Can you tell him to come a little bit earlier? He was a little bit late.
OK.
Come a little bit early, OK?
Are you all in the right place?
OK.
OK. Thanks.
Take your positions.
Silence now.
Extras, action!
Action, Théo.
OK, stop.
- Cut! Cut! - Cut.
Come with me.
Take your positions.
When you're coming down the staircase,
try not to have your arms like this.
When you're coming down the staircase, relax your arms, relax them.
- OK. - Relax them.
Come down with your arms hanging down. OK?
Good. Can you try one more time?
Produced by
- Here? - Yeah.
Again.
OK. One more time.
And put your hands in your pockets.
My pockets? Here?
No. In the pockets.
OK. Then do... Let's do it like this.
- Yeah? - Yeah. It looks great.
OK, let's start again. Take your positions.
- Take four. - Mark.
- Let's go. Extras, action! - Stop, stop, stop, stop.
What are you doing with your hands?
- Sorry. - You hold your glass...
Why is the glass empty?
Your other hand, just put it here.
And hold your drink.
That's all you gotta do, hold your drink.
How are you holding your drink? Fantastic.
Talk to each other. Have fun.
OK, we're rolling.
It's good, Tomas?
OK.
Get into position. Cigarettes...
Stop.
It's not that you have to come down the staircase,
you want to come down the staircase.
It's not even about the staircase. It's about you
going to have a drink, going to have some fun.
This is just a transition moment.
But we are turning it into a huge drama moment,
because you're not able to make some sudden simple steps down the staircase.
Everybody's waiting for you. Just make your steps.
Just walk down the staircase. It's not that hard.
I don't want you to... Like...
I don't want you to show us your physical problems.
I just want you to come down the staircase, see the space.
It's a place that you've known for a while,
and you like it, and you're going in the space,
and you're going to order a drink, and you have a cigarette, and you like it,
because it's your favourite brand. OK?
- OK. - Great.
- You good? - And you?
You came to eat pistachios?
Yeah. Wanna go on somewhere?
Where?
I don't know. Your place? My place?
- Nope. - No?
No, not right now.
- How come? - I don't want to right now.
The shoot's over. Let's go.
Yeah, but it helped me realise some stuff.
There's no point talking now. It's a party.
- I want to go home alone. - Stuff about what?
The two of us. It's not what I want.
- Are you serious? - Yes, I'm serious.
Excuse me.
Evening. Can I get a beer?
Poor guy.
He was cute.
Sorry?
The boy you shooed away, he's very beautiful.
- Don't you think? - Yeah, maybe.
Sorry to intrude. I thought maybe
you wanted to talk to someone.
Baby, let's dance.
No, no, no. I'm not... I'm not in the mood.
Oh, not in the mood.
It's my party and my husband doesn't want to dance with me.
- I'll dance with you. - You'll dance with me?
OK. Bye.
Let's go.
Can you at least try not to look so bored?
We're trying to celebrate here.
I've worked all day, Tomas, I just don't feel like dancing.
I don't feel dancing either.
- Just try to be supportive. - Aye, aye, Herr Freiburg.
I have to go.
I have to wake up early tomorrow.
You're such a pain in the ass.
See you later.
Don't think too much.
It's OK. You just have to listen to the music.
- What's your name? - Agathe.
I'm Tomas.
I know who you are.
Alan's more a virtual kinda guy.
Prefers relationships through a screen.
You're not cold?
I had no reception so they couldn't text me confirmation.
I gave up, like it's not meant to be.
Good morning.
We went to Erica's and I fell asleep there.
I'm sorry. Should've called.
Martin?
Mmm-hmm?
You know what I was doing last night?
No, but whatever it was you sound very excited.
I had sex with a woman.
Can I tell you about it, please?
Yes, of course.
I felt something I hadn't felt in a very long time.
- And... - I don't need to hear this.
It was exciting. It was something different Martin.
It's sick what's happening between us.
For real.
You hate me, don't you?
Can you not do this now?
Leave my suitcase alone!
Leave my fucking suitcase alone!
Just stop it.
- Tomas... - This is my suitcase.
That's mine.
Fucker!
I'm going to my class.
- Don't leave like this. - Get off.
Listen...
It's fine, Tomas. It's fine.
You're tired. I'm tired.
Just... Rest a little bit.
Take a nap. Relax.
We'll be fine.
This is what always happens when you finish a film.
You just forget.
All right?
That's why I feel squishy.
- Huh? - I feel squishy.
Yeah.
Your dream body...
Gotta work on it.
Shit!
Agathe!
Agathe. Can we talk a minute?
Two minutes, even.
Thanks.
No, go on. Talk.
What's the problem?
There is no problem. You're great.
So why avoid me last night?
No, I didn't avoid you. It's just...
It's just I have nothing to say. That's all.
You're on my back, demanding explanations I don't owe you.
It's over. I didn't want to say it in public.
- Keep them. - They're your keys.
I know, but keep them.
- Baby, take them. - Don't call me baby, please.
No.
I can't kiss you?
No.
You bitch.
Second take.
Hello.
Sorry to interrupt. Just leave these downstairs
when you go and we'll clean up the rest of the space.
OK.
The interns are leaving too
and they'd love to have a picture with you.
- Do you mind? - If we can do it quick.
Thank you.
Can you take a photo of us, please?
Thanks.
- Over here. - Everybody?
- Yes. - Yes.
- Let's stand here. - OK.
- That's everybody? - Yes.
- We're good? - Yes.
Push in. I don't know your name. Thanks.
OK, let's smile.
- Here, I took two. - Thanks.
So, I made a reservation…
Thank you.
See you soon.
Goodbye.
Are you a photographer?
No. I mean, I just, she invited me to come.
- Where we going, Erica? - Les Triplettes.
- Don't forget to leave the keys. - Yeah.
- You're not coming? - No. I'm trying to work.
- OK. - Um...
- See you another time. - OK. Goodnight.
Agathe!
Shh!
You're making too much noise.
Sorry.
Thank you.
It's kinda dry.
Yeah.
Night night.
Night.
Can you really say that you're in love with me?
Maybe we have to take more risk.
Not always be so careful.
So now you're falling in love with someone else you're taking that risk?
I didn't say that I'm in love with her. I said...
I'd say you were in love with her.
You don't believe me?
I didn't say I didn't believe you.
You could say that you're happy for me.
Oh, listen, you can pursue anything that you want,
anything that excites you, but you can't dictate how I feel.
I'm not dictating how you feel.
I'm sharing with you how I feel.
- OK. - OK.
I love seeing you grow.
I love seeing you live your life. OK?
- Mmm-hmm. - Mmm-hmm.
You're my brother, Martin.
Oh, my! That's a new one.
Brother.
Look, all I'm saying is that you could help me.
How do you want me to help you?
By being with me.
By being patient.
- Evening! How you doing? - Good. Thank you.
- There, on the left. - Thanks.
Hello, darling.
- You OK? - Mmm-hmm. Yeah.
You're looking good. Where's Tomas?
He is editing.
Sorry. It's so rude.
- Hello. - Hi.
- I'm Martin. - Ahmad.
Ahmad is a new client.
- Wonderful writer. - Nice to meet you.
Clément talks about you all the time.
Really?
He even told me about your studio in Montparnasse.
- Maybe we can visit. - Yeah. Any time.
What do you write about?
I don't know. I haven't written that much.
So I don't even know if I have a subject.
I try to write about things I know about, I guess.
His novel is wonderful. I just sold it,
so we're celebrating tonight.
- Do you want a martini? - Sure.
- I'd love to read it. - You will.
How long have you been in Paris?
- About six years. - OK. Great.
- You like it? - I love it.
- And do you like it? - Yeah. It's my city.
- Another scotch? - Yeah, please.
You guys hungry?
Mmm-hmm. Let's eat, yeah.
- You hungry too? - Yeah. I'm starving.
What are you working on now?
I'm the fiction editor for a literary journal.
But what's your next book?
I'm not planning to write another book.
Why not? You've been such a success.
No, I'm not very interested in thinking of myself as a writer.
I only liked writing this book because at the time I was completely anonymous
and people didn't know that I existed. So...
- I felt free. - Of course. I don't buy that.
He's going to write another one.
No, don't talk for me, please.
- He'll write another book. - Well, right now...
- Of course you will. - Right now I want to do other things.
- What other things? - Tomas.
What? I'm curious.
Can I get you anything?
Yes, another gin and tonic, please.
If I have an answer, I will share it with you.
- Thank you. - You're welcome.
What an arrogant prick.
I don't think so.
Clément says the book is wonderful.
He's sold it everywhere. Hopes it'll be a big success.
Of course he does. How else can he afford his drug habit?
Clément does not have a drug habit.
Then he should. It might make him more interesting.
Where are you going?
I'm going to the editing room.
- Now? - Yeah. I'm not tired.
You're lying.
Don't be melodramatic, please.
Hi. Good evening.
Shh! You're going to wake up everyone.
- What? No. - Yes.
Agathe?
- Agathe? - What?
Can you come here?
What?
I wanted to look at you.
Here I am.
Well, and here I am.
You good?
Yes. You too?
Yes.
I'm happy to be here.
Me too.
You wanna join me?
♪ Won't you buy my sweet, blooming lavender?
♪ There are sixteen blue branches
♪ One penny, all in full bloom
♪ You buy them once, you buy them twice
♪ It makes your clothes smell sweet and nice
♪ Come on you young ladies and make no delay
♪ My lavender's fresh from Mitcham
♪ And we're round once a day
♪ Some are large and some are small
♪ Please take them in and show them all
♪ T'was early this morning
♪ When the dew was a-falling
♪ I gathered my sweet lavender
♪ From the valley, all in full bloom
♪ Won't you buy my sweet, blooming lavender?
♪ There are sixteen blue branches,
♪ A penny, all in full bloom ♪
It makes me think about a song that my father taught me.
You want to hear it?
♪ Quand nous chanterons le temps des cerises
♪ Et gais rossignols et merles moqueurs
♪ Seront tous en fête
♪ Les belles auront la folie en tête
♪ Et les amoureux du soleil au cœur
♪ Quand nous chanterons le temps des cerises
♪ Sifflera bien mieux le merle moqueur ♪
You make me shy.
I think I'm falling in love with you.
You say that a lot, I imagine.
I say it when I mean it.
You say it when it works for you.
I say it when I feel it.
Hmm.
You sure that that one's yours?
Yes, I'm sure.
Too bad we never made it to Brasilia.
That's not my fault.
Not my fault either.
You're reading his book?
Yes.
It's a brick.
I'm halfway through it.
It's good.
It's well-written.
I thought you didn't like fiction.
I like this one.
I left a couple of boxes.
I'll come back over the weekend, OK?
Yeah. I might be going to the house.
I'm not sure yet.
I actually wanted to talk to you about that.
I had a call last week from an estate agent.
And she said there was a couple interested in looking at it.
OK, what do you mean "Looking at it"?
Buying it.
They liked the look of it from the outside.
It's not for sale.
I know it's not for sale, but I won't be able to afford it alone.
I can pay my half.
What?
I don't want to share a house with you, Tomas.
Can we talk about it in a few weeks please?
Well they might not still be looking in a few weeks.
We don't have to sell because somebody wants to buy, that's ridiculous.
- Martin... - I have to go.
Yeah.
I'll call you on Saturday, OK? We can talk about it.
Seven o'clock.
Go on.
Are you going to stay for a long time?
Of course. Very long.
So, it's not just for storage?
Of course it's for storage.
Welcome.
Hi.
It's me.
It's seven o'clock.
I said I was going to call, so I'm calling.
I don't need an agenda to talk to you.
What's that music?
Oh, don't be ridiculous. I'm gonna go now. I'm going.
Bye, Tomas.
- Sorry. - It's OK.
I wish he'd leave me alone and stop calling me.
Yes, you cannot do anything about it.
What do you mean?
I mean, you cannot change someone like him...
What they think, what they want to do.
And if you don't want to talk him just don't pick up the phone.
- It's easy. - Mmm-hmm.
Mmm?
What do you think?
It's wonderful.
But you don't think it's too much?
Huh?
You're not paying attention.
I am. I said it looked wonderful.
Beautiful.
You're OK?
Maybe Martin's right.
I can be terribly self-involved.
Do you always believe what he says?
He knows me well.
So that's why you left him?
And me?
Do I know you a little?
Yes.
A little.
What?
Morning!
Put the chair back.
Measuring yourself, Léo?
Thank you.
Sorry I'm late.
Thanks for almost behaving.
How are you?
Good.
- You all did your homework? - Yes.
"My Weekend." Great.
Who'd like to start?
Go ahead, Marc-Aurèle.
You're very beautiful, ma'am.
Maybe she has a boyfriend!
Is that true? Do you, ma'am?
No. Perhaps.
In any case, it's none of your business.
Let's start.
Léo...
"My Weekend. After school, I played soccer with friends.
"Then we went to the movies together.
"On Saturday, I played table tennis with them.
"Then we all had dinner in a restaurant."
All right.
- You, Valentin? - OK.
"Saturday morning, I did homework until noon.
"After lunch, I drew for the rest of the day.
"And I went to bed around 10-11 o'clock.
"Next day, same thing, except I was asleep by nine."
You can go to bed when you want?
- No. - Yes.
No, no, no.
Hi, there.
It's me.
I just came to pick up the boxes.
Sorry.
Tomas.
I hope you're hungry.
Not very.
It's weird. Sometimes you eat so much
and sometimes you eat like a girl.
You don't have to cook for me.
It's not only for you. I just like it, that's all.
You like this book?
No.
It's funny, because I met the writer.
I was at a party last year...
I mean, we only talked for a few minutes,
but he was really interesting.
Sort of like his book.
- Meaning what? - I don't know.
I found his book very original.
So far I'm not impressed.
You know what?
I was thinking, maybe, we should have, I don't know,
like a small party here.
- With some friends of yours. - I don't want to have a little party.
It's OK. It's just there is friends of mine you haven't met yet.
Can we just wait for a few weeks?
You don't want to have a party with me?
I do. I want to have a party.
It doesn't seem like that.
OK. Bon appétit.
There you are!
Wonderful!
That's just great. Good job.
Look at those colours.
Really good.
May I snap a photo
to capture the moment for posterity?
- Thanks. - It's great.
- Were you closed this summer? - Yeah, for all of August.
We were away. It's why these took a bit longer than I thought.
Thank you.
- Great. - Yeah?
What do you think? Good, isn't it?
What would you use these for?
- For the visitor... - Martin? Martin?
...go back with a souvenir.
There is someone to see you.
It's Tomas.
Um... One moment. Sorry.
OK.
What do you think of it?
The colours are beautiful.
What do you want?
You said you wanted to talk about the house.
You have to give me your keys back.
- What keys? - For the apartment, Tomas.
- I don't have it here. - Liar.
These are Agathe's.
You can't just turn up like this any time you want any more.
Why not? Did I scare your friend?
You have to go. I'm busy.
We had our first screening.
And?
And it didn't go very well.
So what? It was the first screening.
I have to go.
I didn't really understand much of it
the first time to be honest.
But when we watched it again, I've kind of got into it.
Particularly the black and white.
And how old were you when you saw it first?
I don't know.
- Dad, how old was I? - Maybe eight or nine.
But you slept then.
That gave me my favourite kind of movie,
the ones I sleep through.
But you're lucky to watch movies with your parents.
I mean, mine, they were working a lot,
so I was with my grandmother, my mum's mum,
and she never had much money, but she was beautiful
and she loved art, so...
Yeah.
Um, and she was the one taking care of us
and choosing the movie we have to see in the cinema.
And she was offering us tickets
and we'd use the money to go to the fun fair.
- Eating candy cotton. - What's candy cotton?
You know, barbe à papa.
It's been so long since I had any.
It's yummy.
Why don't you go say hello?
I don't want to say hello.
Tomas? You remember Elias's father?
Mmm-hmm.
You know that we couldn't talk together
and even sit in the same place, for I don't know, like four, five years
without a lawyer in presence.
And now look. We are all going on vacation together,
we are like family.
It can happen.
I just want to give you a little push.
It's not that important. It's just a little bit strange.
Yeah, for sure. It's strange.
They have everything.
No. I know a guy there who can show me all the different shades.
- Hello. - One second.
Sorry Isaac, what did you say?
Actually, that would be brilliant.
Well, tell him I'll give him a really good tip.
It's just I need to get it all done in one day, you see.
Get what done in a day?
OK, well, text him right now, then.
Who are you talking to?
No, no, I'll come tomorrow, either way. Yeah.
OK. Text me when you know. Bye-bye.
What's going on?
They're coming to view the house, this weekend,
the couple I was telling you about.
Why are they coming?
I told you I don't want to sell.
Well, they're coming anyway, and I wanna paint the window frames
before they do.
- Then I'm coming with you. - You don't need to do that.
You can't tell me what to do.
It's my house too.
Well, I'm leaving really early tomorrow morning.
Fine. I'll crash here.
- OK? - Oh yes, OK.
Yes, go on.
Oh, yes!
Oh, yeah! Oh, yeah!
Oh yeah.
Fuck!
Oh, yeah.
That's OK. It's OK. It's OK.
- You OK? - Yes, oh my God, oh my God.
Oh yeah, oh yeah...
Fuck...
Fuck.
Good morning.
- Martin. - Mmm-hmm?
Agathe is pregnant.
Did you sleep with me to tell me that?
Ha!
Was it intentional?
I knew it was a possibility.
And how does she feel about it?
She's happy.
She wants a kid.
And you?
Yes, I do.
Do you?
What?
Do you want to have a kid?
Well, you know the answer to that question.
So?
Now then...
Not there.
Find me a corkscrew, will you?
How do you expect me to find it?
There's crap everywhere.
I'll find it.
Where have you been?
Don't be mad.
Hello.
Good to meet you.
Very strong handshake.
You're a very strong man.
You are just in time to have lunch with us.
Edith. Nice to meet you.
- I wouldn't want to miss it. - No.
I'm really late. Sorry.
No problem.
Can I help?
No, I already did everything.
I am here now.
- I'll take a quick shower.- You're shitting me?
So, is your family still there, in Bremen?
Yes. Yes, thank you.
- Mother? Father? - Both.
It's a terrible city, but they love it there.
- Vegetables? - Yes.
And I have a brother in Munich.
Hmm. Really?
But I thought you were an only child.
No.
Does your brother have children?
Yes. Two. A boy and a girl.
Mmm. Nice.
OK, interrogation over?
And don't you think you will ever want to move back?
- To Germany? - Yes.
Maybe.
So,
you might go back one day?
One day.
I'll translate.
His parents are in Bremen.
He doesn't rule out moving back to Germany,
which we should bear in mind.
That's all he said. And that...
And does it worry you?
You have a baby on the way. You forgot?
- There will be a baby. - Yeah, yeah. I understand.
I'm not going anywhere.
Yeah.
You were married when you met our daughter.
- Yes. - To a man?
Mum. Mum...
- I'm asking. - You already know.
I'm asking.
You know...
- I don't appreciate this conversation. - Let me speak.
It will not be easy for her to raise this child alone.
Mmm-hmm.
Well, it's our child. We don't need your advice.
All right...
Want some salad?
I don't want to talk with you any more.
- Sorry? - I'm done.
- Hold on... - What are you doing?
You know... Tomas, Tomas, Tomas.
- Huh? - We want to make sure...
- Mmm-hmm. - No, listen to me, please.
I'm sorry.
We worry.
You understand?
- You went too far. - No.
- You knew the answers. - It's natural.
- He's my grandchild's father. - You knew he was with a man.
- Why ask? - I need to get to know him.
That's no way to do it.
Listen Tomas, I just want...
Yeah, but what do you think? Do you think...
Let me speak, please.
Do you think I'm going to Germany?
We just want to make sure
that Agathe will get the support
she needs from you.
- Yes, of course. - To raise the child.
- That's what we want to hear. - What do you want to hear, like?
That you'll be here, you'll be responsible.
You know? You...
OK, but what does it change? I can tell you now.
I will be here and I will be responsible.
Are you happy now? I mean...
I can't prove it to you unless it happens, right?
You don't...
I don't understand what this conversation is good for, I mean...
You've got to trust me at least a little bit.
To trust you, I need to know you.
To know you I need to speak to you, I need to eat with you.
We need to eat with you, to spend time with you.
I understand. So let's have a dinner.
- It's not theory. - Let's have a dinner, right?
Let's spend some time.
Martin?
Hello?
Hey.
- What? - I need to see you.
Get off.
Stop it. Stop it.
I'm so happy.
- What's happened? - You were right.
The screening tonight went really well.
- Why are you here? - I wanted to tell you.
- Go on, let's have a drink. - No, you can't stay here.
- One drink, come on. - You can't stay...
One toast. Come on.
It was really great.
People were clapping.
It was for real, you know. It was good.
The movie's real good.
- Everything OK? - Yeah.
- Hello. - Hello.
- I'll be right with you. - Yeah?
Just give me a few minutes.
You have to go.
He already means more to you than I do.
That's enough. You can't just turn up here in the middle of the night.
This isn't your house any more.
That really hurts.
Are you fucking kidding me?
I need to talk to you.
- No. - Yes, I do. Please, please sit down.
It's important. I have to talk to you. I swear I'll leave, OK?
Make it short and get to the point.
Don't touch me.
You always said you wanted a kid.
And now we can.
We can do this together.
- We can do what together? - We can be family.
I thought that you were in love.
I'm confused.
And...
I really love being with a man.
I love you.
Please don't leave me.
Shall we go and get something to eat?
I'm not hungry. Maybe later.
What's wrong?
Martin...
Hey...
It's over, Ahmad.
What's over?
I'm not in love with you.
I'm sorry.
OK. I see.
Your relationship with him, it's a mistake.
You'll see.
I think we could make something very good together, but right now...
I'm just very sorry for you.
I'm sorry for both of you.
Look, you're weak and you're sick.
You can't see it yet, but you won't survive this.
Either of you.
Are you always making cake on the weekend?
Sometimes.
Cooking is one of my favourite things to do.
- Want to try? - What are you making?
I'm making a cake.
- I can't eat all this ball. - No, you can't.
- But it's good? - Go on, try it.
- Here you go. - Has everyone got wine?
Capitalism, like I see them selling themself,
selling their art, selling their acting,
because I make them. I turn them into professionals.
What is really bad with me is when I do the bridge. Like this one.
- I can't... I can't do it. - Oh, yes.
I cannot even pull my arms straight.
So my arms are here and then I just open my ribcage
to compensate, but, if I go here...
- This is really good. - Are your legs straightened?
This is, like, the best posture,
the best thing I can do in my morning routine.
But do you feel pain now?
Um... No, I don't feel pain now,
but I do, actually.
♪ When you come to the end of a perfect day
♪ And you sit alone with your thoughts
♪ When the chimes ring out
♪ With a carol gay
♪ For the joy that a day has brought
♪ Do you think what the end
♪ Of a perfect day
♪ Can bring to the tired heart
♪ When the sun goes down
♪ With a flaming ray
♪ And the dear friends have to part
♪ Well, this is the end of a perfect... ♪
I didn't know you needed help getting hard.
What?
Or is it the novelist?
Oh, for fuck's sake. Give that to me.
- Who needed...? - Stop it.
- I might need it tonight. - Just leave it please.
- Can I borrow one? - Don't be a fucking idiot.
Don't be so selfish, let me borrow one.
Let me have some fun.
- Quick! - You're a selfish little git.
Ow! Stop it!
Stop it!
Oh! Ow!
Don't! Stop it!
Thanks.
Call me when you're home, OK?
I'll call you in a few days.
Fuck!
You're sure I can't fix you some food?
- Positive. - Hmm?
Positive. But some water maybe. There's some chilled...
There must be some in the fridge.
OK.
- It's him. - Don't answer it.
Hello, Tomas. It's Edith. What do you want?
No. She's very tired.
Yes?
I'm OK.
No, I was out for one or two hours,
but I'm OK.
My mum is taking care of me.
What do you want me to say? I told you I'm OK.
Yes.
See you.
You should've severed contact with him.
Mom, please, I need quiet and some kindness.
You want me to go?
As you please.
I see.
This is him.
And what's over here and darker is him.
And that's us. So, we need to clean this and this,
and not touch that and that.
- OK. - And the messes we clean up?
Yes. Um...
Everything that's less than one centimetre
from the edge you clean.
OK. I understand.
You're leaving early in the morning?
- No, tonight. - Oh, OK. Go, go.
OK. Will you just call me, then, if you have any problems?
- OK. No problem. - Good luck.
Say Tomas "Good luck" from me.
Thanks.
Will you still be here when I get back?
- When do you get back? - Um... End of the month.
I leave on the fifth, so...
OK, well, I'll see you then. Great.
- OK. - Ciao.
I wanted to see you because Tomas says
you haven't responded to his calls.
Yeah.
I know we took time to respect each other, but, honestly,
my relationship with Tomas, that's off-limits.
Well, that might be difficult, given the situation.
What situation?
I don't even want to speak about him any more.
You know we're going to Venice?
I've heard. I'm happy for you.
And we're leaving tonight.
- Tonight? - Mmm-hmm.
So, I wanted to see you before we leave
to give you this.
Thank you.
I wasn't expecting it.
It's really, really soft.
OK. I see he hasn't told you.
He hasn't told me what?
I had an abortion.
I mean, it's funny he haven't told you.
No, he...
- How are you doing? - I'm good.
I'm fine.
I mean, I really wanted to start a family, but...
I realised that, between you two, it's...
I would disappear.
And I'm not sure I'm capable of that.
No.
Will you try again with... someone else?
One day, maybe. If I have the chance.
- I'm going to go. - Sure.
I hope you can exchange it.
No, no, no. It's fine.
Thank you.
Goodbye, Agathe.
Take care.
And you.
What do you think? I don't like this bow tie.
We should try to get a new one when we get there.
What are you doing?
Can't you see?
I'm not going.
Why not?
I'm miserable in this relationship.
And I don't want to be in it any more.
You're going back to him?
I don't know. Maybe.
It doesn't matter, and it isn't any of your business one way or the other.
One way or the other.
Tell me what he's like.
He's smart.
He's kind.
He can be a bit jealous, but not too much.
- Sounds like me. - No.
He's not like you.
I saw Agathe today.
I want you to promise me one thing.
I want you to promise me that when you get back,
you will leave me alone.
I don't want to see you again.
I'm not interested in you any more.
- I'm so unhappy. - I don't care.
I want my life back and I don't want you in it.
I'm warning you, don't come near me.
Fifty lines, no more.
Continuing this dialogue between the two women.
Any way you want.
Fifty.
Fifty lines, that's all. No more.
You'll see, dialogue goes really fast.
Can we do it in pairs?
You can do it in pairs or on your own.
But you take turns, one character each.
Has everybody read it? Shh!
Hands up. Has everybody read it?
- I have. - No?
What are you doing here?
I'm inviting you to come with me to Italy.
To Greece, wherever you want to go.
I don't want to be with anyone but you.
Um... Don't worry, he's a friend.
You can start your homework.
In pairs or on your own.
I'll be five minutes. All right?
Let's talk, then.
- This wasn't the right place. - No.
Forgive me.
Really.
I sincerely ask you to forgive me.
Look at you.
It's like you're not the same person.
Even your face is ugly now.
- Make me beautiful. - I can't.
Yes, you can. I've changed. I'll prove it to you.
I hope so for you.
No, don't touch me.
Please, give me one more chance.
One more, I'm begging you.
Please.
Sir, you have to go.
♪ When you come to the end of a perfect day
♪ And you sit alone
♪ With your thoughts
♪ While the chimes ring out with a carol gay
♪ For the joy that the day has brought
♪ Do you think what the end of a perfect day
♪ Can mean to a tired heart
♪ When the sun goes down with a flaming ray
♪ And the dear friends had to part?
♪ Well, this is the end of a perfect day
♪ Near the end of a journey too
♪ But it leaves a thought that is big and strong
♪ With a wish that is kind and true
♪ For memory has painted this perfect day
♪ With colours that never fade
♪ And we find at the end of a perfect day
♪ The soul of the friend we've made ♪