1 00:00:02,750 --> 00:00:10,490 Hello, dear student, dear friends, right now we are going to learn about color correction in how 2 00:00:10,490 --> 00:00:11,750 to be premier pro. 3 00:00:12,080 --> 00:00:15,410 So this is one of the most important topics. 4 00:00:15,830 --> 00:00:17,550 And you can take a look. 5 00:00:17,570 --> 00:00:22,160 We do have lots of video footage in our product panel. 6 00:00:22,760 --> 00:00:30,650 And I want to I want to use this clip to age this video footage. 7 00:00:30,650 --> 00:00:35,240 And I want to play this video of religion or prosit or sequence townland. 8 00:00:35,250 --> 00:00:39,830 So let me play this video footage in our timeline. 9 00:00:41,540 --> 00:00:44,070 So, you know, you just have to drag and drop. 10 00:00:44,550 --> 00:00:48,990 OK, so this is the video footage and you can take a look. 11 00:00:49,670 --> 00:00:55,570 This is the video footage, but the color of this video footage seems not active. 12 00:00:56,090 --> 00:00:59,900 And we're going to make a correction for this video footage. 13 00:00:59,910 --> 00:01:04,080 We will make more active color for this video footage. 14 00:01:04,700 --> 00:01:09,650 But in that case, we have to work with the color workspace. 15 00:01:09,680 --> 00:01:12,880 Right now, we're working on editing workspace. 16 00:01:12,890 --> 00:01:16,970 But for color correction, you have to work with the color workspace. 17 00:01:16,970 --> 00:01:19,700 So you just have to click on this color tab. 18 00:01:20,790 --> 00:01:28,980 OK, then the working space will be changed and this is now a working space for color, if you don't 19 00:01:28,980 --> 00:01:32,730 have this tab, then you can easily bring it from the windows. 20 00:01:33,060 --> 00:01:38,790 So here is the Windows menu, and from there you have to try on the luminary color. 21 00:01:39,010 --> 00:01:41,770 Then it will have this color workspace. 22 00:01:42,660 --> 00:01:46,310 OK, so let's start with the basic correction. 23 00:01:46,560 --> 00:01:53,610 But before struggling with the basic correction, you must have to select this video footage in our 24 00:01:53,700 --> 00:01:54,810 sequence timeline. 25 00:01:55,140 --> 00:01:57,630 Then you will be able to make some correction. 26 00:01:57,660 --> 00:02:04,860 We do have a basic correction tab, creative tab, kerbs, tab, color wheels and match tab. 27 00:02:04,860 --> 00:02:09,110 Each is the secondary tab Viginia tab. 28 00:02:09,600 --> 00:02:17,880 But all these tabs are disabler right now as because Julietta, we didn't select any video footage when 29 00:02:17,880 --> 00:02:21,680 you will select a video footage or from your video track. 30 00:02:21,990 --> 00:02:24,890 Then this function will be enabled. 31 00:02:25,110 --> 00:02:32,550 So let me select this video footage and you can take a look now on this tafsir. 32 00:02:32,550 --> 00:02:36,060 Annable So let's start with the basic correction. 33 00:02:36,690 --> 00:02:44,160 In Basic Correction tab, you will get the settings for temporarily detained exposer and anything else. 34 00:02:44,180 --> 00:02:52,110 So let me click on this basic correction tab, and this is the settings for basic correction. 35 00:02:52,380 --> 00:03:00,150 OK, one of the most important things is input a lot and we will create an ability to listen only for 36 00:03:00,150 --> 00:03:00,540 input. 37 00:03:00,540 --> 00:03:08,190 LUDT So right now I'm keeping this input lab because it's the big things and am starting with the tone 38 00:03:08,190 --> 00:03:09,300 and white balance. 39 00:03:09,300 --> 00:03:12,630 OK, so let me focus on TONC first. 40 00:03:13,890 --> 00:03:15,060 You can take a look. 41 00:03:15,060 --> 00:03:19,380 We have an option called auto. 42 00:03:20,130 --> 00:03:29,730 If you click on this auto option, then Adobe premiere software will make an auto correction for this 43 00:03:29,730 --> 00:03:30,600 video footage. 44 00:03:30,630 --> 00:03:35,100 Adobe premiere pulled the auto values for this video footage. 45 00:03:35,280 --> 00:03:40,080 So let me show you let me click on this auto option. 46 00:03:40,080 --> 00:03:41,760 And before that, you can take a look. 47 00:03:41,760 --> 00:03:45,360 We all have the zero values or right now. 48 00:03:45,360 --> 00:03:56,160 So let me please the auto values and you can take a look at the shadow Gardner 21. Black got minus nine 49 00:03:56,160 --> 00:04:01,650 point and we got some small changes in this video footage. 50 00:04:01,980 --> 00:04:03,900 So let me reset it once again. 51 00:04:05,060 --> 00:04:10,160 OK, let me play this auto tune once again. 52 00:04:10,820 --> 00:04:13,390 OK, this is the auto values, OK? 53 00:04:13,400 --> 00:04:16,400 But if you want to go for Manuell values, you can do that. 54 00:04:16,430 --> 00:04:19,730 So in that case, I have to set the values. 55 00:04:20,300 --> 00:04:29,690 OK, so if you think this video footage don't have the actual lighting or exposer, then you can increase 56 00:04:29,990 --> 00:04:31,620 or decrease the exposer. 57 00:04:31,640 --> 00:04:36,920 So this is the exposer parameter and right now we have the zero values. 58 00:04:37,340 --> 00:04:41,670 If you want to increase the light, then you have to increase the point of exposer. 59 00:04:41,670 --> 00:04:41,930 So. 60 00:04:43,270 --> 00:04:49,420 I am moving this exposer point out at right, and you can take a look. 61 00:04:49,450 --> 00:04:50,950 Lives are increasing. 62 00:04:52,960 --> 00:04:55,690 OK, it seems quite high. 63 00:04:59,870 --> 00:05:06,470 OK, and if you want to decrease the light or if you want to decrease the exposer, then you have to 64 00:05:06,860 --> 00:05:10,850 move this point at the left or you have to go for a minus point. 65 00:05:11,090 --> 00:05:16,220 So let me move this pointer at the left and you can take a look. 66 00:05:16,940 --> 00:05:24,060 Lights are reduced and it seems quite dark effect in this video footage. 67 00:05:24,080 --> 00:05:29,240 So this is the use of exposer for increasing or decreasing the light. 68 00:05:29,990 --> 00:05:33,980 OK, so I am keeping zero values. 69 00:05:34,670 --> 00:05:35,000 OK. 70 00:05:35,180 --> 00:05:41,180 OK, now we will take a look at the contrast to highlight's shadow whites and blacks. 71 00:05:41,510 --> 00:05:43,280 So let me go with the contrast. 72 00:05:43,310 --> 00:05:46,070 Right now we have the zero values, OK? 73 00:05:47,570 --> 00:05:55,940 If you want to if you want to bring some lake effect, then you have to increase the contrast. 74 00:05:56,180 --> 00:05:58,870 So let me increase the contrast and you can take a look. 75 00:05:59,090 --> 00:06:02,270 We got some black effect in this image. 76 00:06:03,140 --> 00:06:04,670 I mean, not image, right? 77 00:06:04,670 --> 00:06:08,990 Not working as like an image here, but this is a video footage. 78 00:06:09,320 --> 00:06:16,310 And if you want to reduce this black effect, you have to reduce the contrast and you have to go from 79 00:06:16,310 --> 00:06:20,750 minus point if you want to get the right effect. 80 00:06:20,810 --> 00:06:23,670 So let me get the minus and you can take a look. 81 00:06:23,960 --> 00:06:26,380 We've got some white effect instead of black. 82 00:06:26,780 --> 00:06:29,630 So black, white, black, white. 83 00:06:29,870 --> 00:06:31,910 So this is the exact contrast. 84 00:06:32,300 --> 00:06:34,040 So let me put the zero values. 85 00:06:34,310 --> 00:06:36,860 OK, what about highlight's? 86 00:06:38,680 --> 00:06:48,090 Highlight's is also working for the adjustment of color, so if you want to make some lighting area 87 00:06:48,190 --> 00:06:51,340 in this footage, then you have to increase the highlights. 88 00:06:51,370 --> 00:06:56,650 It's not working as like the contrast as we still contrast is working. 89 00:06:58,060 --> 00:07:05,320 With dark and lightness, as well as the highlight also, but in that case, you have to increase the 90 00:07:05,320 --> 00:07:11,620 highlight and you have to increase the point if you don't have to decrease the point for increasing 91 00:07:11,620 --> 00:07:12,250 the highlights. 92 00:07:12,250 --> 00:07:16,450 So you have to you have to move this point at right. 93 00:07:16,450 --> 00:07:17,470 Then you will have. 94 00:07:19,790 --> 00:07:21,020 The perfect highlight. 95 00:07:21,200 --> 00:07:22,720 OK, you can take a look now. 96 00:07:22,760 --> 00:07:24,930 It looks much better than before. 97 00:07:25,250 --> 00:07:27,620 So let me restate this highlight. 98 00:07:28,660 --> 00:07:30,400 OK, we have the zero values. 99 00:07:31,370 --> 00:07:34,970 And now it looks more. 100 00:07:36,360 --> 00:07:46,620 Bright then before, and if you if you move this point at minus value, then it will not be good as 101 00:07:46,620 --> 00:07:47,170 bright. 102 00:07:47,860 --> 00:07:52,650 Now the highlights Leeville are with minus 100. 103 00:07:52,920 --> 00:07:55,340 That means we don't have any Hilex in here. 104 00:07:55,860 --> 00:08:01,120 So if you focus on the video footage, it's not really looks good. 105 00:08:01,560 --> 00:08:04,190 So this is the basic highlight. 106 00:08:04,260 --> 00:08:06,960 So let me go for zero values. 107 00:08:10,250 --> 00:08:16,820 OK, if you want to work with the shadow, this is the part of adjustment, so if you want to if you 108 00:08:16,820 --> 00:08:23,670 want to get some dark shadow, then you have to move this pointer at the left. 109 00:08:23,690 --> 00:08:26,250 That means you have to go four minus points. 110 00:08:26,300 --> 00:08:27,080 Let me show you. 111 00:08:28,490 --> 00:08:36,650 When I will move this pointer at a left, then a black shadow will be appeared in this Grinchy area. 112 00:08:37,160 --> 00:08:41,110 OK, let me move this pointer at the left and you can take a look. 113 00:08:41,120 --> 00:08:42,470 We got the black shadow. 114 00:08:43,780 --> 00:08:47,770 And if you want to gauge the wildcatter, then you have to go for. 115 00:08:48,830 --> 00:08:52,170 Plus point, I mean, you have to move this point at right. 116 00:08:53,050 --> 00:08:56,490 OK, now we have the 100 person shadow. 117 00:08:56,840 --> 00:09:01,150 And right now we have minus 100 percent shadow. 118 00:09:01,430 --> 00:09:06,130 And with the minus 100 percent shadow, we've got the dark shadow. 119 00:09:07,700 --> 00:09:08,780 And we. 120 00:09:09,770 --> 00:09:12,980 Plus 100 percent week after bride shadow. 121 00:09:13,360 --> 00:09:17,930 OK, so let's get back to the zero parameter for Shadow. 122 00:09:19,460 --> 00:09:22,880 OK, now we will work with the white adjustment. 123 00:09:22,910 --> 00:09:23,720 Whites and blacks. 124 00:09:24,110 --> 00:09:32,210 OK, if you increase the point for whites, then the video footage will have the brightness. 125 00:09:32,540 --> 00:09:34,430 So let me increase the whites. 126 00:09:35,030 --> 00:09:39,230 And, you know, I have to go for the right side and you can take a look. 127 00:09:39,240 --> 00:09:42,200 We got we got the brightness. 128 00:09:42,560 --> 00:09:43,760 Let me see it once again. 129 00:09:43,980 --> 00:09:48,770 Then you can have the difference between hundred point and zero point of whites. 130 00:09:49,750 --> 00:09:55,090 Zero hundred zero hundred, OK? 131 00:09:57,180 --> 00:10:05,580 Right now, we have the zero power meter for whites, and if you move this point at left or if you reduce 132 00:10:06,060 --> 00:10:09,540 the point for whites, then what will happen? 133 00:10:10,170 --> 00:10:12,710 It will not be too bright anymore. 134 00:10:13,020 --> 00:10:17,120 So I am reducing the point at lift and you can take a look. 135 00:10:17,130 --> 00:10:18,300 The brightness is one. 136 00:10:18,900 --> 00:10:21,220 So this is that use of whites. 137 00:10:21,570 --> 00:10:23,490 So let me put the zero values. 138 00:10:25,140 --> 00:10:27,240 OK, as well as blacks. 139 00:10:28,850 --> 00:10:35,480 OK, let me let me move this pointer at the left, I mean, with minus point, then it will have the 140 00:10:36,230 --> 00:10:37,910 effect in this, Chris. 141 00:10:37,930 --> 00:10:41,630 So let me move this pointer at left. 142 00:10:42,710 --> 00:10:43,800 OK, you can take a look. 143 00:10:43,820 --> 00:10:51,110 We've got the dark effect, I mean, the black is working and if you move this point at. 144 00:10:51,140 --> 00:10:51,800 Right. 145 00:10:52,800 --> 00:11:00,810 But image not seems to be brightness, but it remained as light before, but it increased a little blacks, 146 00:11:01,320 --> 00:11:04,110 but it's not properly. 147 00:11:04,260 --> 00:11:07,010 If it's not proper, bring the brightness. 148 00:11:07,020 --> 00:11:10,680 It's just a reducing and increasing the darkness. 149 00:11:11,580 --> 00:11:14,300 No, it's just reducing the darkness. 150 00:11:14,310 --> 00:11:18,930 But when you go from minus point, it's increasing the darkness. 151 00:11:19,230 --> 00:11:22,040 So this is the use of blacks. 152 00:11:22,300 --> 00:11:25,950 OK, let me put the value zero for blacks. 153 00:11:26,310 --> 00:11:30,980 OK, now we will focus on the wide balance and you can take a look. 154 00:11:30,990 --> 00:11:33,790 We have the temperature and tint, OK? 155 00:11:34,320 --> 00:11:41,460 Temperature means you can have the hot temperature, you can have the cold temperature. 156 00:11:41,480 --> 00:11:43,260 So what is the color of cold? 157 00:11:43,650 --> 00:11:44,580 Obviously blue. 158 00:11:44,610 --> 00:11:45,600 So you can take a look. 159 00:11:45,600 --> 00:11:50,490 We got the parameter for controlling the temperature. 160 00:11:50,890 --> 00:11:58,130 If you want to make the cold temperature for this video footage, you have to go from minus Pintor. 161 00:11:58,150 --> 00:12:00,560 You have to move this pointer up lift. 162 00:12:00,570 --> 00:12:03,700 Then you will have that bluish effect for this video footage. 163 00:12:03,720 --> 00:12:10,260 So let me show you, OK, I'm moving this pointer at the left with minus point and you can take a look. 164 00:12:10,260 --> 00:12:13,740 We got the bluish effect, it seems, is the cold. 165 00:12:14,100 --> 00:12:16,410 That means it's have some ices. 166 00:12:16,410 --> 00:12:25,320 OK, so this is the temperature controller and we got minus 100 and we have the bluish effect are the 167 00:12:25,320 --> 00:12:26,550 cold temperature. 168 00:12:26,970 --> 00:12:34,680 But what you will do for having some heart defect are you can call it like a sunny effect. 169 00:12:34,860 --> 00:12:38,970 So in that case, you have to move this point at right. 170 00:12:38,970 --> 00:12:42,540 Then you will have some sunny effect. 171 00:12:42,540 --> 00:12:45,150 I mean, it seems is quite hot. 172 00:12:45,570 --> 00:12:50,910 And you can take a look at it's an image like a desert. 173 00:12:51,390 --> 00:12:55,050 OK, this is that use of temperature right now. 174 00:12:55,050 --> 00:12:56,610 We have the hot temperature. 175 00:12:56,880 --> 00:13:01,410 We have the cold temperature, hard, cold, hard, cold. 176 00:13:01,780 --> 00:13:09,690 OK, so I'm pretty sure you know the use of a temperature with the white balance right now. 177 00:13:09,930 --> 00:13:12,270 So let me bring it back with zero. 178 00:13:13,920 --> 00:13:14,790 OK, fine. 179 00:13:15,000 --> 00:13:24,210 So right now we will work with the tint tent, basically using for controlling the green and Ripton 180 00:13:24,210 --> 00:13:25,440 on your video footage. 181 00:13:25,830 --> 00:13:30,300 Suppose you want to add some green tone on your video footage. 182 00:13:30,300 --> 00:13:37,710 In that case, you have to you have to reduce the point or you have to move this parameter up to the 183 00:13:37,710 --> 00:13:39,480 left at Greenside. 184 00:13:39,480 --> 00:13:42,830 Then you will have the going on in your video footage. 185 00:13:42,840 --> 00:13:51,990 So let me show you, I am just moving this point at the left and we have the Grinton in our video footage. 186 00:13:51,990 --> 00:13:56,400 But if you're looking for having some picture, redefect. 187 00:13:57,780 --> 00:14:02,500 Then you have to move this point to right, then you will have the red tones. 188 00:14:02,550 --> 00:14:07,890 So let me move this pointer at right and you can take a look. 189 00:14:07,920 --> 00:14:12,670 We got the pink or red tone in our video footage. 190 00:14:12,720 --> 00:14:17,620 So this is the basic tint inside that white balance. 191 00:14:17,910 --> 00:14:21,720 So let me get back here with the zero parameter. 192 00:14:23,870 --> 00:14:29,870 OK, so we're done with the basic correction right now, we will go for creative tab. 193 00:14:30,140 --> 00:14:37,940 So let me close this basic correction tab and that's why you just have to play on this basic correction 194 00:14:38,330 --> 00:14:39,380 tab in here. 195 00:14:39,950 --> 00:14:44,010 OK, now we will go for creative tab. 196 00:14:44,030 --> 00:14:46,060 So let me open this creative tab. 197 00:14:46,610 --> 00:14:50,890 So inside the creative tab, we got the Luke option. 198 00:14:51,230 --> 00:15:00,320 So I want to I want to go with the Luke option and basic corrections input lot at Ohmes as because it's 199 00:15:00,320 --> 00:15:03,440 really a big chapter and I want to cover it. 200 00:15:03,710 --> 00:15:04,430 Then what? 201 00:15:04,730 --> 00:15:10,970 OK, so right now I'm going to focus on that adjustment as well as intensity. 202 00:15:11,210 --> 00:15:13,100 So let's focus on adjustment. 203 00:15:13,850 --> 00:15:21,100 If you were familiar with Adobe Photoshop, you must know the exact vibrance and saturation. 204 00:15:21,410 --> 00:15:30,470 So if you increase the wins, this green trees will be more active and Giovannino will gain the active 205 00:15:31,010 --> 00:15:36,200 of color in the background as well as saturation vibrance. 206 00:15:36,200 --> 00:15:39,410 Increase a little bit of saturation, works a lot. 207 00:15:39,740 --> 00:15:41,510 So let me increase the vibrancy. 208 00:15:41,540 --> 00:15:45,710 Right now we have zero power meter, so let me increase the vibrance. 209 00:15:45,710 --> 00:15:49,700 Then it will have the difference in between zero and hundred. 210 00:15:51,910 --> 00:15:52,330 OK. 211 00:15:53,500 --> 00:15:54,400 Can I take a look? 212 00:15:54,430 --> 00:15:56,870 This looks much better than before. 213 00:15:57,760 --> 00:16:01,030 Let me go for the zero value, then you can compare these things. 214 00:16:04,320 --> 00:16:06,060 OK, we have the zero values. 215 00:16:08,440 --> 00:16:10,390 We have that 100 values. 216 00:16:12,060 --> 00:16:13,020 Zero values. 217 00:16:14,930 --> 00:16:15,890 100 values. 218 00:16:16,370 --> 00:16:16,970 OK, cool. 219 00:16:17,430 --> 00:16:24,430 So using a virus, we got some active green color, we got some active background as well. 220 00:16:24,460 --> 00:16:26,600 Now we will apply the saturation. 221 00:16:26,870 --> 00:16:32,090 So we have that 100 parimutuel for the saturation. 222 00:16:32,270 --> 00:16:33,940 But I want to increase a more. 223 00:16:34,580 --> 00:16:37,820 So let me increase the saturation more. 224 00:16:41,510 --> 00:16:44,490 OK, now you can take a look. 225 00:16:44,530 --> 00:16:52,180 It looks much better than before, we have the active color, we have the active background and it really 226 00:16:52,190 --> 00:16:52,800 looks nice. 227 00:16:52,910 --> 00:16:55,450 So let me let me bring it in. 228 00:16:55,460 --> 00:16:56,750 One hundred point. 229 00:17:00,460 --> 00:17:05,680 OK, I turn to point and let's compare once again, we have 102. 230 00:17:08,070 --> 00:17:09,930 We have 173. 231 00:17:12,540 --> 00:17:13,560 Halleran for. 232 00:17:15,050 --> 00:17:21,110 One hundred and seventy five, so this is the difference, using the vibrance and saturation. 233 00:17:21,350 --> 00:17:27,350 OK, so let me let me reduce the violence for a negative point. 234 00:17:27,570 --> 00:17:30,470 I mean, I want to move this virus. 235 00:17:30,470 --> 00:17:35,810 Point out the left, then how is look like let me move it at the left side. 236 00:17:37,060 --> 00:17:42,240 OK, we have still the color, but it's totally inactive color. 237 00:17:42,280 --> 00:17:43,640 We don't have that deep color. 238 00:17:43,660 --> 00:17:47,680 We don't have the strong color regarding that inactive color. 239 00:17:48,010 --> 00:17:50,470 And this is the. 240 00:17:52,600 --> 00:17:55,720 Were values for minus 100 vibrance. 241 00:17:56,030 --> 00:18:04,160 OK, now we will move the saturation, we will change the saturation, but saturation do not have the 242 00:18:04,160 --> 00:18:07,370 minus values to have the values to zero. 243 00:18:07,940 --> 00:18:11,810 OK, so right now we have one hundred and seventy five point two. 244 00:18:12,140 --> 00:18:16,430 So let me reduce the saturation and make it zero. 245 00:18:17,620 --> 00:18:25,330 OK, we have zero values in here, and you can take a look, the preview is totally now extends are 246 00:18:25,340 --> 00:18:26,170 black and white. 247 00:18:26,860 --> 00:18:33,010 So I'm pretty sure right now, you know, the what is the use of vibraphones? 248 00:18:33,340 --> 00:18:36,370 What is the use of saturation? 249 00:18:37,410 --> 00:18:41,820 OK, now it looks good, now it looks more active than before. 250 00:18:42,030 --> 00:18:46,830 OK, let me make the barometer as like before. 251 00:18:46,950 --> 00:18:52,690 I want to make the vibrance zero at a saturation 100. 252 00:18:53,040 --> 00:18:59,530 This is the default value and we have the actual view, our video footage right now. 253 00:18:59,610 --> 00:19:03,570 We will forecast about Qurban and you can take a look. 254 00:19:03,570 --> 00:19:09,720 We got the sharp parimutuel in here and we have zero values of our sharpen. 255 00:19:10,710 --> 00:19:11,160 So. 256 00:19:12,530 --> 00:19:19,520 This video footage seems clear, but if you want to make a little better than what you will do, you 257 00:19:19,520 --> 00:19:20,940 can't do that very easily. 258 00:19:20,960 --> 00:19:25,580 Using this sharpened, though, is that lot use of proper blood. 259 00:19:26,270 --> 00:19:28,930 So I'm showing you the exact sharpened. 260 00:19:29,000 --> 00:19:34,360 So right now we have the zero values and I'm moving this pin point or at left. 261 00:19:34,610 --> 00:19:40,520 So when I will move the sharp end point or at left, what will happen? 262 00:19:40,550 --> 00:19:44,900 Let me show you when I will move this pointer at left. 263 00:19:45,350 --> 00:19:49,970 This video footage will have some little blurry effect. 264 00:19:50,010 --> 00:19:52,100 So let me move this point to uplift. 265 00:19:53,140 --> 00:19:55,600 And it can take a look, we got some blurry effect. 266 00:19:56,940 --> 00:19:57,440 OK. 267 00:19:58,620 --> 00:20:04,410 Now, we don't have the actual or we don't have the clear view, it seems a little blurry picture here 268 00:20:04,800 --> 00:20:07,980 and if you move this sharpened pointer. 269 00:20:08,160 --> 00:20:09,090 That's right. 270 00:20:10,140 --> 00:20:16,230 Then you will have the actual are clear a view of your video footage. 271 00:20:16,360 --> 00:20:20,630 So let me move this point here once again left. 272 00:20:21,600 --> 00:20:26,630 We got the blurry effect and we don't have the sharp video footage. 273 00:20:27,530 --> 00:20:36,320 And if we go for a trade site, then we have the show or without our video footage in here. 274 00:20:36,650 --> 00:20:38,280 So this is the use of sharpening. 275 00:20:38,330 --> 00:20:41,150 So let me make the values zero once again. 276 00:20:41,300 --> 00:20:43,490 So we got the zero values for carpet. 277 00:20:43,940 --> 00:20:47,660 OK, so now we will go for. 278 00:20:49,080 --> 00:20:51,840 Kerbs tab and I am. 279 00:20:53,550 --> 00:20:58,530 I'm closing this creative tab and I'm winging kerbs tab. 280 00:20:59,700 --> 00:21:07,650 So this is the current tab and let me open this kerbs tab and we will have to type of option R.G. with 281 00:21:07,660 --> 00:21:09,840 kerbs hue and saturation or. 282 00:21:10,770 --> 00:21:13,320 So we will go further, argue the cards. 283 00:21:13,330 --> 00:21:16,020 So let me open this RGV kerbs. 284 00:21:17,420 --> 00:21:25,760 OK, right now, we have the master craft that is red, green and blue at all, and this is the line. 285 00:21:26,150 --> 00:21:34,460 If you want to increase the brightness of your videos, then you have to pull this line at the left 286 00:21:34,460 --> 00:21:40,090 side, aiming at angle side for increasing the brightness. 287 00:21:40,100 --> 00:21:47,960 But if you want to increase the darkness, then you have to pull this line at bottom side. 288 00:21:48,200 --> 00:21:50,400 OK, so let me show you this is the point. 289 00:21:50,600 --> 00:21:52,880 And I would increase the brightness. 290 00:21:53,030 --> 00:21:58,820 And right now it's working along with that red, green and blue color. 291 00:21:59,540 --> 00:22:01,760 OK, so you just have to use your mouse. 292 00:22:01,760 --> 00:22:03,710 And I'm increasing the. 293 00:22:05,470 --> 00:22:06,310 Brightness. 294 00:22:08,640 --> 00:22:09,660 OK, we can take a look. 295 00:22:09,990 --> 00:22:20,250 We increased the brightness and red, green and blue color of atoms, and if you want to decrease that 296 00:22:20,670 --> 00:22:27,480 brightness or if you want to increase that target list, then you have to move this pointer at the opposite 297 00:22:27,480 --> 00:22:27,780 side. 298 00:22:27,960 --> 00:22:30,930 So let me move this pointer at opposite side. 299 00:22:33,690 --> 00:22:35,410 OK, you can take a look. 300 00:22:35,460 --> 00:22:43,940 We got that dark effect in our video footage, so this is that use of carbs. 301 00:22:44,430 --> 00:22:46,860 And right now I am going to show you. 302 00:22:48,790 --> 00:22:58,000 But different use of a single color in R.G. with curves, if you want to apply only the red color with 303 00:22:58,000 --> 00:23:03,210 the RGV curves, then you have to select this red color from here. 304 00:23:03,550 --> 00:23:08,230 Then only the red color will apply it in this video footage. 305 00:23:08,230 --> 00:23:09,250 So you can take a look. 306 00:23:09,250 --> 00:23:14,500 We got the red color and let me increase the curves and you can take a look. 307 00:23:14,510 --> 00:23:21,700 We got married, in fact, in our video footage as well as if you want to apply only the green color, 308 00:23:21,700 --> 00:23:24,250 then you have to select this green one then. 309 00:23:25,300 --> 00:23:27,310 You can apply the green color. 310 00:23:28,720 --> 00:23:31,930 OK, now we have the green effect as well as blue. 311 00:23:32,200 --> 00:23:33,730 So here is the blue. 312 00:23:35,280 --> 00:23:36,390 But when Chrisette. 313 00:23:37,960 --> 00:23:38,370 OK. 314 00:23:38,440 --> 00:23:43,870 All right, now we got the combined color as because we have the same painting for a red color, green 315 00:23:43,870 --> 00:23:45,230 color and blue color. 316 00:23:45,550 --> 00:23:49,390 So this is the single use of color in RGV curbs. 317 00:23:49,580 --> 00:23:54,220 OK, right now we will work with the hue and saturation curves. 318 00:23:54,430 --> 00:23:57,470 So let me open this hue and saturation curves. 319 00:23:58,360 --> 00:24:02,830 OK, so this is the hue and saturation curves and you can take a look. 320 00:24:02,840 --> 00:24:05,830 We have a pointer and it's placed in middle. 321 00:24:06,280 --> 00:24:13,840 If you move this hue and saturation curve at bottom, then we will lose the color. 322 00:24:13,840 --> 00:24:20,800 We will lose here, we will lose the saturation and this image will be inactive or this video footage 323 00:24:20,800 --> 00:24:21,590 will be inactive. 324 00:24:21,610 --> 00:24:26,170 Let me show you, I'm pulling this bar at bottom. 325 00:24:27,580 --> 00:24:33,760 And you can take a look, we lost the color, but if you want to if you want to give active color, 326 00:24:33,760 --> 00:24:35,260 that you just have to use this. 327 00:24:37,260 --> 00:24:39,150 And you have to move it at top. 328 00:24:40,300 --> 00:24:41,290 OK, cool. 329 00:24:41,500 --> 00:24:42,380 You can take a look. 330 00:24:42,550 --> 00:24:52,270 We got more active color in our video footage, so this is the use of hue and saturation curves in out 331 00:24:52,270 --> 00:24:52,920 to be premier. 332 00:24:53,500 --> 00:24:56,290 So let me close this R.G. with Curb's. 333 00:24:57,840 --> 00:25:04,740 As well as hue and saturation curbs, and now we will work with the color wills and match. 334 00:25:04,960 --> 00:25:12,510 OK, let's open this color Wilson match tab, then you will have shadow returns on the hailers tab. 335 00:25:12,510 --> 00:25:14,310 And this is a color wheel. 336 00:25:14,310 --> 00:25:15,180 You can take a look. 337 00:25:15,450 --> 00:25:17,670 OK, let's work with the Michon. 338 00:25:18,360 --> 00:25:26,520 You can apply them written in this video footage by selecting any color from here like. 339 00:25:28,470 --> 00:25:36,180 You want to apply the orange effect in this videos, so you have just sort of the orange color from 340 00:25:36,180 --> 00:25:37,680 here and it can take a look. 341 00:25:37,890 --> 00:25:43,500 We already got the orange effect as well as if you want to apply the real effect. 342 00:25:43,530 --> 00:25:45,300 You just have to select the real effect. 343 00:25:46,080 --> 00:25:47,570 Here is the pink effect. 344 00:25:47,580 --> 00:25:49,200 Here is the blue effect. 345 00:25:49,560 --> 00:25:51,540 Here is the sound effect. 346 00:25:51,540 --> 00:25:53,220 And here is a green effect. 347 00:25:53,460 --> 00:26:00,250 So this is all working for mid tones and you can increase or decrease the Michon's support. 348 00:26:00,270 --> 00:26:01,680 You want to increase the mid tones. 349 00:26:01,680 --> 00:26:04,590 Then here is the on which you have to increase. 350 00:26:05,010 --> 00:26:08,580 Then the Middletons will work. 351 00:26:09,620 --> 00:26:18,470 More stronger if you move this point or at top, and if you move this point at bottom, then midterms 352 00:26:18,470 --> 00:26:20,880 will not work very actively. 353 00:26:21,140 --> 00:26:23,380 So this is the point for midterms. 354 00:26:24,140 --> 00:26:29,180 So we know about the use of midterms as well as shadow as well as the highlights. 355 00:26:29,480 --> 00:26:36,260 So if you want to apply the shadow in this video clips and if you have any desire that I will apply 356 00:26:36,280 --> 00:26:38,910 this specific color in this video footage. 357 00:26:39,060 --> 00:26:41,990 So what it will do, you can do that very easily. 358 00:26:42,500 --> 00:26:47,000 Like, I want to apply a pink color as a shadow. 359 00:26:47,120 --> 00:26:49,900 And that's why I have to select this pink color. 360 00:26:49,910 --> 00:26:51,110 And you can take a look. 361 00:26:51,680 --> 00:26:59,330 We already have the green tones and I applied pink color shadow because we want to apply the blue color 362 00:26:59,330 --> 00:26:59,720 shadow. 363 00:26:59,730 --> 00:27:01,630 You can add the blue color shadow. 364 00:27:02,120 --> 00:27:04,670 You can apply that green shadow. 365 00:27:04,670 --> 00:27:12,560 But if you apply the green shadow, then you will have a very high green effect, as because we already 366 00:27:12,560 --> 00:27:19,250 applied the midterms with the green color and as same as I applied the shadow for the green color. 367 00:27:19,490 --> 00:27:21,080 That not seems good. 368 00:27:21,410 --> 00:27:28,040 So you can apply any other color or you don't have to use any color for a shadow. 369 00:27:28,250 --> 00:27:30,260 That totally depends on your choice. 370 00:27:30,560 --> 00:27:34,040 OK, so right now I'm placing a red color. 371 00:27:35,420 --> 00:27:37,370 Or pink color. 372 00:27:37,610 --> 00:27:40,690 OK, some good, some highlights. 373 00:27:42,470 --> 00:27:49,030 So if you want to apply the highlights for this video footage, you can do that and you can take a look. 374 00:27:49,040 --> 00:27:50,780 We have some kind of word here. 375 00:27:50,780 --> 00:27:58,490 That means we applied this portion from this color wheel and we used the green color for me. 376 00:27:58,850 --> 00:28:06,200 And here you can take a look and another plus sign, and that is used for shuttle, but still yet we 377 00:28:06,200 --> 00:28:08,450 don't have any color for highlights. 378 00:28:09,200 --> 00:28:14,340 So I'm going to apply the highlights like I want to apply the same color. 379 00:28:14,360 --> 00:28:20,820 So here is the same color and selecting the same color for applying the highlights. 380 00:28:20,840 --> 00:28:23,860 And now we have the preview like this. 381 00:28:23,870 --> 00:28:32,170 And right now we have midterm's we have the shadows we have to highlight so you can change the highlights. 382 00:28:32,180 --> 00:28:41,240 You can change in pink color, red color, yellow color, green color, skin color. 383 00:28:42,580 --> 00:28:48,970 And many other color as you want, and it's totally depends on your choice. 384 00:28:49,330 --> 00:28:52,750 So this is what we applied. 385 00:28:53,500 --> 00:28:58,930 Britain's shadow and highlights at using the color will match. 386 00:28:59,200 --> 00:29:02,080 So two more tabs are remaining. 387 00:29:02,080 --> 00:29:05,940 That is HSF and Will Secondary and it. 388 00:29:06,250 --> 00:29:14,380 But I want to keep each SL secondary tab right now, because when we will work with green screen background 389 00:29:14,380 --> 00:29:17,440 or removal, we have to use it widely. 390 00:29:17,450 --> 00:29:19,510 This each SL secondary. 391 00:29:19,840 --> 00:29:28,540 So right now I'm going to focus about vignette option and the previous video clip that I used for. 392 00:29:28,540 --> 00:29:33,910 I removed it from our sequence timeline and I want to add a new one. 393 00:29:34,240 --> 00:29:41,350 So from our product panel, I want to bring this clip over for video. 394 00:29:41,350 --> 00:29:44,620 Sluttish in our Prosit are a sequence timeline. 395 00:29:44,800 --> 00:29:50,560 And I'm going to apply a vignette effect in this video footage. 396 00:29:51,040 --> 00:29:53,140 So let's work with the vignette. 397 00:29:54,160 --> 00:29:59,310 Effect our vignette, Looma tricolour in this video footage, Juniata be premiere. 398 00:30:00,700 --> 00:30:04,150 OK, so let me open the videotape, Carol. 399 00:30:04,210 --> 00:30:04,990 Tell me one thing. 400 00:30:05,470 --> 00:30:10,240 If I click on this Affinia tab, will this tab open or not? 401 00:30:11,490 --> 00:30:18,360 Maybe you're confused as because till hit, I didn't select this video footage in my prosit timeline, 402 00:30:18,570 --> 00:30:23,440 so I have to select this video footage in my timeline. 403 00:30:24,180 --> 00:30:28,720 Now, all the options inside the luminary color is active. 404 00:30:29,010 --> 00:30:31,800 So now I can apply the veneer tab. 405 00:30:32,080 --> 00:30:36,210 So let me open this Lavenia tab and you can take a look. 406 00:30:36,240 --> 00:30:39,420 Because the settings are parameters in here. 407 00:30:39,810 --> 00:30:43,760 So do you know what is the use of Viniar Genealogy Premium Pro? 408 00:30:44,640 --> 00:30:52,190 Suppose you want to add some round or some kind of Coya or some kind of lens shape in your video. 409 00:30:52,380 --> 00:30:56,660 In that case, you have to use an IT and you can take a look. 410 00:30:56,670 --> 00:31:02,080 We got full parameter amount midpoint around Nyst and further. 411 00:31:02,520 --> 00:31:05,490 So let's start with the amount, OK? 412 00:31:05,700 --> 00:31:11,290 When we increase the power of our mount, then you can take a look. 413 00:31:11,310 --> 00:31:17,650 We will have a rounded, circular, rounded shadow inside this video footage. 414 00:31:17,670 --> 00:31:21,150 So let me move this pointer at a right side. 415 00:31:21,850 --> 00:31:24,240 OK, moving this point at right. 416 00:31:25,880 --> 00:31:33,170 OK, right now I have three values for amount, and you can take a look, we already have a rounded 417 00:31:33,170 --> 00:31:44,220 shape in our video footage and if I reduce the amount tab, each will have the reverse around effect. 418 00:31:44,900 --> 00:31:47,300 So this is the usual amount. 419 00:31:47,300 --> 00:31:49,160 It's creating a round shape. 420 00:31:49,210 --> 00:31:52,960 Seems like a shape inside the videos right now. 421 00:31:52,970 --> 00:31:54,410 I have minus three. 422 00:31:55,760 --> 00:31:58,400 I have plus three right now. 423 00:31:58,520 --> 00:32:03,230 The brightness pleased all in the four corner. 424 00:32:03,380 --> 00:32:09,350 And when I will go from minus three, the darkness will place in Four Corners. 425 00:32:09,350 --> 00:32:12,860 So this is the difference between minus three and plus three. 426 00:32:13,220 --> 00:32:15,170 So depends on your needs. 427 00:32:15,180 --> 00:32:16,610 What you want to pleased. 428 00:32:16,650 --> 00:32:20,330 You want to please the darkness are you want to place the brightness. 429 00:32:20,690 --> 00:32:24,710 So I'm keeping the brightness. 430 00:32:24,710 --> 00:32:25,430 It seems good. 431 00:32:25,760 --> 00:32:27,580 So now we will work with the midpoint. 432 00:32:27,590 --> 00:32:29,360 So what is the use of midpoint? 433 00:32:30,420 --> 00:32:36,450 So use of midpoint is increasing or decreasing the radius of this circle. 434 00:32:36,780 --> 00:32:39,690 So right now we have the value fifteen point. 435 00:32:39,900 --> 00:32:47,580 So if you want to increase or decrease the parameter radius of this circle, then you have to move this 436 00:32:47,580 --> 00:32:48,100 pointer. 437 00:32:48,180 --> 00:32:51,540 So let me let me increase the midpoint. 438 00:32:52,020 --> 00:32:55,570 And that's why you have to move this pointer at. 439 00:32:55,590 --> 00:32:56,100 Right. 440 00:32:56,430 --> 00:33:05,040 And you can take a look at the circle radius is gone as because we have the maximum midpoint parameter. 441 00:33:05,040 --> 00:33:11,520 But if you want to squeeze if you want to squeeze the radius of this circle, then you have to move 442 00:33:11,520 --> 00:33:13,290 this parameter at the left. 443 00:33:13,410 --> 00:33:16,890 So let me move this pointer at left. 444 00:33:17,610 --> 00:33:22,870 And we have squeezed radius for this circle in here. 445 00:33:22,890 --> 00:33:27,220 So this is the use of midpoint in our premium. 446 00:33:27,510 --> 00:33:29,790 So let's focus on the roundness, OK? 447 00:33:29,970 --> 00:33:35,220 If we focus on the roundness, we have to change the parameter. 448 00:33:35,220 --> 00:33:41,070 And with this around this parameter, you can change the shape of this round. 449 00:33:41,100 --> 00:33:42,570 You can make it higher. 450 00:33:42,570 --> 00:33:46,140 You can make it in a rectangle shape and many more. 451 00:33:46,440 --> 00:33:48,510 So let me move this pointer. 452 00:33:48,510 --> 00:33:50,400 Right now we have the zero parameter. 453 00:33:52,160 --> 00:33:54,250 OK, I am moving at right. 454 00:33:54,470 --> 00:34:01,760 So we have the ellipse shape, that means we have the round shape and when we are moving this round, 455 00:34:01,760 --> 00:34:09,340 this parameter at the left, then we have we have a rectangle shape. 456 00:34:09,620 --> 00:34:19,280 So this is the use of roundness in Vignette, sort of final parameter is further and further. 457 00:34:19,460 --> 00:34:24,740 So further basically works with the hardness of this shape. 458 00:34:24,980 --> 00:34:32,300 So right now we can call this is as like a rectangle shape as because we just changed the shape as because 459 00:34:32,300 --> 00:34:34,370 we reduced the round. 460 00:34:35,090 --> 00:34:38,630 So for some time, I want to increase. 461 00:34:39,440 --> 00:34:41,390 I want to increase. 462 00:34:42,860 --> 00:34:47,240 The roundness and as well as I want to increase the midpoint. 463 00:34:47,570 --> 00:34:52,940 OK, so with the setting, it will help us for understanding the feather. 464 00:34:53,270 --> 00:35:02,000 So right now we have the fifty point four feather parameter, if you want to get a strong view, are 465 00:35:02,100 --> 00:35:08,700 clear visibility of fire around this, then you have to use with this feather option. 466 00:35:09,530 --> 00:35:14,390 So right now, I want to have clear visibility of this around shape. 467 00:35:14,390 --> 00:35:18,980 And that's why I have to move this feather point at the left. 468 00:35:19,220 --> 00:35:21,380 So right now, I do have a fifty point. 469 00:35:21,590 --> 00:35:24,890 So let me reduce the point and you can take a look. 470 00:35:24,890 --> 00:35:34,190 I have the clear visibility of this shape, and if I move this point at the right side with the maximum 471 00:35:34,190 --> 00:35:42,140 values, our maximum parameters are feathers, then we will reduce the visibility of Cleartrip. 472 00:35:42,380 --> 00:35:52,370 So let me move this point at right right now, we don't have that strong or clear visibility of shade. 473 00:35:53,090 --> 00:36:00,440 So students, I'm pretty sure right now, you know, the exact amount, you know, only use up midpoint 474 00:36:00,770 --> 00:36:03,200 roundness as well as feather. 475 00:36:03,680 --> 00:36:07,040 So we just covered about the color correction. 476 00:36:07,100 --> 00:36:09,830 Now to be premier, producing the luminously color. 477 00:36:10,040 --> 00:36:15,370 And in the next lesson, I'm going to focus about the input light. 478 00:36:15,380 --> 00:36:21,950 This is one of the most amazing things in our premier, as well as from the creative tab. 479 00:36:22,030 --> 00:36:24,100 We will focus on Luke option. 480 00:36:24,110 --> 00:36:29,630 This is one of the amazing presets that provided by our TV premiere. 481 00:36:29,840 --> 00:36:38,660 And this little option and input lab option will make your video editing more easier than before. 482 00:36:38,660 --> 00:36:41,250 And it'll have lots of presets. 483 00:36:41,300 --> 00:36:43,790 You just have to pick it up from here so soon. 484 00:36:43,800 --> 00:36:44,450 Next, listen.