﻿WEBVTT

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<v Instructor>In this lesson, we're learning about</v>

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all of our different editing tools over here

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so that we can edit our footage on our timelines

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in a very efficient way.

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That's the goal, is to make you efficient editors,

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just like a pro would be.

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To learn how to do this, let's start a new sequence.

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I'm going to take some of my B-roll clips

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and add it to just a new sequence that we can work on.

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I'm going to take this Cruising Down Street MP4

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and just drag it onto a new sequence.

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And sometimes that pops up.

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It seems like it's asking you to add

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a completely new sequence.

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Just press Cancel.

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And then, it's already added this new sequence.

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So I'm just gonna call this Broll Edits.

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Then I'm just going to take Cruising Down the Street 2,

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drag it onto the end.

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Then let's just do Working on the Chair,

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and maybe one more, Photo of Anthony and Laarnie.

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So I'm gonna just have all four of these clips back to back.

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The entire clips are on there.

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So let's go through our tools.

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First is the Selection tool, and whenever

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you hover over any of these tools,

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you see the keyboard shortcut.

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V for Selection.

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This is your most popular tool.

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It's what you're going to use to select and move around.

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Sometimes this modifies to a different tool,

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for example, when you hover over in between a panel,

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it changes, so you can change the panel size.

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When you hover on the side of a clip on your timeline,

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it changes to the Trim Edit tool.

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What that is, it allows you to select a clip

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and drag the end point in,

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or the in point in or out.

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So now, if we play through this,

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it gets cut off right there, instead of

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going all the way to the end of the clip,

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and cutting to that next shot.

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So, just using the Selection tool and the Trim Edit,

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you are able to edit these clips down.

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And one thing you can see, when I actually

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am making that edit, when I have this selected,

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and I drag in or out, you can see

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up in the Programme Monitor, you can see

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where I am about to edit in or out.

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So say I want to edit before he gets to that truck.

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See right here?

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Maybe I wanna edit the end right there.

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So now, if I play through this, it goes and cuts right there

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before he rolls past that truck.

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There's different ways to get it

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to be at that point, though.

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So let me just extend these sides.

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I'm going to skip over to this Razor Blade tool.

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Think of it as a razor, where you can cut your clips up.

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So I can just cut around, and it cuts

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the clips into different pieces.

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I'm gonna undo that, just pressing Control,

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Command + Z on my keyboard, Control + Z if you're on a PC.

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If I wanna cut specifically at this frame

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right before he gets to the truck,

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I can take my Razor Blade tool, and just trim right there.

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So now, we have an edit right at that spot.

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I can go back to my Selection tool,

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just pressing V on my keyboard,

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select this second part, where he's going behind that truck,

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and delete it, just by pressing Delete

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on my keyboard, on a Mac, or Backspace on a PC.

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Say I want to cut right there,

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but then go directly into this clip right here,

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which hasn't been color-corrected, to about this point.

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I can take my razor blade tool, again,

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to trim right there, take my Selection tool,

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select this first part, delete it.

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Then I can select all of these clips,

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or just this single clip, and drag them

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over to the left to where they meet.

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You'll notice that a lot of the things I'm doing,

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it seems like there's a magnetic touch.

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As soon as you get over to the left, it snaps into place.

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That's because I have this Magnet Snap button selected.

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And that's very useful, especially when you're making edits.

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When you want to specifically make a cut

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where your timeline indicator is,

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with the Magnetic Snap button on,

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it will automatically help you edit to that point.

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It will help you move things specifically to that point.

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If I don't do it, if I don't have snap on,

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I have to eyeball it, I have to get it

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right there where they meet, and that's

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a little bit harder than with the Magnetic Snap tool on.

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So that's one way to move these clips

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all the way to the left.

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I'm gonna move them back, and I'm

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gonna show you a different way.

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You can click in this area between the clips

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and press Delete on your keyboard,

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and that does a ripple delete.

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It's the same thing as going right-click

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and choosing Ripple Delete.

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It deletes the space in between,

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and it moves everything on the right side to the left.

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You can do a lot of edits with just those tools,

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just with the Selection tool, where you can

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choose the end of a clip, or the beginning of a clip,

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to drag in or out, and the Razor Blade tool.

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But Premiere Pro comes with some other tools

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that are even more helpful.

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I'm just going to get this back to where we were,

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where the entirety of all of

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these clips are on our timeline.

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One tool I wanna talk about is the Ripple Edit tool.

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B on the keyboard.

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See what happens when I select that tool

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and I hover over the edge of a clip?

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When I'm not hovering over the edge of a clip,

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it doesn't look like it can do anything.

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It's not gonna let me select anything.

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But if I hover over the edge of the clip,

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and I drag to the left,

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see what happens when I let go?

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All of the clips on the right

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automatically jump to the left.

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So it automatically does that ripple delete

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of that space that was between,

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where before, we had to delete it ourselves.

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This is just a one-step process.

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Same if we go to this next shot,

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and we drag in to the point where we want.

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It's going to edit to that point,

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and make all of these clips jump over to the left.

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Let me show you what happens if we were

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to do that same thing without the Ripple Edit tool.

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And so, I just undid that, take my Selection tool, drag in.

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There's that space right there.

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But with the Ripple Edit tool,

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it automatically will jump all these clips

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to the right over to the left.

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So now, we have this edit right here, to here.

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You got it?

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And this clip is not color-corrected.

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You might be thinking, wow, why does that clip look so bad?

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We're going to learn how to color-correct

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this footage in a future lesson.

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It's because we've shot basically raw footage.

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That's what that LUT, that L-U-T file, is all about.

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And we'll learn about that during colour correction.

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So that's the Ripple Edit tool.

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A quick way to get to the Ripple Edit tool,

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let me just zoom in a little bit further on my keyboard,

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is when we are hovering over our timeline

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with our Selection tool, just press Command

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on your keyboard, or Control, if you're on a PC.

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See what happens now with Command selected?

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My Selection tool becomes the Ripple Edit tool,

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that yellow tool,

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and when I select and drag in,

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it acts as the Ripple Edit tool.

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You'll notice when I have the commands,

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I'm still at present command, there's this other tool.

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This is the Rolling Edit tool.

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It's red, it has four arrows.

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What this does, it will move this cut point

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to the right or left, and it will

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edit the left or right sides.

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So see what happens when I click this

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with the Rolling Edit tool and drag to the left?

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This first clip becomes shorter.

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And the second clip became longer.

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We could do that ourselves just with the Selection tool

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by clicking with the Trim Edit tool,

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and then clicking this second one

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and dragging it to meet it.

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But the same thing happens when

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we use the Rolling Edit tool, drag to the left,

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or when we have our Selection tool selected

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and we press Command on our keyboard

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and we go in between when we see the red

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Rolling Edit tool highlighted and drag.

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There are two more tools that

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I wanna go over really quickly,

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the Slip tool and the Slide tool.

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Let me just make this clip a lot shorter.

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I'm just going to make this clip very short right here.

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I'm just gonna delete that space in there.

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I can just take my Slip tool, Y on my keyboard,

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click on this clip, and then drag to the left.

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You can see that there's two videos

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popping up in the Programme Monitor.

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The video on the left is where the video will start.

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The video clip on the right shows where that clip will end.

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So say we wanna get him already rounding

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this current corner, and end right there

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when he gets into the shadow of that tree.

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It's basically slipping this clip to the left,

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the timing of it, so that it starts and ends earlier.

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Or we could slip back, dragging to the right,

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so it starts and ends later.

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I hope that kind of makes sense.

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I know it's a little bit confusing,

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but I think playing with these tools yourself,

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you'll start to understand what's actually going on.

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The last one is this Slide tool.

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Say I have three clips in a row.

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If I select this middle clip, and drag to the right,

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or drag to the left, see what happens?

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It moves this clip to the left.

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It edits the first clip shorter,

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and it makes this third clip longer.

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Or, back to the right.

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So it's taking that middle clip and editing

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the clips around it, the first

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and the third clips in this sequence.

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The tools that I mainly use are the Selection tool,

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with the modifiers of the Rolling Edit and the Ripple Edit.

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This will make you a very efficient video editor.

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I wanna show you one more thing back on our main sequence.

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I'm going to delete these two B-roll clips that we have,

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just by selecting them and pressing Delete on our keyboard.

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And same with this audio, selecting it, pressing Delete.

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Or Backspace, if you're on a PC.

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We have these two clips, Interview A and Interview B.

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If I take my, say, Razor Blade tool,

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and I go through this, and we're listening,

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and we find a good spot that we want,

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I can either make an edit to both clips

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by clicking one after the other.

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And then, say we play through this,

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and we really like this soundbyte

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that he's saying right now, and then we stop,

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and we want to take that selection again.

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Now, we can, with the Selection tool,

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take this selection and move it around,

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or take this first selection and delete it.

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Whatever we want.

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But that was a two-step process.

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I'm just going to undo that.

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So, say, let's just open up this waveform again.

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I'm gonna zoom in here on my keyboard.

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Say we want starting here to here for both clips.

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We can take the Razor Blade tool again.

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While we have it hovering over our timeline,

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press Shift on your keyboard, which makes it

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a razor blade tool that cuts everything

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on the timeline at this point.

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With the regular Razor Blade tool,

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it just cuts that track that you click on.

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With the Shift double razor tool,

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it cuts everything on the timeline.

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So it's just a faster way to cut everything,

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because you might have not only audio,

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you might have B-roll, you might have

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all sorts of other things and you wanna

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just trim everything at once.

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Another way to do this, there's always another way,

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so I hope you're sticking with me,

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because this is really important.

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For this audio track, what we're going to do

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is we're actually just going to delete the B-camera audio.

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So to select just the B-camera audio versus the video,

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you have to Option + click the audio.

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Alt + click if you're on a PC.

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See, if you just click one or the other,

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it selects both the audio and the video.

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So if you press Delete, it will delete

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both the audio and the video.

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But if we just wanna get rid of this audio A,

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what we can do is press Option + click,

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and it just selects the audio track

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of whatever clip we select, and then delete it.

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Or, we might not want to actually delete this audio track,

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because we might want to save it just in case

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the audio from camera A gets messed up

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or something like that.

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It's just backup, we never really wanna delete it.

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We can just right-click, and you'll see again what I did.

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I actually just right-clicked,

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and it selected both the audio and video.

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What I'm going to have to do is

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Option + right-click, and then check Enable.

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What Enable does is similar to what

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this Toggle Track On and Off button does,

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but instead of turning on and off an entire track,

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it turns off just a single clip.

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So now, the audio from camera B is off,

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if we play through this, but it's still there

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in case we need to enable it later on.

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It's time to play a little bit around with this edit.

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What I want you to do before we start

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the next part of the project is go through this interview

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and find the parts

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that you want to save for your video.

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So this interview clip is seven minutes long or so.

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The final project for this course

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is to have a one-minute-long video.

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And I know a minute might or might not sound long to you.

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A minute video, for a lot of people, is long nowadays.

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But when you have an interview like this,

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it is hard to kinda pick and choose

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the points that you want to edit.

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So go through the interview, using the editing tools,

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make your selections, and cut it down to just one minute.

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So by the next lesson, you and I will have

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a sequence that just has one minute worth of video,

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with both interview camera A and B,

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interview audio A on, and interview audio B off.

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And it's just going to look like a sequence like this,

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but it's going to have a bunch of edits,

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and it's going to be a minute long.

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Now, in the next lesson, I'm going to jump ahead

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to adding B-roll and making a good sequence.

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But, at the very end of this course,

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I'm going to put together a bunch

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of the longer lessons, including one

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where I walk through my entire editing process

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for finding the right audio clips for this interview.

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This is seven minutes long.

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Anthony talks about a lot of different things.

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And it's interesting to see, perhaps,

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what you are going to create, what I wanna create,

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what I think is important, what you think is important,

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or maybe it's not the most important thing,

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but just what you think would be

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interesting for a minute-long piece.

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So if you want to see me edit

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this entire interview clip down to one minute,

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there will be a lesson later on in the course.

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I just am explaining that I don't wanna put it

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in the very next lesson, because some people

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might want to just do it themselves

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and jump onto the next lesson, where we'll learn a bit more.

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So, anyways, I've talked about this long enough.

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Enjoy that lesson, if you want,

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and we'll see you in the next lesson,

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when we start adding more B-roll to our footage.

