MORTON : So the next week, he's even hornier,
but this time he's got 20 bucks instead of 1 0.
He goes back to the whorehouse,
he slaps down a 20, tells the madam he needs to get off
but he ain't gonna screw no damn chicken this time.
She says it still ain't much , but she can help.
She tells him to go to the room at the top of the stairs.
This time, it's just a bunch of guys jerking off.
But one of the jerk-off guys assures him . You know, "lt's cool , it's cool ,"
and he waves him over to this hole in the floor
that they're all looking through .
Can we stop, please? l really gotta take a piss.
Fuck you .
So anyway, there's these two hot lesbians and they're going at it.
(BELL Rl NG l NG)
(TRAl N HORN BLOWl NG)
(CH UCKLES) What, are you praying now?
Oh , Lord , won't you grant me an empty mayonnaise jar to piss in?
You know, Krug ,
considering the rather notorious nature of the prison you're headed to,
l think l'd pray for something a little bit more substantial .
(COUG HS)
Fuck!
(GASPS)
FRANClS: Come on .
Here.
(EXHALES)
(MOANS)
You okay? Yeah .
(G ROANS)
Did l do good?
Tell me l did good !
H it us a little harder next time, Francis. Where's my kid?
He's fine.
(COUG HS)
(G RU NTS)
(CHOKl NG)
What? l can't understand you !
l think he's saying , "Take my money."
Take the money, huh?
(PANTl NG) l think he's dying now.
(CHOKl NG)
What do you think he's seeing?
Something he'll never see again .
(MORTON COUG H l NG)
(G RU NTl NG)
(SOFT YELP)
(PANTl NG)
H i .
What's my time?
lt's perfect, awesome.
Come on . Hand it over.
Come on . Let me see it.
lt's great.
Mom , let me see.
Sweetheart, your time is perfect, okay. lt's time for vacation .
JOH N : Tell the OR that the compound fracture
to the left femur is on its way up.
We're transfusing two units of O-Neg . l want them to have plenty more on hand .
FEMALE N U RSE: Yes, Doctor. So, Mr. Hadley,
can you just follow my finger?
J ust like that. Excellent. You're gonna be fine, okay?
We'll get you back on your bike in no time. Let's go, guys.
l love that shirt, by the way.
The color alone must've taken a few minutes of your time.
H i . Hey.
Hey, Mary-Anne. WOMAN : Yeah?
Where's that head CT l ordered? lt's been half an hour.
EMMA: He got a B-minus for the semester, which is fantastic,
and l will be happy to write him a letter of recommendation .
Yeah , if you need to get in touch with me this summer, you have my cell .
Okay, have a great summer. All right. Bye-bye.
That woman drives me nuts.
Okay, so are you on vacation now or should l just make a U-ey?
(HI P-HOP PLAYING SOFTLY ON RADIO)
(TU RNS lT U P)
(CH UCKLES)
(JOH N SNORl NG)
Dad?
Honey!
Yo, yo. What's up, what's up?
(MARl AN D EMMA LAUG H l NG)
(TU RNS OFF RADlO)
Are we there yet?
We are making the turn now.
Geez, you think somebody would change that sign .
l kind of like it. lt tells me the turn's coming up.
My hydrangea came back.
(EXHALES)
Place looks good .
Yeah . l'm sure inside is a different story, but. . .
Why? Yeah , why?
l didn't tell you? Dan was up fishing last week.
No, Em , you didn't. You let your brother stay here?
EMMA: Yeah . U nsupervised?
Honey, don't worry. l made him promise to sleep in the guest house. lt's fine.
(SlG HS) So he and whoever he was with trashed not one house but two, right?
Would you mind if l stayed in the guest house?
l promise l won't trash it.
"Hey, kids, have a drink on me.
"Thanks for letting me fish the lake out. Love, Dan ."
This is $4 champagne.
So? Be nice.
(BOAT ENG l N E WH l RRl NG)
(SHOUTl NG)
Oh , shit.
(HAMMERl NG)
JOH N : Jesus. H i .
What the. . .
Microwave is broken?
l don't know how he did it.
Oh , no. Honey, my brother did not break the microwave.
You have no evidence of that.
Hey, do you guys need the car today?
(BANGS)
'Cause l was thinking maybe l could meet up with Paige.
She said she'd be working today.
Okay. But we just got here. l was gonna cook supper and hangout and . . .
Well , maybe you guys could have a nice dinner alone tonight?
Here you go.
Mom , are you sure?
No, l'm not sure, but Dad seems awfully sure about it.
l know that you haven't seen Paige in a while. So. . .
Here. Have fun .
Whoa. Thanks, Dad .
All right.
J ust promise, promise that you will call me. Okay? That's all l'm asking .
Okay, l will . All right?
Love you . l love you .
Bye, babe.
Bye, Dad . l'll see you guys later. Okay.
Please be careful .
PAlG E: l don't know if you're gonna be able to keep up
with the fast pace of the town , but we just got a new yogurt stand , so. . .
Whoa, you think you can get us a table? Yeah .
You know, l got connections. l could probably pull some strings.
(CH UCKLES) MAN : How much do l owe you for this?
That is $5.25.
Thank you . Have a good day.
Listen , Mari , l . . .
l couldn't believe it when l heard about Ben .
l know.
l know l should have called you .
l just figured . . . Paige, you're fine. lt's. . .
Well . . .
Okay, new subject. Yeah , yeah .
So, what do you feel like doing tonight?
Do you . . . Do you still smoke pot?
No, l don't really do that stuff anymore.
Yeah , you're like a big athlete now, or. . .
Hey.
Yeah , do you need a basket for all that?
l don't think we've met. What's your name?
(SOFTLY) lt's J ustin .
J ustin , l'm Paige. And this is Mari .
Mari , this is J ustin . J ustin , this is Mari .
H i . Hey.
ls that all for you?
Can l get a pack of cigarettes?
Can l get some l D?
Can you just give me a pass?
J ustin , l would if l ruled the world , but. . .
What if you help me and l help you?
And how are you gonna help me?
Look, you know, l've got some premium grade-A shit back at the motel .
Really?
Yeah , l mean , you can see it for yourself.
l mean , l overheard you guys talking a second ago, so. . .
That's $ 1 3.20, right?
Okay, from $20. Here you go. Thanks.
Your turn .
(PAlG E EXCLAlMS)
PAlG E: Here we are. Very fancy, J ustin .
Left or right? J USTl N : Left.
So, Mari , l'll just run in and grab it, and then we can go back to my place.
My dad's not gonna be home all night.
MARl : Okay, five minutes.
All right, l'll be two minutes.
(TU RNS ON RADlO)
MAN ON RADIO: Now it's weather and traffic, and there's going to be
big clusters of storms developing, going into nighttime hours as well. . .
(TU RNS OFF RADlO)
(KEYS J l NG Ll NG)
(GASPS)
Sorry, so sorry, ma'am . lt's. . .
This belong you?
No. No, sorry.
What the hell , you guys?
Mari , J ustin was not kidding . This is really good shit.
Clearly.
So how long were you gonna let me sit out there?
Here. Have some.
Paige, we just had this conversation .
Come on . She's a little out of practice.
Take it.
l'm just sitting on the bed . One joint won't hurt you . Take it.
(COUG H l NG)
(CELL PHON E Rl NG l NG)
Hold on .
Hello, Mom?
Hey, Mari , you were supposed to call me an hour ago.
l know. l'm sorry.
There's a storm coming in . What time are you coming home?
l was thinking maybe l could just spend the night with Paige.
No, no, no. That is not a good idea.
Listen to me. You're 1 7 years old . . .
(STATIC)
Hello? Mom? You're breaking up. l can't hear you .
Hello? Honey? Hello? Are you there?
Mom , if you can hear me, l'll be back first thing in the morning , okay?
l love you. (GASPS) Oh , my. . .
Who was that? That was your daughter.
Now she's spending the night with Paige.
This is ridiculous. l knew this was gonna happen .
l should have never let her leave.
There isn't much we can do about it.
She does have the car.
So, J ustin , my new found friend , are you from a really big city?
No, you know, l'm kind of from all over.
All over.
My dad and uncle have us moving around a lot, so. . .
What do they do?
All sorts of things. You know, l'm kind of out of the loop.
Well , where's your mom?
She's dead .
l'm sorry.
That's all right.
When did she die?
lt was a while ago, so. . .
That's probably enough death talk.
Do you wanna move on to a happier subject?
Sure.
Someone died?
My brother. About a year ago.
A year ago?
What was his name? Ben .
Sorry.
You know what, Mari?
l think J ustin here could be kind of cute
if he lost his whole, like, creepy, hooded , U nabomber kind of vibe he's got going on .
Don't you think? Yeah .
(CH UCKLl NG) Look at this face he's got.
Here. Here, put this on .
No, actually that's. . . You know, that's my uncle's.
Well , he's not here. J ust put it on . Come on .
Model it. Go on . Put it on .
(PAlG E WHOOPS)
Not bad . Yeah ,
but the hair doesn't match the shirt anymore.
What could we do?
Come on , sit down .
All right. l need some water.
You're gonna love it. Trust us.
(CH UCKLES) Okay. Do you think the collar should go up or down?
(CH UCKLES) Put it up.
Collar up. No, collar up. l think collar down .
Fabio.
l love it. lt's a big improvement, J ustin .
You're gonna get all the ladies.
MARl : Oh , yeah .
Evening .
Dad .
l . . . l thought you guys weren't coming back. . .
Well , our timeline's gotten sped up, so. . .
Why? What's going on?
For Christ's sake, nephew, are you gonna introduce us?
Yeah , Frank. This is Mari . That's Paige.
That's my U ncle Frank, Sadie.
That's my dad .
These are two lovely girls, J ustin .
Smells like you three have been having some fun in here.
Yeah , it's like a regular party. Who else you invite?
J USTl N : Nobody. lt's just us.
(STUTTERS)
Dad , look, l was just trying to liquidate some. . .
Liquidate? ls that my word or yours?
Mine. But. . . Am l wrong? ls that. . .
No, J ustin , you're not wrong .
FRANClS: ls that my shirt?
Yeah , Frank, l'm sorry. . . No, no. Hey, hey, hey.
Keep it on . Looks good on you .
J USTl N : You know, we were just. . . Playing dress up?
(CH UCKLES) Well , l mean , we just sort of gave him a bit of a makeover.
A makeover, really? No.
PAlG E: Yeah .
Well , l think that's the greatest thing l've ever heard .
(PAlG E AN D FRANClS CH UCKLl NG)
FRANClS: Wow. We'll just get out of your way, J ustin .
How much do we owe you? l love your sweatshirt, Mari .
That your sport utility out there, Mari?
Yeah . N ice.
Yeah , we could use a vehicle like that right about now.
Yeah , 'cause ours is pretty well fucked .
Like we are.
Thanks to you , pumpkin . Fuck you !
Later maybe.
(WH lSPERl NG) Dad , what is going on . . .
(J USTl N G ROAN l NG)
We made the front page. That's what's going on !
We figured they'd have my face on there sooner or later,
but now they got Sadie's to boot.
Can you believe it, Paige, Mari?
Listen , mister. . . Sir. . .
This is none of our business. We won't. . .
You won't what?
This is none of our business.
lt's a private matter.
(PAlG E EXHALES)
Right. Right, and we won't say anything to anybody.
Well , l don't know. Frank, you believe them?
Yeah . You know, l think maybe l could .
Yeah , well , l don't.
(PANTl NG) Well , you should . 'Cause we really don't. . . We really don't give a shit.
Hey, Paige, calm down .
l swear. . . l mean , we swear that we won't. . . We won't tell any. . .
Paige. Oh , my God !
(SH USH l NG)
We have thin walls, okay. (SOBBl NG) Oh , my. . . Please don't.
Please just. . . Please, just put the knife down . You can have my keys.
l don't care. J ust don't hurt her. Thanks, Mari .
J ust don't. . .
Please. . .
(SOBBl NG) Okay, sir, can we please just go now?
Paige. . . Please. . .
Do you not like us, Paige?
l'm sorry, ladies. We just can't risk it.
PAlG E: What? No ! No, but. . .
Why can't you just. . . Please, just let us go !
Paige, just stay calm .
God damn it!
(BANG l NG)
Somebody. . . Oh , God .
Please. . . Fuck!
PAlG E: Somebody, please ! No !
Don't fucking move.
(CONTl N U ES BANG l NG)
(G RU NTl NG)
Somebody help !
Somebody! Help me !
Please !
Somebody help me !
Help ! Somebody!
(CRYl NG)
Hey! What. . .
(G ROANS)
Anything? No. No, we're still okay.
Francis ! What the fuck!
She's taking a nap. But she'll come around .
l hate cell phones.
Everywhere you turn , nothing but texting and yakking and texting .
(G RU NTl NG)
l hate them .
Load up.
J ustin .
l'm sorry. They weren't supposed to be back.
What?
That's your excuse?
Yes, sir.
J ustin .
You gotta start putting other people's needs ahead of your own .
You knew not to bring anybody back here, but you did it anyway.
Didn't you? Because l thought. . .
Because we weren't supposed to be here.
(BABBLl NG)
Well , you did it. lt can't be undone.
Now you're gonna take responsibility for that action .
lt's as simple as that. You know how we do that?
Look at her.
J ust look at her. God . Would you just let them . . .
Look at her!
That's a good start.
(H I P-HOP SONG PLAYI NG ON RADIO)
(TU RNS OFF RADlO)
Put your seatbelt on .
(SOBBl NG)
(WH lMPERS)
(SH USH l NG)
(CRYl NG)
Hell .
We're okay.
You're okay.
(Sl REN WAl Ll NG)
(FRANClS MOANS)
(FRANClS KlSSl NG)
Now l go left, right?
Looks like that road that's over the mountain is left.
Right takes you back to the lake.
Go left.
l've been coming here for years. You're looking for H ighway 43,
the two-lane that goes over the mountains. Right?
l guess that's the one, Mari .
Then you need to go left.
Thanks for the clarity, Mari .
Thanks for being so cooperative, Mari .
What good would it do me not to be?
l always took your kind to be whiny little fucking bitches
born with silver spoons up their asses, but you ,
l think maybe there's hope for you , Mari .
l don't know, Krug . l think Mari here has some potential you should consider.
Krug , what do you think?
l think she's been a cool customer ever since the motel .
He agrees.
(SCREAMS)
SADl E: Oh , my God !
(PAlG E SCREAMl NG)
(SCREAMl NG)
Come on !
You get the fuck. . .
Handle it!
Dad , watch out!
(G ROANS)
(PANTl NG)
(G ROANS)
(CRYl NG)
Shit.
(SPlTS)
(G ROAN l NG)
Motherfucker.
(G ROAN l NG)
(FRANClS CH UCKLES EVl LLY)
You bitch .
(YELLS)
Sadie, you okay?
Do l look O-fucking-kay? Fuck!
Oh , no. No, no, no.
This is gonna scar. lt's gonna scar forever!
Well , then you should let her know how you feel about that.
(TH U DS)
(SCREAMS)
Yeah !
Fuck!
You bitch !
(SADl E SCREAMl NG)
SADl E: Fuck you !
Fucking bitch , you burned my fucking face !
Why the fuck did you do that?
SADl E: Oh , my God ! PAlG E: Mari !
KRUG : Damn it! Fuck!
Mari ! MARl : Paige, run !
KRUG : Come here !
Bring her back!
(CRYl NG)
(SH USH l NG)
(PAlG E PANTl NG)
Help !
Somebody!
Help me ! Help !
Get back here, you stupid cunt!
FRANClS: Come on back, Paige !
(SOBBl NG) No !
Stop !
Please.
FRANClS: Hey, Paige !
SADl E: Paige !
Fuck!
(PANTl NG)
(G ROANS)
(G RU NTl NG)
Help ! Somebody!
Help me ! Somebody help me ! Help me !
(G RU NTl NG)
Please help me ! No !
(PAlG E G ROANS)
(SPlTS)
SADl E: No.
No?
Krug says he wants us to bring her back.
(PAlG E CRYl NG)
FRANClS: Get up !
(G ROAN l NG)
Now what?
You ready to be a man?
What?
Pick one. Or both .
(KRUG CH UCKLES)
What are you doing?
KRUG : No, no, no.
No !
Come on . Grab her.
(G RU NTl NG)
Hold on !
l'm teaching you a lesson , son ! J ust. . . Come on .
KRUG : Jesus, just like that. FRANClS: Look at that.
(CRYl NG)
(CLOTH ES Rl PPl NG)
Come here.
Yeah . See? Let's get him all worked up.
Get him all worked up and tingling .
(CRYl NG)
There.
(G RU NTS)
What's the matter with you !
Never gonna get easier than this !
You're pathetic!
What'd you say, Paige?
Where did that come from all of a sudden?
My goodness. Come here.
(GASPl NG)
Are you gonna hit me now?
No, honey, not hit.
(SWlTCH BLADE CLlCKS)
(CRl ES)
No !
(EXHALES)
(G ROANS)
No ! No ! No !
(G ROAN l NG)
(WH EEZl NG)
(CRYl NG) Paige !
(WH EEZl NG)
You think l'm pathetic, Paige? Look at my fucking kid here !
(COUG H l NG)
Well , Mari , looks like she's in a lot of pain .
Get that hair out of her mouth .
Tell her everything's gonna be okay. Tell her help's on the way.
Tell her it's not as bad as it looks.
Do it. She needs you !
l won't!
(KRUG YELLl NG)
KRUG : God damn it! MARl : Leave me alone !
(MARl CRYl NG LOU DLY)
No.
Don't! Don't do this !
(SHOUTl NG) You think you can fuck with me whenever you want?
She doesn't think so, see.
Come on .
She's a liar.
Look around . Look what she did .
No ! No ! No ! No !
No ! KRUG : You hear that?
(MARl CRYl NG LOU DLY)
(G RU NTl NG LOU DLY) MARl : No !
(KRUG MOAN l NG)
No, please ! Please. . .
KRUG : Jesus Christ!
(KRUG EXHALES)
(PANTl NG)
J ustin , please.
No. You stay right there, J ustin .
(KRUG G ROANS)
(CRYl NG) Please !
Please, please, please. . .
(KRUG G ROAN l NG)
(GASPl NG)
What is that? You want that?
(CRYl NG LOU DLY)
ls that what you want?
No !
(GASPS)
You missed out.
(SN l FFLES)
l swim .
What, sweetie? We can't hear you .
l love to swim .
We're happy for you .
l can do it one more. . .
One more time for what?
(G ROANS)
(G U NSHOTS)
(BU LLET WHOOSH l NG)
Shit.
(CH UCKLES) You got her.
(TH U N DER RUMBLl NG)
(WH lMPERl NG)
Come on ! J ustin !
(MOANS)
Thanks for cooking , honey. lt's good .
lt's a team effort.
Sit down . Stay with me.
Okay. Sorry.
(TH U N DERl NG)
(KNOCKl NG ON DOOR)
KRUG : Hello !
There's been an accident.
(DOOR CLOSES)
JOHN : This is gonna hurt. One, two. . .
(G ROANS)
Shit!
(BON ES CRU NCH l NG)
Shit!
(G ROANS)
Okay. The worst part's over.
J ust try and breathe normally, okay? Deep breath .
Deep breath , deep breath .
l was just saying that despite everything , we're having a pretty lucky day.
Seeing your house. . .
lt's so beautiful . This kitchen is just so squeaky clean .
And you being a doctor, of course.
Yeah , an ill-equipped one. You guys should still go to the hospital .
Well , we don't really have the best health coverage right now.
Well , they still have to treat you .
Well , in that case, can we bum a ride?
(CH UCKLES)
Sure, there's only one problem .
Our daughter won't have the car back till tomorrow morning . So. . .
Thank you , Mrs. Collingwood .
lt's Emma.
SADl E: Thank you . You're welcome.
J ustin , sweetie, would you like some hot chocolate?
Well , if he doesn't, it'll be a first. What do you say, J ustin?
Yeah?
Yes, please. Okay.
JOH N : Hold on to this. Keep the pressure on .
Say, you think l could use your landline?
Sure. Yeah , no problem .
lt's right there on the wall . JOH N : Here you go.
l gotta call us a tow truck and maybe a cab to take us into town .
Are you sure that's a good idea, Krug?
l mean , do they even have taxis here?
Yeah , they do.
Good luck getting one to come out here in this weather.
EMMA: Well , they might, honey. You never know.
Yeah , you never know, do you?
Yellow Pages are in this drawer over here.
J ustin .
Okay, Francis, here we go.
(MOANS)
One second .
Shit.
Hold still .
(FRANClS G ROAN l NG)
(ELECTRlClTY CRACKLl NG)
(G ROAN l NG)
Shit, you gotta be fucking kidding me.
Hey, Doc. Doc, where's the needle?
Don't move, okay? Don't move.
Yeah , don't worry.
That phone's dead , too.
JOH N : Yeah , it happens every time. l'll just turn the generator on .
Sit tight, everyone.
So, you guys live here permanently?
Oh , no, no, no. We actually live in the city.
How many houses do you have?
So, what are you guys doing out here anyway?
l mean , this is kind of in the middle of nowhere.
Are you on a family vacation or. . .
(FRANClS COUG HS)
Well , it's kind of embarrassing actually.
My dad used to take Francis and me to this lake every summer.
Do some fishing , a little camping . . .
But now that he's gone,
those memories are all that l really have left of him ,
and , basically, l'm just trying to do the same thing for J ustin here.
l think that's important. lt's nice, making memories.
Don't know if l want to remember today.
(KRUG CH UCKLES)
You might. You never know. l mean , you're all safe. You're together.
That's what counts.
Amen , Emma. Amen .
(G RU NTl NG)
(G EN ERATOR RU N N l NG)
Well , okay.
Would you mind holding this for me? J ust hold it on his face.
JOH N : You all right? All right, here we go.
(G ROAN l NG) JOH N : Okay, just hold still .
God .
(FRANClS G ROAN l NG LOU DLY)
That fucking hurts !
Man up, Frank.
Fuck you . God .
Here you go, sweetheart.
Thank you .
And we're done.
You better not be lying , Doc.
l just have to clean it off first.
Hey, Em , would you get the antiseptic cream out of the drawer over there?
lt's gonna sting . What?
Jesus, okay! l know. lt's okay. You're doing good . Okay.
That's it. You're done.
That's good .
Thank you , Emma.
Sure.
EMMA: l'll . . . l'll get you a coffee, too.
Got anything stronger?
(EXHALES)
Nothing .
Yeah , l figured .
Looks like we're still stuck here.
SADl E: J ustin , are you okay?
l've just never seen him like this before.
Well , maybe you should lie down .
You know, you should probably just sleep here tonight.
Well , no, we couldn't do that.
l don't think you have much choice.
We just don't want to impose, is all .
Well , it's really not a problem . We have a guest house. So. . .
Whatever you think. Whatever's easiest.
(l N HALES)
Yeah , we're very easy.
Where's the bathroom?
lt's the last door on the right. Down the hall .
Kitchen counter's fine.
That's our daughter, Mari .
The car thief.
Sorry. . . l'm . . .
(GASPl NG)
J ustin , honey? J ustin , honey. . .
Are you okay? What's wrong? l'm fine. l'm fine.
(GASPl NG)
(KNOCKl NG ON DOOR)
KRUG : Hey, J ustin , Dr. Collingwood wants to know if you're doing okay.
Yeah , tell him l'm fine.
You keep your mouth shut, do you hear me? Don't you fuck up again .
H urry up.
The neighborhood boys would try to jump over our fence and steal our fruit. . .
The dog would chase them out, but my mom was scared of the dog .
She took him to the pound .
(KRUG CHATTERl NG l N DlSTl NCTLY)
(EMMA LAUG H l NG)
We're being shown to our room .
So, the bathroom is in there.
And there should be some stuff in the medicine cabinet
in case J ustin starts to feel sick again .
But other than that, l think we're pretty well-covered .
So, unless you guys can think of anything else, then l'll let you . . .
Let you get your rest.
Emma, please. You've done more than enough .
Go. Get some sleep for goodness sakes.
Well , if you decide that you do need anything , please don't hesitate to. . .
Well , you can't really call , but l guess just come over.
Will do.
Good night.
Good night, Emma.
l think she likes me.
(CH UCKLES)
(GASPS)
You get them all squared away down there?
Yeah . Yeah , yeah , yeah .
They're just so weird .
Did you lock the front door? No.
l got it. Why don't you pour us the rest of that wine?
(CREAKl NG)
Em? Yeah?
Did you hear that?
(TAPPl NG) Where's it coming from?
Sounds like it's coming from the porch .
(LOU D TAPPl NG)
Mari !
Oh , my God !
Okay, baby. l got you . Sweetie.
(SOBBl NG) Oh , my God ! Oh , my God . John .
(CRYl NG) She's been shot! We gotta get her inside.
Hold her head . Hold her head . Give me some room . Give me some room .
John , is she breathing? Baby?
Come on , girl , let's go.
John , come on !
Fuck! Oh , my God !
No, no, no. That's it. All right.
(MARl COUG H l NG) Come on , Mari . Can you hear me?
Mommy and Daddy are with you , okay? You're gonna be okay.
l gotta stop this bleeding . Go get me a knife.
John , what about the bullet? Stopping the bleeding is more important
than fishing for a fucking bullet! Get me a knife now!
(SHOWER RU N N l NG)
John . John !
And lots of towels, all right? Whatever alcohol we have in there.
(CELL PHON E BEEPS)
Okay, sweet pea. This isn't gonna feel good , but it's gotta be done. Okay?
(MARl G ROANS)
(SlZZLl NG)
That's it, that's it, baby girl . l know, baby, l know.
Almost done.
Almost done. Okay.
That's it, that's it. Brave girl .
Okay, all done. That's it.
(SOBBl NG) Oh , God .
You fucker.
(PANTl NG WEAKLY)
Mari? What's that? What's that?
l can't breathe. Okay, okay. l'm gonna fix it, all right?
That's easy, honey, all right. Okay, l'm just gonna turn you over.
That's my baby. J ust one second .
Emma ! l need a glass of water, quick!
JOH N : There we go. Okay. EMMA: J ust for a minute.
(CRYl NG) Mama's right here, honey. That's it.
Mama's here, honey.
(WH lSPERl NG) John , be careful . Okay.
All right, sweet pea, now this is gonna hurt a little bit, okay?
But l promise you , you're gonna breathe better.
All right, here we go. Ready? One. . . lt's okay, baby. lt's okay.
. . .two, three.
JOH N : l know. l know, sweetie, you're almost there.
l just need to let a little air out.
That's it. That's my girl . Okay.
Okay, sweetheart. Okay, that's it, baby.
Hang on one sec. J ust gotta equalize the pressure.
(CRYl NG) Okay, all right. That's it.
lt's okay, honey. J ust breathe.
Okay, there we go. That's it, there you go.
That's it, baby. There you go. Okay.
ls that better? Now you can breathe. That's all better now.
That's my girl . There you go. Yeah . (WH lSPERl NG) lt's okay, baby.
Can you tell me who did this to you , huh?
Did you see him , sweetie?
John?
She's doing okay. She's stable. l don't know how long it's gonna be,
but we gotta get her to a hospital .
John . What?
This was in the kitchen .
Okay. Why? The kid .
That kid put it there.
John , Mari was wearing this when she left.
She was wearing this when she left today.
(SN l FFLl NG) Fuck.
Em .
(CRYl NG) Em , she was raped .
(CRYl NG)
No.
No ! No ! There's blood . . .
l'm so sorry.
(CRYl NG) Motherfuckers !
John , John , l've should've seen it. l should have realized .
He was just standing there looking at her. He looked like a goddamn ghost,
he just was staring at her picture on the fridge. Fucking knew it!
We are going to get her to a hospital , okay? We are going to do this.
They're still here.
What if they come over here. . . You're right. l know. l know. You're right.
Which means we gotta be ready. For anything .
We have to be ready to do anything . You hear me?
Yeah .
We don't have. . . We don't have a car. l mean , the nearest house is six miles from here.
How are we. . . By land .
Six miles by land , okay? We're gonna do this.
l need you with me. We are going to do it.
Okay. Okay. Let's go.
Come on , sweetie.
All right, l need some tape. l gotta tape. . . l gotta secure this tube. Okay.
You awake in there?
Shit!
(CLEARS TH ROAT)
Come here, baby. lt's okay. lt's okay. lt's okay.
(SH USH l NG) lt's gonna be okay. We're leaving very soon , l promise.
(DOOR OPEN l NG)
Em , where are the boat keys?
(GASPS) Hey.
Sorry, l thought you'd be asleep by now.
John's asleep.
l'm the. . . l'm the night owl .
Yeah , that last lightning bolt woke me up.
(CH UCKLES)
Thought maybe a cold beer might help. Knock me back out.
Do you mind? No, wait. Wait, wait, wait.
l . . .
(SN l FFLl NG)
l don't think a beer's gonna cut it, you know.
Not on a night like this anyway.
(SOFT CH UCKLE)
Well , what's gonna cut it, Mrs. Collingwood?
Well , l was thinking of maybe a more. . .
A more adult beverage.
We fall into that category?
Yeah , l think so.
All right, bartender. l guess l'll have another hit of that whiskey then .
John just polished that off.
Really?
That's impressive.
So, he must be. . . He's passed out upstairs.
You a wine drinker?
l guess l am tonight.
Yeah .
Here, let me go find one.
(BOTTLES Tl N KLl NG)
So, is that rain letting up any?
No, not much . l think the storm's gonna be here awhile.
So, you not finding a good bottle?
No, l . . . No, actually,
l have one open in the fridge. Let me just go get it.
Here you go.
Should l just chug it?
God , l'm sorry. Glasses, right.
Here, let me just pour that for you . All right.
You know, l can't thank you enough for your hospitality.
Well , you know, it's. . . lt's the least we could do.
So, l noticed you had a hot tub.
You get to use that much?
No. Not too much lately.
Of course, there's a fire. lt could use some stoking .
(WH lSPERl NG) Now that sounds like a fine idea.
(WH lSPERl NG) l'll get the wine. l'll meet you in there.
(PANTl NG)
Son of a bitch !
(G ROANS)
(G RU NTS)
(FRANClS G RU NTl NG)
You fucking bitch !
Who the fuck are you?
(G ROANS)
Krug !
Krug ! Sadie !
Shit.
(SCREAMl NG)
Get off me !
(TH U DS)
(G RU NTl NG)
(GASPl NG)
(FRANClS G U RG Ll NG)
(FOOD DlSPOSER WH l RRl NG)
(BON ES CRU NCH l NG)
(SCREAMl NG)
(WH l RRl NG STOPS)
(GAGS)
(COUG HS)
(PANTl NG)
(G U N COCKl NG)
(SCREAMl NG)
(KRUG G RU NTl NG)
(G RU NTl NG)
JOH N : Shit!
(G ROANS)
Jesus Christ!
(SCREAMl NG)
(G RU NTl NG)
(SHOUTl NG) Who are you crazy fucks?
(PANTl NG)
(JOH N G ROANS)
(BOTH G RU NTl NG)
(G ROANS)
(CRU NCH l NG)
(G ROANS)
Fuck me, Francis.
(G ROANS)
(G RU NTS)
(POLE CLAN Kl NG)
Hang on sweetheart, okay?
We might have to do this a different way, all right?
Come on out, you piece of shit!
KRUG : What are the odds, man?
Of course, your little girl had a lot to do with it.
You should be proud .
How'd you make us anyway?
Did my fucking kid rat us out?
That's it, isn't it? My fucking kid !
He figured out who you were and blabbered his brains.
Hey, by the way, you all did a bang-up job on my brother.
He is really fucking dead down there.
(RATTLl NG)
Well , well . What's this?
This Emma down here by the lake?
You two planning a daring escape at sea, huh?
(G RU NTS)
(RATTLl NG)
No ! Emma !
Did you find them?
(KRUG G RU NTl NG)
(G ROANS)
(WHOOPS)
KRUG : That hurt?
Give you a hand !
You should have seen yourself.
Come on , is that all you got for me?
(G ROAN l NG)
l was expecting a lot more fight out of you , John .
Mari and her little friend sure gave me a lot of fight.
(G ROANS)
(TH U DS)
You wanna hear what l did to Mari?
l bet you do, pervert.
You want to hear how tight your little homecoming queen was?
No, l want to hear you beg for your fucking life.
(BOTH G RU NTl NG)
l don't feel like begging today.
(CHOKl NG)
(G U N COCKl NG)
What are you doing?
(CH UCKLES) Ending this.
Well , you sure picked a hell of a time to grow some balls.
Glad to see you , too.
Look, l'm not mad , all right? J ust don't do anything stupid .
(G U N CLlCKS)
My son .
l loved you .
l took care of you !
(GASPS)
(CRYl NG) Loved?
You don't get to talk now!
(GASPl NG) Fuck you !
(GASPS LOU DLY)
(G ROANS)
(PANTl NG)
(G RU NTS)
H i .
KRUG : What is this?
l can't move.
You're paralyzed from the neck down .
l didn't have any rope or duct tape.
(EXHALES)
What are you doing?
Doc?
What the fuck are you doing?
(BEEPl NG)
You're gonna be fine.
Wait.
(BEEPS)
Hey.
Wait.
(ELECTRlClTY H UMMl NG)
(G ROAN l NG)
(G ROAN l NG LOU DLY)
(ELECTRlClTY CRACKLl NG)
(SCREAMl NG)