WEBVTT 1 00:00:01.472 --> 00:00:04.239 Let's go through some of those export options 2 00:00:04.239 --> 00:00:06.364 so that you understand what's going on. 3 00:00:06.364 --> 00:00:09.856 So again, if you set your in and out points for an export, 4 00:00:09.856 --> 00:00:12.772 then go up to File > Export Media, 5 00:00:12.772 --> 00:00:15.348 it will open up the Export module. 6 00:00:15.348 --> 00:00:17.389 On the left side, we have our source, 7 00:00:17.389 --> 00:00:20.512 and you can actually adjustment the in and out point 8 00:00:20.512 --> 00:00:24.512 of your export down here on this timeline, 9 00:00:24.512 --> 00:00:26.558 like so, just by dragging, 10 00:00:26.558 --> 00:00:29.310 or down here you have this source range, 11 00:00:29.310 --> 00:00:31.674 and you can choose the sequence in and out points 12 00:00:31.674 --> 00:00:34.653 that you set on your timeline before. 13 00:00:34.653 --> 00:00:37.893 You can do the entire sequence, or your work area, 14 00:00:37.893 --> 00:00:40.261 which, if you go back to your timeline 15 00:00:40.261 --> 00:00:42.667 and then you click this little three-lined button 16 00:00:42.667 --> 00:00:45.270 right here and say Work Area Bar, 17 00:00:45.270 --> 00:00:47.525 this is another bar you can use actually, 18 00:00:47.525 --> 00:00:50.745 which comes in handy, to limit yourself. 19 00:00:50.745 --> 00:00:53.294 Say you have a project that needs to be 30 seconds. 20 00:00:53.294 --> 00:00:55.533 You could put this right at the 30-second mark, 21 00:00:55.533 --> 00:00:58.922 and that's where you'll know, as you work, 22 00:00:58.922 --> 00:01:00.532 you have to end right there, 23 00:01:00.532 --> 00:01:02.633 and then back in your export settings, 24 00:01:02.633 --> 00:01:06.151 if I go Command + M on Control + M if you're on a PC, 25 00:01:06.151 --> 00:01:08.406 you can change it to that work area. 26 00:01:08.406 --> 00:01:10.565 Or you could just go and leave it on Sequence In and Out. 27 00:01:10.565 --> 00:01:12.896 That's typically what I do. 28 00:01:12.896 --> 00:01:15.816 So going back to the export settings on the right side, 29 00:01:15.816 --> 00:01:18.733 if you want to export it just at the settings 30 00:01:18.733 --> 00:01:20.936 of your sequence that you imported, 31 00:01:20.936 --> 00:01:24.192 you can just click this Match Sequence Settings button 32 00:01:24.192 --> 00:01:26.676 and that's going to export it at the settings 33 00:01:26.676 --> 00:01:29.942 of your sequence, and so that might be a good thing 34 00:01:29.942 --> 00:01:34.418 if you are quickly exporting something for preview purposes. 35 00:01:34.418 --> 00:01:37.073 Typically, I change the format, though. 36 00:01:37.073 --> 00:01:39.249 Under Format, you have H264, 37 00:01:39.249 --> 00:01:43.416 and then all kinds of other formats, from QuickTime to MPEG2 38 00:01:45.084 --> 00:01:47.167 to just audio files, MP3. 39 00:01:49.229 --> 00:01:51.562 There's also AIFF, waveform. 40 00:01:53.004 --> 00:01:57.177 For most purposes, you're going to want to use H264. 41 00:01:57.177 --> 00:02:02.167 It's just the go-to quality for most video makers now 42 00:02:02.167 --> 00:02:04.578 when you are posting online videos. 43 00:02:04.578 --> 00:02:06.845 Later on we'll learn about the QuickTime setting 44 00:02:06.845 --> 00:02:09.514 when you're exporting a full resolution file, 45 00:02:09.514 --> 00:02:14.161 but for us, we're just going to stick to H264. 46 00:02:14.161 --> 00:02:17.331 We mentioned all of these presets over here. 47 00:02:17.331 --> 00:02:20.970 You can create presets, and I also did that. 48 00:02:20.970 --> 00:02:22.887 See this YT Quick 1080? 49 00:02:23.992 --> 00:02:26.866 It's the YouTube quick 1080 settings 50 00:02:26.866 --> 00:02:30.617 that I use, which basically sets everything, 51 00:02:30.617 --> 00:02:33.684 the target bitrate, the maximum bitrate, 52 00:02:33.684 --> 00:02:35.991 but it also matches the sequence settings 53 00:02:35.991 --> 00:02:39.202 for whatever sequence I'm exporting. 54 00:02:39.202 --> 00:02:41.764 And you can create new presets 55 00:02:41.764 --> 00:02:45.125 by changing all the settings down here 56 00:02:45.125 --> 00:02:47.981 and then clicking this button right here to save it. 57 00:02:47.981 --> 00:02:52.357 It's not going to let me because I am on a preset right now, 58 00:02:52.357 --> 00:02:56.364 but say I change this frame rate to 29.97, 59 00:02:56.364 --> 00:02:58.139 and then I say Save Preset, 60 00:02:58.139 --> 00:03:02.306 I could save this as the YouTube Quick 1080 29.97 preset. 61 00:03:06.537 --> 00:03:08.224 We saw here, this is the output name. 62 00:03:08.224 --> 00:03:10.021 Clicking that will allow you to change 63 00:03:10.021 --> 00:03:13.321 the title of your video and where you save it. 64 00:03:13.321 --> 00:03:16.246 If you just wanna export the audio for some reason, 65 00:03:16.246 --> 00:03:18.624 you can do that, or just the video. 66 00:03:18.624 --> 00:03:22.131 This summary gives us all of the information 67 00:03:22.131 --> 00:03:24.798 about our output and our source. 68 00:03:27.433 --> 00:03:29.512 And then down here, we have different tabs. 69 00:03:29.512 --> 00:03:31.707 Over on the left, we have different effects. 70 00:03:31.707 --> 00:03:36.183 You can do things like apply lookup tables or Lumetri Looks, 71 00:03:36.183 --> 00:03:39.108 which is a preset effect that we'll go over 72 00:03:39.108 --> 00:03:41.341 in another future lesson. 73 00:03:41.341 --> 00:03:45.380 You can add image overlays like a watermark, 74 00:03:45.380 --> 00:03:48.055 name overlays, time code overlays, 75 00:03:48.055 --> 00:03:52.222 things that are more for professional video editors to use. 76 00:03:54.105 --> 00:03:56.579 The video tab, this is what we saw before 77 00:03:56.579 --> 00:04:00.707 where we have our settings for the size of our export. 78 00:04:00.707 --> 00:04:03.929 So we can change the size to whatever we want, typically. 79 00:04:03.929 --> 00:04:07.012 We are looking at a 16 by nine frame, 80 00:04:08.387 --> 00:04:12.137 so 1280 by 720 is an HD format, 1920 by 1080. 81 00:04:16.311 --> 00:04:18.730 And with this little button right here locked, 82 00:04:18.730 --> 00:04:22.240 it's going to lock the width and height aspect ratio. 83 00:04:22.240 --> 00:04:26.539 So if I uncheck that, I can make this a perfect square 84 00:04:26.539 --> 00:04:29.039 if I do 1,000 by 1,000 pixels, 85 00:04:30.126 --> 00:04:31.242 but that's not going to look good 86 00:04:31.242 --> 00:04:34.466 because it's actually going to squeeze this into a square. 87 00:04:34.466 --> 00:04:37.883 So we wanna watch the actual aspect ratio 88 00:04:38.770 --> 00:04:40.770 of our project, 16 by 9. 89 00:04:42.852 --> 00:04:44.717 Frame rate, 29.97. 90 00:04:44.717 --> 00:04:48.301 Sometimes you might be exporting for different places. 91 00:04:48.301 --> 00:04:51.968 On TV, you might need to use 29.97 or 59.94, 92 00:04:52.894 --> 00:04:55.122 or you might want to just match 93 00:04:55.122 --> 00:04:58.467 the frame rate of what you shot, 23.976. 94 00:04:58.467 --> 00:05:01.950 Field Order comes from how your video 95 00:05:01.950 --> 00:05:04.629 is actually output on a screen. 96 00:05:04.629 --> 00:05:09.027 Actually your video is broken down into lots of lines, 97 00:05:09.027 --> 00:05:12.694 so if your height is 1080, it's 1,080 lines, 98 00:05:14.563 --> 00:05:17.641 and it's just the way that it appears. 99 00:05:17.641 --> 00:05:20.872 And so for most cases, we're just going to use Progressive. 100 00:05:20.872 --> 00:05:22.648 So just leave that as Progressive. 101 00:05:22.648 --> 00:05:23.589 Same with the aspect. 102 00:05:23.589 --> 00:05:26.895 Square pixels is generally what you want to check, 103 00:05:26.895 --> 00:05:29.420 unless there is a specific case 104 00:05:29.420 --> 00:05:33.138 and someone asks you to export at these other options, 105 00:05:33.138 --> 00:05:35.849 depending on if you are projecting it 106 00:05:35.849 --> 00:05:39.209 with a certain type of projector or something like that. 107 00:05:39.209 --> 00:05:41.626 TV Standard, PAL versus NTSC. 108 00:05:42.772 --> 00:05:46.740 As it says when you hover over this, US and Japan use NTSC; 109 00:05:46.740 --> 00:05:48.432 Europe and Asia use PAL. 110 00:05:48.432 --> 00:05:50.757 It's just the way that it's been for a long time. 111 00:05:50.757 --> 00:05:52.967 So if you're watching this and you're in Europe, 112 00:05:52.967 --> 00:05:56.892 you're probably going to be shooting and exporting in PAL. 113 00:05:56.892 --> 00:06:00.341 Leave Profile and Level at Main and 4.1. 114 00:06:00.341 --> 00:06:02.579 We saw this Render at Maximum Depth. 115 00:06:02.579 --> 00:06:05.296 It's really interesting that this is an option. 116 00:06:05.296 --> 00:06:08.470 I don't know why Premiere Pro doesn't automatically render 117 00:06:08.470 --> 00:06:11.274 at maximum depth, so I just check that to make sure 118 00:06:11.274 --> 00:06:14.426 that it has the best export quality. 119 00:06:14.426 --> 00:06:15.886 Bitrate Settings. 120 00:06:15.886 --> 00:06:18.933 This is what really affects the size of your file. 121 00:06:18.933 --> 00:06:21.175 Bitrate encoding, you have options 122 00:06:21.175 --> 00:06:24.477 CBR, VBR, 1 pass, and VBR 2 pass. 123 00:06:24.477 --> 00:06:27.177 Choose between VBR 1 pass and 2 pass. 124 00:06:27.177 --> 00:06:29.648 1 pass will make your export quicker, 125 00:06:29.648 --> 00:06:31.344 but two passes means 126 00:06:31.344 --> 00:06:33.995 it actually goes through the export twice. 127 00:06:33.995 --> 00:06:36.607 It goes through all of the frames of your video twice, 128 00:06:36.607 --> 00:06:39.411 and it makes the colours and everything 129 00:06:39.411 --> 00:06:42.007 look a little bit better. 130 00:06:42.007 --> 00:06:44.481 The Target Bitrate and the Max Bitrate. 131 00:06:44.481 --> 00:06:47.598 The bitrate is basically how much information, 132 00:06:47.598 --> 00:06:52.100 in terms of file size, is happening per second. 133 00:06:52.100 --> 00:06:56.017 So your target would be 16 megabits per second. 134 00:06:57.688 --> 00:07:01.304 Your max is how much it's limited to. 135 00:07:01.304 --> 00:07:03.289 So the max will be 16. 136 00:07:03.289 --> 00:07:05.379 Generally, these two are the same. 137 00:07:05.379 --> 00:07:08.534 You could lower this if you want, 138 00:07:08.534 --> 00:07:10.776 and if you lower the target bitrate, 139 00:07:10.776 --> 00:07:14.460 you'll see down here the estimated file size decreases. 140 00:07:14.460 --> 00:07:17.153 So if you need to export a small file size, 141 00:07:17.153 --> 00:07:20.118 you can just lower it down here. 142 00:07:20.118 --> 00:07:24.285 Once you get past 16, when you are exporting a 1920 by 1080 143 00:07:26.236 --> 00:07:29.989 film or video, there's no real reason to increase 144 00:07:29.989 --> 00:07:34.277 the target bitrate past 16, because it's not actually 145 00:07:34.277 --> 00:07:37.488 going to make your video look better. 146 00:07:37.488 --> 00:07:40.856 Each size has a specific bitrate 147 00:07:40.856 --> 00:07:44.673 that is sort of the maximum bitrate that matters 148 00:07:44.673 --> 00:07:48.330 for that size of video, and 16 is about that 149 00:07:48.330 --> 00:07:49.913 for a 1920 by 1080. 150 00:07:50.820 --> 00:07:52.508 There's these other tabs like here. 151 00:07:52.508 --> 00:07:55.232 So like audio, you have different audio formats. 152 00:07:55.232 --> 00:07:58.170 If you know you have to export Dolby Digital. 153 00:07:58.170 --> 00:07:59.762 If you're playing it in a big theatre 154 00:07:59.762 --> 00:08:02.660 that requires Dolby Digital, that's an option. 155 00:08:02.660 --> 00:08:05.528 For us, we're just going to leave it at AAC, 156 00:08:05.528 --> 00:08:06.901 and down here, the audio settings, 157 00:08:06.901 --> 00:08:10.865 we're leaving the sample rate at 40,000 hertz. 158 00:08:10.865 --> 00:08:15.032 You might need it to be 44100 hertz, 32,000 hertz, 159 00:08:16.264 --> 00:08:19.344 but for most of our projects, just leave it at 40,000. 160 00:08:19.344 --> 00:08:23.511 Channels, Stereo, unless you want to max your mix mono, 161 00:08:24.649 --> 00:08:28.158 you can, but then that's going to just make the same 162 00:08:28.158 --> 00:08:32.738 exact sound come from both the left and right speakers. 163 00:08:32.738 --> 00:08:35.166 Stereo, if you have things on left and right speakers, 164 00:08:35.166 --> 00:08:36.254 it's a little bit different. 165 00:08:36.254 --> 00:08:38.172 If you recorded your audio in stereo, 166 00:08:38.172 --> 00:08:42.339 it's going to export at stereo, or 5.1 surround sound. 167 00:08:43.271 --> 00:08:45.929 Audio quality, just leave that at high. 168 00:08:45.929 --> 00:08:49.692 For audio bitrate, leave this at 320, the highest, 169 00:08:49.692 --> 00:08:51.137 kilobits per second. 170 00:08:51.137 --> 00:08:54.377 So the higher the bitrate, the higher the quality, 171 00:08:54.377 --> 00:08:57.185 so just leave that at the highest. 172 00:08:57.185 --> 00:08:59.051 Multiplexer, Captions, Publish, 173 00:08:59.051 --> 00:09:00.916 these are just some more advanced options, 174 00:09:00.916 --> 00:09:03.342 like if you wanna add captions to 175 00:09:03.342 --> 00:09:06.924 or if you have created captions in Premiere Pro 176 00:09:06.924 --> 00:09:09.737 and you want to export them as a specific file, 177 00:09:09.737 --> 00:09:13.759 or if you want to publish directly to things like Facebook, 178 00:09:13.759 --> 00:09:17.225 YouTube, Vimeo, or Adobe Creative Cloud, you can do that. 179 00:09:17.225 --> 00:09:21.735 You just have to sign into your accounts to do so. 180 00:09:21.735 --> 00:09:24.800 And then down below, we saw this Use Maximum Render Quality. 181 00:09:24.800 --> 00:09:27.639 Again, it's just an extra block you have to click. 182 00:09:27.639 --> 00:09:31.393 I suggest clicking to make sure that it is the best quality, 183 00:09:31.393 --> 00:09:33.570 and then the other one I just wanna mention quickly 184 00:09:33.570 --> 00:09:35.389 is this Import into project. 185 00:09:35.389 --> 00:09:39.161 If you want the export to be imported into your project 186 00:09:39.161 --> 00:09:42.389 automatically, you can just import it with that. 187 00:09:42.389 --> 00:09:44.681 Last time we just clicked this Export button, 188 00:09:44.681 --> 00:09:47.032 and it exported straight from Premiere Pro, 189 00:09:47.032 --> 00:09:48.931 but you can click this Queue button, 190 00:09:48.931 --> 00:09:53.098 and it will open up the export in Adobe Media Encoder. 191 00:09:53.987 --> 00:09:56.783 What this allows us to do is export in the background 192 00:09:56.783 --> 00:10:00.395 while we continue to work in Adobe Premiere Pro. 193 00:10:00.395 --> 00:10:03.133 Sometimes, I'm batch editing a lot of projects 194 00:10:03.133 --> 00:10:07.713 at one time, and so I want to export a long project, 195 00:10:07.713 --> 00:10:09.765 and sometimes it's not just a one-minute project 196 00:10:09.765 --> 00:10:11.413 that takes a couple minutes. 197 00:10:11.413 --> 00:10:13.589 Maybe it's a 30-minute documentary 198 00:10:13.589 --> 00:10:15.922 or a two-hour long event that I'm editing, 199 00:10:15.922 --> 00:10:20.182 and I'll want to start the export but be able to continue 200 00:10:20.182 --> 00:10:23.270 to edit other projects or different versions 201 00:10:23.270 --> 00:10:26.214 of the same project right within Premiere Pro. 202 00:10:26.214 --> 00:10:28.393 So I do that Queue option, 203 00:10:28.393 --> 00:10:31.879 and it opens it up in Adobe Media Encoder. 204 00:10:31.879 --> 00:10:35.690 Here, we can go through and change our export settings. 205 00:10:35.690 --> 00:10:39.852 They also have presets on the right-hand side as well. 206 00:10:39.852 --> 00:10:43.057 On the left, you have your H264 settings option, 207 00:10:43.057 --> 00:10:45.417 and if you click that, it brings us back here 208 00:10:45.417 --> 00:10:48.662 to this window where you can change all of your settings. 209 00:10:48.662 --> 00:10:51.937 The Preset, if you click that, again, it goes back here. 210 00:10:51.937 --> 00:10:55.030 There are different presets that you can choose 211 00:10:55.030 --> 00:10:59.635 straight from Adobe Media Encoder, like we saw before, 212 00:10:59.635 --> 00:11:01.404 and the Output File, you click that 213 00:11:01.404 --> 00:11:04.398 to choose where you want to save it. 214 00:11:04.398 --> 00:11:07.867 Then to start this, you can just press this Start Queue, 215 00:11:07.867 --> 00:11:09.182 and the reason why it's a queue 216 00:11:09.182 --> 00:11:12.967 is because you can actually add more projects to this. 217 00:11:12.967 --> 00:11:15.243 For example, when I'm editing a course, 218 00:11:15.243 --> 00:11:18.402 I often edit multiple lessons at once. 219 00:11:18.402 --> 00:11:20.896 So I'll have 10 lessons that I want to export. 220 00:11:20.896 --> 00:11:24.591 So I'll just be editing them in Premiere Pro 221 00:11:24.591 --> 00:11:26.925 and then export them and add them to the queue 222 00:11:26.925 --> 00:11:30.758 and continue editing while all of them export. 223 00:11:32.425 --> 00:11:34.905 So you can see here, after I press the button, 224 00:11:34.905 --> 00:11:36.770 it starts to export, 225 00:11:36.770 --> 00:11:40.937 and we are on our way to having a great project exported. 226 00:11:42.692 --> 00:11:45.279 If you have any questions about this, please let me know. 227 00:11:45.279 --> 00:11:48.545 There's also lots of great resources on Adobe's website 228 00:11:48.545 --> 00:11:51.260 on the different codecs, the different formats 229 00:11:51.260 --> 00:11:55.021 that would take too long to explain in a video, 230 00:11:55.021 --> 00:11:58.784 but I will be glad to help point you in the right direction 231 00:11:58.784 --> 00:12:00.177 if you need any help. 232 00:12:00.177 --> 00:12:01.228 Thanks for watching, 233 00:12:01.228 --> 00:12:02.813 and we'll see you in another video.