﻿WEBVTT

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<v Speaker>In this lesson, we're going to learn</v>

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how to deal with green screen footage

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in Adobe Premiere Pro.

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Go ahead and find the green screen dog video

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and the green screen Phil video.

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You can see here that the green screen dog,

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when you're shooting, you want to have

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an evenly lit background.

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This is much more evenly lit than green screen Phil.

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It's a lot darker, and so this one

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is going to be a lot easier to fix

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or to remove the background,

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but I wanna walk you through this one

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to show you that you can remove the background

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from a difficult image.

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First thing's first.

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The first thing that I wanna do

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when I'm dealing with green screen footage

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is actually add the crop effect.

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In effects, you can search for crop under transform.

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Add that to your footage, and then crop

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into your subject as much as possible,

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wherever your subject is not.

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With this dog, who's sitting very still,

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I'm going to crop in the left and the right,

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and the top just a bit.

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What this is doing is helping Premiere Pro

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by basically automatically getting rid

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of this part of the background.

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The green screen effect that we're using,

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the ultra key doesn't have to worry about that at all.

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Let's do add that ultra key effect.

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It's the best keying effect in Premiere Pro.

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Drag that onto your video,

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and then we're going to take this key colour picker.

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Select this eyedropper.

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You can go anywhere on your green screen and pick it.

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I generally pick somewhere a little bit darker

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because I find that it's easier to make adjustments

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and fix the highlights of the green

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versus selecting a brighter part of the green

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and adjusting the darker part.

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Let's just pick something down here,

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it's a little bit darker.

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We still see a little bit of speckles,

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especially if you play through this,

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you can see speckles in the background,

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and so we need to get rid of some of those.

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With this shot, we can easily change the setting

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of the ultra key from default to aggressive,

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and that's going to automatically fix the issues.

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It's a very, very good key already.

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To make sure that it's a good key, change the output

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from composite to alpha channel

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and scrub through and see if there's any parts

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where you see shadows within the white,

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and I see a little bit.

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I'm gonna go here where I see some of those shadows.

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I'm going to go to matte generation,

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and then where the shadow is,

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I'm going to just increase that just a bit

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until those shadows disappear.

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Then, if that doesn't get all of them,

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I see a tiny one right there.

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It might be a little bit hard for you to see.

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You can play with the tolerance

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or the pedestal and see what that does.

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Increasing the pedestal seems to be helping out a lot.

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Still have a couple shadows right around here.

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Let's see if increasing the shadows even more helps.

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That seems to do that.

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You also wanna make sure that there's no speckles

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in the black, and if there are,

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you would adjust this highlight,

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and we're going to be using that

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for the green screen Phil shot in just a second,

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but if we go back from,

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I'll put alpha channel to composite.

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This is a good to go green screen shot of this dog,

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and we'll start adding backgrounds

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and talking about that in the next lesson.

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Let's jump over to the green screen Phil shot.

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The first thing we are going to do, again, is crop this.

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With the crop effect, I'm going to add it.

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I'm going to crop the left in.

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I'm going to crop the top in.

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We obviously have to get rid

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of the edges of this clip because

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this green screen didn't cover my entire background,

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and then crop in the right side just like that.

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As much as possible.

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When you're shooting, though, you have to be careful

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of moving your hands so that your hands don't go

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over the edge of the green screen.

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This looks pretty good.

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I might be able to drag in the left

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just a little bit more.

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Okay.

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Now, let's add the ultra key.

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We're gonna put the ultra key on our clip.

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We need to take our colour picker,

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choose somewhere down here in the darks.

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You still get a lot of

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the highlighted green screen appearing,

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The reason is because the lighting

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of the green screen was not amazing.

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This was a quick job.

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This was a test, and I didn't really

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put up actual lighting, and that's why it's so uneven,

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but we can still make this better.

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We're going to first change the setting

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from default to aggressive.

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That helps get rid of some of it,

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then we're going to go change

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from composite to alpha channel.

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Here, you can really see the speckles in the black.

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We're going to drop the highlights down all the way.

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Play with the shadows,

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and then play with the pedestal.

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Increasing the pedestal.

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Then we're just gonna go through,

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scrub through just a bit to make sure

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that there weren't any other spots

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where shadows are shining through

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either on my face or speckles in the background,

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and that seems to have done a really good job.

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Then I'm going to change this alpha channel

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back to composite.

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This looks really good.

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One thing I notice, it's very subtle,

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but I do see a little bit of a green edge

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around my hair, and we can really notice,

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and one thing I encourage you to do

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is actually add a white background while you are doing this

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just to make sure you're green screen is looking good.

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I'm going to click this new item button,

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go to colour matte, say okay,

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and select white.

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We'll call this white matte.

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Then I'm going to put this underneath

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my green screen footage.

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Looking pretty good.

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It's even harder, actually, to see that green edge

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with the white, so that's good.

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I'm just gonna go back to this shot

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with black background, and to fix that edge,

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there are a couple things.

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We can go down to matte clean up.

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The choke and the soften

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will actually increase or decrease the edge.

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Let me show you the alpha channel

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so you can see that better.

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Choke, soften, so increasing the choke,

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softening it up.

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It will make your edges a little bit more soft.

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With the white background, you can see

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that looks really funky.

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I would never go that much, but sometimes,

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if you do want to decrease the edges

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just a little bit, this can help.

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It's pretty hard to see the green edges

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with the white background, so I might

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not even need to do this, but it's good

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to know that when you do have some green highlights

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because of some green light bouncing

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off of the green screen, you can go to spill suppression

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and increase the desaturation just a little bit.

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If you go too far, you can see

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that the entire image becomes desaturated,

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but just doing it a little bit will help it a lot.

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This is how we remove green screen backgrounds

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in Premiere Pro.

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In the next lesson, we're going

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to be adding backgrounds and making it look good

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with a background, because this is just the first step,

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removing the background, now we have to add

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a background that we want,

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but make it look natural.

