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<v Instructor>How did you do?</v>

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Hopefully you were able to add some cool motion.

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I have this sequence that I created

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for the preview of this lesson,

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showing you some different motion of this clip.

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To start out, what we need to do

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is take this 4K Interview clip

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and drag it into a new sequence.

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You might be saying, wait, what are you doing?

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This is a 4K sequence.

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We need to be able to zoom in on this clip,

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and if we do, we're going to lose quality.

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That is true.

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So we have to change the sequence settings

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for this clip first, and maybe

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this is something you forgot to do.

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Go up to Sequence, Sequence Settings,

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and then, under Editing Mode, change it to Custom,

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so that we can change the frame size to 1920 by 1080.

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This is still HD.

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And then say OK.

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Just say OK.

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It's going to say that the clip that we added,

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it's too big for this sequence,

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or it's not the right settings.

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That's totally fine.

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And you can see now that I said OK,

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our sequence is actually smaller than the footage.

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This is great, because now, I can take this clip,

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go to the motion, and zoom out, or move it around.

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So that's what I'm going to do.

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There's two types of motion I want you to consider

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adding to your clips to make them more dynamic.

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One is a zoom, and one is just sort of a pan across.

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And like I mentioned in the last little preview lesson,

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this is something you can do while you're filming,

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if you have a dolly or a slider

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or even a camera with a tripod

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you can move around the frame.

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But when you are shooting an interview

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and you don't wanna mess up the shot,

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it's hard to do that if you only have one camera.

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So, shooting with two cameras is an option.

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You can have one camera moving around,

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and the other just stable, or shooting

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with one camera in a higher resolution, if that's possible,

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shooting in 4K or 2K to get some footage

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where you can punch in and move around later on.

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So with this clip, I'm just going to zoom in,

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start the frame around 57.

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And I can put my timeline indicator really anywhere,

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and just set a key frame for scale and position.

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And then, I'm going to drag those key frames

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all the way to the left, and then I'm going to

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zoom in even more, and drag down,

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and to the right, just a little bit.

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So, moving to the right, and move

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these key frames to the very end.

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Now, I wanna play through this to make sure

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that it looks good and it's not too fast,

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because you might have motion that's a little bit too fast.

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And I actually think this is a little bit too fast.

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So I'm just going to move these key frames back,

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and change it to maybe 68, and move it

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just back to the right and back up just a little bit.

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And move these key frames to the right again.

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Now, the percentage changed from 57

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to 68, is less than 57 to 72,

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meaning this motion is slower and more subtle.

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You can still notice this motion.

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And maybe this is a little bit too much.

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But I actually kind of like it.

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So now I'm going to show you how to add the pan.

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So I'm going to take this video clip again,

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drag it onto this sequence.

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You can see it's already punched in.

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And I don't wanna go any more than 100 on scale.

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That will mean a decrease in quality when I export it.

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And so if I go up to 110%, that's basically

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digitally zooming in on this footage

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past the point of its full quality.

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So I'll just set it at 75.

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And I can make it move either way,

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but I think going from left to right might look good,

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so I'm going to move Anthony over to the right a bit,

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set a key frame for position, drag that to the beginning,

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and then just drag to the right, just a bit,

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and drag this key frame all the way to the right.

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So now, if I play through this, pretty darn good.

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Pretty subtle, but I like that.

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Now, I wanna show you something.

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This is a cool trick, actually.

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So, say I added that position animation,

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but I think, oh, actually, I think his head

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is a little bit too close to the top.

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I want a little bit more headroom.

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Well, I can't just go in here and drag him down like this,

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because that's setting a new key frame for position.

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And it's actually making the motion of the video clip

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go to the left, and then down, and then continue.

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What I can do, I'm just going to delete that,

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what I can do is change the anchor point.

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The anchor point is what I call the saving grace

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of affecting, or fixing, position, if I have key frames.

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I can actually take the anchor point

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and move this clip around.

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Now, the anchor point, if you're familiar with Photoshop

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or Adobe After Effects, might make a little bit more sense.

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It's basically where this clip is anchored to.

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Originally, it's anchored in the middle,

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but by moving this anchor point setting around,

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I can move the anchor point basically elsewhere.

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That's really all you need to know.

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But what this can do now is I can move it up or down,

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and it actually keeps the motion of the previous animation,

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but this whole clip is nudged down now.

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So I have a little bit more headroom.

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Or, say I wanna move it up even more.

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Just to show you what happens,

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it moves the whole clip up, but keeps the motion

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the left to right motion that we had before.

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So that's just a quick tip if you get stuck

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so that you don't have to actually go back

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and change both of these key frames for the position,

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because sometimes that happens where

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you make a bunch of key frames,

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and you do go back and change all of these.

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Well, you can actually just use the anchor point to do that.

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So, that's how you add motion to a video clip

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to make it a little bit more dynamic,

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especially for shorter promotional trailer type pieces.

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It's kind of a cool way to make your video look even better.

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Thanks for watching, and we'll see you in another lesson.

