1 00:00:02,270 --> 00:00:03,471 I JUST LOVE THAT WE'RE HERE. 2 00:00:03,504 --> 00:00:04,671 IS THERE ANYTHING MORE IMPORTANT THAN CLEAN WATER 3 00:00:04,705 --> 00:00:06,006 IN DEVELOPING COUNTRIES? 4 00:00:06,040 --> 00:00:08,242 OR A CLEAN GLASS IN THIS ONE? OH. 5 00:00:08,275 --> 00:00:11,179 OH, MY GOSH. IT THAT ANNE GIBBS, THE LADY FROM CHANNEL 12 NEWS? 6 00:00:11,211 --> 00:00:13,913 [ GASPS ] OH, MY GOD! IT'S ANNE GIBBS! OH, I LOVE HER! 7 00:00:13,946 --> 00:00:16,149 THAT REACTION WOULD'VE BEEN BIG IF IT WAS ANNE HATHAWAY. 8 00:00:16,184 --> 00:00:17,984 OH, SHE IS HIDING QUITE A FIGURE BEHIND THAT DESK. 9 00:00:18,018 --> 00:00:19,320 OKAY, WHAT'S GOING ON WITH YOU AND ANNE GIBBS? 10 00:00:19,353 --> 00:00:20,588 COME ON. WE GOTTA GO SAY HI TO HER. 11 00:00:20,620 --> 00:00:22,222 OKAY, WE'RE DOING THIS. 12 00:00:22,256 --> 00:00:24,057 Mitchell: HEY. HI. 13 00:00:24,091 --> 00:00:25,092 HI. I'M SORRY. 14 00:00:25,126 --> 00:00:27,027 UM, I AM SUCH A FAN. 15 00:00:27,060 --> 00:00:28,428 I WAS SO MOVED BY THAT STORY YOU DID 16 00:00:28,461 --> 00:00:29,996 ABOUT THE GYMNAST WITH THE HUMP. 17 00:00:30,030 --> 00:00:31,364 YOU WANNA HEAR SOMETHING CRAZY? YEAH. 18 00:00:31,399 --> 00:00:33,100 HE JUST GOT A SCHOLARSHIP TO NOTRE DAME. 19 00:00:33,134 --> 00:00:35,835 NO! OH, MY GOSH! [ LAUGHS ] YEAH. [ LAUGHS ] 20 00:00:35,868 --> 00:00:37,170 YOU PROBABLY GET THIS ALL THE TIME, 21 00:00:37,204 --> 00:00:38,871 BUT I HAVE A STORY FOR YOU. 22 00:00:38,905 --> 00:00:41,709 I REPRESENT SOME HOMELESS PEOPLE IN A CASE AGAINST A CORPORATION 23 00:00:41,741 --> 00:00:43,009 THAT PAYS THEM SLAVE WAGES. 24 00:00:43,042 --> 00:00:45,079 INTERESTING. HOW LONG HAS THIS BEEN GOING ON? YES. 25 00:00:45,112 --> 00:00:46,179 SINCE 2012. 26 00:00:46,213 --> 00:00:47,381 WE'RE JUST TRYING TO SHINE A LIGHT 27 00:00:47,414 --> 00:00:49,283 ON HOW AWFUL THEY'RE BEING. TRULY AWFUL. 28 00:00:49,317 --> 00:00:50,384 ARE YOU WORKING ON THIS, TOO? 29 00:00:50,417 --> 00:00:51,585 [ Mouths words ] OH, GOSH. NO, NO. 30 00:00:51,618 --> 00:00:52,886 I'M JUST THIS ONE'S HUSBAND. [ CHUCKLES ] 31 00:00:52,920 --> 00:00:54,188 I'M A HIGH SCHOOL FOOTBALL COACH. CAMERON TUCKER. 32 00:00:54,222 --> 00:00:55,456 YES. OH, GOD. I'M SO EMBARRASSED. 33 00:00:55,488 --> 00:00:56,957 MITCHELL PRITCHETT. HOW ARE YOU? 34 00:00:56,990 --> 00:00:58,259 REALLY? SO -- 35 00:00:58,292 --> 00:01:01,094 YOU ARE AN OPENLY GAY HIGH SCHOOL FOOTBALL COACH? 36 00:01:01,128 --> 00:01:02,929 I KNOW, I KNOW. YOU HEAR "FOOTBALL COACH," 37 00:01:02,963 --> 00:01:05,698 AND YOU EXPECT TO MEET SOMEBODY THAT SCREAMS JOHN WAYNE. YES. [ CHUCKLES ] 38 00:01:05,733 --> 00:01:07,234 MEANWHILE, THE ONLY TIME I'VE SCREAMED THE DUKE 39 00:01:07,268 --> 00:01:10,271 IS WHEN WE ARGUE OVER WHO'S THE CUTEST ON "DOWNTON ABBEY." 40 00:01:10,304 --> 00:01:11,871 [ LAUGHTER ] 41 00:01:11,905 --> 00:01:12,939 POOR MITCHELL. HE'S HAD TO HEAR THAT A HUNDRED TIMES. 42 00:01:12,972 --> 00:01:14,408 I HAVE. I HAVE. 43 00:01:14,442 --> 00:01:16,109 SO THESE HOMELESS PEOPLE ARE MAKING A DOLLAR AN HOUR -- 44 00:01:16,144 --> 00:01:18,146 ARE THERE A LOT OF OPENLY GAY COACHES? 45 00:01:18,179 --> 00:01:21,314 OH, IF THE ADULT FILM INDUSTRY'S TO BE BELIEVED, THERE ALL ARE. 46 00:01:21,349 --> 00:01:22,650 [ LAUGHS ] [ FORCED LAUGH ] OKAY. 47 00:01:22,682 --> 00:01:24,617 OKAY. IT'S IN, YOU KNOW, CLEAR VIOLATIONS 48 00:01:24,652 --> 00:01:26,052 OF THE FEDERAL FAIR LABOR STANDARDS ACT -- 49 00:01:26,085 --> 00:01:29,323 HAS ANYONE EVER APPROACHED YOU FOR A NEWS SEGMENT? 50 00:01:29,356 --> 00:01:30,957 ON ME?! OH, MY GOSH. NO. I DON'T... 51 00:01:30,990 --> 00:01:33,727 I DON'T THINK I'M INTERESTING ENOUGH TO DO A NEWS SEGMENT ON. 52 00:01:33,760 --> 00:01:35,962 I MEAN, WHAT WOULD A REPORTER EVEN SAY ABOUT ME? 53 00:01:35,996 --> 00:01:38,097 THAT I'M A HIGH SCHOOL FOOTBALL COACH 54 00:01:38,132 --> 00:01:40,968 WITH AN UNDEFEATED RECORD WHO'S TACKLING STEREOTYPES? 55 00:01:41,001 --> 00:01:44,237 THAT ON MY TEAM, PREJUDICE IS CONSIDERED OUT OF BOUNDS? 56 00:01:44,271 --> 00:01:46,640 THAT WE'RE BLITZING BIGOTRY, KICKING INTOLERANCE, 57 00:01:46,674 --> 00:01:49,109 AND BEATING -- METAPHORS TO DEATH? 58 00:01:49,143 --> 00:01:52,111 *** 59 00:01:52,146 --> 00:01:55,115 Captioning provided by 20th Century Fox Television and ABC, Inc. 60 00:01:55,149 --> 00:01:58,117 and brought to you by Ford. Beautiful things happen when you go further. 61 00:01:58,152 --> 00:02:01,754 -- Captions by VITAC -- 62 00:02:01,789 --> 00:02:02,956 [ BIRDS CHIRPING ] HEY. 63 00:02:02,989 --> 00:02:04,957 YOU GUYS WANNA SEE SOMETHING REALLY COOL? 64 00:02:04,992 --> 00:02:06,426 IS IT BEHIND THAT OLD BOAT? 65 00:02:06,459 --> 00:02:08,861 THIS IS ONE OF THE MOST FAMOUS WARSHIPS OF ALL TIME. 66 00:02:08,896 --> 00:02:10,963 THE "U.S.S. CONSTITUTION." 67 00:02:10,997 --> 00:02:13,000 STAYED IN ACTIVE DUTY 84 YEARS. 68 00:02:13,032 --> 00:02:15,468 NO ENEMY MANAGED TO BOARD HER. 69 00:02:15,502 --> 00:02:17,670 10 SECONDS, SHE'S ALREADY BORED ME. 70 00:02:17,704 --> 00:02:19,473 [ DOORBELL RINGS ] [ SIGHS ] 71 00:02:19,507 --> 00:02:21,341 THAT'S YOUR SPANISH TUTOR. I'M GONNA SAY IT ONE MORE TIME. 72 00:02:21,375 --> 00:02:23,377 I REALLY THINK FRENCH WILL BE A BETTER FIT FOR ME. 73 00:02:23,411 --> 00:02:26,180 YOUR NAME IS MANUEL ALBERTO JAVIER ALEJANDRO DELGADO. 74 00:02:26,213 --> 00:02:28,014 HOW IS FRENCH A BETTER FIT FOR YOU? 75 00:02:28,048 --> 00:02:29,182 OKAY, I'M PRETTY SURE 76 00:02:29,216 --> 00:02:30,918 YOU THREW IN A NAME I'VE NEVER HEARD BEFORE. 77 00:02:31,985 --> 00:02:33,221 HELLO. 78 00:02:33,253 --> 00:02:34,954 AH, AH! EN ESPAÑOL, POR FAVOR. 79 00:02:34,987 --> 00:02:36,824 OKAY, LET'S TAKE IT DOWN A NACHO. 80 00:02:36,856 --> 00:02:41,161 HOLA, DIEGO! [ SPEAKS SPANISH ] 81 00:02:41,194 --> 00:02:42,829 EL PLACER ES MíO. YOU MUST BE MR. PRITCHETT. 82 00:02:42,862 --> 00:02:44,031 JAY. AND I'M JUST GLAD YOU'RE HERE. 83 00:02:44,063 --> 00:02:45,498 GLORIA TRIED TO TUTOR MANNY. 84 00:02:45,533 --> 00:02:47,735 THERE WAS LESS YELLING IN "THE MIRACLE WORKER." 85 00:02:47,768 --> 00:02:49,469 [ CHUCKLES ] BECAUSE HE WASN'T EVEN TRYING. 86 00:02:49,502 --> 00:02:52,573 I'M SORRY, BUT SPANISH JUST DOESN'T SEEM NATURAL TO ME. 87 00:02:52,605 --> 00:02:54,741 I DON'T LIKE THE WAY IT HITS MY EAR. 88 00:02:54,775 --> 00:02:55,975 WHAT COULD BE MORE NATURAL 89 00:02:56,009 --> 00:02:58,478 THAN YOUR MOTHER'S TONGUE IN YOUR EAR? 90 00:02:58,512 --> 00:03:01,048 DO YOU HAPPEN TO KNOW A GOOD ENGLISH TUTOR? 91 00:03:01,080 --> 00:03:03,082 HEY, HONEY! 92 00:03:03,116 --> 00:03:04,551 OH, HEY. [ DOOR CLOSES ] 93 00:03:04,585 --> 00:03:05,718 STILL STUDYING FOR THAT TEST? 94 00:03:05,752 --> 00:03:07,354 I CAN'T. I HAVE TO STUDY. 95 00:03:07,388 --> 00:03:08,756 WHAT TIME DID YOU GET TO BED? 96 00:03:08,788 --> 00:03:10,189 SURE THING. 97 00:03:12,058 --> 00:03:15,162 CLAIRE, I THINK SOMETHING'S UP WITH ALEX. 98 00:03:15,194 --> 00:03:16,530 I DON'T KNOW. SOME KIND OF CHICKEN. 99 00:03:16,563 --> 00:03:18,899 WHY IS NO ONE LISTENING TO ME? 100 00:03:18,931 --> 00:03:20,067 COME HERE. 101 00:03:20,099 --> 00:03:22,002 I DON'T THINK SHE'S GETTING ENOUGH SLEEP. 102 00:03:22,034 --> 00:03:23,271 [ THUD ] LOOK AT HER. 103 00:03:23,304 --> 00:03:24,572 SHE'S LIKE A HUMAN ROOMBA. 104 00:03:24,604 --> 00:03:26,340 [ THUD ] 105 00:03:26,373 --> 00:03:27,875 ALEX WILL BE FINE. 106 00:03:27,908 --> 00:03:29,676 THIS IS OUR REAL PROBLEM. 107 00:03:29,710 --> 00:03:31,110 WHEN I LEFT FOR WORK THIS MORNING, 108 00:03:31,144 --> 00:03:33,112 SHE WAS SITTING ON THE COUCH, FLIPPING THROUGH MAGAZINES. 109 00:03:33,146 --> 00:03:34,914 SHE'S 20. SHE'S FINDING HERSELF. 110 00:03:34,948 --> 00:03:36,849 HOW HARD CAN IT BE? SHE HASN'T MOVED. 111 00:03:36,884 --> 00:03:38,718 WELL, WHAT WERE YOU DOING AT 20? ME? 112 00:03:38,752 --> 00:03:40,920 UH, I WAS GETTING A 4.0 IN COLLEGE. 113 00:03:40,954 --> 00:03:43,055 I WAS WORKING 25 HOURS A WEEK. 114 00:03:43,090 --> 00:03:46,360 I WAS VOLUNTEERING AT A SUICIDE HOTLINE. 115 00:03:46,394 --> 00:03:49,062 GET OFF THE COUCH! DO SOMETHING WITH YOUR LIFE! 116 00:03:49,096 --> 00:03:52,300 WAS IT AN ASSISTED SUICIDE HOTLINE? 117 00:03:52,332 --> 00:03:53,634 YOUR FATHER'S HOME... 118 00:03:53,667 --> 00:03:55,735 FROM WORK. 119 00:03:55,769 --> 00:03:57,971 ALREADY? [ Singsongy ] MUST BE NICE. 120 00:03:58,004 --> 00:04:00,873 [ CHUCKLES ] 121 00:04:00,907 --> 00:04:04,110 [ CRYING ] DADDY, MY DOLL WON'T STOP CRYING. 122 00:04:04,144 --> 00:04:05,778 OH, HONEY, DID YOU TRY THE "OFF" SWITCH? 123 00:04:05,812 --> 00:04:07,314 OF COURSE I TRIED THE "OFF" SWITCH! 124 00:04:07,348 --> 00:04:08,615 LILY! 125 00:04:08,649 --> 00:04:10,950 SORRY I SNAPPED. SHE'S BEEN LIKE THIS ALL DAY. 126 00:04:10,984 --> 00:04:12,586 [ MUTTERS ] [ CRYING CONTINUES ] 127 00:04:12,620 --> 00:04:13,787 THERE YOU GO. [ CRYING STOPS ] 128 00:04:13,820 --> 00:04:15,087 THAT NEVER WORKED ON YOU. 129 00:04:15,122 --> 00:04:16,757 HA HA. SO, GOOD NEWS. 130 00:04:16,790 --> 00:04:20,160 ANNE GIBBS ACTUALLY WANTS TO DO A NEWS SEGMENT ON ME! 131 00:04:20,192 --> 00:04:21,961 WHAT?! 132 00:04:21,995 --> 00:04:23,129 GREAT NEWS, CAM. 133 00:04:23,163 --> 00:04:24,331 ISN'T THAT EXCITING? 134 00:04:24,365 --> 00:04:25,733 THEY'RE GONNA SEND A WHOLE TEAM FRIDAY, 135 00:04:25,766 --> 00:04:27,834 FOLLOW ME AROUND WITH A CAMERA CREW, 136 00:04:27,867 --> 00:04:30,002 THEN INTERVIEW ME AT THE HOMECOMING GAMES. 137 00:04:30,036 --> 00:04:32,105 SO LISTEN, I KINDA HAVE A BIG FAVOR TO ASK. 138 00:04:32,139 --> 00:04:33,574 UH, W--OKAY. 139 00:04:33,606 --> 00:04:35,308 TRADITIONALLY, THE VARSITY COACH AND HIS WIFE 140 00:04:35,343 --> 00:04:37,310 COOK A BIG PANCAKE BREAKFAST FOR THE FOOTBALL TEAM... MM. 141 00:04:37,345 --> 00:04:38,579 FOR HOMECOMING. 142 00:04:38,612 --> 00:04:39,980 I DO NOT LIKE WHERE THIS IS GOING. 143 00:04:40,012 --> 00:04:42,115 WELL, LET ME FINISH. OKAY, CONTINUE. 144 00:04:42,149 --> 00:04:45,117 HOW WOULD YOU FEEL IF YOU AND I COOKED A BIG PANCAKE BREAKFAST 145 00:04:45,151 --> 00:04:46,487 FOR THE VARSITY FOOTBALL TEAM? 146 00:04:46,519 --> 00:04:48,288 DID YOU THINK THAT THAT WAS A TWIST? 147 00:04:48,322 --> 00:04:50,023 MITCHELL, PLEASE. NO! 148 00:04:50,057 --> 00:04:52,326 NO, UNLESS YOU CAN CONVINCE TOM BRADY TO SPEND THE NIGHT, 149 00:04:52,360 --> 00:04:56,028 I AM NOT MAKING BREAKFAST FOR ANY FOOTBALL PLAYERS. 150 00:04:56,062 --> 00:04:57,531 HE -- HE IS A FOOTBALL PLAYER, RIGHT? 151 00:04:57,564 --> 00:04:59,098 YES. IT'S THE PERFECT REFERENCE. 152 00:04:59,132 --> 00:05:01,134 BUT, MITCHELL, THIS IS IMPORTANT. 153 00:05:01,168 --> 00:05:03,870 SO IS MY JOB. I HAVE CLOSING ARGUMENTS ON FRIDAY. 154 00:05:03,903 --> 00:05:05,305 I PROMISE YOU'LL BE OUT BY 9:00. 155 00:05:05,338 --> 00:05:06,639 [ SIGHS DEEPLY ] I JUST WANNA SHOW THE WORLD 156 00:05:06,673 --> 00:05:09,276 THAT WE'RE AS SUPPORTIVE AND RESPECTFUL 157 00:05:09,309 --> 00:05:11,043 AS ANY STRAIGHT COUPLE. 158 00:05:11,077 --> 00:05:13,380 AW. THAT'S AN INCREDIBLY MANIPULATIVE THING TO SAY. 159 00:05:13,413 --> 00:05:15,516 WELL, THAT'S NOT HOW I MEANT IT. AND THAT HURTS MY FEELINGS. 160 00:05:15,548 --> 00:05:18,151 OH, MY GOD. THIS IS SO LAME AND TRANSPARENT. 161 00:05:18,185 --> 00:05:20,454 BUSTED. YOU KNOW, YOU'RE SO MUCH SMARTER THAN ME. 162 00:05:20,487 --> 00:05:22,055 OH, I WISH I KNEW WHERE YOUR "OFF" SWITCH WAS. 163 00:05:22,088 --> 00:05:24,891 WELL, YOU KNOW WHERE MY "ON" SWITCH IS. [ SIGHS ] 164 00:05:24,925 --> 00:05:27,026 [ DOORBELL RINGS ] 165 00:05:27,060 --> 00:05:28,696 HEY, MRS. DUNPHY. REMEMBER ME? HI. 166 00:05:28,728 --> 00:05:31,031 ANDY. OF COURSE. COME ON IN. [ CHUCKLES ] YEP. OKAY. 167 00:05:31,064 --> 00:05:33,567 YOU ARE JOE'S BABYSITTER, RIGHT? 168 00:05:33,600 --> 00:05:35,201 UH, "MANNY" IS WHAT WE CALL OURSELVES 169 00:05:35,235 --> 00:05:36,637 IN THE CHILD CARE COMMUNITY. 170 00:05:36,670 --> 00:05:38,706 AH. BUT IT'S CONFUSING IN THAT HOUSE 171 00:05:38,738 --> 00:05:40,040 BECAUSE OF THEIR SON MANNY. MM-HMM. 172 00:05:40,072 --> 00:05:42,509 SO I'VE BEEN TRYING TO GET TRACTION WITH "BRO-PAIR." 173 00:05:42,543 --> 00:05:45,413 HEY, ANDY. HEY, SIR...UH, MR. DUNPHY. 174 00:05:45,446 --> 00:05:47,680 SORRY. I DIDN'T...SEE YOU. 175 00:05:47,715 --> 00:05:49,983 ANDY, PLEASE. "SIR MR. DUNPHY" IS MY BRITISH NAME. 176 00:05:50,016 --> 00:05:52,985 [ LAUGHS ] OH, MY...YOU DID NOT JUST THINK OF THAT! [ LAUGHING ] 177 00:05:53,019 --> 00:05:54,822 YES! [ LAUGHS ] 178 00:05:54,855 --> 00:05:56,856 ANDY, WHAT CAN WE DO FOR YA? 179 00:05:56,889 --> 00:05:58,191 I'M ACTUALLY HERE -- HEY, ANDY. 180 00:05:58,225 --> 00:05:59,358 HERE. [ CHUCKLES ] COME ON. 181 00:05:59,393 --> 00:06:00,560 WHOA. HE'S HERE FOR YOU? 182 00:06:00,593 --> 00:06:02,862 YEAH. WE'RE JUST GONNA BE IN THE BASEMENT. 183 00:06:02,896 --> 00:06:04,464 SO GOOD TO SEE YOU GUYS. 184 00:06:06,033 --> 00:06:08,035 I DON'T KNOW WHY I JUST DID THAT. 185 00:06:08,067 --> 00:06:09,101 [ Whispers ] THAT WAS... 186 00:06:09,136 --> 00:06:10,237 [ Whispers ] WHAT WAS THAT?! 187 00:06:10,269 --> 00:06:11,672 [ Lowered voice ] DON'T BE OFFENDED. 188 00:06:11,704 --> 00:06:13,940 IN MANY CULTURES, IT'S CUSTOMARY TO BOW ONLY TO THE MAN. 189 00:06:13,973 --> 00:06:16,776 PHIL. HALEY, ANDY -- IS THAT A THING? 190 00:06:16,810 --> 00:06:18,745 OH. I DON'T KNOW. 191 00:06:18,778 --> 00:06:19,947 WELL, I HOPE NOT. 192 00:06:19,980 --> 00:06:22,249 HALEY IS AT A VERY LOW POINT IN HER LIFE. 193 00:06:22,281 --> 00:06:24,350 IT'S THE LAST THING SHE NEEDS RIGHT NOW. 194 00:06:24,384 --> 00:06:26,954 SOMETIMES A BOY MIGHT BE A GOOD DISTRACTION? 195 00:06:26,987 --> 00:06:28,788 I REMEMBER A CERTAIN YOUNG LADY 196 00:06:28,822 --> 00:06:30,057 WAS PRETTY ADDICTED TO "MS. PAC-MAN" 197 00:06:30,089 --> 00:06:32,526 UNTIL A DASHING YOUNG GENT CAUGHT HER EYE. 198 00:06:32,560 --> 00:06:34,562 ONLY BECAUSE YOU WERE WEARING A FEATHER EARRING. 199 00:06:34,595 --> 00:06:35,795 IT WASN'T A FEATHER. 200 00:06:35,829 --> 00:06:37,096 IT WAS A DREAM CATCHER. 201 00:06:37,129 --> 00:06:39,132 MM. AND IT WORKED. 202 00:06:39,165 --> 00:06:40,768 [ THUD ] 203 00:06:43,170 --> 00:06:45,305 WELL, WE'RE DONE. ONE MORE SESSION THIS WEEK, 204 00:06:45,338 --> 00:06:47,139 AND MANNY WILL BE READY FOR HIS TEST. 205 00:06:47,173 --> 00:06:48,776 AY, QUé BUENO. 206 00:06:48,808 --> 00:06:50,143 MMM. 207 00:06:50,177 --> 00:06:52,579 [ SPEAKING SPANISH ] 208 00:06:52,612 --> 00:06:53,947 GRACIAS! 209 00:07:01,689 --> 00:07:04,423 [ CHUCKLES ] 210 00:07:12,533 --> 00:07:14,634 [ LAUGHS ] [ LAUGHS ] 211 00:07:14,668 --> 00:07:15,636 WHAT ARE THEY SAYING? 212 00:07:15,668 --> 00:07:17,737 IF I KNEW, HE WOULDN'T BE HERE. 213 00:07:17,771 --> 00:07:18,939 [ LAUGHS ] 214 00:07:18,971 --> 00:07:21,141 [ SPEAKS SPANISH ] [ SPEAKS SPANISH ] 215 00:07:26,045 --> 00:07:26,980 HEY, HEY! 216 00:07:27,014 --> 00:07:28,348 HEY. WHERE HAVE YOU BEEN? 217 00:07:28,380 --> 00:07:30,149 I'VE BEEN COOKING PANCAKES BY MYSELF FOR AN HOUR. 218 00:07:30,182 --> 00:07:31,117 WHAT CAN I DO TO HELP? 219 00:07:31,151 --> 00:07:32,620 UH, YOU CAN CRACK SOME EGGS OVER THERE. 220 00:07:32,653 --> 00:07:34,321 UH...YOU KNOW WHAT? 221 00:07:34,353 --> 00:07:36,923 I THINK WHISKING MIGHT READ BETTER. 222 00:07:36,956 --> 00:07:38,425 WHAT ARE YOU DOING? THERE'S NOTHING IN THERE. 223 00:07:38,457 --> 00:07:40,827 DON, CAN YOU TELL THERE'S NOTHING IN HERE? ALL GOOD. 224 00:07:40,860 --> 00:07:41,961 DON'S ALL GOOD. OH, GOOD. GOOD. 225 00:07:41,995 --> 00:07:43,196 SO WE'RE GETTING SOME EXTRA FOOTAGE. GOOD, DON. 226 00:07:43,230 --> 00:07:44,430 WHAT WE CALL "B-ROLL." 227 00:07:44,463 --> 00:07:45,665 ANNE WANTS TO SEE ME HELP COOK. 228 00:07:45,699 --> 00:07:47,000 I WANNA SEE YOU HELP COOK. 229 00:07:47,033 --> 00:07:49,269 I THOUGHT THIS WAS SOMETHING THAT WE WERE DOING TOGETHER. 230 00:07:49,302 --> 00:07:51,805 YES, YOU'RE RIGHT. OKAY, LET'S DO THIS. SORRY. 231 00:07:51,838 --> 00:07:53,273 I... 232 00:07:53,305 --> 00:07:54,774 THAT'S PERFECT. I'M HAPPY. 233 00:07:54,807 --> 00:07:57,144 DON'S HAPPY. I'M NOT HAPPY. 234 00:07:57,177 --> 00:07:58,646 Cameron: WHAT'S UP, GUYS?! Students: [ CHEERING ] 235 00:07:58,678 --> 00:08:01,714 Diego and Gloria: [ SPEAKING SPANISH ] 236 00:08:01,749 --> 00:08:03,684 QUé MALO! 237 00:08:03,716 --> 00:08:05,285 AH, SEÑOR PRITCHETT. [ LAUGHS ] 238 00:08:05,317 --> 00:08:06,819 PLEASE, JOIN US. 239 00:08:06,853 --> 00:08:09,055 NICE AS IT IS FOR YOU TO INVITE ME TO SWIM IN MY OWN POOL, 240 00:08:09,088 --> 00:08:11,692 I THOUGHT I WAS PAYING YOU TO TEACH MANNY SPANISH. 241 00:08:11,725 --> 00:08:13,192 MANNY'S DONE WITH HIS LESSON. 242 00:08:13,225 --> 00:08:15,795 BUT DIEGO HERE IS ALSO A SWIM INSTRUCTOR, 243 00:08:15,829 --> 00:08:18,165 SO HE'S GOING TO TEACH JOE TO SWIM. 244 00:08:18,197 --> 00:08:20,332 MUST BE A GOOD TEACHER IF JOE DOESN'T HAVE TO BE HERE FOR IT. 245 00:08:20,367 --> 00:08:24,137 MANNY'S PUTTING HIM IN HIS SWIMMING DIAPER. 246 00:08:24,170 --> 00:08:26,072 THERE THEY ARE! [ WATER SPLASHING ] 247 00:08:26,105 --> 00:08:28,542 LET'S GO SWIM! 248 00:08:28,576 --> 00:08:30,644 COME HERE. AH! 249 00:08:30,677 --> 00:08:31,845 [ LAUGHS ] 250 00:08:31,879 --> 00:08:33,513 Diego: [ LAUGHS ] 251 00:08:33,547 --> 00:08:36,015 YOU KNOW, AFTER YOU SHOWED US THAT COOL MODEL, 252 00:08:36,048 --> 00:08:39,086 I STARTED READING UP ON THE "U.S.S. CONSTITUTION." 253 00:08:39,119 --> 00:08:41,020 QUITE A SHIP IN ITS DAY. UH-HUH. 254 00:08:41,053 --> 00:08:43,023 THEN, OF COURSE, THEY INVENTED STEAMSHIPS. 255 00:08:43,056 --> 00:08:45,725 YOUR OLD SAILING FRIGATES JUST COULDN'T COMPETE 256 00:08:45,759 --> 00:08:49,096 WITH THOSE YOUNGER, FASTER, STEAMIER MODELS IN THE WATER. 257 00:08:49,129 --> 00:08:50,864 YOU KNOW, IT'S TOO BAD YOU DON'T SPEND AS MUCH TIME 258 00:08:50,898 --> 00:08:53,365 ON YOUR SPANISH HOMEWORK AS YOU DO ONLINE 259 00:08:53,399 --> 00:08:57,104 FINDING PASSIVE-AGGRESSIVE WAYS OF USING MY HOBBIES AGAINST ME. 260 00:08:57,136 --> 00:08:59,038 WHAT'S THIS? 261 00:08:59,072 --> 00:09:01,875 PERMISSION SLIP. LETS ME TRANSFER INTO FRENCH. 262 00:09:01,908 --> 00:09:04,110 ONLY ONE PARENT SIGNATURE REQUIRED. 263 00:09:04,144 --> 00:09:05,345 [ PAPER RUSTLES ] 264 00:09:05,378 --> 00:09:07,080 AH! [ LAUGHS ] 265 00:09:07,114 --> 00:09:10,082 COME ON, JAY. I CAN'T TAKE IT ANYMORE. I QUIT. 266 00:09:10,116 --> 00:09:12,318 YOU'RE ALREADY STARTING TO SOUND FRENCH. 267 00:09:15,589 --> 00:09:17,890 HONEY, I'M GETTING WORRIED ABOUT ALEX. 268 00:09:17,924 --> 00:09:19,225 I DON'T THINK SHE SLEPT AGAIN LAST NIGHT. 269 00:09:19,259 --> 00:09:20,628 IT'S LIKE THE THIRD NIGHT IN A ROW. 270 00:09:20,661 --> 00:09:22,261 I THOUGHT YOU WERE GONNA SET YOUR ALARM AND CHECK ON HER? 271 00:09:22,294 --> 00:09:24,063 STUPID THING NEVER WENT OFF. 272 00:09:24,096 --> 00:09:27,067 [ ALARM BUZZING ] 273 00:09:27,100 --> 00:09:28,067 [ BUZZING STOPS ] 274 00:09:31,171 --> 00:09:33,139 I'M SURE ALEX SLEPT. I DON'T KNOW. 275 00:09:33,173 --> 00:09:35,274 SHE'S SITTING AT HER DESK, TOO TIRED TO MOVE HER EYEBALLS. 276 00:09:35,307 --> 00:09:37,376 SHE'S READING HER BOOK LIKE THIS. 277 00:09:37,409 --> 00:09:39,145 DID ANYONE SEE MY LEOPARD PRINT SKIRT? 278 00:09:39,178 --> 00:09:40,980 I SAW A LEOPARD HEADBAND ON THE STAIRS. 279 00:09:41,014 --> 00:09:42,414 THAT'S IT. 280 00:09:42,448 --> 00:09:44,417 ALEX IS GONNA BE FINE. THAT'S THE ONE I'M WORRIED ABOUT. 281 00:09:44,451 --> 00:09:46,286 I'M GONNA GO TALK TO HER. 282 00:09:46,318 --> 00:09:47,721 I CAN'T BELIEVE 283 00:09:47,754 --> 00:09:50,123 I JUST WENT POWER-WALKING WITH HER SKIRT ON MY HEAD. 284 00:09:50,157 --> 00:09:51,725 HALEY, HONEY, I WANTED TO TALK TO YOU 285 00:09:51,759 --> 00:09:53,426 ABOUT THIS WHOLE THING WITH ANDY. 286 00:09:53,460 --> 00:09:54,628 WHAT'S THERE TO TALK ABOUT? 287 00:09:54,662 --> 00:09:57,129 WELL, I'M CONCERNED THAT IT IS DISTRACTING YOU 288 00:09:57,163 --> 00:09:58,097 FROM WHAT'S REALLY IMPORTANT. 289 00:09:58,130 --> 00:09:59,732 OH, MOM, THERE'S NOTHING TO WORRY ABOUT. 290 00:09:59,767 --> 00:10:01,500 YOU KNOW, IT'S JUST SEX. 291 00:10:01,533 --> 00:10:03,336 WHAT? 292 00:10:03,370 --> 00:10:06,105 PURELY PHYSICAL. IT'S REALLY JUST A STRESS-RELIEVER. 293 00:10:06,139 --> 00:10:07,941 [ GASPS ] OH. 294 00:10:07,975 --> 00:10:10,744 I AM NOT HAVING SEX WITH ANDY. WE'RE JUST FRIENDS. 295 00:10:10,778 --> 00:10:12,679 I'M HELPING HIM PREP FOR A JOB INTERVIEW 296 00:10:12,712 --> 00:10:14,815 THAT HE DOESN'T WANT ANYBODY TO KNOW ABOUT. 297 00:10:14,847 --> 00:10:16,649 THE WHOLE SEX THING WAS THE FASTEST WAY 298 00:10:16,683 --> 00:10:18,786 TO END THE CONVERSATION WITH MY MOTHER. 299 00:10:18,818 --> 00:10:20,086 UH, ARE THERE ANY MORE QUESTIONS? 300 00:10:20,120 --> 00:10:21,288 NO. OKAY, COOL. 301 00:10:21,321 --> 00:10:23,155 [ DOORBELL RINGS ] OH, THAT'S HIM. 302 00:10:24,692 --> 00:10:26,826 HEY! OH, YOU LOOK SO GOOD! 303 00:10:26,860 --> 00:10:28,495 COME INSIDE. ARE YOU READY? 304 00:10:28,528 --> 00:10:30,462 YEAH. I SAW SOME STUFF ONLINE, 305 00:10:30,496 --> 00:10:32,665 SO I GOT A COUPLE NEW THINGS I WANNA TRY OUT. 306 00:10:32,700 --> 00:10:35,601 LET'S DO IT! 307 00:10:35,634 --> 00:10:39,105 ...WHICH PROVES, ANNE, YOU CAN SCORE WITH A GAY COACH. 308 00:10:39,139 --> 00:10:40,807 WAIT. UH, CAN I TRY THAT AGAIN? 309 00:10:40,841 --> 00:10:42,109 NO, THAT WAS GREAT. 310 00:10:42,142 --> 00:10:44,311 UM, HOW DOES YOUR SPOUSE FEEL ABOUT YOU COACHING? 311 00:10:44,344 --> 00:10:47,681 OH, THIS ONE? [ CHUCKLES ] HE'S MY ROCK. HE'S... 312 00:10:47,715 --> 00:10:49,115 HE'S MY CONNIE BRITTON. 313 00:10:49,149 --> 00:10:51,183 YOUR...YOUR CONNIE BRITTON? 314 00:10:51,217 --> 00:10:52,485 MRS. COACH ON "FRIDAY NIGHT LIGHTS." 315 00:10:52,519 --> 00:10:54,053 CAN I TALK TO YOU FOR A SECOND? 316 00:10:54,086 --> 00:10:55,522 UH...UM... 317 00:10:55,554 --> 00:10:56,956 UH, DON, ANNE? CAN WE, UH... 318 00:10:56,990 --> 00:10:58,158 SURE. 319 00:10:58,191 --> 00:10:59,960 YEAH, WHAT'S UP? DO YOU HAVE ANY IDEA 320 00:10:59,993 --> 00:11:01,828 HOW INSULTING YOU'VE BEEN TO ME ALL MORNING? 321 00:11:01,861 --> 00:11:03,062 WHAT, BECAUSE I JUST COMPARED YOU TO CONNIE BRITTON? 322 00:11:03,096 --> 00:11:05,164 MITCHELL, SHE WAS AN EQUAL TO COACH TAYLOR. 323 00:11:05,197 --> 00:11:07,134 YOU'D KNOW THAT IF YOU SAW THE SHOW. 324 00:11:07,167 --> 00:11:08,067 WELL, I GUESS I MISSED IT 325 00:11:08,100 --> 00:11:09,903 BECAUSE "THE CAM SHOW" WAS ALWAYS ON. 326 00:11:09,937 --> 00:11:12,038 REALLY? YOU'RE NOT GONNA LET ME HAVE MY MOMENT HERE? 327 00:11:12,072 --> 00:11:13,072 IT IS ALWAYS YOUR MOMENT, 328 00:11:13,105 --> 00:11:14,573 AND USUALLY I-I'M FINE WITH THAT. 329 00:11:14,606 --> 00:11:15,808 BUT THE OTHER NIGHT, 330 00:11:15,842 --> 00:11:17,076 I WAS TRYING TO GET THEM TO COVER MY CASE, 331 00:11:17,110 --> 00:11:19,011 AND YOU -- YOU MADE IT ALL ABOUT YOU. 332 00:11:19,046 --> 00:11:20,312 I DID NOT. THAT IS UNFAIR. 333 00:11:20,346 --> 00:11:23,482 I HAVE ALWAYS SUPPORTED YOUR JOB AND KNOW HOW IMPORTANT IT IS. 334 00:11:23,515 --> 00:11:25,317 REALLY? WHAT'S MY NEW CASE ABOUT? 335 00:11:25,351 --> 00:11:27,888 THE ONLY ONE I WAS TALKING ABOUT FOR THREE WEEKS. 336 00:11:27,921 --> 00:11:30,057 PEOPLE... 337 00:11:30,090 --> 00:11:32,424 WHO NEED PEOPLE. ARE THEY LUCKY, CAM? 338 00:11:32,459 --> 00:11:34,094 ARE THEY THE LUCKIEST PEOPLE IN THE WORLD? 339 00:11:34,126 --> 00:11:36,897 [ CRYING ] DADDY, SHE WON'T STOP CRYING AGAIN. 340 00:11:36,929 --> 00:11:39,099 ONE SECOND, HONEY. LOOK, CAM, I LOVE YOU VERY MUCH, 341 00:11:39,131 --> 00:11:41,067 BUT I RESENT THE WAY YOU'RE TREATING ME TODAY. 342 00:11:41,100 --> 00:11:43,903 OKAY, I AM NOT SOME 1950s HOUSEWIFE. I... 343 00:11:43,937 --> 00:11:46,874 [ CONVERSATIONS STOP ] [ SIGHS DEEPLY ] 344 00:11:46,907 --> 00:11:48,075 [ Whispers ] COME ON. 345 00:11:48,107 --> 00:11:49,509 [ CONTINUES CRYING ] 346 00:11:49,542 --> 00:11:50,744 [ CRYING STOPS ] 347 00:11:51,912 --> 00:11:55,783 DID YOU SIGN SOMETHING SO THAT MANNY COULD SWITCH TO FRENCH? 348 00:11:55,816 --> 00:11:58,384 I DID. YOU KNEW THAT I WANTED HIM TO LEARN SPANISH. 349 00:11:58,418 --> 00:11:59,686 I ALSO KNOW YOU CAN'T FORCE A KID 350 00:11:59,719 --> 00:12:01,354 TO BE INTERESTED IN SOMETHING THAT HE'S NOT. 351 00:12:01,388 --> 00:12:02,789 THAT'S WHY I HAVE 352 00:12:02,822 --> 00:12:05,457 A PICTURE OF MITCHELL AND HIS PROM DATE SHAKING HANDS. 353 00:12:05,491 --> 00:12:08,260 IT WOULD BE NICE FOR SOMEONE TO CARE WHAT I THINK FOR A CHANGE. 354 00:12:08,294 --> 00:12:10,562 YOU SHOULD ALSO KNOW THAT I HIRED A NEW SWIMMING INSTRUCTOR. 355 00:12:10,596 --> 00:12:11,865 BUT DON'T WORRY. 356 00:12:11,899 --> 00:12:14,600 SHE'S GOT THE SAME BROAD SHOULDERS PLUS A MUSTACHE. 357 00:12:14,634 --> 00:12:16,568 SO ALL THIS IS BECAUSE YOU'RE JEALOUS? 358 00:12:16,602 --> 00:12:19,038 I CAN'T BELIEVE THAT YOU'RE BEING SO... 359 00:12:19,072 --> 00:12:21,573 IN...FER...UR-- 360 00:12:21,607 --> 00:12:22,909 [ STOMPS FOOT ] WHAT IS THE WORD? 361 00:12:22,942 --> 00:12:24,476 SELFISH. PIGHEADED. REALLY? 362 00:12:24,510 --> 00:12:25,913 HER WORDS, NOT MINE. 363 00:12:25,946 --> 00:12:27,246 DO YOU KNOW HOW FRUSTRATING IT IS 364 00:12:27,279 --> 00:12:30,482 TO HAVE TO TRANSLATE EVERYTHING IN MY HEAD BEFORE I SAY IT? 365 00:12:30,517 --> 00:12:32,219 TO HAVE PEOPLE LAUGH IN MY FACE 366 00:12:32,251 --> 00:12:34,721 BECAUSE I'M STRUGGLING TO FIND THE WORDS? 367 00:12:34,754 --> 00:12:37,724 YOU SHOULD TRY TALKING IN MY SHOES FOR ONE MILE! 368 00:12:37,756 --> 00:12:40,559 I THINK YOU MEANT -- I KNOW WHAT I MEANT TO MEAN. 369 00:12:40,592 --> 00:12:42,662 DO YOU EVEN KNOW HOW SMART I AM IN SPANISH? 370 00:12:42,695 --> 00:12:45,131 OF COURSE YOU DON'T. 371 00:12:45,164 --> 00:12:47,600 FOR ONCE, IT WOULD BE NICE TO SPEAK TO SOMEONE 372 00:12:47,634 --> 00:12:50,537 IN MY OWN LANGUAGE IN MY OWN HOME. 373 00:12:51,703 --> 00:12:54,006 [ DOOR SLAMS ] 374 00:12:54,040 --> 00:12:58,677 WHATEVER THE SPANISH WORD IS FOR "WOMEN," AM I RIGHT? 375 00:12:58,711 --> 00:13:00,947 [ SPITS ] MOTHER NATURE! CHEEZ-ITS! 376 00:13:00,980 --> 00:13:03,149 ANDY. I DID NOT KNOW YOU WERE THERE. 377 00:13:03,182 --> 00:13:06,019 SORRY. STUPID LITTLE CAT FEET. 378 00:13:06,052 --> 00:13:07,955 I'M NOT SURE WHERE HALEY IS. 379 00:13:07,988 --> 00:13:12,024 ACTUALLY, MR. DUNPHY, I WAS HOPING I COULD SPEAK WITH YOU. 380 00:13:12,058 --> 00:13:13,994 OH, YEAH? WHAT CAN I DO FOR YA? 381 00:13:14,027 --> 00:13:16,363 [ INHALES DEEPLY ] 382 00:13:16,395 --> 00:13:18,030 MR. DUNPHY, 383 00:13:18,065 --> 00:13:20,967 I LOVE BEING A MANNY, 384 00:13:21,000 --> 00:13:22,434 BUT I CAN'T DO IT FOREVER. 385 00:13:22,469 --> 00:13:24,471 I JUST DIDN'T KNOW WHAT THE NEXT CHAPTER SHOULD BE, 386 00:13:24,504 --> 00:13:28,174 BUT THEN I MET A GUY NAMED PHIL DUNPHY. 387 00:13:28,207 --> 00:13:30,143 WHAT? A GUY WHO LOVES WHAT HE DOES, AND... 388 00:13:30,177 --> 00:13:32,678 YEAH. A GUY WHO PROVIDED ALL THIS FOR HIS FAMILY. 389 00:13:32,711 --> 00:13:34,181 WELL... AND THEN I REALIZED, 390 00:13:34,213 --> 00:13:36,615 A CAREER IN REAL ESTATE IS WHAT I WANT. 391 00:13:36,649 --> 00:13:39,451 AND I WAS HOPING I COULD... 392 00:13:39,485 --> 00:13:40,787 LEARN FROM THE BEST. 393 00:13:40,820 --> 00:13:42,889 SKIP WOOSNUM? UM, I CAN PUT IN A CALL. 394 00:13:42,923 --> 00:13:44,957 HE DOESN'T REALLY GET BACK -- NO. 395 00:13:44,991 --> 00:13:46,826 YOU. 396 00:13:46,860 --> 00:13:48,995 WOW. ANDY, I'M -- I'M SO FLATTERED. 397 00:13:49,028 --> 00:13:50,129 I'M, UH, 398 00:13:50,163 --> 00:13:52,798 I'M JUST NOT IN THE MARKET FOR AN ASSISTANT RIGHT NOW. 399 00:13:52,831 --> 00:13:55,067 YEAH. [ CHUCKLES ] 400 00:13:55,101 --> 00:13:58,004 STUPID. THAT WAS STUPID TO EVEN ASK. 401 00:13:58,038 --> 00:13:59,538 THANK YOU SO MUCH FOR YOUR TIME. 402 00:14:00,840 --> 00:14:06,046 LESSON NUMBER ONE -- NEVER TAKE "NO" FOR AN ANSWER! 403 00:14:06,078 --> 00:14:07,846 NOW MAKE ME BUY YOU. 404 00:14:07,880 --> 00:14:09,081 OKAY. 405 00:14:09,115 --> 00:14:12,085 UH, I'M A HARD WORKER, I AM VERY CLEAN, 406 00:14:12,119 --> 00:14:14,988 I AM EAGER TO PLEASE, I TAKE SUPER QUICK BATHROOM BREAKS, 407 00:14:15,022 --> 00:14:17,890 AND I WILL NEVER, EVER... 408 00:14:17,924 --> 00:14:19,025 OH! I'M BLANKING ON THE VERB! 409 00:14:19,058 --> 00:14:21,260 W-UH...WHEN YOU GIVE UP ON SOMETHING? 410 00:14:21,293 --> 00:14:22,662 QUIT? I HAD TO ASK 411 00:14:22,695 --> 00:14:24,898 BECAUSE I DON'T KNOW THE MEANING OF THE WORD. 412 00:14:24,932 --> 00:14:26,066 NICE! 413 00:14:26,099 --> 00:14:27,500 WHAT'S GOING ON HERE? 414 00:14:27,533 --> 00:14:29,937 I'M INTRODUCING YOU TO MY NEW ASSISTANT. 415 00:14:29,970 --> 00:14:31,671 [ LAUGHS ] OH! OW! OH, MY RIBS! 416 00:14:31,703 --> 00:14:35,707 MR. DUNPHY, THANK YOU SO MUCH. I WILL NOT DISAPPOINT YOU. 417 00:14:35,741 --> 00:14:37,043 ANDY, DO YOU THINK THIS IS A GREAT IDEA, 418 00:14:37,076 --> 00:14:39,846 CONSIDERING THAT YOU AND HALEY ARE... 419 00:14:39,879 --> 00:14:41,347 YOU KNOW. 420 00:14:41,380 --> 00:14:42,749 [ Lowered voice ] DOING IT. 421 00:14:42,782 --> 00:14:44,884 MOTHER NATURE! CHEEZ-ITS! 422 00:14:44,918 --> 00:14:46,253 MNH-MNH. NO. 423 00:14:46,286 --> 00:14:48,087 WE WERE JUST HELPING EACH OTHER GET READY FOR JOB INTERVIEWS. 424 00:14:48,120 --> 00:14:50,356 THERE IS NOTHING INAPPROPRIATE HAPPENING 425 00:14:50,389 --> 00:14:51,557 BETWEEN ME AND YOUR DAUGHTER. 426 00:14:51,591 --> 00:14:53,092 HALEY HAS A JOB INTERVIEW? 427 00:14:53,125 --> 00:14:55,195 THAT'S WHERE SHE IS RIGHT NOW. WITH WHO? 428 00:14:55,227 --> 00:14:58,865 GAVIN SINCLAIR. 429 00:14:58,898 --> 00:15:01,201 THE BIG-TIME STYLIST TO THE STARS? MNH-MNH. 430 00:15:01,234 --> 00:15:02,970 HE'S THE ONE THAT SLAPPED KATIE COURIC. 431 00:15:03,003 --> 00:15:04,403 [ GASPS ] OH! OH, WOW! 432 00:15:04,437 --> 00:15:07,039 OUR LITTLE GIRL'S GONNA BE OKAY AFTER ALL! 433 00:15:07,073 --> 00:15:08,008 ALL RIGHT! WHAT'D I TELL YA? 434 00:15:08,041 --> 00:15:10,943 ONE THING ABOUT OUR GIRL -- SHE'S A FIGHTER. 435 00:15:10,977 --> 00:15:13,613 HELLO. I HAVE AN APPOINTMENT TO SEE GAVIN SINCLAIR. 436 00:15:13,645 --> 00:15:15,215 NOT TODAY. HE'S IN A MOOD. [ SIGHS ] 437 00:15:15,248 --> 00:15:16,649 'KAY! 438 00:15:24,191 --> 00:15:25,591 I FELT AWFUL AFTER THAT PANCAKE BREAKFAST, 439 00:15:25,625 --> 00:15:27,793 AND NOT JUST BECAUSE MITCHELL UNDERCOOKED THE BACON. 440 00:15:27,826 --> 00:15:30,830 I HATED THAT I DIDN'T KNOW WHAT HIS CASE WAS ABOUT. 441 00:15:30,863 --> 00:15:33,000 SO I POPPED BY THE COURTROOM ON THE WAY TO THE GAME. 442 00:15:33,033 --> 00:15:34,634 THESE PEOPLE PREYED ON 443 00:15:34,667 --> 00:15:36,769 THE POOREST MEMBERS OF SOCIETY -- 444 00:15:36,802 --> 00:15:39,139 THOSE WHO ARE UNABLE TO DEFEND THEMSELVES. 445 00:15:39,172 --> 00:15:41,073 THEY WERE TREATED WITH DISRESPECT. 446 00:15:41,107 --> 00:15:43,143 HE WAS AMAZING! 447 00:15:43,176 --> 00:15:45,111 AND HE WASN'T DOING ANY OF IT FOR HIMSELF. 448 00:15:45,144 --> 00:15:47,080 HE WAS JUST TRYING TO HELP THOSE IN NEED. 449 00:15:47,114 --> 00:15:50,317 CAN YOU IMAGINE BEING ROBBED OF YOUR BASIC RIGHTS 450 00:15:50,350 --> 00:15:51,918 AND A LIVING WAGE? 451 00:15:51,951 --> 00:15:54,153 AND AFTER ALL THOSE YEARS OF MITCHELL SUPPORTING ME, 452 00:15:54,187 --> 00:15:56,588 I WAS SO HAPPY TO SEE ALL EYES ON HIM. 453 00:15:56,623 --> 00:15:58,591 IT WAS HIS MOMENT. [ CELL PHONE RINGING ] 454 00:15:58,625 --> 00:16:00,592 IT'S UNFATHOMABLE. [ CELL PHONE CLATTERS ] 455 00:16:00,626 --> 00:16:02,162 BUT WHAT THIS CASE... 456 00:16:02,195 --> 00:16:03,663 [ RINGING STOPS ] AS I WAS SAYING, 457 00:16:03,696 --> 00:16:06,166 WHAT THIS CASE IS ABOUT IS DIGNITY -- 458 00:16:06,198 --> 00:16:07,500 THE DIGNITY OF THOSE... [ CELL PHONE RINGING ] 459 00:16:07,533 --> 00:16:09,101 WHO WE STEP OVER. [ LOUD CRASH ] 460 00:16:09,135 --> 00:16:11,837 [ TRASH CAN CLATTERS ] 461 00:16:11,870 --> 00:16:14,341 AND WE NEED TO TAKE THESE PEOPLE AND WE NEED TO GET THEM BACK... 462 00:16:14,374 --> 00:16:16,975 [ LOUD CLATTERING ] 463 00:16:19,011 --> 00:16:21,014 LISTEN, I'M SORRY I LET MANNY SWITCH OVER TO FRENCH 464 00:16:21,048 --> 00:16:22,448 WITHOUT CONSULTING YOU. 465 00:16:22,481 --> 00:16:23,982 I DIDN'T THINK HOW IT MUST BE FOR YOU 466 00:16:24,017 --> 00:16:25,884 HAVING TO SPEAK ENGLISH ALL THE TIME. 467 00:16:25,918 --> 00:16:27,120 YOU HAVE NO IDEA. 468 00:16:27,153 --> 00:16:29,889 ANYWAY, I JUST WANTED TO TELL YOU I HIRED THE TUTOR BACK. 469 00:16:29,922 --> 00:16:30,990 MANNY'S NOT GONNA LIKE THAT. 470 00:16:31,024 --> 00:16:33,125 HE'S TOO MUCH INTO HIS FRENCH THING. 471 00:16:33,159 --> 00:16:34,994 THE TUTOR'S NOT FOR MANNY. IT'S FOR ME. 472 00:16:36,328 --> 00:16:39,831 [ SPEAKING SPANISH HALTINGLY ] 473 00:16:46,105 --> 00:16:48,006 AY, JAY, I LOVE IT! 474 00:16:48,040 --> 00:16:50,876 NOW YOU SOUND LIKE THE STUPID ONE! 475 00:16:50,909 --> 00:16:52,711 [ CHUCKLES ] 476 00:16:52,745 --> 00:16:54,913 IT'S ME. I'M BACK. 477 00:16:54,947 --> 00:16:56,582 WHY? I MADE A PACT WITH A FRIEND OF MINE, 478 00:16:56,615 --> 00:16:57,884 AND I AM NOT LEAVING THIS OFFICE 479 00:16:57,917 --> 00:16:59,918 UNTIL I MEET WITH GAVIN SINCLAIR. 480 00:16:59,951 --> 00:17:01,520 I DON'T CARE WHAT'S ON YOUR VISION BOARD. 481 00:17:01,553 --> 00:17:02,889 YOU'RE NOT GETTING IN THERE. 482 00:17:02,922 --> 00:17:04,257 SO IF YOU COULD JUST... [ CLICKS TONGUE ] 483 00:17:04,290 --> 00:17:05,924 I'M INSANELY BUSY. 484 00:17:05,958 --> 00:17:07,527 [ SCOFFS ] NIKKI, THANK GOD YOU'RE HERE. 485 00:17:07,559 --> 00:17:08,827 PEEL THIS ORANGE FOR ME. 486 00:17:08,861 --> 00:17:10,363 MR. SINCLAIR, IT'S HALEY DUNPHY. 487 00:17:10,396 --> 00:17:12,432 I WAS SUPPOSED TO SEE YOU FOR THE ASSISTANT JOB. 488 00:17:12,464 --> 00:17:14,032 I HAVE BEEN STUDYING YOUR WORK, AND I HAVE TO SAY 489 00:17:14,067 --> 00:17:16,001 THE LOOKS THAT YOU DID FOR NEW YORK FASHION WEEK 490 00:17:16,035 --> 00:17:19,071 PUT YOU -- AH! I'M REALLY TOO BUSY RIGHT NOW. 491 00:17:19,105 --> 00:17:22,075 OH! BUT I DROVE ALL THE WAY DOWN HERE. WE HAD AN APPOINTMENT! 492 00:17:22,108 --> 00:17:24,876 YEAH, I LOOKED AT YOUR BLOG. IT'S A LITTLE TOO CUTESY FOR ME. 493 00:17:24,911 --> 00:17:26,578 I NEED SOMEONE WITH EDGE. 494 00:17:26,613 --> 00:17:27,747 I HAVE EDGE. 495 00:17:27,779 --> 00:17:28,948 YOU REALLY DON'T. 496 00:17:28,980 --> 00:17:31,017 YOU ARE LITERALLY THE MOST WIDE-EYED PERSON I'VE EVER SEEN. 497 00:17:31,049 --> 00:17:33,185 YOU HAVE THE FACE OF A CARTOON LAMB. 498 00:17:33,220 --> 00:17:34,953 THANKS FOR COMING BY, THOUGH. 499 00:17:34,987 --> 00:17:36,388 UH... 500 00:17:36,423 --> 00:17:38,790 WHAT IS THAT? I WANTED THE PEEL. 501 00:17:40,393 --> 00:17:42,128 HEY! 502 00:17:42,162 --> 00:17:43,863 I THINK IT'S WEIRD YOU DON'T LIKE CUTESY 503 00:17:43,895 --> 00:17:45,865 CONSIDERING HALF YOUR CLIENTS AT THE GRAMMYS LOOKED LIKE 504 00:17:45,897 --> 00:17:48,535 THEY JUST STEPPED OUT OF A MY LITTLE PONY FEVER DREAM. 505 00:17:48,567 --> 00:17:51,371 THAT'S GOOD. BUT NOT AT ME. NEVER AT ME. 506 00:17:51,403 --> 00:17:52,605 NIKKI, STOP. 507 00:17:52,638 --> 00:17:54,707 THERE ARE FIVE THINGS WRONG WITH NIKKI'S OUTFIT. 508 00:17:54,740 --> 00:17:56,108 WHAT ARE THEY? 509 00:17:56,143 --> 00:17:58,444 UH, SHE'S STANDING RIGHT THERE. 510 00:17:58,478 --> 00:18:00,646 I'M DRESSED BETTER THAN SHE IS. 511 00:18:00,680 --> 00:18:02,080 THE TANK GIVES YOU A UNIBOOB. 512 00:18:02,115 --> 00:18:03,583 THE WATCH IS TOO BIG. 513 00:18:03,615 --> 00:18:04,916 THE HAREM PANTS, THE WEDGE BOOTS, 514 00:18:04,951 --> 00:18:06,118 AND COME ON, THAT BELT? 515 00:18:06,153 --> 00:18:07,653 THE '90s HAVE BEEN OUT FOR THREE YEARS. 516 00:18:07,686 --> 00:18:09,989 AND THAT'S FIVE. 517 00:18:10,021 --> 00:18:11,458 NOW SHOULD I DO YOU? 518 00:18:11,490 --> 00:18:14,461 [ CROWD CHEERING ] 519 00:18:14,493 --> 00:18:16,095 Boy: UHH! 520 00:18:16,128 --> 00:18:18,565 [ High-pitched voice ] YES! YES! YES! 521 00:18:18,597 --> 00:18:20,599 VICTOIRE! C'EST MAGNIFIQUE! 522 00:18:20,633 --> 00:18:21,901 UH, EXCUSE ME, YOUNG MAN. 523 00:18:21,933 --> 00:18:23,135 WAS IT COACH TUCKER'S OPENNESS 524 00:18:23,170 --> 00:18:25,137 THAT GAVE YOU THE COURAGE TO COME OUT? 525 00:18:25,172 --> 00:18:26,972 WHAT? 526 00:18:27,006 --> 00:18:28,607 HEY! [ CHUCKLES ] 527 00:18:28,641 --> 00:18:29,976 HEY, YOU! COME HERE. 528 00:18:30,009 --> 00:18:31,411 COURT RAN A LITTLE LATE, BUT I GOT TO SEE YOU WIN. 529 00:18:31,443 --> 00:18:33,145 CONGRATULATIONS. THANK YOU! 530 00:18:33,180 --> 00:18:34,346 UGH. ARE YOU WEARING MAKEUP? 531 00:18:34,381 --> 00:18:35,515 OH, WELL, JUST ON MY FACE 532 00:18:35,548 --> 00:18:36,982 AND MY EARS AND MY NECK AND MY HANDS, YEAH. 533 00:18:37,016 --> 00:18:38,417 OKAY, SO LISTEN. ABOUT THIS MORNING -- NO, NO. I -- 534 00:18:38,451 --> 00:18:40,118 UH, COACH TUCKER, COACH TUCKER. 535 00:18:40,153 --> 00:18:41,788 CAN WE GET A FEW WORDS ON YOUR BIG WIN? 536 00:18:41,820 --> 00:18:43,823 OH, UM, I-I NEED TO DO THIS. 537 00:18:43,855 --> 00:18:45,525 UM... YEAH. OF COURSE YOU DO. YEAH, IT'S FINE. 538 00:18:45,557 --> 00:18:48,027 SO TELL ME, COACH, HOW DOES THIS VICTORY FEEL? 539 00:18:48,059 --> 00:18:49,362 WELL, IT FEELS GREAT. 540 00:18:49,395 --> 00:18:51,163 OBVIOUSLY, I FEEL LIKE THE BELLE OF THE FOOTBALL. 541 00:18:51,198 --> 00:18:53,333 [ CHUCKLES ] DON LIKED THAT ONE. DON'S LAUGHING. 542 00:18:53,365 --> 00:18:56,001 IT'S PRETTY GROUNDBREAKING HOW THIS SCHOOL HAS EMBRACED YOU. 543 00:18:56,035 --> 00:18:57,537 WELL, I'M GRATEFUL TO THIS SCHOOL, YOU KNOW, 544 00:18:57,569 --> 00:18:58,971 AND THE KIDS AND THE PARENTS. 545 00:18:59,005 --> 00:19:02,375 BUT, UM, YOU KNOW, I GOTTA SAY, I'M MOST GRATEFUL FOR -- 546 00:19:02,409 --> 00:19:04,310 FOR THIS GUY RIGHT HERE, MY HUSBAND. 547 00:19:04,344 --> 00:19:06,045 WHAT? UH, MITCHELL. MITCHELL PRITCHETT. 548 00:19:06,077 --> 00:19:07,279 UM... HI. 549 00:19:07,314 --> 00:19:08,480 HE'S AN ATTORNEY 550 00:19:08,515 --> 00:19:10,182 WHO IS THE VOICE FOR PEOPLE WITHOUT ONE. 551 00:19:10,217 --> 00:19:11,683 HE IS A-A REAL HERO... 552 00:19:11,718 --> 00:19:13,986 [ Voice breaks ] WHO DOESN'T GET THE CREDIT HE DESERVES. 553 00:19:14,019 --> 00:19:16,655 TODAY, I WENT DOWN AND I WATCHED HIM IN THE COURTROOM. 554 00:19:16,689 --> 00:19:18,391 I KNEW THAT WAS YOU. I RECOGNIZED YOUR RINGTONE. 555 00:19:18,424 --> 00:19:20,359 I'M BUILDING TO SOMETHING. 556 00:19:20,393 --> 00:19:22,528 YOU KNOW, YEAH, I GET A LOT OF ATTENTION, 557 00:19:22,561 --> 00:19:24,230 YOU KNOW, COACHING THIS GAME. 558 00:19:24,263 --> 00:19:26,298 BUT THIS MAN RIGHT HERE 559 00:19:26,333 --> 00:19:30,636 QUIETLY DEFENDS THE RIGHTS OF REAL PEOPLE WITH REAL PROBLEMS. 560 00:19:30,670 --> 00:19:33,873 HOMELESS PEOPLE FORCED TO GET JOBS. 561 00:19:33,905 --> 00:19:36,041 NO, THAT'S NOT IT. THAT'S NOT IT, BUT IT WAS SO CLOSE. 562 00:19:36,075 --> 00:19:39,144 [ Voice breaking ] YES, I AM STANDING HERE 563 00:19:39,177 --> 00:19:43,182 BOLDLY ABOLISHING GAY STEREOTYPES. 564 00:19:43,215 --> 00:19:44,651 BUT... 565 00:19:44,683 --> 00:19:47,153 MY MAKEUP'S RUNNING, ISN'T IT? 566 00:19:47,185 --> 00:19:49,087 [ SNIFFLES, INHALES DEEPLY, EXHALES SHARPLY ] 567 00:19:49,121 --> 00:19:51,057 I DID IT! I GOT THE JOB! 568 00:19:51,089 --> 00:19:52,023 OH! OH! REALLY? 569 00:19:52,057 --> 00:19:53,660 HONEY, I'M SO PROUD! OH! THANK YOU! 570 00:19:53,692 --> 00:19:55,193 NEVER DOUBTED YOU. SO GREAT. SO GREAT. 571 00:19:55,228 --> 00:19:56,929 OH! SWEETHEART! 572 00:19:56,962 --> 00:19:58,565 I KNOW! IT WAS SUCH A ROLLER COASTER! 573 00:19:58,597 --> 00:20:00,232 THE RECEPTIONIST WAS SO MEAN, 574 00:20:00,267 --> 00:20:02,067 AND I WENT AND I CRIED IN MY CAR. 575 00:20:02,101 --> 00:20:03,269 AND I WAS ABOUT TO LEAVE, 576 00:20:03,303 --> 00:20:05,738 BUT I REMEMBERED HOW BRAVE YOU WERE TALKING TO MY DAD, 577 00:20:05,771 --> 00:20:07,374 SO I GOT BACK IN THERE! 578 00:20:07,406 --> 00:20:09,576 AND I DID THAT THING YOU SAID ABOUT NOT THROWING UP. 579 00:20:09,608 --> 00:20:10,910 OH, MY GOD! [ LAUGHS ] Claire: MM. 580 00:20:10,942 --> 00:20:13,078 I GUESS SOME BOYS ARE A GOOD DISTRACTION. 581 00:20:13,112 --> 00:20:15,248 YEAH, HE COULD BE EXACTLY WHAT SHE NEEDS RIGHT NOW. 582 00:20:15,281 --> 00:20:16,516 AND I DON'T KNOW ABOUT YOU, 583 00:20:16,548 --> 00:20:18,017 BUT I'M SENSING A LITTLE HEAT OVER HERE. 584 00:20:18,049 --> 00:20:19,852 OH, MY GOD! I'M SO HAPPY FOR YOU! 585 00:20:19,885 --> 00:20:21,053 OH, THIS IS SO GREAT. 586 00:20:21,086 --> 00:20:22,355 AND THANKS TO YOU, MR. DUNPHY, 587 00:20:22,388 --> 00:20:25,023 I CAN FINALLY SAVE UP AND GET BETH THAT ENGAGEMENT RING. 588 00:20:25,057 --> 00:20:26,558 WHO'S BETH? 589 00:20:26,593 --> 00:20:27,759 HIS GIRLFRIEND. 590 00:20:27,794 --> 00:20:29,561 OH. SO YOU TWO REALLY AREN'T TOGETHER? 591 00:20:29,596 --> 00:20:30,863 NO. [ CHUCKLES ] NO. 592 00:20:30,896 --> 00:20:33,400 SHE'S, LIKE, REALLY OBSESSED WITH US. 593 00:20:35,268 --> 00:20:36,568 CLAIRE? 594 00:20:36,603 --> 00:20:37,936 THE WORDS ON THE PAGE ARE VIBRATING, 595 00:20:37,970 --> 00:20:40,072 AND I CAN'T MAKE THEM STOP. I FORGOT HOW TO READ! 596 00:20:40,105 --> 00:20:42,074 ALEX, OH, MY GOD. 597 00:20:42,107 --> 00:20:43,410 READ IT TO ME, MOMMY? 598 00:20:43,442 --> 00:20:46,144 BABY, YOU'RE EXHAUSTED AND YOU NEED TO GO TO SLEEP RIGHT NOW. 599 00:20:46,177 --> 00:20:47,212 COME WITH ME. COME WITH ME. 600 00:20:47,246 --> 00:20:52,050 YES, YOU WERE WRONG ABOUT EVERYTHING! 601 00:20:56,623 --> 00:20:57,824 "'KAY"? 602 00:20:57,856 --> 00:20:59,125 WHO SAYS "'KAY"?! 603 00:20:59,157 --> 00:21:01,126 YOU'RE SO STUPID! 604 00:21:01,160 --> 00:21:02,628 [ SCREAMING ] 605 00:21:02,662 --> 00:21:04,497 [ HORN HONKS ] 606 00:21:04,530 --> 00:21:07,232 GO! GO AROUND! 607 00:21:07,266 --> 00:21:09,101 GO AROUND! 608 00:21:09,134 --> 00:21:11,304 I'M NOT GOING ANYWHERE! 609 00:21:11,337 --> 00:21:12,904 I'M NOT GOING ANYWHERE! 610 00:21:12,939 --> 00:21:15,942 [ CRYING ] I AM NOT GOING ANYWHERE! 611 00:21:15,974 --> 00:21:18,678 [ BREATHES DEEPLY ] I'M NOT GOING ANYWHERE. 612 00:21:18,711 --> 00:21:21,480 I'M NOT...GOING...ANYWHERE. 613 00:21:21,513 --> 00:21:24,451 MR. GAVIN SINCLAIR, I'M NOT GOING ANYWHERE. 614 00:21:24,483 --> 00:21:25,617 YOU'RE ABOUT TO SEE ME. 615 00:21:25,652 --> 00:21:28,287 I'M GONNA SHOW YOU I'M NOT GOING ANYWHERE! 616 00:21:28,320 --> 00:21:30,722 I'M NOT GOING ANYWHERE!