1 00:01:13,641 --> 00:01:15,001 Listen... 2 00:01:15,241 --> 00:01:17,201 you don't want to even read the synopsis? 3 00:01:17,201 --> 00:01:19,201 Alessio... 4 00:01:19,201 --> 00:01:21,401 Look it's not the eighties anymore, 5 00:01:21,401 --> 00:01:25,601 in the times of Lamberto Bava, when monsters and dolls squirted blood. 6 00:01:25,841 --> 00:01:28,961 I thought I already told you that splatter stories, which you love, 7 00:01:28,961 --> 00:01:32,321 with all the blood and guts spilling out, 8 00:01:32,321 --> 00:01:36,441 I cannot produce it, at least not now and especially not in Italy. 9 00:01:36,681 --> 00:01:41,601 You need to bring me a story that is air-able! 10 00:01:41,921 --> 00:01:44,761 If not, you tell me how I can find the funding? 11 00:01:49,641 --> 00:01:53,281 You need a writer, my friend. 12 00:01:53,721 --> 00:01:55,401 I write my stories. 13 00:01:55,761 --> 00:02:00,041 Look: I don't' care about your playground need of revendication. 14 00:02:00,481 --> 00:02:04,361 If you want to do a film with me, you need to start following a plan. 15 00:02:04,801 --> 00:02:08,441 You need a serious professional writer to give you a little method. 16 00:02:13,801 --> 00:02:15,801 Do you know Ubaldo Terzani? 17 00:04:18,721 --> 00:04:21,681 The Night Marta Dreamed Of Her Death 18 00:04:22,041 --> 00:04:24,401 How Much I Loved you, Mama 19 00:04:24,641 --> 00:04:26,481 The Yell Of The Centaur 20 00:04:26,881 --> 00:04:28,961 Dancing On The Blade of A Razor 21 00:04:29,321 --> 00:04:30,761 The Woods Has A Million Eyes 22 00:05:27,721 --> 00:05:29,641 - Hello? - Hey! How did it go? 23 00:05:29,641 --> 00:05:34,041 Same old, same old. He says I have to stop being so into splatter, always the same story. 24 00:05:34,041 --> 00:05:35,521 - Fuck... and? - And than it came out 25 00:05:35,521 --> 00:05:37,081 that he wants me to write with a scenographer... 26 00:05:37,321 --> 00:05:40,601 - to keep on the right track. - Alessio, that is fantastic! 27 00:05:40,601 --> 00:05:43,601 It means that he values you, that he wants you to do the film! 28 00:05:43,761 --> 00:05:46,601 Yeah, I was pleased with this proposal as well... 29 00:05:46,761 --> 00:05:50,041 also because the guy I have to write with is a renowned horror-writer; 30 00:05:50,041 --> 00:05:53,081 - his name is Ubaldo Terzani. - That is great, right? 31 00:05:53,881 --> 00:05:56,841 - How did you leave things with Curreri? - That I have to get in contact with Terzani 32 00:05:57,161 --> 00:05:59,361 and then I will move on his house for some days to write the synopsis. 33 00:05:59,361 --> 00:06:01,201 - Where will you be moving? - At his house in Turin. 34 00:06:01,201 --> 00:06:02,881 - How long will you stay? - I don't know honey, 35 00:06:02,881 --> 00:06:06,121 - the time it takes to write a synopsis! - That means we won't see for a while! 36 00:06:06,121 --> 00:06:08,681 - Yes, that's true. - Will we see each other tonight? 37 00:06:09,601 --> 00:06:11,601 Not tonight. I want to start reading the books. 38 00:06:11,601 --> 00:06:14,241 What? Tonight, you have to read tonight? We have to party! 39 00:06:14,241 --> 00:06:17,761 Sara, this is important. I am curious and I want to begin working immediately. 40 00:08:14,761 --> 00:08:16,881 - Hello... - Hi Alessio, it's Giulio. 41 00:08:16,881 --> 00:08:19,801 - are you busy? - Oh Giulio...! No, not at all. 42 00:08:19,801 --> 00:08:23,081 Listen, I am going to the Orsello's set... do you want to come? 43 00:08:23,321 --> 00:08:25,481 Yes, of course... what time? 44 00:08:25,681 --> 00:08:30,281 - When you want to; I am going now. - Okay, but where is it? 45 00:08:30,281 --> 00:08:33,641 - Always in the same place. - Ok... bye Giulio... 46 00:08:34,001 --> 00:08:35,521 Bye-bye. 47 00:08:52,921 --> 00:08:55,041 Federico couldn't understand 48 00:08:55,361 --> 00:08:57,521 whether what he saw was only a dream 49 00:08:57,521 --> 00:09:00,601 or something that happened a long time before. 50 00:09:06,161 --> 00:09:09,281 Perfect! Let's get ready for the next scene! 51 00:09:15,001 --> 00:09:16,561 - Hey Alessio! - Ohi Giulio... 52 00:09:16,961 --> 00:09:20,121 - How's it going? - Everything's good... How's it going here? 53 00:09:20,361 --> 00:09:23,201 Good, good... Orsello is a monster; he knows what he's doing. 54 00:09:23,201 --> 00:09:24,481 I know, I know. 55 00:09:25,521 --> 00:09:27,121 And you? What are you getting into? 56 00:09:27,841 --> 00:09:31,361 Nothing; now I have to begin to work with a writer. 57 00:09:32,161 --> 00:09:34,681 - Yeah? Which writer? - His name is Ubaldo Terzani. 58 00:09:34,961 --> 00:09:37,201 Ah, I don't know him... But is it for one of your films? 59 00:09:37,201 --> 00:09:39,641 - Yeah. - And why are you writing with this writer? 60 00:09:39,641 --> 00:09:41,401 It was the producer's idea. 61 00:09:42,041 --> 00:09:44,161 - Oh, one of those things... - What are you getting into? 62 00:09:44,321 --> 00:09:46,841 I have a few things cooking... 63 00:09:46,841 --> 00:09:48,881 I am trying to solidify one of my screenplays. 64 00:09:48,881 --> 00:09:51,361 My agent really believes in me and is pushing me in the networks. 65 00:09:51,361 --> 00:09:54,481 She already introduced me to several interesting producers. 66 00:09:54,481 --> 00:09:56,201 - Coo! - Yeah... 67 00:09:56,201 --> 00:10:00,921 And then I have a webseries about zombies, you know, a thing you shoot quickly. 68 00:10:00,921 --> 00:10:04,521 And then another project on society, on the problems of youth, you know, 69 00:10:04,521 --> 00:10:06,721 that shit that gets proposed to the Ministry. 70 00:10:11,521 --> 00:10:14,401 Yes... We have to find things to do Alessio 71 00:10:14,761 --> 00:10:18,481 Move in many directions all at the same time, open more than one front. 72 00:10:18,641 --> 00:10:20,481 So that at least one thing comes through, no? 73 00:10:21,241 --> 00:10:22,561 Look Alessio... 74 00:10:24,761 --> 00:10:26,281 I want to win. 75 00:10:28,561 --> 00:10:29,801 Yeah... 76 00:10:31,041 --> 00:10:34,121 - Hey Alessio! - Oh Guidone! How are you? 77 00:10:34,121 --> 00:10:36,721 - Good, everything is fine, and you? - Perfection! 78 00:10:37,081 --> 00:10:39,281 - Oh really! - Yeah, everything is good! 79 00:10:40,121 --> 00:10:44,241 I should have another minute. If you want we could have a coffee and a chat. 80 00:10:44,241 --> 00:10:45,681 - Absolutely. - Ok. 81 00:10:46,241 --> 00:10:48,201 - Bye Giulio, I'll see you later! - Hey Guido! 82 00:10:51,361 --> 00:10:54,881 - Listen, did you speak to Giulio? - Yeah, he came by earlier to say hello. 83 00:10:54,881 --> 00:10:56,841 And what did he tell you? 84 00:10:56,841 --> 00:10:59,321 He said that he wrote a new screen play. 85 00:10:59,321 --> 00:11:02,961 But it is a joke... leave it, it will never be a film. 86 00:11:04,201 --> 00:11:07,881 Anyway, speak to me about your new project. 87 00:11:08,601 --> 00:11:10,041 Look, I still don't know anything. 88 00:11:10,041 --> 00:11:13,081 In the sense that Curreri put me in contact with this guy, Terzani, 89 00:11:13,081 --> 00:11:15,041 and now I have to go to Turin to work with him. 90 00:11:15,201 --> 00:11:16,641 Listen Alessio... 91 00:11:16,921 --> 00:11:20,041 I put in a good word for you, I told him of your talent... 92 00:11:20,641 --> 00:11:23,161 - and that you deserve to make a film. - Thank you. 93 00:11:24,241 --> 00:11:27,441 But now, try to write something decent. 94 00:11:28,401 --> 00:11:29,641 I'll try. 95 00:11:30,321 --> 00:11:33,321 Don't let this go, and don't be stubborn like you usually are. 96 00:11:33,321 --> 00:11:36,721 What do you want to do... I imagine some sort of television sitcom... 97 00:11:37,041 --> 00:11:38,721 At least I work... 98 00:11:39,161 --> 00:11:43,761 in television but I'm working. And then in my films I always fit in something personal. 99 00:11:43,761 --> 00:11:45,161 Of course... 100 00:11:46,961 --> 00:11:49,681 Anyway Alessio, I admire you. 101 00:11:50,121 --> 00:11:53,281 Because you continue to fight, because you continue to be a dreamer. 102 00:11:53,281 --> 00:11:55,441 - I learned it from you, no? - Perhaps... 103 00:11:56,121 --> 00:11:58,761 but now I have family, I have to think of the kids 104 00:11:58,761 --> 00:12:00,441 and I need to work. 105 00:12:00,441 --> 00:12:03,281 Work is work. See you around. 106 00:12:20,481 --> 00:12:22,081 It's incredible. 107 00:12:22,801 --> 00:12:24,841 this story is seriously scary! 108 00:12:26,721 --> 00:12:28,841 What is the one about that you are reading now? 109 00:12:29,241 --> 00:12:31,841 Kids that disappear in a forest. 110 00:12:31,841 --> 00:12:34,401 - Like "The Blair Witch Project"? - Pretty much. 111 00:12:34,841 --> 00:12:36,721 Only that this once is much more savage. 112 00:12:38,081 --> 00:12:41,641 Anyway, it is true... Terzani is a really intense writer. 113 00:12:41,641 --> 00:12:44,521 See? All of his books are like that. 114 00:12:44,801 --> 00:12:46,961 The more I read... 115 00:12:46,961 --> 00:12:48,841 - The harder it is to stop! - Exactly. 116 00:12:50,041 --> 00:12:51,241 Alessio... 117 00:12:51,921 --> 00:12:54,521 in my opinion, these are the works of a seriously disturbed person. 118 00:12:54,521 --> 00:12:57,441 Let's not exaggerate; he's simply a great writer. 119 00:12:57,721 --> 00:13:00,481 But, how could Curreri like someone like him? 120 00:13:00,481 --> 00:13:03,601 I don't know. Tomorrow I want to call him to clear some things up. 121 00:13:06,681 --> 00:13:08,201 Anyway, enough. 122 00:13:09,641 --> 00:13:12,281 - I don't want to read anymore. - Why? 123 00:13:12,281 --> 00:13:15,001 I told you, it is too heavy, it bothers me. 124 00:13:15,161 --> 00:13:17,601 Wow! 125 00:13:17,961 --> 00:13:22,041 I can't believe you are a girl with such a sensitive soul! 126 00:13:22,521 --> 00:13:25,761 Oh yeah, what did you take me for? Look, I am a good girl. 127 00:13:25,761 --> 00:13:27,241 - Oh really? - Yes. 128 00:13:27,241 --> 00:13:28,761 - Are you sure? - Yes... 129 00:13:35,441 --> 00:13:37,881 Let me see what good girl you are. 130 00:14:02,481 --> 00:14:05,081 Sleep, love... sleep... 131 00:14:19,561 --> 00:14:23,201 Hello, good morning, I am Alessio Rinaldi, I would like to speak to Mr. Curreri please. 132 00:14:23,721 --> 00:14:25,721 I am sorry, but Mr. Curreri is not in the office. 133 00:14:26,441 --> 00:14:28,521 when could I find him? 134 00:14:28,521 --> 00:14:31,801 He's gone to a festival and will be gone for a while. 135 00:14:31,801 --> 00:14:33,001 When will he be back? 136 00:14:33,001 --> 00:14:37,481 I 'm sorry, I am not sure. Try back in a week, okay? 137 00:14:37,481 --> 00:14:39,561 - Okay, thank you. - Goodbye. 138 00:15:11,841 --> 00:15:13,241 Hello... 139 00:16:48,201 --> 00:16:50,681 - Alessio Rinaldi. - Hello. 140 00:16:50,841 --> 00:16:52,681 I was waiting for you. 141 00:16:53,081 --> 00:16:55,241 Ubaldo Terzani. 142 00:16:55,441 --> 00:16:57,641 It is truly an honor to meet you Sir. 143 00:16:57,641 --> 00:16:59,521 No no, call me Ubaldo. 144 00:17:00,321 --> 00:17:02,201 Okay, of course... 145 00:17:02,801 --> 00:17:06,921 - You are young! - God, I am 25. 146 00:17:08,161 --> 00:17:11,441 - Exactly, you're young. - Of course. 147 00:17:11,761 --> 00:17:14,041 - :Shall we go? - Yes, yes... 148 00:17:21,441 --> 00:17:24,521 So, what kind of film did you have in mind? 149 00:17:25,321 --> 00:17:28,521 God, I don't know, it still has to be decided. 150 00:17:31,041 --> 00:17:34,761 Then you know he wants a film without excesses. 151 00:17:35,361 --> 00:17:38,161 An atmospheric film based upon the un-seen. 152 00:17:43,401 --> 00:17:45,161 Look, Alessio... 153 00:17:45,521 --> 00:17:49,921 together we have to write the story that already exists inside of us. 154 00:17:50,681 --> 00:17:53,761 The story that has us obsessed, that won't let us sleep at night. 155 00:17:54,321 --> 00:17:56,841 And it has to be the story that guides us, not the other way around. 156 00:17:57,121 --> 00:17:59,561 Abstract discourses 157 00:17:59,561 --> 00:18:03,561 on the type or rules the story should or should not follow are innate. 158 00:18:04,081 --> 00:18:06,241 Don't worry about Curreri. 159 00:18:06,401 --> 00:18:08,161 I already spoke to him. 160 00:18:08,161 --> 00:18:11,521 And I am responsible for all of our choices. 161 00:18:14,721 --> 00:18:17,321 You were entrusted to me, Alessio. 162 00:18:19,121 --> 00:18:22,881 I imagined the two as two youngs in their twenties. 163 00:18:23,881 --> 00:18:29,601 She's 18, he's 20. She is still in highschool and he is at university. 164 00:18:29,881 --> 00:18:31,321 Both from a rich family. 165 00:18:32,121 --> 00:18:35,841 Ah, do you like this: that he has a passion for comics. 166 00:18:36,641 --> 00:18:40,401 Or he could draw! An artist, what do you think? 167 00:18:44,081 --> 00:18:46,761 What else interested us about them? 168 00:18:48,441 --> 00:18:49,441 I don't know. 169 00:18:50,081 --> 00:18:51,241 Oh, excuse me. 170 00:18:53,121 --> 00:18:56,161 It must be the mailman, I am waiting on a package. 171 00:18:56,641 --> 00:18:58,761 - I'll be right back. - No problem. 172 00:21:07,601 --> 00:21:12,481 Pardon, I had to sign a receipt and the postman could not find his pen. 173 00:21:12,961 --> 00:21:14,201 No problem. 174 00:21:15,721 --> 00:21:19,241 - Let's get back to it? - Yes, let's get to it. 175 00:22:02,841 --> 00:22:04,521 Ubaldo, is everything okay? 176 00:22:07,761 --> 00:22:09,641 Ubaldo what was that noise? 177 00:22:28,761 --> 00:22:29,841 Ubaldo? 178 00:23:50,601 --> 00:23:54,201 - Good morning Alessio. - Good morning. 179 00:23:54,681 --> 00:23:57,801 - Did you sleep well? - Yes, I slept very well. 180 00:24:02,281 --> 00:24:04,401 This is the package I received yesterday. 181 00:24:06,041 --> 00:24:11,081 It is the Russian edition of my book. They sent me several gifted copies. 182 00:24:11,401 --> 00:24:12,241 Seriously? 183 00:24:12,241 --> 00:24:14,761 Yes, in Russia it came out in the last few days. 184 00:24:15,881 --> 00:24:17,081 Can I see it? 185 00:24:17,081 --> 00:24:19,761 Of course, you can have a copy for yourself. 186 00:24:21,641 --> 00:24:22,801 Thank you! 187 00:24:25,521 --> 00:24:27,681 Come on Alessio, let's go into my studio. 188 00:25:08,641 --> 00:25:09,961 Listen, Ubaldo... 189 00:25:11,121 --> 00:25:14,201 how do you write books with such realistic horror? 190 00:25:15,121 --> 00:25:16,321 I mean... 191 00:25:16,761 --> 00:25:18,881 your stories are creepy. 192 00:25:19,321 --> 00:25:21,321 They have a concreteness and a realness 193 00:25:21,321 --> 00:25:24,081 that you do not find in the pages of any other writer of this genre. 194 00:25:25,641 --> 00:25:28,121 Maybe.because the others are amateur. 195 00:25:30,081 --> 00:25:31,601 Come on, seriously. 196 00:25:34,281 --> 00:25:35,761 Look... 197 00:25:36,761 --> 00:25:42,521 I know horror because I go deep into to it, to look at it. 198 00:25:43,521 --> 00:25:45,761 I make pacts with my ghosts. 199 00:25:46,641 --> 00:25:49,801 I speak to them daily. It's as if I... 200 00:25:50,521 --> 00:25:52,721 am my right eye and they are my left eye. 201 00:25:54,321 --> 00:25:56,481 - That is a quite vague explanation. - Vague? 202 00:25:56,481 --> 00:25:59,081 Then try to be more precise, what else do you want to know? 203 00:25:59,921 --> 00:26:02,281 I don't know, perhaps there is something that inspires you? 204 00:26:03,281 --> 00:26:07,921 For example, perhaps your crudest scenes are assisted by observing autopsies. 205 00:26:07,921 --> 00:26:09,521 Autopsies? 206 00:26:10,401 --> 00:26:12,681 No, these are the easy way out, 207 00:26:12,681 --> 00:26:16,521 that I willingly leave to the mediocre writers like Clive Barker. 208 00:26:17,121 --> 00:26:23,081 There is no need for the help of observing autopsies to know horror. 209 00:26:24,281 --> 00:26:28,361 The Horror... horror is inside of you. 210 00:26:29,921 --> 00:26:33,281 It is deep down, inside of you where you have to look 211 00:26:34,401 --> 00:26:35,881 to pull it out. 212 00:26:36,121 --> 00:26:39,401 And then work with fantasy to achieve excellence. 213 00:26:39,881 --> 00:26:44,641 We have to destroy our commonality to write certain stories 214 00:26:44,801 --> 00:26:47,481 we have to live them directly. There is nothing more false. 215 00:26:47,681 --> 00:26:49,361 Yes, perhaps this is true. 216 00:26:50,041 --> 00:26:53,721 Not... "perhaps", it is true. 217 00:26:53,721 --> 00:26:55,321 An expert is telling you. 218 00:26:57,241 --> 00:26:59,721 Sorry, I forgot to turn it off. 219 00:26:59,721 --> 00:27:01,801 Answer, we have time. 220 00:27:03,041 --> 00:27:05,361 Hello. Sara! 221 00:27:05,641 --> 00:27:08,441 I am here with Ubaldo, we are... working. 222 00:27:10,401 --> 00:27:13,441 No, don't worry, only... if I can call you later it would be better. 223 00:27:15,001 --> 00:27:18,001 Of course I remember. I promise. 224 00:27:18,601 --> 00:27:19,681 Yes, bye. 225 00:27:20,521 --> 00:27:21,761 Your girlfriend. 226 00:27:22,321 --> 00:27:23,841 - Yes. - Sara. 227 00:27:23,841 --> 00:27:25,121 Yes, Sara. 228 00:27:25,561 --> 00:27:29,001 How old is she? If that is not too personal. 229 00:27:31,201 --> 00:27:34,641 No problem. She's 20 years old. 230 00:27:34,841 --> 00:27:36,521 20... 231 00:27:36,681 --> 00:27:40,481 - And how long have you been together? - What now... 232 00:27:40,721 --> 00:27:44,961 - two years. - And... are you happy together? 233 00:27:45,921 --> 00:27:48,121 Of course we're happy together. 234 00:27:48,841 --> 00:27:50,241 I'm glad. 235 00:27:51,641 --> 00:27:57,041 Even if I heard... a bit of uncertainty in your voice. 236 00:27:57,281 --> 00:27:59,561 No. No uncertainty, why? 237 00:28:07,441 --> 00:28:09,921 You made a face! 238 00:28:10,921 --> 00:28:14,961 Sorry. Cause I like to joke because... 239 00:28:16,601 --> 00:28:18,881 I would like for us to be closer. 240 00:28:19,641 --> 00:28:21,401 To get to know eachother better. I want... 241 00:28:21,601 --> 00:28:25,121 I want to break down the wall of coldness and distrust between us, 242 00:28:25,121 --> 00:28:26,801 because we don't know eachother well. 243 00:28:26,801 --> 00:28:30,241 Of course, in fact, I hadn't noticed me, actually... 244 00:28:32,841 --> 00:28:34,561 Don't say anything. 245 00:28:37,761 --> 00:28:39,281 Do you have any plans for this evening? 246 00:29:20,561 --> 00:29:22,081 Hi Ubaldo! 247 00:29:31,081 --> 00:29:32,401 Ubaldo! 248 00:29:35,121 --> 00:29:36,801 It's been so long, how are you? 249 00:29:36,961 --> 00:29:39,121 I am fine. And you? 250 00:29:39,121 --> 00:29:40,481 Everything is splendid. 251 00:29:40,481 --> 00:29:42,561 And why haven't you introduced your friend? 252 00:29:42,561 --> 00:29:44,201 Oh sorry Ubaldo, you are right. 253 00:29:44,201 --> 00:29:48,081 So... Ninetta, this is Ubaldo Terzani, amazing horror writer. 254 00:29:48,081 --> 00:29:50,081 Ubaldo, this is Ninetta Bernardi, 255 00:29:50,081 --> 00:29:53,481 promising and very talented actress of our new Italian cinema. 256 00:29:53,841 --> 00:29:56,961 - Nice to meet you, Ninetta. - My pleasure, Ubaldo Terzani. 257 00:29:57,121 --> 00:30:00,281 - So you are a horror writer? - Yes... 258 00:30:00,561 --> 00:30:02,641 I am a writer of "horror"! 259 00:30:04,241 --> 00:30:08,001 Seriously Ninetta, you have never read "Dancing on the Blade of a Razor"? 260 00:30:08,521 --> 00:30:12,841 - It was on the charts for months! - What an idiot, of course I read it. 261 00:30:12,841 --> 00:30:16,961 - Fantastic, compliments. - Thank you. You are too kind. 262 00:30:17,641 --> 00:30:21,001 You are an actress, right? And is she... "talented"? 263 00:30:21,001 --> 00:30:22,441 Very... 264 00:30:22,841 --> 00:30:26,401 - What are you doing, are you teasing me? - No, I am just telling the truth, kitten! 265 00:30:27,201 --> 00:30:30,081 He's a friend. A director. 266 00:30:30,561 --> 00:30:34,201 Alessio Rinaldi. We are writing a story together. 267 00:30:35,081 --> 00:30:36,681 - A director. - Yep. 268 00:30:36,681 --> 00:30:40,081 And a young one at that... Nice to meet you, Luca Paoletti, producer. 269 00:30:40,361 --> 00:30:41,961 A pleasure, Alessio Rinaldi. 270 00:30:42,321 --> 00:30:44,401 - Ninetta. - Hello. 271 00:30:44,401 --> 00:30:47,881 So tell me something,who is producing you? If you don't mind me asking. 272 00:30:47,881 --> 00:30:49,561 Tommaso Curreri, Delfino productions. 273 00:30:49,801 --> 00:30:53,041 Ah, you're not going to start talking about work again, right? 274 00:30:53,041 --> 00:30:56,601 But no baby... What are you saying? 275 00:30:57,641 --> 00:31:01,201 Okay boys, love is calling me, we are going to make the rounds. 276 00:31:09,281 --> 00:31:13,201 - What strange people in this place... - Yeah... 277 00:31:13,841 --> 00:31:16,441 - She is cute, no? - Yeah, she is cute. 278 00:31:16,441 --> 00:31:17,801 Then why don't you bang her? 279 00:31:18,761 --> 00:31:20,961 - What the hell are you saying?!? - Come on, take it easy. 280 00:31:23,241 --> 00:31:25,761 you need to grab what life offers. 281 00:31:25,761 --> 00:31:28,841 If not someone else will show up and take it from you! 282 00:31:30,241 --> 00:31:31,121 Let's have a drink. 283 00:31:42,361 --> 00:31:44,161 To our screenplay. 284 00:31:44,441 --> 00:31:47,641 May it bring you success, fame and loads of money! 285 00:31:47,921 --> 00:31:49,321 To the screenplay! 286 00:31:51,801 --> 00:31:53,801 No, no, all of it in one gulp. 287 00:31:57,761 --> 00:31:59,801 - Another one. - No, come on, Ubaldo... 288 00:31:59,801 --> 00:32:02,601 Come on.. You have to let yourself go, Alessio. 289 00:32:03,241 --> 00:32:05,441 stop it with this 290 00:32:06,521 --> 00:32:09,321 To the cinema and to the lecterature. 291 00:32:17,041 --> 00:32:19,161 - Another. - Come on, I can't do anymore. 292 00:32:19,321 --> 00:32:23,161 Come on... this is more important. 293 00:32:26,561 --> 00:32:28,241 To pussy! 294 00:32:31,801 --> 00:32:35,681 Hey, Ubaldo! How do you do? I'm Antonio. 295 00:32:35,681 --> 00:32:38,801 - Let's have a toast... to our health! - Prosit. 296 00:32:40,801 --> 00:32:44,681 - You like tequila, don't you? - Sure, he likes it! 297 00:32:48,001 --> 00:32:50,961 - What you drinked? - Never mind... 298 00:32:51,441 --> 00:32:53,721 Let's make another toast... 299 00:33:04,681 --> 00:33:09,201 Ubaldo, come hang with us. I always have good stuff, come on! 300 00:33:13,001 --> 00:33:14,561 - Come. - Cool! 301 00:33:15,321 --> 00:33:19,961 - Sit! Come next to Erika, who's alone. - Absolutely... 302 00:33:19,961 --> 00:33:21,241 Come on! 303 00:33:21,881 --> 00:33:23,441 Sit down. 304 00:33:28,441 --> 00:33:30,841 - What is your name? - Erika. 305 00:33:30,841 --> 00:33:33,121 - Erika! - Yes. 306 00:33:33,121 --> 00:33:34,721 Nice name... 307 00:33:35,641 --> 00:33:38,001 And what is this? 308 00:33:38,841 --> 00:33:41,961 - It is a peacock! - Yeah, a peacock... 309 00:33:42,521 --> 00:33:49,481 Ah, you're full of peacock feathers... Everywhere... Good! 310 00:33:52,081 --> 00:33:53,721 Madam... 311 00:33:57,481 --> 00:34:01,001 - What is the color of your eyes? - Orsello? 312 00:34:02,281 --> 00:34:07,961 Alessio... Alessio, are you here? Come here, we're having fun. 313 00:34:08,601 --> 00:34:10,041 No, I'm sorry... 314 00:34:10,641 --> 00:34:13,801 I thought... I thought I saw someone. 315 00:34:16,081 --> 00:34:17,801 Where are you going?!! 316 00:34:18,641 --> 00:34:22,241 What the hell do you care? Do you prefer him to me? 317 00:34:24,201 --> 00:34:27,801 You didn't have to say that... 318 00:34:41,081 --> 00:34:43,121 I knew I would find you here, eh? 319 00:34:43,961 --> 00:34:46,161 Old fart in search of fresh meat! 320 00:34:46,161 --> 00:34:47,881 Always in the front row, eh? 321 00:34:47,881 --> 00:34:49,961 I am here because Terzani invited me. 322 00:34:50,161 --> 00:34:54,201 - What are you doing in Turin? - What I always do public relations, no? 323 00:34:54,601 --> 00:34:57,721 Listen, did I see Orsello or am I wrong? 324 00:34:58,201 --> 00:35:00,321 No, you're not wrong. Do you know the latest? 325 00:35:00,321 --> 00:35:02,401 - No. - He's producing a film for me. 326 00:35:03,801 --> 00:35:06,641 - What? - Yeah, Orsello is producing a film for me. 327 00:35:07,041 --> 00:35:08,601 - Why? - Why not... 328 00:35:08,761 --> 00:35:12,041 his fiction is going well and he said that he would produce a low-budget film for me. 329 00:35:12,641 --> 00:35:15,961 He wants to take a chance on, understand? He really likes my screenplay. 330 00:35:17,481 --> 00:35:19,441 - Ah... and which film does it cover? - It is pulp fiction. 331 00:35:19,441 --> 00:35:20,881 Very cool. 332 00:35:20,881 --> 00:35:24,401 It is a film about the mafia in the Chinese quarter of Piazza Vittorio in Rome. 333 00:35:24,401 --> 00:35:26,961 There will scenes with kung-fu. 334 00:35:27,681 --> 00:35:31,841 - It seems like a really interesting story. - No, no, you will see, it will kick ass! 335 00:35:31,841 --> 00:35:34,321 - Giulio, come on, we have to go! - Yeah, I'm coming! 336 00:35:34,761 --> 00:35:38,681 Sorry, I have to go now... You know, they are calling... 337 00:35:39,041 --> 00:35:40,841 Good luck with your project! 338 00:36:48,681 --> 00:36:50,801 You are so sweet... 339 00:36:51,081 --> 00:36:53,681 No, you are sweet. 340 00:36:54,521 --> 00:36:57,881 Because you do not know me. 341 00:37:00,321 --> 00:37:04,161 Let's take off this peacock. Let it fly, off! 342 00:37:21,201 --> 00:37:23,441 - Do you remember me? - Yes. 343 00:37:24,161 --> 00:37:28,361 Of course. How are you? 344 00:37:28,801 --> 00:37:30,201 I am great. 345 00:37:31,401 --> 00:37:34,001 But it seems like you have taken a it of something... 346 00:37:37,161 --> 00:37:39,641 No, no I am fine. 347 00:37:56,761 --> 00:37:59,041 But... you really don't want to do anything? 348 00:39:58,761 --> 00:40:01,721 Ubaldo... come here. 349 00:40:02,361 --> 00:40:05,681 I am not Ubaldo... I'm Alessio. 350 00:40:06,121 --> 00:40:09,041 You come, it's all the same. 351 00:40:13,721 --> 00:40:16,561 What did you do to your hand... why is there blood?! 352 00:40:16,561 --> 00:40:20,841 - He made me... crazy. - Did Terzani do this to you? 353 00:40:22,121 --> 00:40:26,761 He is so smooth... It is his art! 354 00:40:26,761 --> 00:40:29,561 - But what did you do... - His is art! 355 00:40:37,281 --> 00:40:40,481 But what did you do... What?! 356 00:40:42,921 --> 00:40:46,441 His is art! 357 00:41:14,321 --> 00:41:16,881 - Hello... - Why didn't you call me? 358 00:41:16,881 --> 00:41:18,961 - What? - Last night, why didn't you call me? 359 00:41:18,961 --> 00:41:21,721 Oh god, babe, I'm sorry, I forgot. 360 00:41:21,721 --> 00:41:23,961 Ah, you forgot, great! 361 00:41:23,961 --> 00:41:25,561 Yeah, but there is a reason. 362 00:41:25,561 --> 00:41:26,881 - Ah really? - Yes. 363 00:41:27,121 --> 00:41:30,521 Last night Ubaldo brought me to a party with writers and people from the industry. 364 00:41:30,521 --> 00:41:32,801 Right, a party! I imagine you had a good time! 365 00:41:32,961 --> 00:41:35,361 Listen, don't start, don't be jealous. 366 00:41:35,561 --> 00:41:38,281 I was at a party and that is all. You can't always complicate things. 367 00:41:38,281 --> 00:41:40,881 Of course you did not even have your cell to respond to my calls! 368 00:41:41,081 --> 00:41:44,241 - Listen I... - I what? You were at a party, right? 369 00:41:44,241 --> 00:41:48,121 The great director went to the party with people from the industry, fuck you! 370 00:41:50,801 --> 00:41:53,481 Things are not going very well, right? 371 00:41:54,401 --> 00:41:55,921 Oh, hello Ubaldo. 372 00:42:01,761 --> 00:42:03,201 Good morning! 373 00:42:03,641 --> 00:42:06,041 Yesterday you were really in pieces, weren't you? 374 00:42:06,041 --> 00:42:09,961 I brought you home because you were layed out like a sack of potatoes. 375 00:42:10,681 --> 00:42:14,441 I put you in bed fully dressed... You don't remember anything? 376 00:42:14,601 --> 00:42:18,841 - No... you know I remember... - But we had a good time, right? 377 00:42:20,641 --> 00:42:24,401 Listen, without meaning to, I heard your phone call just now... 378 00:42:27,921 --> 00:42:31,281 - Is everything okay with Sara now? - Of course it's all okay. 379 00:42:34,361 --> 00:42:36,641 No, actually, there are some problems. 380 00:42:36,641 --> 00:42:38,121 Okay, let's do something. Now... 381 00:42:38,441 --> 00:42:41,601 go take a shower and freshen up 382 00:42:42,121 --> 00:42:44,281 in there is a breakfast that is waiting for you and then later... 383 00:42:44,281 --> 00:42:47,121 - when you're relaxed, we can talk, ok? - Alright. 384 00:43:28,161 --> 00:43:30,401 Alessio, do you want a coffee? 385 00:43:31,761 --> 00:43:35,001 Yes. Yes, thank you, I'll be right there. 386 00:43:39,361 --> 00:43:42,921 Martina and Daniele see a far-away light 387 00:43:43,081 --> 00:43:48,881 and begin to run with tears in their eyes. 388 00:43:48,881 --> 00:43:50,681 - When... - Wait a moment. 389 00:43:51,321 --> 00:43:52,481 Tell me. 390 00:43:53,081 --> 00:43:56,121 I am not sure about the seduction-scene we wrote yesterday. 391 00:43:58,521 --> 00:44:00,161 What are you not sure about? 392 00:44:00,521 --> 00:44:03,041 That a young girl allows herself to be seduced by an old man. 393 00:44:06,361 --> 00:44:09,241 - You are wrong... - But no... 394 00:44:09,601 --> 00:44:14,201 Not a worldly, intelligent girl like Martina! It is contradicting the nature of the character 395 00:44:14,361 --> 00:44:15,561 It's not plausible, come on! 396 00:44:16,481 --> 00:44:20,001 You are forgetting that Ludwig is a holy man. 397 00:44:20,801 --> 00:44:25,321 A mystical personality, with great carisma. 398 00:44:25,961 --> 00:44:29,081 While Martina is just a spoiled girl. 399 00:44:30,001 --> 00:44:31,601 I don't know, it is not convincing me. 400 00:44:32,041 --> 00:44:33,521 Ludwig... 401 00:44:34,201 --> 00:44:35,561 has her smoke... 402 00:44:36,481 --> 00:44:37,601 a pipe 403 00:44:38,281 --> 00:44:40,241 with special herbs. 404 00:44:40,841 --> 00:44:44,361 that he collected around the swamp. 405 00:44:54,881 --> 00:44:56,361 She smokes. 406 00:44:57,361 --> 00:44:59,361 And lets herself go. 407 00:45:01,321 --> 00:45:03,801 Then the old man comes close to her. 408 00:45:07,961 --> 00:45:13,681 And begins to speak to her in a smooth, sweet voice. 409 00:45:15,121 --> 00:45:16,601 Again he offers her the pipe... 410 00:45:22,161 --> 00:45:25,401 and invites her to inhales deep mouthfuls of smoke. 411 00:45:35,201 --> 00:45:39,041 Ludwig begins to speak. 412 00:45:40,601 --> 00:45:44,561 His voice has changed because his eyes are full of tears, 413 00:45:45,561 --> 00:45:48,481 that begin to fall along his cheeks. 414 00:45:49,681 --> 00:45:51,361 Ludwig tells her he is... 415 00:45:52,121 --> 00:45:53,281 the king 416 00:45:53,961 --> 00:45:56,401 who has healed hundreds of people. 417 00:45:58,601 --> 00:46:01,761 The girl is now completely hypnotized. 418 00:46:04,121 --> 00:46:06,001 Ludwig gets closer to her 419 00:46:07,001 --> 00:46:08,961 and pushes his lips into hers. 420 00:46:09,801 --> 00:46:13,441 And she can no longer resist. 421 00:46:24,481 --> 00:46:27,201 What do you say? Do you believe it? 422 00:46:27,601 --> 00:46:31,441 Do you believe now that a charismatic old man can seduce a young girl? 423 00:46:32,281 --> 00:46:34,401 Yes, in fact it is quite realistic. 424 00:46:36,881 --> 00:46:38,921 - Excuse me. - Of course. 425 00:46:42,561 --> 00:46:43,801 It's Sara. 426 00:46:45,121 --> 00:46:46,361 Answer. 427 00:46:48,641 --> 00:46:49,881 Hello. 428 00:46:52,361 --> 00:46:55,041 No, no, we are working but don't worry. 429 00:46:56,081 --> 00:46:59,641 Listen, I am really sorry for yesterday. 430 00:46:59,961 --> 00:47:02,481 - I wanted to apologize. - Alessio... 431 00:47:03,001 --> 00:47:06,241 Why don't you invite Sara to pass the weekend here? 432 00:47:06,641 --> 00:47:11,601 I want to have a barbeque and invite some friends, she could sleep here. 433 00:47:12,601 --> 00:47:14,321 Did you hear what Ubaldo said? 434 00:47:14,881 --> 00:47:17,441 He invited you here, he is having a party with some friends. 435 00:47:18,921 --> 00:47:24,921 - No, you don't annoy us. - At all! It's a pleasure! 436 00:47:25,481 --> 00:47:28,241 Yes, it is a pleasure for us both, also for me. 437 00:47:29,161 --> 00:47:32,601 Sure. Okay, bye. 438 00:47:35,401 --> 00:47:36,601 She said... 439 00:47:36,601 --> 00:47:39,761 she would call me this evening to confirm, but there shouldn't be any problems. 440 00:47:39,961 --> 00:47:41,801 - She thanks you very much. - Good. 441 00:47:44,321 --> 00:47:45,921 Should we get back to work? 442 00:48:10,721 --> 00:48:15,681 Only mediocre writers use these expedient tricks dear Alessio. 443 00:48:39,761 --> 00:48:42,601 12:45, I slept so damn long! 444 00:48:45,521 --> 00:48:46,881 Shit! 445 00:48:54,121 --> 00:48:55,881 - Come in. - Thank you. 446 00:48:57,161 --> 00:48:59,801 - Alessio is still sleeping. - Still? 447 00:48:59,801 --> 00:49:01,921 Wow, he is a real hard worker. 448 00:49:03,241 --> 00:49:07,121 - You can leave your coat and hat there. - Oh, thank you. 449 00:49:08,041 --> 00:49:11,201 You know, yesterday we had a very intense day. 450 00:49:11,201 --> 00:49:13,881 Another party with writers and industry people? 451 00:49:14,601 --> 00:49:17,601 No no, only work... hard work. 452 00:49:18,561 --> 00:49:21,561 Oh, how far have you come with the story? 453 00:49:21,881 --> 00:49:25,041 At a good point... almost to the end. 454 00:49:25,281 --> 00:49:27,441 And has anyone died yet? 455 00:49:27,601 --> 00:49:32,001 No, not yet... but someone will die soon. 456 00:49:32,001 --> 00:49:35,841 - Ah, yes, that is all that was missing. - The rest is... a horror movie. 457 00:49:37,521 --> 00:49:42,921 We can say that up to this point we have remained on a strange, psychological level. 458 00:49:43,641 --> 00:49:47,841 In the finale, there will be a full-on splatter scene. 459 00:49:50,201 --> 00:49:52,481 You know, I have read all of your books. 460 00:49:57,201 --> 00:50:01,001 I became curious as I was watching Alessio read them, and 461 00:50:01,201 --> 00:50:03,441 then I began to read a bit as well. 462 00:50:06,161 --> 00:50:09,361 - And then? - And then... it was like a drug. 463 00:50:10,041 --> 00:50:13,481 I couldn't stop. I read them all. 464 00:50:30,321 --> 00:50:32,201 Erika Morbioli, ex-presenter, has been missing without a trace since last Sunday 465 00:50:58,121 --> 00:50:59,841 This is my secret chest. 466 00:51:17,281 --> 00:51:18,401 Observe. 467 00:51:19,921 --> 00:51:24,841 - It's "The Yell of the Centaur"! - Yes, this is the first edition, printed in 1987. 468 00:51:25,641 --> 00:51:28,801 Edited by Skorpio Press, that is now closed. 469 00:51:28,801 --> 00:51:30,081 Amazing! 470 00:51:32,321 --> 00:51:34,481 It was my first fiction published. 471 00:51:34,921 --> 00:51:36,721 This is "The Forest Has a Thousand Eyes"! 472 00:51:37,161 --> 00:51:38,841 This is also from Skorpio! 473 00:51:39,481 --> 00:51:42,201 Yes, my first three books were published by Skorpio, 474 00:51:42,201 --> 00:51:44,081 then I moved on to Camunia 475 00:51:44,281 --> 00:51:48,041 and in the end, Gargoyle republished all of my novels. 476 00:51:49,001 --> 00:51:50,761 - Look at this one... - What is it? 477 00:51:52,481 --> 00:51:56,441 This is the French version of "Dancing on the Blade of a Razor". 478 00:52:21,441 --> 00:52:24,921 - So, here there are... - The most important editions of my books. 479 00:52:25,401 --> 00:52:30,241 This is the secret place where I give an outlet to my literary narcissism. 480 00:52:30,241 --> 00:52:31,921 It seems sacred to me. 481 00:52:37,401 --> 00:52:38,401 Hi. 482 00:52:39,881 --> 00:52:43,161 - You've finally woken up! - Sorry, I didn't hear the alarm. 483 00:52:43,601 --> 00:52:45,921 You were obviously not anxiously seeing me, uh? 484 00:52:46,121 --> 00:52:47,841 - Come on... - I'm kidding. 485 00:52:48,281 --> 00:52:50,121 What were you two doing? 486 00:52:50,121 --> 00:52:52,481 Ubaldo was showing me his secret chest! 487 00:52:53,001 --> 00:52:55,081 And what is this chest, Ubaldo? 488 00:52:55,441 --> 00:52:58,721 No nothing, only old editions of my books. 489 00:52:58,881 --> 00:53:03,561 There's even the very first version of "The Yell Of The Centaur", from 1987! 490 00:53:04,401 --> 00:53:06,281 Why didn't you ever show me them. 491 00:53:06,521 --> 00:53:09,721 - Should we have a tea, a coffee? - Yes. 492 00:53:19,801 --> 00:53:21,761 What did you do with the store? 493 00:53:21,761 --> 00:53:24,561 I left it in the care of my sister, why? What is the problem? 494 00:53:25,121 --> 00:53:26,681 There is no problem. 495 00:53:27,561 --> 00:53:30,161 It's just that you always say your dad gives you problems, that... 496 00:53:30,321 --> 00:53:32,641 you can never take a day of vacation... 497 00:53:33,401 --> 00:53:36,361 And now, without even a thought, you came here is a jiff. 498 00:53:36,361 --> 00:53:38,761 Hey, are you sorry that I came?! 499 00:53:39,201 --> 00:53:41,801 - Why the hell are you yelling! - Coward. 500 00:53:46,481 --> 00:53:47,961 It's just strange. 501 00:53:48,401 --> 00:53:51,161 It's strange that the minute Terzani invites you, you appear here. 502 00:53:51,481 --> 00:53:53,721 All of the times I asked you to go away for a day or two? 503 00:53:54,001 --> 00:53:55,681 - What, are you jealous? - What? 504 00:53:55,841 --> 00:53:59,321 - Are you jealous of Terzani? - What the hell are you saying. 505 00:53:59,321 --> 00:54:00,561 Ah, of course... 506 00:54:03,081 --> 00:54:05,441 Of course, you jumped at the occasion to meet him. 507 00:54:05,601 --> 00:54:07,481 - You are seriously pathetic. - What? 508 00:54:07,481 --> 00:54:09,041 Yeah, always thinking the worst. 509 00:54:09,241 --> 00:54:12,601 Because you do not trust others, that's why, and you are insecure. 510 00:54:12,921 --> 00:54:16,521 Listen Sara, something strange is happening here. 511 00:54:17,401 --> 00:54:20,001 I am having absurd nightmares. 512 00:54:20,921 --> 00:54:23,361 - And if that wasn't enough... - Here we go! 513 00:54:23,641 --> 00:54:25,321 Oh, thank you Ubaldo. 514 00:54:32,521 --> 00:54:35,401 You have never been in these places, right Sara? 515 00:54:35,801 --> 00:54:37,041 No. 516 00:54:38,841 --> 00:54:41,881 They are particular places around Turin. 517 00:54:42,161 --> 00:54:44,721 There are hills, foggy woods... 518 00:54:45,041 --> 00:54:47,481 strange, disturbing places... 519 00:54:47,481 --> 00:54:49,401 Are these the places where you place your stories? 520 00:54:49,841 --> 00:54:52,001 Like "The Forest Has a Thousand Eyes"? 521 00:54:52,201 --> 00:54:54,761 - Exactly. - Awesome! 522 00:54:55,001 --> 00:54:57,321 You should see them too, Alessio. 523 00:54:59,961 --> 00:55:03,121 Yes. In fact, I wanted to ask you that. 524 00:55:04,481 --> 00:55:08,281 We can get there in 5 minutes with the car. Can I offer you a short ride? 525 00:55:08,761 --> 00:55:10,041 Yes. 526 00:55:10,041 --> 00:55:12,401 It would be an honor for me to be your guide. 527 00:55:46,321 --> 00:55:48,601 Here we are. We have almost arrived. 528 00:56:12,761 --> 00:56:14,001 What a place! 529 00:56:15,121 --> 00:56:18,841 Many stories were born here, legends, daydreams... 530 00:56:19,001 --> 00:56:20,521 - What you mean? - Which stories? 531 00:56:26,681 --> 00:56:28,801 In the late 80's 532 00:56:28,961 --> 00:56:32,161 some girls were killed here, in this area. 533 00:56:35,881 --> 00:56:40,121 They were disappearing several months from one another, 534 00:56:41,201 --> 00:56:42,761 over several years. 535 00:56:45,361 --> 00:56:47,401 They began to speak of... 536 00:56:48,321 --> 00:56:51,281 only one hand, of only one person. 537 00:56:54,801 --> 00:56:56,401 Like a serial killer? 538 00:56:58,161 --> 00:56:59,521 Exactly. 539 00:57:01,761 --> 00:57:06,401 And they accused a psycho a homeless man living right here. 540 00:57:06,681 --> 00:57:08,601 The police found... 541 00:57:08,601 --> 00:57:10,521 scraps of clothing 542 00:57:10,961 --> 00:57:13,161 and pieces of cadavers, right inside there. 543 00:57:13,481 --> 00:57:14,881 So they arrested him. 544 00:57:15,561 --> 00:57:19,201 They began to speak of... "the beast of the hills". 545 00:57:20,361 --> 00:57:23,321 That kidnapped young girls and tore them apart. 546 00:57:24,201 --> 00:57:25,401 Is a story 547 00:57:25,641 --> 00:57:30,721 that mothers still tell their children at night to scare them and force them to go to sleep. 548 00:57:31,121 --> 00:57:34,321 - Is this maniac still in prison? - No 549 00:57:34,681 --> 00:57:36,841 He died in prison years ago. 550 00:57:37,241 --> 00:57:43,441 People don't remember anymore, or better they pretend... not to remember. 551 00:57:56,521 --> 00:57:58,001 Watch out! 552 00:57:58,601 --> 00:58:01,241 You need to be very careful where you walk. 553 00:58:14,841 --> 00:58:17,281 So, how are you? 554 00:58:17,281 --> 00:58:19,161 Better, I took a bath. 555 00:58:19,841 --> 00:58:23,121 But, Ubaldo, it doesn't scare you to leave near these places? 556 00:58:24,321 --> 00:58:27,481 No, on the contrary... they inspire me. 557 00:58:35,561 --> 00:58:36,961 Do you guys want to smoke? 558 00:58:40,241 --> 00:58:41,521 I do, yes. 559 00:58:43,641 --> 00:58:45,241 What is it? 560 00:58:46,081 --> 00:58:49,081 This... is a special herb. 561 00:59:01,481 --> 00:59:06,761 I could give a shit less about the cinema! 562 00:59:09,161 --> 00:59:12,121 The only thing that interests me are my novels 563 00:59:12,601 --> 00:59:14,801 and the smile of a beautiful girl. 564 00:59:15,721 --> 00:59:18,161 And a little grass to smoke now and then. 565 00:59:19,081 --> 00:59:23,601 - Wait... we need a ritual for the Gods. - Okay. 566 00:59:25,361 --> 00:59:27,961 Burn fire, burn. 567 00:59:28,161 --> 00:59:30,561 Burn until the end. 568 00:59:33,641 --> 00:59:34,881 Again. 569 00:59:37,361 --> 00:59:41,561 Burn fire, burn, burn until the end. 570 00:59:49,721 --> 00:59:52,801 - No, for me no. Thank you. - Com'on! 571 00:59:52,801 --> 00:59:54,881 - I don't want to. - Come on, smoke. 572 00:59:55,841 --> 00:59:58,081 Come on, smoke. 573 00:59:59,201 --> 01:00:01,041 Come on, smoke. 574 01:00:01,801 --> 01:00:05,161 Burn fire, burn, burn until the end. 575 01:00:05,681 --> 01:00:08,801 Burn fire, burn, burn until the end. 576 01:00:11,401 --> 01:00:12,561 Oh My... 577 01:00:18,881 --> 01:00:23,881 I began to write this war film with this director that was seriously an ass. 578 01:00:24,401 --> 01:00:26,801 He didn't know anything about the historic period! 579 01:00:28,161 --> 01:00:29,921 Which period was it? 580 01:00:32,921 --> 01:00:34,601 The Africa campaign. 581 01:00:35,561 --> 01:00:38,361 1940. 582 01:00:38,361 --> 01:00:44,961 The fascism, the Afrikorps, Rommel, the two battles of El Alamein, those things. 583 01:00:44,961 --> 01:00:46,481 How did you do it? 584 01:00:46,481 --> 01:00:49,521 You could say that the film was completely written by me. 585 01:00:50,361 --> 01:00:54,961 the director didn't know anything, I don't know where he studied, if he ever... 586 01:00:55,241 --> 01:00:56,641 studied. 587 01:00:57,481 --> 01:00:58,641 And then? 588 01:01:06,681 --> 01:01:10,121 Seeing as I 'm keen on Anthropology, 589 01:01:11,241 --> 01:01:13,481 and I love that time in history, 590 01:01:13,721 --> 01:01:17,241 it wasn't difficult for me to write a script. 591 01:01:18,961 --> 01:01:20,921 - I belive it. - Really? 592 01:01:21,401 --> 01:01:22,561 You are... 593 01:01:23,001 --> 01:01:25,441 you are a worldly man. 594 01:01:25,801 --> 01:01:27,241 Really? 595 01:01:29,241 --> 01:01:31,681 You're a man of great culture. 596 01:01:32,561 --> 01:01:34,481 It can be seen in your books as well. 597 01:01:34,481 --> 01:01:36,361 I am flattered. 598 01:01:40,401 --> 01:01:42,281 - Do you want to dance? - Yes. 599 01:01:42,961 --> 01:01:44,641 Let's dance. 600 01:01:47,961 --> 01:01:52,681 - Come with me. - Yes. Alright. 601 01:02:01,521 --> 01:02:03,401 Show me what you can do. 602 01:02:52,361 --> 01:02:55,321 - Should I show you what I can do? - Yes... 603 01:02:55,881 --> 01:02:57,721 - Yes? - Yes... 604 01:02:57,721 --> 01:02:59,081 Are you sure? 605 01:03:02,401 --> 01:03:03,521 Wait... 606 01:03:22,641 --> 01:03:25,121 No no wait, an autograph! 607 01:03:25,121 --> 01:03:28,041 No, a dedication! A dedication in one of your books! 608 01:03:28,561 --> 01:03:30,041 Come on... 609 01:03:30,961 --> 01:03:32,321 Okay. 610 01:03:57,281 --> 01:04:01,561 But, this is the French edition of "Dancing on the Blade of a Razor"! 611 01:04:03,241 --> 01:04:06,241 - And you are giving it to me? - It is already yours. 612 01:04:17,441 --> 01:04:23,241 "To Sara, my new, inspirational muse. Ubaldo Terzani". 613 01:05:21,161 --> 01:05:23,561 No, stop, stop. Come on... stop. 614 01:05:23,561 --> 01:05:27,521 - What do you mean? - Alessio is here. Stop it. 615 01:05:27,681 --> 01:05:28,841 Stop it! 616 01:05:33,201 --> 01:05:35,601 Stop it, you bastard. Stop! 617 01:05:36,801 --> 01:05:40,121 Bastard to who? What hell you want to do? 618 01:05:40,841 --> 01:05:43,601 - First you provoke me... - What did I drink... 619 01:05:43,601 --> 01:05:45,921 and then you deny me? 620 01:05:46,521 --> 01:05:49,921 No woman has ever denied me. 621 01:05:50,561 --> 01:05:53,801 - My head... - You should feel honored 622 01:05:53,801 --> 01:05:55,681 to be fucked by me. 623 01:05:57,241 --> 01:05:59,481 Stop you pig, stop! 624 01:06:01,481 --> 01:06:03,921 - Stop it! - What did he gave me to drink? 625 01:06:04,761 --> 01:06:06,641 Shut this mouth! 626 01:06:07,801 --> 01:06:12,961 Shut it. Silent! You have to shut it! 627 01:06:20,121 --> 01:06:21,921 Bastard, leave her alone... 628 01:06:41,241 --> 01:06:42,681 Oh fuck. 629 01:06:45,001 --> 01:06:46,641 Son of a bitch... 630 01:06:47,761 --> 01:06:49,321 Son of a bitch... 631 01:06:52,641 --> 01:06:54,161 Son of a bitch! 632 01:06:57,481 --> 01:07:00,241 What the fuck do you think you are doing? 633 01:07:03,561 --> 01:07:05,881 Piece of shit... you killed her. 634 01:07:06,521 --> 01:07:10,161 Can't you see how ridiculous you are? You are going to play the hero now? 635 01:07:11,081 --> 01:07:13,121 You watched you girlfriend get fucked in front of your eyes. 636 01:07:13,361 --> 01:07:16,041 You stayed there, still, while she died. 637 01:07:16,481 --> 01:07:18,601 This is because you have no balls. 638 01:07:19,561 --> 01:07:21,241 You are not worth shit. 639 01:07:21,241 --> 01:07:23,281 Not as a director... 640 01:07:25,121 --> 01:07:26,321 and not as a man. 641 01:07:34,201 --> 01:07:39,761 This is because you are spoiled, and a little cuckold. 642 01:07:42,321 --> 01:07:44,641 I want to be a director... "Oh mommy! 643 01:07:44,641 --> 01:07:46,281 "when I grow up I want to be a director!", 644 01:07:46,281 --> 01:07:48,721 "My love, isn't it better if you take whores?" 645 01:07:58,401 --> 01:08:01,921 Dear director... My dear director... 646 01:08:02,241 --> 01:08:04,001 Oh look... 647 01:08:04,881 --> 01:08:08,561 a coward of a director that has fainted! Oh poor baby! 648 01:08:10,001 --> 01:08:12,081 You need to learn respect. 649 01:09:20,921 --> 01:09:24,761 And we are tough, hard! 650 01:09:25,201 --> 01:09:28,601 What hell did your mama give you to eat, eggs? 651 01:09:30,081 --> 01:09:33,841 Hi Ho, Hi Ho, it's off to work we go! 652 01:09:49,241 --> 01:09:51,401 Here it is, done! 653 01:10:08,801 --> 01:10:10,401 Here... 654 01:10:47,801 --> 01:10:49,321 Beautiful. 655 01:10:53,281 --> 01:10:56,801 - A magnificent heart. - It's only a dream. 656 01:10:58,881 --> 01:11:00,601 It's only a dream. 657 01:11:25,321 --> 01:11:27,161 Fucking failure! 658 01:11:27,601 --> 01:11:30,281 Look what you've done. Look! 659 01:11:31,761 --> 01:11:34,681 This was the heart of your girlfriend. 660 01:11:35,601 --> 01:11:40,961 This heart serves me for my novels, piece of shit filmmaker! 661 01:12:13,121 --> 01:12:14,601 Where are you? 662 01:13:30,561 --> 01:13:31,881 Did you see? 663 01:13:35,001 --> 01:13:37,041 Beautiful, right? 664 01:13:40,001 --> 01:13:41,401 Have you saw it perfectly? 665 01:13:42,841 --> 01:13:46,441 With those beautiful eyes that I am going to rip from your head. 666 01:13:54,481 --> 01:13:55,961 Can you understand now 667 01:13:56,881 --> 01:14:00,001 where I get the inspiration for my novels? 668 01:14:02,881 --> 01:14:09,681 Now you understand why in each of them you find and uncanny, realistic sense. 669 01:14:12,401 --> 01:14:15,321 Why they are truly scary. 670 01:14:17,601 --> 01:14:19,081 And now you... 671 01:14:19,801 --> 01:14:22,801 are you ready to die? 672 01:14:25,241 --> 01:14:27,921 To send your soul to the devil? 673 01:14:30,201 --> 01:14:34,761 Intellectual director my ass! 674 01:14:40,241 --> 01:14:45,481 Now I will shred you, like I shredded that whore of a girlfriend of yours. 675 01:14:47,641 --> 01:14:51,161 And you will become material for my novels! 676 01:15:13,561 --> 01:15:17,041 Die! Son of a bitch, die! 677 01:15:35,721 --> 01:15:39,121 You have to thank me, Alessio... 678 01:15:41,401 --> 01:15:43,801 because I gave you the gift 679 01:15:45,401 --> 01:15:47,001 of inspiration. 680 01:16:56,881 --> 01:16:59,801 Hello... Police? 681 01:17:14,241 --> 01:17:16,881 Stop! Excellent, but let's do it again! 682 01:17:16,881 --> 01:17:19,401 - Luca,a little slower with your movements. - Okay. 683 01:17:19,401 --> 01:17:22,481 No, you didn't understand, I am filming for the American market. 684 01:17:28,401 --> 01:17:31,041 I hope so, it seems like a good distribution. 685 01:18:17,961 --> 01:18:20,681 Oh, what's wrong... did I scare you? 686 01:18:21,081 --> 01:18:23,521 No sorry, I was just lost in thought. Hi. 687 01:18:25,081 --> 01:18:27,401 - Oh congratulations. - You saw it? 688 01:18:27,401 --> 01:18:30,081 - You put on a great set. - Let me tell you about it. 689 01:18:32,961 --> 01:18:35,441 Your screenplay, is stupendous! 690 01:22:54,721 --> 01:22:59,601 Traduzione e sottotitoli Anna Maria Bruno per HDE