles) 38 00:03:50,598 --> 00:03:51,496 However, 39 00:03:54,068 --> 00:03:56,868 I won't mention it to my friends. 40 00:04:01,809 --> 00:04:06,078 I like you, Anton, your father would have been very proud. 41 00:04:07,214 --> 00:04:10,616 (slow electronic music) 42 00:05:38,639 --> 00:05:40,205 - [Dan] Why Lah so broke, huh? 43 00:05:41,775 --> 00:05:44,109 - [Anton] Don't know, crap pay, maybe. 44 00:05:45,546 --> 00:05:47,346 - I'll bank this today, you'll get your cut 45 00:05:47,348 --> 00:05:51,683 in three this time, this time, I'm only get 10% out 46 00:05:51,685 --> 00:05:54,720 of 600 fucking ringgit? 47 00:05:54,722 --> 00:05:57,823 (speaking in foreign language) 48 00:05:57,825 --> 00:06:00,726 Hey, how am I gonna promote you 49 00:06:00,728 --> 00:06:03,895 from trainee to partner if you cannot nego, huh, bodo? 50 00:06:03,897 --> 00:06:07,032 - Hey, I forgot, okay? 51 00:06:07,034 --> 00:06:08,066 (Dan sighs) 52 00:06:08,068 --> 00:06:09,101 Geez. 53 00:06:11,739 --> 00:06:12,938 Is this it? - What? 54 00:06:14,174 --> 00:06:15,640 - You know, being a PI, 55 00:06:15,642 --> 00:06:16,875 I'd always imagined it to be-- 56 00:06:16,877 --> 00:06:20,178 - More glamorous, hmm? (slow electronic music) 57 00:06:20,180 --> 00:06:23,915 Grow up, there's no job in the world that doesn't suck. 58 00:06:23,917 --> 00:06:27,319 (slow electronic music) 59 00:06:31,625 --> 00:06:32,991 What's that? 60 00:06:32,993 --> 00:06:36,128 - Violet Horizons by Joseph Tone. 61 00:06:36,130 --> 00:06:37,496 - What else did he write? 62 00:06:37,498 --> 00:06:41,366 - Chaos is my Order, Sultan Street Serenade. 63 00:06:41,368 --> 00:06:43,402 You know, if it wasn't for this guy, 64 00:06:43,404 --> 00:06:45,003 I'd be flipping burgers by now. 65 00:06:45,839 --> 00:06:47,806 - This work, in real life, 66 00:06:47,808 --> 00:06:52,878 the femme fatal is a 250 pound auntie with frizzy hair, 67 00:06:53,347 --> 00:06:54,946 and she wants you to find her cute 68 00:06:54,948 --> 00:06:56,748 and harmless little poodle. 69 00:06:58,018 --> 00:07:00,819 Cute and harmless. (speaking in foreign language) 70 00:07:00,821 --> 00:07:03,121 (slow electronic music) 71 00:07:03,123 --> 00:07:06,525 Hey, tomorrow I'm off, remember that training job 72 00:07:06,527 --> 00:07:09,561 in Sentul, you think you're ready 73 00:07:09,563 --> 00:07:14,132 to guard the keys to my little kingdom, in the meantime? 74 00:07:14,134 --> 00:07:17,536 (slow electronic music) 75 00:07:26,346 --> 00:07:29,281 Hey, my secondary number, in case, 76 00:07:29,283 --> 00:07:32,250 if you get into any shit, which you won't, 77 00:07:32,252 --> 00:07:34,820 if you follow my instructions, right, right? 78 00:07:36,356 --> 00:07:38,223 (slow electronic music) 79 00:07:38,225 --> 00:07:39,124 Seriously, bro. 80 00:07:41,428 --> 00:07:43,895 This job is as boring as any other job. 81 00:07:43,897 --> 00:07:47,265 - Can't be as boring as house sitting your shit hole. 82 00:07:47,267 --> 00:07:48,967 Hey, shit, man. 83 00:07:50,103 --> 00:07:51,002 - Oh. 84 00:07:52,172 --> 00:07:53,138 Look. 85 00:07:53,140 --> 00:07:56,541 (slow electronic music) 86 00:08:32,012 --> 00:08:33,578 The turkey is in the oven. 87 00:08:34,448 --> 00:08:37,849 (slow electronic music) 88 00:09:09,049 --> 00:09:11,983 Mm. (slow electronic music) 89 00:09:11,985 --> 00:09:14,219 Perks of the job, boy. 90 00:09:14,221 --> 00:09:17,722 (slow electronic music) 91 00:09:20,160 --> 00:09:21,993 (speaking in foreign language) 92 00:09:21,995 --> 00:09:24,596 (car door slams) 93 00:09:24,598 --> 00:09:28,700 - From across many oceans, the seeker came. 94 00:09:30,504 --> 00:09:34,839 As time wore on, the seeker forgot his quest, 95 00:09:34,841 --> 00:09:37,342 and sought a new riddle, 96 00:09:38,679 --> 00:09:43,682 which led him to the land beyond the Kingdom of Plain Sight. 97 00:09:44,318 --> 00:09:48,019 (motorcycle engine revs) 98 00:09:48,021 --> 00:09:50,288 In the Kingdom of the Hidden, 99 00:09:51,491 --> 00:09:54,893 he found happiness at last with the princess. 100 00:09:54,895 --> 00:09:58,296 (slow electronic music) 101 00:10:05,238 --> 00:10:06,838 And the princess bore a child. 102 00:10:08,008 --> 00:10:11,409 (slow electronic music) 103 00:10:22,089 --> 00:10:27,158 But the walls separating the child's two worlds was thin. 104 00:10:27,828 --> 00:10:30,095 (slow electronic music) 105 00:10:30,097 --> 00:10:33,498 So the Hidden Ones watched, waiting 106 00:10:35,102 --> 00:10:37,335 for the wall to crumble. 107 00:10:37,337 --> 00:10:40,438 (slow ambient music) 108 00:10:47,948 --> 00:10:50,815 (Anton gasps) 109 00:10:50,817 --> 00:10:53,785 (slow synth music) 110 00:11:42,369 --> 00:11:43,868 - This all you got so far? 111 00:11:45,138 --> 00:11:46,004 - For now. 112 00:11:47,240 --> 00:11:51,776 - Still, I'm impressed you located this one. 113 00:11:53,180 --> 00:11:55,180 Midnight Marshal number one, 114 00:11:56,616 --> 00:11:58,917 a true collector's item, well done. 115 00:12:00,320 --> 00:12:03,254 - The trick is to notice something others often miss. 116 00:12:05,258 --> 00:12:06,958 - And have you noticed something? 117 00:12:09,396 --> 00:12:10,662 Have you read this? 118 00:12:11,998 --> 00:12:16,468 The Lathe of Heaven, it's about an ordinary man 119 00:12:16,470 --> 00:12:19,738 who discovers he has extraordinary powers 120 00:12:19,740 --> 00:12:22,874 to alter reality with his dreams. 121 00:12:25,011 --> 00:12:26,144 - I prefer a mystery. 122 00:12:27,781 --> 00:12:31,116 - Detective novels for the novel detective. 123 00:12:31,118 --> 00:12:32,984 I quite enjoy science fiction. 124 00:12:34,254 --> 00:12:38,656 But fantasy, now, there's my favorite genre. 125 00:12:39,960 --> 00:12:43,394 - Wizards, dragons, and magic, stuff like that? 126 00:12:43,396 --> 00:12:45,263 - There's so much more to fantasy than 127 00:12:45,265 --> 00:12:49,801 that fanboy claptrap. (slow synth music) 128 00:12:56,843 --> 00:12:58,343 Ah. 129 00:12:58,345 --> 00:13:03,314 Yes, classic game book of your genre persuasion. 130 00:13:04,684 --> 00:13:09,387 Back in the day, it was quite popular in a series, 131 00:13:10,157 --> 00:13:11,422 it's forgotten now. 132 00:13:12,793 --> 00:13:17,862 This copy may well be the last one in existence. 133 00:13:18,532 --> 00:13:21,332 (slow electronic music) 134 00:13:21,334 --> 00:13:22,433 Any other leads? 135 00:13:24,337 --> 00:13:27,939 - Well, I'm working on picking up more clues. 136 00:13:31,244 --> 00:13:34,379 - Just make sure you don't pick up any misleading ones, 137 00:13:34,381 --> 00:13:36,047 not everything is as they seem. 138 00:13:37,651 --> 00:13:41,052 (slow electronic music) 139 00:14:18,525 --> 00:14:21,392 - [Anton Voiceover] No author, no publishing house? 140 00:14:22,395 --> 00:14:25,263 That's odd. (slow ambient music) 141 00:14:25,265 --> 00:14:29,434 A child's fearful dream of falling is praised as a gift 142 00:14:29,436 --> 00:14:31,436 to learn to fly the next night. 143 00:14:32,939 --> 00:14:36,741 (slow ambient music) 144 00:14:36,743 --> 00:14:41,813 (phone rings) (slow ambient music) 145 00:14:42,749 --> 00:14:45,817 (phone rings) 146 00:14:45,819 --> 00:14:48,686 (slow ambient music) 147 00:14:48,688 --> 00:14:51,256 (phone rings) 148 00:15:00,166 --> 00:15:03,101 (slow synth music) 149 00:15:15,148 --> 00:15:20,218 - A long time ago, I lived, worked, and married here, 150 00:15:20,987 --> 00:15:22,020 but things didn't work out. 151 00:15:24,824 --> 00:15:27,492 - Your husband was also a foreigner? 152 00:15:28,295 --> 00:15:31,062 - No, he was a local. 153 00:15:32,899 --> 00:15:33,965 Like I said, 154 00:15:36,169 --> 00:15:39,003 we divorced, I left, 155 00:15:40,073 --> 00:15:43,107 my company moved me to Thailand, but 156 00:15:44,210 --> 00:15:45,343 we had a child, 157 00:15:46,680 --> 00:15:47,578 a daughter. 158 00:15:48,882 --> 00:15:51,082 Every month, I'd send her money, but I, 159 00:15:52,018 --> 00:15:53,084 I never visited 160 00:15:55,021 --> 00:15:58,823 until last year. - To see your daughter? 161 00:15:58,825 --> 00:16:02,927 - No, to find her, she went missing, Mr. Shaw, 162 00:16:02,929 --> 00:16:05,163 for a year, and the police here? 163 00:16:06,299 --> 00:16:09,000 They made no progress whatsoever. 164 00:16:09,002 --> 00:16:12,236 - My boss, Mr. Dan Hamzi, he's the one you should-- 165 00:16:12,238 --> 00:16:13,972 - But he's not here, is he? 166 00:16:15,308 --> 00:16:17,942 You are. (slow synth music) 167 00:16:17,944 --> 00:16:22,013 - I usually find things, Mrs. Numan, not people. 168 00:16:22,015 --> 00:16:24,983 (slow synth music) 169 00:16:27,087 --> 00:16:29,921 Do you know any reason why she'd want to disappear? 170 00:16:31,491 --> 00:16:34,792 - No. (slow synth music) 171 00:16:38,698 --> 00:16:41,199 In fact, I don't know anything about my daughter. 172 00:16:42,469 --> 00:16:45,269 You see, Lamya, she had difficulties 173 00:16:45,271 --> 00:16:48,606 in communicating with others, until she found a way 174 00:16:48,608 --> 00:16:50,908 to express herself through her canvas. 175 00:16:55,115 --> 00:16:57,749 I found out about this exhibit on the internet, 176 00:16:58,952 --> 00:17:01,986 marking the one year anniversary of her disappearance. 177 00:17:03,556 --> 00:17:05,123 This is where you can begin. 178 00:17:05,892 --> 00:17:07,058 - What if she's dead? 179 00:17:09,062 --> 00:17:12,530 - Then at least I'll have a body to bury, and to mourn. 180 00:17:15,368 --> 00:17:20,438 Please, just look at her. (slow synth music) 181 00:17:21,841 --> 00:17:23,141 As you can see, 182 00:17:24,244 --> 00:17:25,977 I can pay very handsomely. 183 00:17:28,648 --> 00:17:29,881 Oh, and one more thing. 184 00:17:31,351 --> 00:17:35,953 Please be discreet, I'm on a visitor's visa, and, well. 185 00:17:37,323 --> 00:17:38,222 You know. 186 00:17:39,325 --> 00:17:44,395 - Absolutely. (slow synth music) 187 00:17:49,769 --> 00:17:54,072 (moves into slow electronic music) 188 00:17:55,408 --> 00:18:00,278 It seems strange, I don't know how or why she chose me. 189 00:18:01,781 --> 00:18:05,116 I'm not even a licensed private eye. 190 00:18:05,118 --> 00:18:08,519 (slow electronic music) 191 00:18:09,856 --> 00:18:10,955 But there felt 192 00:18:12,158 --> 00:18:16,994 a deeper meaning. (slow electronic music) 193 00:18:22,102 --> 00:18:24,302 Not that it mattered, for the amount 194 00:18:24,304 --> 00:18:26,938 of coin this lady was willing to pony up, 195 00:18:26,940 --> 00:18:28,840 I'd find her daughter, her brother, 196 00:18:28,842 --> 00:18:32,110 her mother, and her ancestors. 197 00:18:32,112 --> 00:18:34,579 (slow electronic music) 198 00:18:34,581 --> 00:18:36,881 ¶ I ¶ 199 00:18:36,883 --> 00:18:41,953 ¶ Had enough before ¶ 200 00:18:43,356 --> 00:18:45,623 ¶ Eyes ¶ 201 00:18:45,625 --> 00:18:50,695 ¶ Pouring through my soul ¶ 202 00:18:51,431 --> 00:18:55,766 ¶ Pulsing lights ¶ 203 00:18:55,768 --> 00:19:00,471 ¶ Shadow dancing ¶ 204 00:19:00,473 --> 00:19:05,409 ¶ Captivating ¶ 205 00:19:05,411 --> 00:19:08,346 ¶ The past ¶ 206 00:19:08,348 --> 00:19:11,182 (lighter clicks) 207 00:19:12,752 --> 00:19:16,888 ¶ Moments unfolding ¶ 208 00:19:16,890 --> 00:19:20,424 ¶ Remembering your touch ¶ 209 00:19:20,426 --> 00:19:23,361 ¶ I would do it ¶ 210 00:19:23,363 --> 00:19:27,865 ¶ All over again ¶ 211 00:19:27,867 --> 00:19:30,201 ¶ With you ¶ 212 00:19:46,085 --> 00:19:47,385 (phone rings) 213 00:19:47,387 --> 00:19:51,389 (speaking in foreign language) 214 00:19:51,391 --> 00:19:53,658 - Hell of a time for you to bug me. 215 00:19:53,660 --> 00:19:57,228 - [Anton] It's important, do you remember Lamya Shahruddin? 216 00:19:58,865 --> 00:20:00,431 - Yeah, I remember that case. 217 00:20:01,768 --> 00:20:04,235 What can I say, sometimes people just disappear. 218 00:20:05,505 --> 00:20:06,470 - [Anton] Like me? 219 00:20:08,608 --> 00:20:10,007 - What do you want, Anton? 220 00:20:10,009 --> 00:20:11,309 - [Anton] I need a favor. 221 00:20:12,478 --> 00:20:15,046 You still got friends in the police? 222 00:20:15,048 --> 00:20:16,547 - What do I look like? 223 00:20:16,549 --> 00:20:18,916 - [Anton] I need some info from Missing Persons. 224 00:20:18,918 --> 00:20:22,086 - Oi, you're not gonna do something stupid, right? 225 00:20:22,088 --> 00:20:25,423 - [Anton] It's for research, you know me, nosy as hell. 226 00:20:28,294 --> 00:20:32,296 (speaking in foreign language) 227 00:20:33,866 --> 00:20:38,936 ¶ Eyes pouring through your soul ¶ 228 00:20:41,241 --> 00:20:44,208 ¶ Pulsing lights ¶ 229 00:20:44,210 --> 00:20:46,043 - [Anton] So can you help me? 230 00:20:46,045 --> 00:20:47,945 ¶ Shadow dancing ¶ 231 00:20:47,947 --> 00:20:50,681 - Why should I, because of you, I lost my mark. 232 00:20:50,683 --> 00:20:53,818 - No, you haven't, I saw a woman walk out 233 00:20:53,820 --> 00:20:56,921 with a guy to that hotel, your marks, correct? 234 00:20:57,957 --> 00:20:59,290 I saw him spinning a room key, 235 00:20:59,292 --> 00:21:01,926 and I caught the first two digits, six and one. 236 00:21:01,928 --> 00:21:04,061 Now, that hotel only has three digit rooms, 237 00:21:04,063 --> 00:21:06,897 and 610 to 619 run across the east facade, 238 00:21:06,899 --> 00:21:08,332 with the windows facing out. 239 00:21:08,334 --> 00:21:09,834 You should have a good vantage point from the roof 240 00:21:09,836 --> 00:21:12,737 of this building, if they don't shut the curtains. 241 00:21:12,739 --> 00:21:16,107 (slow electronic music) 242 00:21:16,109 --> 00:21:19,076 - Did you renegotiate your pay with Keith? 243 00:21:21,047 --> 00:21:23,547 - Dan, help me out here, please. 244 00:21:23,549 --> 00:21:25,950 (Dan sighs) 245 00:21:27,220 --> 00:21:28,119 - Fine. 246 00:21:29,055 --> 00:21:31,455 But no funny stuff, hmm? 247 00:21:31,457 --> 00:21:33,691 Don't try to play the hero, or some shit. 248 00:21:38,264 --> 00:21:41,666 Oi. (slow electronic music) 249 00:21:41,668 --> 00:21:46,270 Feeling stuffy much? (slow electronic music) 250 00:21:50,977 --> 00:21:52,677 - The suit makes the man, kiddo. 251 00:22:03,723 --> 00:22:06,457 I'll just give that a tug there. 252 00:22:07,727 --> 00:22:10,695 There you go, nothing fancy, like a Windsor knot. 253 00:22:11,798 --> 00:22:14,665 Never trust a man with a Windsor knot. 254 00:22:14,667 --> 00:22:15,900 You know who said that? 255 00:22:17,437 --> 00:22:21,238 You don't like super spies, why not? 256 00:22:21,240 --> 00:22:23,974 - Detectives are better, like you. 257 00:22:25,111 --> 00:22:26,610 - [Sheldon] But we both solve crimes. 258 00:22:26,612 --> 00:22:30,214 - Come on, he's a terribly spy. 259 00:22:30,216 --> 00:22:31,615 - Why is he a terrible spy? 260 00:22:31,617 --> 00:22:34,518 - [Anton] He tells everyone who he is. 261 00:22:34,520 --> 00:22:37,722 - Well, he tells them who he is, but not what he does. 262 00:22:37,724 --> 00:22:40,091 You wanna know what real detectives do? 263 00:22:41,094 --> 00:22:42,993 Spy on people, 264 00:22:44,097 --> 00:22:47,231 to get information. - And that's it? 265 00:22:47,233 --> 00:22:49,300 - That's the real world, kiddo. 266 00:22:50,403 --> 00:22:55,439 - So what do spies do in the real world? 267 00:22:56,142 --> 00:22:57,375 - If we knew that, 268 00:22:57,377 --> 00:22:59,343 they wouldn't be very good spies, would they? 269 00:23:02,014 --> 00:23:05,249 - I'll worry about the real world once I'm grown up. 270 00:23:08,388 --> 00:23:12,323 - Come on, finish your shake, we'll be late 271 00:23:12,325 --> 00:23:15,793 for the memorial. (slow synth music) 272 00:23:18,698 --> 00:23:23,033 (moves into slow electronic music) 273 00:23:43,523 --> 00:23:47,425 Weapon of choice. (slow synth music) 274 00:23:48,961 --> 00:23:51,128 Ammo of choice. 275 00:23:51,130 --> 00:23:53,164 Slug, not buckshot. 276 00:23:54,834 --> 00:23:59,270 More stopping power. (slow electronic music) 277 00:24:03,843 --> 00:24:08,913 Less spread, less mess. (slow electronic music) 278 00:24:20,460 --> 00:24:23,227 Take a man's head clean off. 279 00:24:23,229 --> 00:24:26,630 (slow electronic music) 280 00:24:27,733 --> 00:24:29,900 - [Corinne] Explain again why you're here? 281 00:24:32,138 --> 00:24:35,139 - [Anton] Lamya's mother asked me to help find her. 282 00:24:36,175 --> 00:24:37,908 - I am Lamya's mother. 283 00:24:39,312 --> 00:24:40,778 - Since she was 13. 284 00:24:43,549 --> 00:24:45,883 - Strange. (bell clangs) 285 00:24:45,885 --> 00:24:47,785 That harpy never gave a shit before. 286 00:24:48,654 --> 00:24:52,256 You're a private investigator? 287 00:24:52,258 --> 00:24:53,724 - [Anton] Yes, I am. 288 00:24:56,429 --> 00:24:59,964 - [Corinne] My late husband, during the Senoi Praaq, 289 00:24:59,966 --> 00:25:02,733 fighting commies during the emergency. 290 00:25:04,036 --> 00:25:06,904 - Was he-- - Senoi, sure. 291 00:25:08,040 --> 00:25:09,306 Not that it helped. 292 00:25:10,843 --> 00:25:12,910 - They're the masters of lucid dreaming. 293 00:25:13,746 --> 00:25:14,645 - Right. 294 00:25:16,048 --> 00:25:21,085 Whatever that means, something to do with controlling dreams 295 00:25:21,754 --> 00:25:23,687 to overcome nightmares? 296 00:25:23,689 --> 00:25:26,657 - [Anton] A child's fearful dream of falling 297 00:25:26,659 --> 00:25:30,094 is praised as a gift to learn to fly the next night. 298 00:25:30,096 --> 00:25:31,495 - John Hassell. 299 00:25:32,532 --> 00:25:35,065 Are you of indigenous descent? 300 00:25:36,202 --> 00:25:37,501 - [Anton] Part of me is. 301 00:25:37,503 --> 00:25:38,402 - Ah. 302 00:25:40,239 --> 00:25:41,138 Which tribe? 303 00:25:43,376 --> 00:25:46,343 - The oldest. (slow music) 304 00:25:52,051 --> 00:25:57,121 (lighter clicks) (melancholy synth music) 305 00:26:05,998 --> 00:26:08,799 - We never connected, me and her. 306 00:26:09,936 --> 00:26:12,136 She always had this look about her. 307 00:26:12,138 --> 00:26:14,138 (speaking in foreign language) 308 00:26:14,140 --> 00:26:17,841 You know, especially after her old man passed on. 309 00:26:18,945 --> 00:26:20,844 We never forced her to do anything, 310 00:26:21,881 --> 00:26:25,649 figured if she was doing something she loved, 311 00:26:25,651 --> 00:26:26,884 she would open up, 312 00:26:27,853 --> 00:26:29,420 but no. (melancholy synth music) 313 00:26:29,422 --> 00:26:33,724 She just disappeared into her own private world. 314 00:26:35,494 --> 00:26:36,894 Even more. 315 00:26:36,896 --> 00:26:39,530 - Did she have any friends at the university, 316 00:26:39,532 --> 00:26:40,764 men and the likes? 317 00:26:42,668 --> 00:26:45,736 - Secretive was Lamya's middle name, Detective. 318 00:26:47,707 --> 00:26:48,606 So. 319 00:26:50,042 --> 00:26:52,376 We don't know what she got up to outside, 320 00:26:52,378 --> 00:26:56,814 girls will be girls. (melancholy synth music) 321 00:27:10,730 --> 00:27:15,332 Maybe this will help, this is her poetry and prose book. 322 00:27:16,969 --> 00:27:18,535 It was her way out. 323 00:27:20,339 --> 00:27:22,506 Maybe it will show you which way she went. 324 00:27:25,411 --> 00:27:28,178 - [Lamya] On the streets of Primrose Hill, 325 00:27:28,180 --> 00:27:30,347 autumn was almost at end to make way 326 00:27:30,349 --> 00:27:32,650 for the harsh realities of winter. 327 00:27:34,286 --> 00:27:37,855 Here, in my room, at my dorms, 328 00:27:37,857 --> 00:27:41,458 I can only imagine how beautiful those brown dying leaves 329 00:27:41,460 --> 00:27:44,128 must look as they float to the ground. 330 00:27:45,665 --> 00:27:48,465 Outside my window, the clouds mark the coming 331 00:27:48,467 --> 00:27:52,403 of the monsoon, of darker times. 332 00:27:52,405 --> 00:27:55,773 Could this be an omen, it's only my first year here 333 00:27:55,775 --> 00:27:58,942 in college, but it's nothing like how I imagined. 334 00:27:58,944 --> 00:28:01,178 There's no sense of community here, 335 00:28:01,180 --> 00:28:05,049 and I doubt there ever will, not at home, 336 00:28:05,051 --> 00:28:06,650 not here, not anywhere. 337 00:28:09,055 --> 00:28:11,121 I only have one refuge, 338 00:28:12,124 --> 00:28:15,993 my dreams. (slow synth music) 339 00:28:25,771 --> 00:28:29,173 (slow electronic music) 340 00:28:32,445 --> 00:28:36,046 Look at me. (slow electronic music) 341 00:28:40,252 --> 00:28:41,652 What do you see? 342 00:28:41,654 --> 00:28:44,088 (slow electronic music) 343 00:28:44,090 --> 00:28:46,056 - [Anton] I see my dream. 344 00:28:47,159 --> 00:28:50,561 (slow electronic music) 345 00:28:59,205 --> 00:29:00,938 - [Lamya] Am I real? 346 00:29:03,542 --> 00:29:05,075 - [Anton] Yes. 347 00:29:05,077 --> 00:29:08,479 (slow electronic music) 348 00:29:19,358 --> 00:29:21,125 - [Lamya] Then I'm no dream. 349 00:29:24,663 --> 00:29:26,396 - [Anton] It sure feels like one. 350 00:29:28,467 --> 00:29:30,968 - [Lamya] Yet you believe it's real. 351 00:29:33,639 --> 00:29:35,939 - [Anton] I believe what I see. 352 00:29:35,941 --> 00:29:39,343 (slow electronic music) 353 00:29:40,412 --> 00:29:43,113 - [Lamya] How can you believe in someone 354 00:29:43,115 --> 00:29:45,115 that you don't know? 355 00:29:45,117 --> 00:29:48,519 (slow electronic music) 356 00:30:01,433 --> 00:30:03,100 - [Anton] I've always known you. 357 00:30:04,403 --> 00:30:06,470 - [Lamya] And I, you. 358 00:30:06,472 --> 00:30:09,873 (slow electronic music) 359 00:30:12,144 --> 00:30:14,711 - I know everything I need to know about her, 360 00:30:14,713 --> 00:30:16,780 but I still had no idea where she was. 361 00:30:17,750 --> 00:30:20,284 I only had one feasible lead. 362 00:30:20,286 --> 00:30:23,687 (slow electronic music) 363 00:31:16,842 --> 00:31:19,276 She's been missing for more than a year now. 364 00:31:19,278 --> 00:31:21,078 - [Rosa] So are 1,000 other people, 365 00:31:22,214 --> 00:31:23,914 you're looking for them, as well? 366 00:31:25,351 --> 00:31:29,019 - Her parents hired me to find her. 367 00:31:29,021 --> 00:31:33,423 - And what have you found out, Mr. Detective man? 368 00:31:34,860 --> 00:31:38,495 - [Anton] You, her best friend, her only friend. 369 00:31:40,332 --> 00:31:43,800 - We were classmates, I don't think we were pals. 370 00:31:44,870 --> 00:31:48,739 (slow electronic music) 371 00:31:48,741 --> 00:31:49,606 - Did she date? 372 00:31:50,442 --> 00:31:51,308 - No. 373 00:31:52,244 --> 00:31:53,977 She was a good girl. 374 00:31:56,115 --> 00:31:59,383 But that didn't stop guys from lusting after her. 375 00:31:59,385 --> 00:32:02,753 (slow electronic music) 376 00:32:04,790 --> 00:32:05,822 - [Anton] Like who? 377 00:32:06,625 --> 00:32:08,058 - [Rosa] My dance professor. 378 00:32:09,662 --> 00:32:12,329 - He tried it on? - Definitely did. 379 00:32:13,699 --> 00:32:17,734 He even set up a special tutorial for her, anyway, 380 00:32:17,736 --> 00:32:22,005 she ditched his class as soon as he revealed his hand. 381 00:32:23,575 --> 00:32:27,511 (slow electronic music) 382 00:32:27,513 --> 00:32:31,748 About a week after, before she vanished, actually. 383 00:32:32,651 --> 00:32:35,052 (slow electronic music) 384 00:32:35,054 --> 00:32:37,788 - And do you think he-- - Maybe. 385 00:32:38,924 --> 00:32:41,224 But 60 alibis said that the turd was 386 00:32:41,226 --> 00:32:44,895 in tutorial the whole day, police questioned him, 387 00:32:46,065 --> 00:32:49,967 cleared him. (slow electronic music) 388 00:32:49,969 --> 00:32:51,568 - Cops ask the wrong questions. 389 00:32:52,504 --> 00:32:55,872 (slow electronic music) 390 00:33:26,271 --> 00:33:29,539 - You know, you look kind of familiar. 391 00:33:33,579 --> 00:33:34,478 Have we met? 392 00:33:38,784 --> 00:33:42,019 (Anton clears throat) 393 00:33:43,088 --> 00:33:44,154 - If we did, 394 00:33:46,425 --> 00:33:47,591 it'll come back to me. 395 00:33:48,994 --> 00:33:51,795 (footsteps echo) 396 00:33:57,469 --> 00:33:58,802 - No. 397 00:33:58,804 --> 00:33:59,870 - It's about Lamya. 398 00:34:09,481 --> 00:34:12,616 - Make it quick, I have a staff meeting to attend. 399 00:34:14,119 --> 00:34:15,018 - At this hour? 400 00:34:16,922 --> 00:34:19,356 - It is night school, you fool. 401 00:34:21,226 --> 00:34:24,161 - I understand Lamya spoke to you in many occasions, 402 00:34:25,397 --> 00:34:26,997 do you think she ran away? 403 00:34:28,100 --> 00:34:29,132 And if so, 404 00:34:30,936 --> 00:34:32,803 what was she running from? 405 00:34:32,805 --> 00:34:34,171 (Dr. Ravi snickers) 406 00:34:34,173 --> 00:34:36,273 - What else? 407 00:34:36,275 --> 00:34:38,508 Reality. 408 00:34:38,510 --> 00:34:42,512 My dear man, I'm surprised she didn't do it sooner. 409 00:34:43,649 --> 00:34:46,817 The poor child, and if she found someone 410 00:34:46,819 --> 00:34:49,419 to share her delusion, 411 00:34:49,421 --> 00:34:52,989 then I wouldn't be surprised if she ran off with him. 412 00:34:52,991 --> 00:34:55,092 - Unfortunately, it wasn't you. 413 00:34:55,094 --> 00:34:56,059 - [Dr. Ravi] What? 414 00:34:57,696 --> 00:34:59,062 - Or did you only want to? 415 00:35:00,833 --> 00:35:04,067 Did she turn you down, laugh in your face? 416 00:35:07,606 --> 00:35:09,339 - [Dr. Ravi] What are you insinuating? 417 00:35:10,709 --> 00:35:11,942 - Not me. 418 00:35:12,945 --> 00:35:15,946 This. (slow ambient music) 419 00:35:15,948 --> 00:35:18,748 (Dr. Ravi gasps) 420 00:35:20,119 --> 00:35:23,553 My source informs me that she regularly handed you this book 421 00:35:23,555 --> 00:35:25,222 to evaluate her writing talents. 422 00:35:27,593 --> 00:35:30,627 Professor, (slow ambient music) 423 00:35:30,629 --> 00:35:32,395 Professor, Professor? (dramatic dance music) 424 00:35:32,397 --> 00:35:36,299 (mutters in foreign language) 425 00:35:40,873 --> 00:35:42,105 Enough. 426 00:35:42,107 --> 00:35:43,106 (dramatic dance music) 427 00:35:43,108 --> 00:35:45,208 (yells in foreign language) 428 00:35:45,210 --> 00:35:47,310 (Anton groans) 429 00:35:47,312 --> 00:35:50,614 (dramatic dance music) 430 00:35:53,986 --> 00:35:56,820 She wanted out, didn't she, she wanted out 431 00:35:56,822 --> 00:35:59,256 from whatever shit stick you got her into, 432 00:35:59,258 --> 00:36:01,791 but you couldn't let that happen, so you killed her. 433 00:36:01,793 --> 00:36:04,060 - It wasn't me, it was them. 434 00:36:04,062 --> 00:36:05,529 (speaking in foreign language) 435 00:36:05,531 --> 00:36:07,497 - [Anton] Oh, fuck. 436 00:36:07,499 --> 00:36:10,800 (dramatic dance music) 437 00:36:13,505 --> 00:36:15,705 - You don't understand. 438 00:36:15,707 --> 00:36:20,777 Nobody understands your stupid mind, stupid, stupid. 439 00:36:21,313 --> 00:36:22,779 - Calm down. 440 00:36:22,781 --> 00:36:25,282 - I thought I could join them, compose my own world, 441 00:36:25,284 --> 00:36:29,452 open the gateway with my own craft, but I wasn't worthy. 442 00:36:30,322 --> 00:36:32,656 I wasn't worthy. 443 00:36:32,658 --> 00:36:35,792 (Dr. Ravi cries out) 444 00:36:36,862 --> 00:36:39,863 You don't get it, do you, they denied me, me! 445 00:36:42,000 --> 00:36:43,600 - What did they deny you? 446 00:36:43,602 --> 00:36:46,403 (dramatic dance music) 447 00:36:46,405 --> 00:36:49,773 - Is it you, you pissant? (laughs) 448 00:36:50,909 --> 00:36:54,010 What makes you more worthy than me? 449 00:36:55,714 --> 00:36:56,947 A learned man! 450 00:36:58,317 --> 00:37:02,185 A learned man, who's wasted in this fucking shit hole, 451 00:37:02,187 --> 00:37:05,922 and they wouldn't let me finish their story? 452 00:37:05,924 --> 00:37:08,024 I ask you again, 453 00:37:08,026 --> 00:37:09,626 is it you? 454 00:37:10,495 --> 00:37:14,231 (Dr. Ravi cries out) 455 00:37:14,233 --> 00:37:16,700 (speaking in foreign language) 456 00:37:16,702 --> 00:37:21,071 Cloud walker, she was a cloud walker. 457 00:37:21,073 --> 00:37:24,374 The door to a kingdom, the door. 458 00:37:24,376 --> 00:37:28,011 It was there, it was there in her journal, 459 00:37:30,249 --> 00:37:32,882 I tried to crack-- - Crack what? 460 00:37:32,884 --> 00:37:36,519 - [Dr. Ravi] The combination, combination to her kingdom. 461 00:37:36,521 --> 00:37:39,089 - Kingdom, the fuck are you talking about? 462 00:37:39,091 --> 00:37:41,291 - Unlock the sequence, and the doors open, 463 00:37:41,293 --> 00:37:44,261 the doorway to her dreams, dream 464 00:37:45,397 --> 00:37:48,865 teller, storyteller, but they stopped me. 465 00:37:48,867 --> 00:37:49,766 - Who? 466 00:37:51,169 --> 00:37:54,838 - The Hidden Ones, they guard the doors against trespassers. 467 00:37:55,641 --> 00:37:58,541 (Dr. Ravi chokes) 468 00:38:01,813 --> 00:38:03,213 Trespassers like you. 469 00:38:05,417 --> 00:38:06,316 - Fucker. 470 00:38:16,928 --> 00:38:19,829 (Dr. Ravi laughs) 471 00:38:25,570 --> 00:38:29,572 (speaking in foreign language) 472 00:38:34,780 --> 00:38:38,915 Could I really die, could I re-dream it? 473 00:38:41,720 --> 00:38:44,554 How was I rewriting the game book? 474 00:38:50,495 --> 00:38:54,264 (slow electronic music) 475 00:38:54,266 --> 00:38:57,033 If you think the art teacher is a person of interest, 476 00:38:57,035 --> 00:39:00,904 go to page 26. (slow electronic music) 477 00:39:00,906 --> 00:39:02,439 I had to find Lamya. 478 00:39:03,642 --> 00:39:07,043 (slow electronic music) 479 00:39:17,522 --> 00:39:19,322 ¶ Here ¶ 480 00:39:19,324 --> 00:39:24,394 ¶ We stand ¶ 481 00:39:24,963 --> 00:39:27,063 ¶ Waiting ¶ 482 00:39:27,065 --> 00:39:31,501 ¶ At the end ¶ 483 00:39:31,503 --> 00:39:34,437 ¶ Here ¶ 484 00:39:34,439 --> 00:39:38,675 ¶ We are ¶ 485 00:39:38,677 --> 00:39:42,011 ¶ Calling ¶ 486 00:39:42,013 --> 00:39:44,247 ¶ You ¶ 487 00:39:44,249 --> 00:39:47,517 ¶ And these ¶ 488 00:39:47,519 --> 00:39:50,987 ¶ Distant memories ¶ 489 00:39:50,989 --> 00:39:54,724 ¶ Cover me ¶ 490 00:39:54,726 --> 00:39:59,129 ¶ Yes, I do ¶ 491 00:39:59,131 --> 00:40:01,030 ¶ Too ¶ 492 00:40:03,702 --> 00:40:06,770 - [Ms. Kahn] You know, you seem awfully familiar. 493 00:40:08,540 --> 00:40:09,439 - [Anton] How so? 494 00:40:11,143 --> 00:40:12,942 - [Ms. Kahn] I can't quite place it, 495 00:40:13,745 --> 00:40:17,147 I can just smell it, you know? 496 00:40:20,852 --> 00:40:23,887 Sweet scent of virginity. 497 00:40:23,889 --> 00:40:27,290 (slow electronic music) 498 00:40:46,511 --> 00:40:47,544 - I'm sorry? 499 00:40:48,980 --> 00:40:52,015 - That's just it, the both of you are exactly alike, 500 00:40:52,017 --> 00:40:55,819 like two aliens who've landed here from some foreign planet, 501 00:40:55,821 --> 00:40:58,955 and you're just trying to find your space in this world, 502 00:40:58,957 --> 00:41:03,426 which is so, well, alien to you. 503 00:41:03,428 --> 00:41:06,396 Kind of like Superman, but without the babies. 504 00:41:07,499 --> 00:41:10,166 - Do you believe in fate, Ms. Kahn? 505 00:41:10,168 --> 00:41:13,670 - No, I believe in wants, 506 00:41:13,672 --> 00:41:16,506 desires, fantasies. 507 00:41:18,043 --> 00:41:19,943 Much like what Lamya did, 508 00:41:19,945 --> 00:41:23,680 and we all have the need to express ourselves. 509 00:41:24,516 --> 00:41:26,583 What do you desire most, Anton? 510 00:41:27,452 --> 00:41:30,854 (slow electronic music) 511 00:41:40,465 --> 00:41:41,631 - Ms. Kahn, please. 512 00:41:45,770 --> 00:41:46,636 - Fine. 513 00:41:53,278 --> 00:41:54,477 - [Anton] Did she date? 514 00:41:57,415 --> 00:41:59,916 - We were roomies, not buddies, 515 00:41:59,918 --> 00:42:02,485 but there was definitely someone interested in her. 516 00:42:04,523 --> 00:42:08,925 Our art professor, he paid particular attention to her. 517 00:42:10,061 --> 00:42:14,197 Yeah, he was the kind of guy who would say, 518 00:42:14,199 --> 00:42:17,834 the younger the fiddle, the tighter its strings, 519 00:42:17,836 --> 00:42:20,370 if you know what I mean. - He made a move? 520 00:42:21,206 --> 00:42:22,438 - [Ms. Kahn] Yes, all the way 521 00:42:22,440 --> 00:42:24,807 to setting up a special tutorial just for her. 522 00:42:26,177 --> 00:42:29,913 Believe me, she ran like the wind the moment she found out. 523 00:42:29,915 --> 00:42:32,348 That was the week before she disappeared, actually. 524 00:42:32,350 --> 00:42:36,085 (dramatic electronic music) 525 00:42:45,997 --> 00:42:49,966 (speaking in foreign language) 526 00:43:06,384 --> 00:43:08,952 (phone beeps) 527 00:43:10,088 --> 00:43:11,588 - [Phone] I'm sorry, that number is busy. 528 00:43:11,590 --> 00:43:14,557 Please leave a message after the tone. 529 00:43:14,559 --> 00:43:17,026 - [Anton] Dan, help me. 530 00:43:17,028 --> 00:43:20,430 (slow electronic music) 531 00:43:48,493 --> 00:43:51,728 (ominous synth music) 532 00:45:19,584 --> 00:45:21,017 (door creaks) 533 00:45:21,019 --> 00:45:24,787 The game book had changed everything somehow. 534 00:45:24,789 --> 00:45:28,658 As the story changed in my mind, it changed in reality. 535 00:45:28,660 --> 00:45:31,794 (slow ambient music) 536 00:45:40,605 --> 00:45:42,972 If this even is reality. 537 00:45:42,974 --> 00:45:46,109 (slow ambient music) 538 00:45:55,453 --> 00:45:59,455 (speaking in foreign language) 539 00:46:16,441 --> 00:46:20,443 (speaking in foreign language) 540 00:46:24,816 --> 00:46:28,785 (speaking in foreign language) 541 00:46:33,925 --> 00:46:37,894 (speaking in foreign language) 542 00:46:45,603 --> 00:46:49,572 (speaking in foreign language) 543 00:47:02,687 --> 00:47:06,022 (fortuneteller laughs) 544 00:47:10,495 --> 00:47:12,094 (gun clicks) 545 00:47:12,096 --> 00:47:15,431 (fortuneteller laughs) 546 00:47:16,768 --> 00:47:19,902 (slow ambient music) 547 00:47:43,394 --> 00:47:46,028 - Hey, are you nuts, meeting me here? 548 00:47:46,030 --> 00:47:47,330 I could blow my operation. 549 00:47:47,332 --> 00:47:48,231 - You got it? 550 00:47:51,135 --> 00:47:53,102 - [Dan] Do you know what that fucking cost me? 551 00:47:54,172 --> 00:47:55,204 - Oh, shit, no. 552 00:47:56,174 --> 00:47:57,006 - What? 553 00:47:57,008 --> 00:47:58,875 - No, no! 554 00:47:58,877 --> 00:48:00,610 This is not her. 555 00:48:00,612 --> 00:48:02,879 - [Dan] It's the only Lamya Shahruddin case there is. 556 00:48:02,881 --> 00:48:05,147 - I'm not losing my mind, this is not her. 557 00:48:07,585 --> 00:48:09,285 - What's going on? 558 00:48:09,287 --> 00:48:10,186 - The body, 559 00:48:11,055 --> 00:48:12,889 the body was just there. 560 00:48:12,891 --> 00:48:15,391 And I had this tarot card in my hand, it's 561 00:48:17,462 --> 00:48:20,429 with me somewhere. (slow electronic music) 562 00:48:20,431 --> 00:48:21,297 - Okay. 563 00:48:22,400 --> 00:48:25,635 - The book, the book, it's in the office. 564 00:48:25,637 --> 00:48:27,803 I'll show you what happened. 565 00:48:27,805 --> 00:48:30,539 They're gonna kill me, they're gonna fucking kill me. 566 00:48:30,541 --> 00:48:32,675 I know it's a setup, but I have no choice. 567 00:48:32,677 --> 00:48:33,576 They have her. 568 00:48:36,047 --> 00:48:36,946 They have her. 569 00:48:38,483 --> 00:48:39,415 - Who's they? 570 00:48:39,417 --> 00:48:40,883 - The bastards that took me, I, 571 00:48:42,253 --> 00:48:44,453 I know it's them, I see their fucking faces every night 572 00:48:44,455 --> 00:48:46,355 in my dreams. - Oh, okay, okay. 573 00:48:46,357 --> 00:48:48,958 Calm down, let's start from the top. 574 00:48:48,960 --> 00:48:50,126 How did this happen? 575 00:48:50,128 --> 00:48:51,193 - This, this woman. 576 00:48:52,563 --> 00:48:54,330 She asked me to find her daughter. 577 00:48:56,067 --> 00:48:57,433 - What do you mean, asked? 578 00:48:58,770 --> 00:49:01,671 You're not even licensed, you were just supposed 579 00:49:01,673 --> 00:49:04,373 to hold the fort, not fucking do my job. 580 00:49:06,144 --> 00:49:07,043 Anton, 581 00:49:08,212 --> 00:49:09,745 are you taking your medicine? 582 00:49:10,682 --> 00:49:13,149 (slow music) 583 00:49:15,920 --> 00:49:16,886 Anton, go home. 584 00:49:16,888 --> 00:49:18,187 - You don't believe me, do you? 585 00:49:18,189 --> 00:49:19,455 - Come on, let's go. 586 00:49:19,457 --> 00:49:21,924 - You think this is a fucking delusion? 587 00:49:21,926 --> 00:49:24,527 - I know you're fucking delusional! 588 00:49:24,529 --> 00:49:28,331 Now, go the fuck home. (slow music) 589 00:49:29,500 --> 00:49:31,400 (Dan shouts) 590 00:49:31,402 --> 00:49:32,935 Fuck it. 591 00:49:32,937 --> 00:49:35,237 (slow synth music) 592 00:49:35,239 --> 00:49:40,309 (Dan sighs) (slow synth music) 593 00:49:43,414 --> 00:49:44,313 Anton. 594 00:49:46,084 --> 00:49:47,383 I can't blow this case. 595 00:49:47,385 --> 00:49:50,286 (slow synth music) 596 00:49:50,288 --> 00:49:51,420 You're off your meds. 597 00:49:52,991 --> 00:49:55,825 Tomorrow, tomorrow we'll go see the doctor, and 598 00:49:56,928 --> 00:50:00,029 take some, okay? (slow synth music) 599 00:50:00,031 --> 00:50:02,465 Okay, we'll, we'll deal with this tomorrow. 600 00:50:02,467 --> 00:50:05,434 (slow synth music) 601 00:50:06,537 --> 00:50:09,105 (phone beeps) 602 00:50:13,311 --> 00:50:15,678 - [Anton] Mr. Keith, did you send someone 603 00:50:15,680 --> 00:50:17,747 to my office a few days ago? 604 00:50:17,749 --> 00:50:19,548 - [Mr. Keith] Who is this? 605 00:50:19,550 --> 00:50:22,084 - [Anton] The guy you ripped off because you could. 606 00:50:23,154 --> 00:50:25,855 - [Mr. Keith] Anton, how could I ever forget? 607 00:50:25,857 --> 00:50:27,656 - Do you know a Louise Numan? 608 00:50:29,027 --> 00:50:31,894 - [Mr. Keith] Can't say that I do, what is this about? 609 00:50:31,896 --> 00:50:35,297 (slow electronic music) 610 00:50:53,351 --> 00:50:54,850 - You're not her. 611 00:50:54,852 --> 00:50:56,252 (speaking in foreign language) 612 00:50:56,254 --> 00:50:57,653 Is Ms. Shahruddin here? 613 00:50:58,823 --> 00:51:01,690 - Shahruddin, they moved, last year. 614 00:51:03,361 --> 00:51:04,927 - What? 615 00:51:04,929 --> 00:51:09,065 - Look, you go outside, I give you the address. 616 00:51:10,535 --> 00:51:11,434 Oi! 617 00:51:13,404 --> 00:51:14,804 (Anton cries out) 618 00:51:14,806 --> 00:51:17,173 (Anton coughs) 619 00:51:17,175 --> 00:51:20,609 (slow electronic music) 620 00:51:20,611 --> 00:51:24,513 (moves into slow synth music) 621 00:51:30,354 --> 00:51:34,657 - I'm a detective. (slow synth music) 622 00:51:34,659 --> 00:51:37,426 - [Dan] You've got to have experience, a track record, 623 00:51:38,296 --> 00:51:41,197 what do you have, huh? 624 00:51:41,199 --> 00:51:43,666 Imagination? (scoffs) 625 00:51:46,304 --> 00:51:47,703 - Why did you become a cop? 626 00:51:52,443 --> 00:51:54,510 - Because of you, my bro. 627 00:51:54,512 --> 00:51:59,381 Remember the first day that we ran into each other? 628 00:51:59,383 --> 00:52:00,749 It felt good to be a hero. 629 00:52:02,920 --> 00:52:05,154 I wanted to help other kids, too, 630 00:52:05,156 --> 00:52:08,324 and when I met your dad, it sealed the deal. 631 00:52:10,294 --> 00:52:13,896 - [Cop] How did you and Anton meet again after 30 years? 632 00:52:16,667 --> 00:52:21,337 - He found me, and the kid has his dad's talents, 633 00:52:21,339 --> 00:52:23,105 even as his mind is falling apart. 634 00:52:24,542 --> 00:52:27,243 All his life, he couldn't remember what happened back then. 635 00:52:29,614 --> 00:52:32,014 Pieces came back to him in his dreams. 636 00:52:34,252 --> 00:52:36,218 He came back here looking for answers. 637 00:52:38,756 --> 00:52:42,191 Since his dad died, I was the only anchor left 638 00:52:42,193 --> 00:52:43,893 for him to the event. 639 00:52:45,229 --> 00:52:46,662 - Then why did you quit? 640 00:52:46,664 --> 00:52:48,797 (Dan laughs) 641 00:52:48,799 --> 00:52:51,600 - Reality. (slow synth music) 642 00:52:51,602 --> 00:52:54,403 It's complicated, listen, politics, oh, you know what? 643 00:52:56,174 --> 00:52:57,606 I wanted to do my own thing. 644 00:53:00,711 --> 00:53:04,079 - Same here. (slow synth music) 645 00:53:08,553 --> 00:53:11,320 - He was sinking deeper into his childhood persona. 646 00:53:16,527 --> 00:53:18,360 Okay, fine. 647 00:53:18,362 --> 00:53:20,329 I'm gonna take you on as my assistant. 648 00:53:21,933 --> 00:53:23,866 No, no, no, no, no, stop, stop, stop, 649 00:53:23,868 --> 00:53:26,001 not an assistant, intern. 650 00:53:27,972 --> 00:53:30,272 You help me out, follow my orders. 651 00:53:31,576 --> 00:53:35,277 If you don't fuck up. (speaking in foreign language) 652 00:53:35,279 --> 00:53:37,479 - Are you fucking serious? 653 00:53:37,481 --> 00:53:40,849 - Don't get too excited, this is just a dry run. 654 00:53:40,851 --> 00:53:42,318 If you fuck up, ch. 655 00:53:44,222 --> 00:53:45,621 Understand? 656 00:53:45,623 --> 00:53:47,556 (Anton laughs gratefully) 657 00:53:47,558 --> 00:53:50,893 Okay, okay, okay, okay, relax, relax, relax. 658 00:53:50,895 --> 00:53:55,965 The job gave him focus, maybe doing basic investigative work 659 00:53:57,101 --> 00:53:58,500 could lead him back to his real self. 660 00:54:00,238 --> 00:54:01,070 He was working. 661 00:54:03,808 --> 00:54:04,740 I thought he was. 662 00:54:09,680 --> 00:54:13,082 (slow electronic music) 663 00:55:06,404 --> 00:55:08,404 - [Anton] Dan, help me. 664 00:55:09,607 --> 00:55:12,574 (slow piano music) 665 00:55:29,493 --> 00:55:31,026 My mind was unraveling. 666 00:55:32,396 --> 00:55:34,596 It felt like if I could just find Lamya, 667 00:55:35,933 --> 00:55:39,535 I might also find myself, understand what happened to me 668 00:55:39,537 --> 00:55:44,606 when I was a kid, unlock my memories, but I had nothing. 669 00:55:47,044 --> 00:55:49,511 (slow music) 670 00:55:52,016 --> 00:55:56,985 Maybe one thing. (slow synth music) 671 00:56:08,699 --> 00:56:13,001 (moves into slow electronic music) 672 00:56:19,477 --> 00:56:21,043 Why is this happening to me? 673 00:56:23,080 --> 00:56:24,613 - Isn't this what you wanted? 674 00:56:26,350 --> 00:56:27,783 Mystery, 675 00:56:27,785 --> 00:56:28,684 murder, 676 00:56:29,620 --> 00:56:33,589 lust? (slow electronic music) 677 00:56:33,591 --> 00:56:35,924 Everything you ever imagined, 678 00:56:37,194 --> 00:56:41,096 everything you ever needed to love. 679 00:56:42,533 --> 00:56:45,534 You thought it wasn't going to be a bumpy ride. 680 00:56:45,536 --> 00:56:48,537 Every protagonist needs to be antagonized. 681 00:56:49,473 --> 00:56:51,573 You're writing the story, Anton, 682 00:56:52,843 --> 00:56:56,111 we just pick up the pieces, put them into place. 683 00:56:58,215 --> 00:56:59,748 But if you're strong enough 684 00:57:01,051 --> 00:57:03,185 to see it through the way you want it to, 685 00:57:05,022 --> 00:57:06,054 you'll make it. 686 00:57:07,558 --> 00:57:11,293 (Dr. Ravi shouts in foreign language) 687 00:57:11,295 --> 00:57:14,696 (slow electronic music) 688 00:57:30,948 --> 00:57:31,847 - No! 689 00:57:32,650 --> 00:57:34,082 - Run! 690 00:57:34,084 --> 00:57:35,551 Run! 691 00:57:35,553 --> 00:57:36,452 Run, run! 692 00:57:37,555 --> 00:57:42,624 No, no! (Gaunt Man laughs) 693 00:57:43,194 --> 00:57:45,561 (Lamya shrieks) 694 00:57:47,431 --> 00:57:52,501 ¶ Coming back from a haunted grave ¶ 695 00:57:53,304 --> 00:57:56,371 ¶ Isn't it amazing ¶ 696 00:57:56,373 --> 00:58:00,242 ¶ On that mission ¶ 697 00:58:00,244 --> 00:58:04,613 ¶ Far away, with thoughts of you ¶ 698 00:58:04,615 --> 00:58:06,648 ¶ Coming back to me ¶ 699 00:58:06,650 --> 00:58:10,953 ¶ Running circles in my head ¶ 700 00:58:10,955 --> 00:58:14,523 ¶ I'm coming home ¶ 701 00:58:14,525 --> 00:58:18,327 ¶ You're coming home ¶ 702 00:58:18,329 --> 00:58:21,129 ¶ There's no way I would ¶ 703 00:58:21,131 --> 00:58:24,199 ¶ Go back where you belong ¶ 704 00:58:24,201 --> 00:58:28,737 ¶ Waking up from my morning grave ¶ 705 00:58:28,739 --> 00:58:31,673 ¶ Illuminating ¶ 706 00:58:31,675 --> 00:58:36,478 ¶ All my visions ¶ 707 00:58:36,480 --> 00:58:41,116 ¶ Far away, with the thoughts of you ¶ 708 00:58:41,118 --> 00:58:43,051 ¶ Come back to me ¶ 709 00:58:43,053 --> 00:58:48,123 ¶ Running circles in my head ¶ 710 00:58:48,792 --> 00:58:51,293 ¶ I'm coming home ¶ 711 00:58:51,295 --> 00:58:55,063 ¶ You're coming home ¶ 712 00:58:55,065 --> 00:58:57,866 ¶ There's no way I would ¶ 713 00:58:57,868 --> 00:59:02,104 ¶ Go back where you belong ¶ 714 00:59:02,106 --> 00:59:06,275 ¶ I'm coming home ¶ 715 00:59:06,277 --> 00:59:09,811 ¶ You're coming home ¶ 716 00:59:09,813 --> 00:59:13,582 ¶ There's no way we should ¶ 717 00:59:13,584 --> 00:59:17,152 ¶ Go back where we belong ¶ 718 00:59:23,327 --> 00:59:27,329 (speaking in foreign language) 719 00:59:52,556 --> 00:59:56,525 (speaking in foreign language) 720 01:00:18,749 --> 01:00:21,717 You, my pet. (slow ambient music) 721 01:00:21,719 --> 01:00:23,285 - What do you want? 722 01:00:23,287 --> 01:00:28,357 - To stop you! (slow ambient music) 723 01:00:29,426 --> 01:00:31,526 No kid should wield that much power. 724 01:00:31,528 --> 01:00:34,696 (slow ambient music) 725 01:00:38,235 --> 01:00:41,436 But we'll fix you, we'll fix you fine. 726 01:00:43,474 --> 01:00:45,340 - Where is Lamya? 727 01:00:45,342 --> 01:00:48,310 (Gaunt Man laughs) 728 01:00:50,047 --> 01:00:53,015 - Yes, of course, hook, line, and sinker, 729 01:00:53,017 --> 01:00:57,219 he took the bait, jail bait. (laughs) 730 01:00:58,322 --> 01:01:01,490 You boys are so fucking predictable. (laughs) 731 01:01:04,762 --> 01:01:08,030 But why? (slow ambient music) 732 01:01:08,032 --> 01:01:09,731 Why do you need her so much, 733 01:01:12,503 --> 01:01:13,769 when we have each other? 734 01:01:14,571 --> 01:01:17,706 (slow ambient music) 735 01:01:21,712 --> 01:01:22,611 So. 736 01:01:24,615 --> 01:01:25,681 Do you want to play? 737 01:01:26,950 --> 01:01:29,851 Or run away into your book, 738 01:01:33,524 --> 01:01:36,658 little boy? (dramatic music) 739 01:01:39,296 --> 01:01:40,562 So you want to play? 740 01:01:42,733 --> 01:01:45,834 Or run away to your book, little boy? 741 01:01:47,371 --> 01:01:51,106 (dramatic electronic music) 742 01:01:51,108 --> 01:01:53,241 (gun fires) 743 01:01:53,243 --> 01:01:58,280 (henchmen shout) (dramatic electronic music) 744 01:02:01,752 --> 01:02:03,652 Kid never want to stop playing, huh? 745 01:02:03,654 --> 01:02:07,389 (dramatic electronic music) 746 01:02:08,292 --> 01:02:10,258 (gun fires) 747 01:02:10,260 --> 01:02:11,960 (gun fires) 748 01:02:11,962 --> 01:02:14,629 (gun clicks) 749 01:02:14,631 --> 01:02:18,366 (dramatic electronic music) 750 01:02:20,237 --> 01:02:23,572 I should have killed you when I had the chance. 751 01:02:23,574 --> 01:02:26,975 (slow electronic music) 752 01:02:30,881 --> 01:02:33,248 I should have ripped you into a million pieces 753 01:02:33,250 --> 01:02:35,217 when I had the chance. 754 01:02:35,219 --> 01:02:38,620 (slow electronic music) 755 01:02:43,827 --> 01:02:48,497 (moves into dramatic electronic music) 756 01:02:53,971 --> 01:02:56,772 (Anton cries out) 757 01:02:56,774 --> 01:03:00,542 (dramatic electronic music) 758 01:03:01,512 --> 01:03:04,412 (Anton cries out) 759 01:03:04,414 --> 01:03:08,183 (dramatic electronic music) 760 01:03:11,889 --> 01:03:16,958 (Anton cries out) (dramatic electronic music) 761 01:03:23,133 --> 01:03:25,600 Play time's over, boy. 762 01:03:25,602 --> 01:03:29,337 (dramatic electronic music) 763 01:03:38,882 --> 01:03:42,951 (moves into slow ambient music) 764 01:03:53,564 --> 01:03:54,462 It took a while. 765 01:03:57,267 --> 01:03:58,300 But who's counting, 766 01:04:00,671 --> 01:04:03,205 when the one who got away is back 767 01:04:04,641 --> 01:04:06,208 in my loving arms. 768 01:04:07,211 --> 01:04:08,109 You see, 769 01:04:10,447 --> 01:04:12,180 boys will be boys. 770 01:04:28,799 --> 01:04:33,869 ¶ Waking up from my morning gaze ¶ 771 01:04:34,438 --> 01:04:37,205 ¶ Illuminating ¶ 772 01:04:37,207 --> 01:04:40,508 ¶ All my visions ¶ 773 01:04:40,510 --> 01:04:44,646 ¶ Far away, with thoughts of you ¶ 774 01:04:44,648 --> 01:04:47,782 ¶ Coming back to me ¶ 775 01:04:47,784 --> 01:04:52,354 ¶ Running circles in my head ¶ 776 01:04:52,356 --> 01:04:55,023 ¶ I'm coming home ¶ 777 01:04:55,025 --> 01:04:57,893 ¶ We're going home ¶ 778 01:04:57,895 --> 01:05:01,162 ¶ There is no way I would ¶ 779 01:05:01,164 --> 01:05:04,666 ¶ Go back where I belong ¶ 780 01:05:04,668 --> 01:05:07,669 (slow synth music) 781 01:05:12,542 --> 01:05:16,544 (Anton cries) (slow synth music) 782 01:05:16,546 --> 01:05:19,981 - Ah, do you know how much damage you've done? 783 01:05:21,518 --> 01:05:23,118 How much I've got to set right? 784 01:05:26,556 --> 01:05:31,626 But we set her right, didn't we? (laughs) 785 01:05:32,429 --> 01:05:35,664 (ominous synth music) 786 01:05:50,981 --> 01:05:54,382 - Stay away from him, take me instead. 787 01:05:57,788 --> 01:06:02,857 - You're not my type. (ominous synth music) 788 01:06:14,271 --> 01:06:18,473 - She's mine, then. (ominous synth music) 789 01:06:25,215 --> 01:06:27,916 - That bitch took it for you, you! 790 01:06:29,853 --> 01:06:31,086 So you could run! 791 01:06:32,723 --> 01:06:34,589 It's all your fault she's like this. 792 01:06:38,228 --> 01:06:41,429 But it's good. (ominous synth music) 793 01:06:41,431 --> 01:06:43,331 It's good we found each other. 794 01:06:47,270 --> 01:06:50,905 Now, I've got another use for you. 795 01:06:54,144 --> 01:06:59,214 Another use for you. (ominous synth music) 796 01:07:02,853 --> 01:07:06,521 You'll be needing this for what comes next. 797 01:07:08,325 --> 01:07:11,926 (Gaunt Man laughs) (ominous synth music) 798 01:07:11,928 --> 01:07:14,929 See, pretty little girls aren't the only bait. 799 01:07:15,999 --> 01:07:20,135 An old acquaintance owes me a pound of flesh, 800 01:07:20,137 --> 01:07:22,337 and I always collect my due. 801 01:07:23,240 --> 01:07:24,873 Khalid! 802 01:07:24,875 --> 01:07:29,778 Your turn to do the honors. (ominous synth music) 803 01:07:37,354 --> 01:07:41,589 (moves into dramatic dance music) 804 01:07:45,462 --> 01:07:46,327 (Khalid spits) 805 01:07:46,329 --> 01:07:49,664 (dramatic dance music) 806 01:08:06,850 --> 01:08:09,451 (gun fires) 807 01:08:09,453 --> 01:08:12,787 (dramatic dance music) 808 01:08:16,259 --> 01:08:18,726 (gun fires) 809 01:08:18,728 --> 01:08:22,030 (dramatic dance music) 810 01:08:23,934 --> 01:08:26,468 (gun fires) 811 01:08:26,470 --> 01:08:29,370 (gun fires) 812 01:08:29,372 --> 01:08:32,674 (dramatic dance music) 813 01:08:35,779 --> 01:08:38,213 (gun fires) 814 01:08:38,215 --> 01:08:41,516 (dramatic dance music) 815 01:09:04,341 --> 01:09:06,574 - [Anton] You're supposed to be dead. 816 01:09:08,512 --> 01:09:10,211 - Only in one version, kiddo. 817 01:09:12,883 --> 01:09:15,517 You see what kind of a shit storm you get into 818 01:09:15,519 --> 01:09:17,452 when you don't stick to your old man? 819 01:09:19,756 --> 01:09:21,890 - You're the one who didn't stick around. 820 01:09:23,960 --> 01:09:29,030 - But I paid a price for my sins, you were that price. 821 01:09:31,301 --> 01:09:34,202 Tonight, we fix everything. 822 01:09:39,743 --> 01:09:41,009 - She paid a price, too. 823 01:09:43,947 --> 01:09:44,946 For me. 824 01:09:44,948 --> 01:09:47,916 (slow synth music) 825 01:10:30,160 --> 01:10:33,895 - Alone again, without even a person 826 01:10:33,897 --> 01:10:35,530 to share this silence with. 827 01:10:38,001 --> 01:10:40,568 I would have thought that would have been the way 828 01:10:40,570 --> 01:10:42,604 for the rest of my time in this world, 829 01:10:44,241 --> 01:10:46,908 another existence floating 830 01:10:48,645 --> 01:10:49,644 amongst the living, 831 01:10:52,215 --> 01:10:54,282 until fate brought me to my destiny. 832 01:10:55,719 --> 01:10:58,686 (slow synth music) 833 01:11:11,968 --> 01:11:14,869 (Anton gasps) 834 01:11:14,871 --> 01:11:17,839 (slow synth music) 835 01:11:17,841 --> 01:11:20,608 ¶ All alone ¶ 836 01:11:20,610 --> 01:11:24,145 ¶ All alone ¶ 837 01:11:24,147 --> 01:11:27,248 ¶ Go somewhere, I will ¶ 838 01:11:27,250 --> 01:11:29,250 ¶ Fight for you, I will ¶ 839 01:11:29,252 --> 01:11:31,619 - [Lamya Voiceover] The more I saw him, 840 01:11:31,621 --> 01:11:34,722 the more I realized how similar we were, 841 01:11:36,559 --> 01:11:40,928 two people awake in a world full of dreamers. 842 01:11:40,930 --> 01:11:43,931 (slow synth music) 843 01:11:49,172 --> 01:11:50,571 - It's not use. 844 01:11:55,645 --> 01:11:56,911 He's already marked you. 845 01:11:58,381 --> 01:11:59,213 - Who is he? 846 01:12:01,951 --> 01:12:04,118 - [Louise] A devourer of dreams. 847 01:12:04,120 --> 01:12:05,586 - And who are you? 848 01:12:06,423 --> 01:12:07,822 - The one who makes them. 849 01:12:11,294 --> 01:12:12,560 - Then who am I? 850 01:12:12,562 --> 01:12:14,028 - [Louise] Isn't it obvious? 851 01:12:17,834 --> 01:12:21,169 - You, (hyperventilating) you've come to take-- 852 01:12:21,171 --> 01:12:26,240 - Take you away from here. (warm synth music) 853 01:12:27,344 --> 01:12:32,146 Shh, it's all right. (warm synth music) 854 01:12:34,617 --> 01:12:39,620 Shh. (warm synth music) 855 01:12:39,622 --> 01:12:42,290 It's all right, it's all right. 856 01:12:43,059 --> 01:12:46,494 (warm synth music) 857 01:12:46,496 --> 01:12:47,395 - But, 858 01:12:48,898 --> 01:12:49,897 what about? 859 01:12:50,867 --> 01:12:53,368 It's not a dream without him. 860 01:12:53,370 --> 01:12:56,804 - If you go now, they will stop you. 861 01:12:58,942 --> 01:13:00,441 - When will I see him again? 862 01:13:02,479 --> 01:13:04,645 - [Louise] He'll join you eventually. 863 01:13:05,982 --> 01:13:07,415 - You'll come for him, too? 864 01:13:09,986 --> 01:13:13,354 - When he's ready. (warm synth music) 865 01:13:19,829 --> 01:13:21,596 - There's something I have to do first. 866 01:13:22,532 --> 01:13:25,500 (warm synth music) 867 01:13:54,230 --> 01:13:55,696 These pages are for you. 868 01:13:57,233 --> 01:13:58,199 One day, 869 01:14:00,103 --> 01:14:01,436 I hope you'll find them, 870 01:14:03,339 --> 01:14:04,238 and join me 871 01:14:07,143 --> 01:14:09,944 on a threshold to a new beginning. 872 01:14:12,582 --> 01:14:16,184 I will wait for you. (warm synth music) 873 01:14:16,186 --> 01:14:20,154 (speaking in foreign language) 874 01:14:40,410 --> 01:14:41,409 This is it, 875 01:14:42,345 --> 01:14:43,244 isn't it? 876 01:14:44,848 --> 01:14:45,746 - What? 877 01:14:46,950 --> 01:14:47,849 - You, 878 01:14:50,653 --> 01:14:54,121 we have to slay the beast (slow synth music) 879 01:14:54,123 --> 01:14:58,025 forever. (slow synth music) 880 01:14:58,027 --> 01:14:59,827 - But we won, right? 881 01:14:59,829 --> 01:15:02,797 (slow synth music) 882 01:15:12,942 --> 01:15:15,243 (gun fires) 883 01:15:15,245 --> 01:15:18,246 (slow synth music) 884 01:15:20,817 --> 01:15:23,284 (gun fires) 885 01:15:23,286 --> 01:15:26,254 (slow synth music) 886 01:15:27,423 --> 01:15:31,125 - Bastard! 887 01:15:31,127 --> 01:15:32,860 (gun fires) 888 01:15:32,862 --> 01:15:36,264 (slow electronic music) 889 01:16:00,089 --> 01:16:02,323 - A lot can happen in one page, girl. 890 01:16:03,293 --> 01:16:06,694 (slow electronic music) 891 01:16:34,290 --> 01:16:36,123 Bleed for me, my pet. 892 01:16:37,660 --> 01:16:41,028 Bleed for me. (slow electronic music) 893 01:16:41,030 --> 01:16:43,097 (Gaunt Man growls) 894 01:16:43,099 --> 01:16:44,899 (Lamya gasps) 895 01:16:44,901 --> 01:16:48,302 (slow electronic music) 896 01:16:55,411 --> 01:16:57,445 (Gaunt Man growls) 897 01:16:57,447 --> 01:17:00,881 (slow electronic music) 898 01:17:22,205 --> 01:17:23,804 - Slay the beast. 899 01:17:23,806 --> 01:17:24,939 (Gaunt Man hisses) 900 01:17:24,941 --> 01:17:27,575 (gun fires) 901 01:17:27,577 --> 01:17:29,210 - How long has he been missing? 902 01:17:31,547 --> 01:17:32,613 - Almost a week. 903 01:17:37,086 --> 01:17:40,454 - Don't blame yourself, the man wasn't stable. 904 01:17:41,791 --> 01:17:44,025 - You think I don't know that? 905 01:17:44,027 --> 01:17:46,794 But I took him on, I had no right 906 01:17:46,796 --> 01:17:48,629 to send him away when he needed me. 907 01:17:50,633 --> 01:17:53,868 Too busy chasing influential socialites. 908 01:17:53,870 --> 01:17:56,871 (slow synth music) 909 01:18:00,643 --> 01:18:03,144 - You need help finding him? 910 01:18:03,146 --> 01:18:06,147 (slow synth music) 911 01:18:06,949 --> 01:18:08,549 - [Dan] You offering? 912 01:18:08,551 --> 01:18:09,450 - Cash. 913 01:18:10,753 --> 01:18:12,153 And perhaps a little intel. 914 01:18:13,022 --> 01:18:14,989 (slow electronic music) 915 01:18:14,991 --> 01:18:17,391 Do you believe in fate, Mr. Hamzi, 916 01:18:19,062 --> 01:18:21,362 and life coming full circle? 917 01:18:23,166 --> 01:18:26,133 Bring him home. (slow electronic music) 918 01:18:26,135 --> 01:18:28,402 - Violet Horizons, by Joseph Tone. 919 01:18:30,540 --> 01:18:32,373 You know, if it wasn't for this guy, 920 01:18:32,375 --> 01:18:34,608 I'd be flipping burgers by now. 921 01:18:34,610 --> 01:18:38,012 (slow electronic music) 922 01:19:21,224 --> 01:19:22,189 This is not her! 923 01:19:23,559 --> 01:19:25,059 - [Dan] It's the only Lamya Shahruddin case there is. 924 01:19:25,061 --> 01:19:27,995 - [Anton] I'm not losing my mind, this is not her. 925 01:19:27,997 --> 01:19:30,965 (slow synth music) 926 01:19:46,182 --> 01:19:49,283 Our eyes locked as we prepared to die. 927 01:19:50,686 --> 01:19:55,122 There was no turning back, no escape, only surrender. 928 01:19:55,124 --> 01:19:58,459 I could feel my lifeblood warming the cold, hard concrete. 929 01:20:01,197 --> 01:20:05,032 We may have been worlds apart, but as we lay there 930 01:20:05,034 --> 01:20:09,203 in the same place where it all began, all those years ago, 931 01:20:09,205 --> 01:20:11,705 we were meant to walk the clouds together. 932 01:20:13,342 --> 01:20:17,378 Barely conscious, I rested in her arms as she struggled 933 01:20:17,380 --> 01:20:19,180 to speak her last words. 934 01:20:21,617 --> 01:20:23,984 (speaking in foreign language) 935 01:20:23,986 --> 01:20:27,388 (slow electronic music) 936 01:20:29,692 --> 01:20:33,360 (moves into ominous music) 937 01:20:36,632 --> 01:20:40,701 (moves into slow ambient music) 938 01:20:52,882 --> 01:20:55,249 (gun fires) 939 01:20:56,719 --> 01:20:57,952 - Slay the beast. 940 01:20:57,954 --> 01:20:58,786 (Gaunt Man hisses) 941 01:20:58,788 --> 01:21:01,655 (gun fires) 942 01:21:01,657 --> 01:21:03,891 (slow ambient music) 943 01:21:03,893 --> 01:21:06,961 (Lamya cries out) 944 01:21:06,963 --> 01:21:08,696 (slow ambient music) 945 01:21:08,698 --> 01:21:11,265 (Lamya pants) 946 01:21:17,373 --> 01:21:20,374 (slow synth music) 947 01:22:17,533 --> 01:22:18,432 It's okay. 948 01:22:19,869 --> 01:22:24,204 It doesn't hurt. (slow synth music) 949 01:22:24,206 --> 01:22:25,572 Not anymore. 950 01:22:25,574 --> 01:22:28,575 (slow synth music) 951 01:22:48,698 --> 01:22:52,866 (speaking in foreign language) 952 01:22:52,868 --> 01:22:54,468 (slow electronic music) 953 01:22:54,470 --> 01:22:59,506 (train rattles) (slow electronic music) 954 01:23:16,726 --> 01:23:20,227 ¶ Breathing ¶ 955 01:23:20,229 --> 01:23:22,196 ¶ You've crossed ¶ 956 01:23:22,198 --> 01:23:23,430 - [Dan] Anton. 957 01:23:24,667 --> 01:23:27,968 ¶ To bring my time ¶ 958 01:23:27,970 --> 01:23:33,040 ¶ And through dreams I will walk ¶ 959 01:23:33,876 --> 01:23:36,010 ¶ My ¶ 960 01:23:36,012 --> 01:23:37,644 ¶ Time ¶ 961 01:23:37,646 --> 01:23:41,715 ¶ Was scattered with you ¶ 962 01:23:41,717 --> 01:23:45,119 ¶ We will ¶ 963 01:23:45,121 --> 01:23:50,190 ¶ I will ¶ 964 01:23:51,560 --> 01:23:55,129 ¶ Dreaming ¶ 965 01:23:55,131 --> 01:23:59,566 ¶ I trust my heart ¶ 966 01:23:59,568 --> 01:24:02,870 ¶ To bring my time ¶ 967 01:24:02,872 --> 01:24:07,941 ¶ And through dreams I will walk ¶ 968 01:24:09,045 --> 01:24:12,713 ¶ Hiding ¶ 969 01:24:12,715 --> 01:24:16,583 ¶ Was scattered with you ¶ 970 01:24:16,585 --> 01:24:19,820 ¶ With you ¶ 971 01:24:19,822 --> 01:24:21,889 ¶ I ¶ 972 01:24:21,891 --> 01:24:23,857 ¶ Will ¶ 973 01:24:29,865 --> 01:24:32,099 - [Lamya] What do you see? 974 01:24:33,302 --> 01:24:36,703 (slow electronic music) 975 01:25:04,567 --> 01:25:07,901 ¶ Waking up from my morning gaze ¶ 976 01:25:07,903 --> 01:25:10,471 ¶ Illuminating ¶ 977 01:25:10,473 --> 01:25:14,041 ¶ All my visions ¶ 978 01:25:14,043 --> 01:25:17,511 ¶ Far away, with my thoughts of you ¶ 979 01:25:17,513 --> 01:25:19,980 ¶ Coming back to me ¶ 980 01:25:19,982 --> 01:25:23,851 ¶ Running circles in my head ¶ 981 01:25:23,853 --> 01:25:27,154 ¶ Wishing you were right here with me ¶ 982 01:25:27,156 --> 01:25:29,490 ¶ Racing hearts beat ¶ 983 01:25:29,492 --> 01:25:33,160 ¶ To the rhythm ¶ 984 01:25:33,162 --> 01:25:36,697 ¶ Then I saw you just standing there ¶ 985 01:25:36,699 --> 01:25:39,233 ¶ Smiling my way ¶ 986 01:25:39,235 --> 01:25:43,470 ¶ Can't you rise with me, oh ¶ 987 01:25:43,472 --> 01:25:46,440 ¶ Our dreams were made of this ¶ 988 01:25:46,442 --> 01:25:48,742 ¶ Just you waiting ¶ 989 01:25:48,744 --> 01:25:52,379 ¶ To be this ¶ 990 01:25:52,381 --> 01:25:55,983 ¶ Whenever your face I see ¶ 991 01:25:55,985 --> 01:25:58,352 ¶ It follows me ¶ 992 01:25:58,354 --> 01:26:02,389 ¶ All the disco balls that alight ¶ 993 01:26:02,391 --> 01:26:05,626 ¶ All our dreams were made of this ¶ 994 01:26:05,628 --> 01:26:07,995 ¶ Just your waiting ¶ 995 01:26:07,997 --> 01:26:11,565 ¶ To be us ¶ 996 01:26:11,567 --> 01:26:15,936 ¶ Falling in your arms, try to see ¶ 997 01:26:15,938 --> 01:26:17,738 ¶ We're falling ¶ 998 01:26:17,740 --> 01:26:21,208 ¶ And the disco balls that light ¶ 999 01:26:21,210 --> 01:26:23,377 ¶ Coming home ¶ 1000 01:26:23,379 --> 01:26:25,746 ¶ I'm coming home ¶ 1001 01:26:25,748 --> 01:26:28,148 ¶ There's no way I'd ¶ 1002 01:26:28,150 --> 01:26:31,118 ¶ Go back where I belong ¶ 1003 01:26:31,120 --> 01:26:32,886 ¶ Coming home ¶ 1004 01:26:32,888 --> 01:26:35,289 ¶ You're coming home ¶ 1005 01:26:35,291 --> 01:26:37,724 ¶ There's no way I'd go ¶ 1006 01:26:37,726 --> 01:26:40,527 ¶ 'Cause you're right here, and I'm home ¶ 1007 01:26:40,529 --> 01:26:42,496 ¶ Coming home ¶ 1008 01:26:42,498 --> 01:26:44,865 ¶ You're coming home ¶ 1009 01:26:44,867 --> 01:26:47,334 ¶ And there's no way I would ¶ 1010 01:26:47,336 --> 01:26:49,736 ¶ Go back where I belong ¶ 1011 01:26:49,738 --> 01:26:52,105 ¶ You're coming home ¶ 1012 01:26:52,107 --> 01:26:54,575 ¶ You're coming home ¶ 1013 01:26:54,577 --> 01:26:57,044 ¶ And there's no way I would ¶ 1014 01:26:57,046 --> 01:27:01,381 ¶ 'Cause you're here, and I'm home ¶ 1015 01:27:18,901 --> 01:27:22,369 ¶ Our dreams were made of this ¶ 1016 01:27:22,371 --> 01:27:24,805 ¶ Just you waiting ¶ 1017 01:27:24,807 --> 01:27:28,375 ¶ To be near us ¶ 1018 01:27:28,377 --> 01:27:32,012 ¶ You're in a place I see ¶ 1019 01:27:32,014 --> 01:27:34,548 ¶ Looking for me ¶ 1020 01:27:34,550 --> 01:27:38,185 ¶ All the disco balls that light ¶ 1021 01:27:38,187 --> 01:27:41,521 ¶ Our dreams were made of this ¶ 1022 01:27:41,523 --> 01:27:43,957 ¶ Just you waiting ¶ 1023 01:27:43,959 --> 01:27:47,694 ¶ To be near us ¶ 1024 01:27:47,696 --> 01:27:51,098 ¶ You're in a place, do I see ¶ 1025 01:27:51,100 --> 01:27:53,567 ¶ Looking for me ¶ 1026 01:27:53,569 --> 01:27:56,970 ¶ All the disco balls that light ¶ 1027 01:27:56,972 --> 01:27:59,339 ¶ I'm coming home ¶ 1028 01:27:59,341 --> 01:28:01,708 ¶ You're coming home ¶ 1029 01:28:01,710 --> 01:28:04,111 ¶ And there's no way I would ¶ 1030 01:28:04,113 --> 01:28:06,546 ¶ Go back where I belong ¶ 1031 01:28:06,548 --> 01:28:08,882 ¶ You're coming home ¶ 1032 01:28:08,884 --> 01:28:11,351 ¶ I'm going home ¶ 1033 01:28:11,353 --> 01:28:13,754 ¶ And there's no way I would ¶ 1034 01:28:13,756 --> 01:28:16,456 ¶ 'Cause you're right here, and I'm home ¶ 1035 01:28:16,458 --> 01:28:18,525 ¶ Coming home ¶ 1036 01:28:18,527 --> 01:28:20,927 ¶ I'm going home ¶ 1037 01:28:20,929 --> 01:28:23,297 ¶ And there's no way I would ¶ 1038 01:28:23,299 --> 01:28:25,599 ¶ Go back where I belong ¶ 1039 01:28:25,601 --> 01:28:28,068 ¶ I'm coming home ¶ 1040 01:28:28,070 --> 01:28:30,470 ¶ You're going home ¶ 1041 01:28:30,472 --> 01:28:32,939 ¶ And there's no way I would ¶ 1042 01:28:32,941 --> 01:28:37,744 ¶ 'Cause you're right here, and I'm home ¶ 1043 01:29:12,715 --> 01:29:14,948 ¶ There's no way that I'd go back ¶ 1044 01:29:14,950 --> 01:29:18,752 ¶ There's no way, and there's no way ¶ 1045 01:29:18,754 --> 01:29:21,788 ¶ There's no way I'd go back ¶ 1046 01:29:21,790 --> 01:29:26,860 ¶ There's no way, there's no way ¶ 1047 01:29:27,696 --> 01:29:29,396 ¶ There's no way, anyway ¶ 1048 01:29:29,398 --> 01:29:32,132 ¶ There's no way, 'cause you're here ¶ 1049 01:29:32,134 --> 01:29:35,302 ¶ There's no way ¶ 1050 01:29:35,304 --> 01:29:38,872 ¶ Anymore, there's no way anymore ¶ 1051 01:29:38,874 --> 01:29:41,708 ¶ There's no way, 'cause you're right here ¶ 1052 01:29:41,710 --> 01:29:46,279 ¶ There's no way anymore ¶ 1053 01:29:46,281 --> 01:29:51,118 ¶ There's no way anymore, there's no way ¶