Hello, dear student, dear friends, right now we are going to learn about color correction in how
to be premier pro.
So this is one of the most important topics.
And you can take a look.
We do have lots of video footage in our product panel.
And I want to I want to use this clip to age this video footage.
And I want to play this video of religion or prosit or sequence townland.
So let me play this video footage in our timeline.
So, you know, you just have to drag and drop.
OK, so this is the video footage and you can take a look.
This is the video footage, but the color of this video footage seems not active.
And we're going to make a correction for this video footage.
We will make more active color for this video footage.
But in that case, we have to work with the color workspace.
Right now, we're working on editing workspace.
But for color correction, you have to work with the color workspace.
So you just have to click on this color tab.
OK, then the working space will be changed and this is now a working space for color, if you don't
have this tab, then you can easily bring it from the windows.
So here is the Windows menu, and from there you have to try on the luminary color.
Then it will have this color workspace.
OK, so let's start with the basic correction.
But before struggling with the basic correction, you must have to select this video footage in our
sequence timeline.
Then you will be able to make some correction.
We do have a basic correction tab, creative tab, kerbs, tab, color wheels and match tab.
Each is the secondary tab Viginia tab.
But all these tabs are disabler right now as because Julietta, we didn't select any video footage when
you will select a video footage or from your video track.
Then this function will be enabled.
So let me select this video footage and you can take a look now on this tafsir.
Annable So let's start with the basic correction.
In Basic Correction tab, you will get the settings for temporarily detained exposer and anything else.
So let me click on this basic correction tab, and this is the settings for basic correction.
OK, one of the most important things is input a lot and we will create an ability to listen only for
input.
LUDT So right now I'm keeping this input lab because it's the big things and am starting with the tone
and white balance.
OK, so let me focus on TONC first.
You can take a look.
We have an option called auto.
If you click on this auto option, then Adobe premiere software will make an auto correction for this
video footage.
Adobe premiere pulled the auto values for this video footage.
So let me show you let me click on this auto option.
And before that, you can take a look.
We all have the zero values or right now.
So let me please the auto values and you can take a look at the shadow Gardner 21. Black got minus nine
point and we got some small changes in this video footage.
So let me reset it once again.
OK, let me play this auto tune once again.
OK, this is the auto values, OK?
But if you want to go for Manuell values, you can do that.
So in that case, I have to set the values.
OK, so if you think this video footage don't have the actual lighting or exposer, then you can increase
or decrease the exposer.
So this is the exposer parameter and right now we have the zero values.
If you want to increase the light, then you have to increase the point of exposer.
So.
I am moving this exposer point out at right, and you can take a look.
Lives are increasing.
OK, it seems quite high.
OK, and if you want to decrease the light or if you want to decrease the exposer, then you have to
move this point at the left or you have to go for a minus point.
So let me move this pointer at the left and you can take a look.
Lights are reduced and it seems quite dark effect in this video footage.
So this is the use of exposer for increasing or decreasing the light.
OK, so I am keeping zero values.
OK.
OK, now we will take a look at the contrast to highlight's shadow whites and blacks.
So let me go with the contrast.
Right now we have the zero values, OK?
If you want to if you want to bring some lake effect, then you have to increase the contrast.
So let me increase the contrast and you can take a look.
We got some black effect in this image.
I mean, not image, right?
Not working as like an image here, but this is a video footage.
And if you want to reduce this black effect, you have to reduce the contrast and you have to go from
minus point if you want to get the right effect.
So let me get the minus and you can take a look.
We've got some white effect instead of black.
So black, white, black, white.
So this is the exact contrast.
So let me put the zero values.
OK, what about highlight's?
Highlight's is also working for the adjustment of color, so if you want to make some lighting area
in this footage, then you have to increase the highlights.
It's not working as like the contrast as we still contrast is working.
With dark and lightness, as well as the highlight also, but in that case, you have to increase the
highlight and you have to increase the point if you don't have to decrease the point for increasing
the highlights.
So you have to you have to move this point at right.
Then you will have.
The perfect highlight.
OK, you can take a look now.
It looks much better than before.
So let me restate this highlight.
OK, we have the zero values.
And now it looks more.
Bright then before, and if you if you move this point at minus value, then it will not be good as
bright.
Now the highlights Leeville are with minus 100.
That means we don't have any Hilex in here.
So if you focus on the video footage, it's not really looks good.
So this is the basic highlight.
So let me go for zero values.
OK, if you want to work with the shadow, this is the part of adjustment, so if you want to if you
want to get some dark shadow, then you have to move this pointer at the left.
That means you have to go four minus points.
Let me show you.
When I will move this pointer at a left, then a black shadow will be appeared in this Grinchy area.
OK, let me move this pointer at the left and you can take a look.
We got the black shadow.
And if you want to gauge the wildcatter, then you have to go for.
Plus point, I mean, you have to move this point at right.
OK, now we have the 100 person shadow.
And right now we have minus 100 percent shadow.
And with the minus 100 percent shadow, we've got the dark shadow.
And we.
Plus 100 percent week after bride shadow.
OK, so let's get back to the zero parameter for Shadow.
OK, now we will work with the white adjustment.
Whites and blacks.
OK, if you increase the point for whites, then the video footage will have the brightness.
So let me increase the whites.
And, you know, I have to go for the right side and you can take a look.
We got we got the brightness.
Let me see it once again.
Then you can have the difference between hundred point and zero point of whites.
Zero hundred zero hundred, OK?
Right now, we have the zero power meter for whites, and if you move this point at left or if you reduce
the point for whites, then what will happen?
It will not be too bright anymore.
So I am reducing the point at lift and you can take a look.
The brightness is one.
So this is that use of whites.
So let me put the zero values.
OK, as well as blacks.
OK, let me let me move this pointer at the left, I mean, with minus point, then it will have the
effect in this, Chris.
So let me move this pointer at left.
OK, you can take a look.
We've got the dark effect, I mean, the black is working and if you move this point at.
Right.
But image not seems to be brightness, but it remained as light before, but it increased a little blacks,
but it's not properly.
If it's not proper, bring the brightness.
It's just a reducing and increasing the darkness.
No, it's just reducing the darkness.
But when you go from minus point, it's increasing the darkness.
So this is the use of blacks.
OK, let me put the value zero for blacks.
OK, now we will focus on the wide balance and you can take a look.
We have the temperature and tint, OK?
Temperature means you can have the hot temperature, you can have the cold temperature.
So what is the color of cold?
Obviously blue.
So you can take a look.
We got the parameter for controlling the temperature.
If you want to make the cold temperature for this video footage, you have to go from minus Pintor.
You have to move this pointer up lift.
Then you will have that bluish effect for this video footage.
So let me show you, OK, I'm moving this pointer at the left with minus point and you can take a look.
We got the bluish effect, it seems, is the cold.
That means it's have some ices.
OK, so this is the temperature controller and we got minus 100 and we have the bluish effect are the
cold temperature.
But what you will do for having some heart defect are you can call it like a sunny effect.
So in that case, you have to move this point at right.
Then you will have some sunny effect.
I mean, it seems is quite hot.
And you can take a look at it's an image like a desert.
OK, this is that use of temperature right now.
We have the hot temperature.
We have the cold temperature, hard, cold, hard, cold.
OK, so I'm pretty sure you know the use of a temperature with the white balance right now.
So let me bring it back with zero.
OK, fine.
So right now we will work with the tint tent, basically using for controlling the green and Ripton
on your video footage.
Suppose you want to add some green tone on your video footage.
In that case, you have to you have to reduce the point or you have to move this parameter up to the
left at Greenside.
Then you will have the going on in your video footage.
So let me show you, I am just moving this point at the left and we have the Grinton in our video footage.
But if you're looking for having some picture, redefect.
Then you have to move this point to right, then you will have the red tones.
So let me move this pointer at right and you can take a look.
We got the pink or red tone in our video footage.
So this is the basic tint inside that white balance.
So let me get back here with the zero parameter.
OK, so we're done with the basic correction right now, we will go for creative tab.
So let me close this basic correction tab and that's why you just have to play on this basic correction
tab in here.
OK, now we will go for creative tab.
So let me open this creative tab.
So inside the creative tab, we got the Luke option.
So I want to I want to go with the Luke option and basic corrections input lot at Ohmes as because it's
really a big chapter and I want to cover it.
Then what?
OK, so right now I'm going to focus on that adjustment as well as intensity.
So let's focus on adjustment.
If you were familiar with Adobe Photoshop, you must know the exact vibrance and saturation.
So if you increase the wins, this green trees will be more active and Giovannino will gain the active
of color in the background as well as saturation vibrance.
Increase a little bit of saturation, works a lot.
So let me increase the vibrancy.
Right now we have zero power meter, so let me increase the vibrance.
Then it will have the difference in between zero and hundred.
OK.
Can I take a look?
This looks much better than before.
Let me go for the zero value, then you can compare these things.
OK, we have the zero values.
We have that 100 values.
Zero values.
100 values.
OK, cool.
So using a virus, we got some active green color, we got some active background as well.
Now we will apply the saturation.
So we have that 100 parimutuel for the saturation.
But I want to increase a more.
So let me increase the saturation more.
OK, now you can take a look.
It looks much better than before, we have the active color, we have the active background and it really
looks nice.
So let me let me bring it in.
One hundred point.
OK, I turn to point and let's compare once again, we have 102.
We have 173.
Halleran for.
One hundred and seventy five, so this is the difference, using the vibrance and saturation.
OK, so let me let me reduce the violence for a negative point.
I mean, I want to move this virus.
Point out the left, then how is look like let me move it at the left side.
OK, we have still the color, but it's totally inactive color.
We don't have that deep color.
We don't have the strong color regarding that inactive color.
And this is the.
Were values for minus 100 vibrance.
OK, now we will move the saturation, we will change the saturation, but saturation do not have the
minus values to have the values to zero.
OK, so right now we have one hundred and seventy five point two.
So let me reduce the saturation and make it zero.
OK, we have zero values in here, and you can take a look, the preview is totally now extends are
black and white.
So I'm pretty sure right now, you know, the what is the use of vibraphones?
What is the use of saturation?
OK, now it looks good, now it looks more active than before.
OK, let me make the barometer as like before.
I want to make the vibrance zero at a saturation 100.
This is the default value and we have the actual view, our video footage right now.
We will forecast about Qurban and you can take a look.
We got the sharp parimutuel in here and we have zero values of our sharpen.
So.
This video footage seems clear, but if you want to make a little better than what you will do, you
can't do that very easily.
Using this sharpened, though, is that lot use of proper blood.
So I'm showing you the exact sharpened.
So right now we have the zero values and I'm moving this pin point or at left.
So when I will move the sharp end point or at left, what will happen?
Let me show you when I will move this pointer at left.
This video footage will have some little blurry effect.
So let me move this point to uplift.
And it can take a look, we got some blurry effect.
OK.
Now, we don't have the actual or we don't have the clear view, it seems a little blurry picture here
and if you move this sharpened pointer.
That's right.
Then you will have the actual are clear a view of your video footage.
So let me move this point here once again left.
We got the blurry effect and we don't have the sharp video footage.
And if we go for a trade site, then we have the show or without our video footage in here.
So this is the use of sharpening.
So let me make the values zero once again.
So we got the zero values for carpet.
OK, so now we will go for.
Kerbs tab and I am.
I'm closing this creative tab and I'm winging kerbs tab.
So this is the current tab and let me open this kerbs tab and we will have to type of option R.G. with
kerbs hue and saturation or.
So we will go further, argue the cards.
So let me open this RGV kerbs.
OK, right now, we have the master craft that is red, green and blue at all, and this is the line.
If you want to increase the brightness of your videos, then you have to pull this line at the left
side, aiming at angle side for increasing the brightness.
But if you want to increase the darkness, then you have to pull this line at bottom side.
OK, so let me show you this is the point.
And I would increase the brightness.
And right now it's working along with that red, green and blue color.
OK, so you just have to use your mouse.
And I'm increasing the.
Brightness.
OK, we can take a look.
We increased the brightness and red, green and blue color of atoms, and if you want to decrease that
brightness or if you want to increase that target list, then you have to move this pointer at the opposite
side.
So let me move this pointer at opposite side.
OK, you can take a look.
We got that dark effect in our video footage, so this is that use of carbs.
And right now I am going to show you.
But different use of a single color in R.G. with curves, if you want to apply only the red color with
the RGV curves, then you have to select this red color from here.
Then only the red color will apply it in this video footage.
So you can take a look.
We got the red color and let me increase the curves and you can take a look.
We got married, in fact, in our video footage as well as if you want to apply only the green color,
then you have to select this green one then.
You can apply the green color.
OK, now we have the green effect as well as blue.
So here is the blue.
But when Chrisette.
OK.
All right, now we got the combined color as because we have the same painting for a red color, green
color and blue color.
So this is the single use of color in RGV curbs.
OK, right now we will work with the hue and saturation curves.
So let me open this hue and saturation curves.
OK, so this is the hue and saturation curves and you can take a look.
We have a pointer and it's placed in middle.
If you move this hue and saturation curve at bottom, then we will lose the color.
We will lose here, we will lose the saturation and this image will be inactive or this video footage
will be inactive.
Let me show you, I'm pulling this bar at bottom.
And you can take a look, we lost the color, but if you want to if you want to give active color,
that you just have to use this.
And you have to move it at top.
OK, cool.
You can take a look.
We got more active color in our video footage, so this is the use of hue and saturation curves in out
to be premier.
So let me close this R.G. with Curb's.
As well as hue and saturation curbs, and now we will work with the color wills and match.
OK, let's open this color Wilson match tab, then you will have shadow returns on the hailers tab.
And this is a color wheel.
You can take a look.
OK, let's work with the Michon.
You can apply them written in this video footage by selecting any color from here like.
You want to apply the orange effect in this videos, so you have just sort of the orange color from
here and it can take a look.
We already got the orange effect as well as if you want to apply the real effect.
You just have to select the real effect.
Here is the pink effect.
Here is the blue effect.
Here is the sound effect.
And here is a green effect.
So this is all working for mid tones and you can increase or decrease the Michon's support.
You want to increase the mid tones.
Then here is the on which you have to increase.
Then the Middletons will work.
More stronger if you move this point or at top, and if you move this point at bottom, then midterms
will not work very actively.
So this is the point for midterms.
So we know about the use of midterms as well as shadow as well as the highlights.
So if you want to apply the shadow in this video clips and if you have any desire that I will apply
this specific color in this video footage.
So what it will do, you can do that very easily.
Like, I want to apply a pink color as a shadow.
And that's why I have to select this pink color.
And you can take a look.
We already have the green tones and I applied pink color shadow because we want to apply the blue color
shadow.
You can add the blue color shadow.
You can apply that green shadow.
But if you apply the green shadow, then you will have a very high green effect, as because we already
applied the midterms with the green color and as same as I applied the shadow for the green color.
That not seems good.
So you can apply any other color or you don't have to use any color for a shadow.
That totally depends on your choice.
OK, so right now I'm placing a red color.
Or pink color.
OK, some good, some highlights.
So if you want to apply the highlights for this video footage, you can do that and you can take a look.
We have some kind of word here.
That means we applied this portion from this color wheel and we used the green color for me.
And here you can take a look and another plus sign, and that is used for shuttle, but still yet we
don't have any color for highlights.
So I'm going to apply the highlights like I want to apply the same color.
So here is the same color and selecting the same color for applying the highlights.
And now we have the preview like this.
And right now we have midterm's we have the shadows we have to highlight so you can change the highlights.
You can change in pink color, red color, yellow color, green color, skin color.
And many other color as you want, and it's totally depends on your choice.
So this is what we applied.
Britain's shadow and highlights at using the color will match.
So two more tabs are remaining.
That is HSF and Will Secondary and it.
But I want to keep each SL secondary tab right now, because when we will work with green screen background
or removal, we have to use it widely.
This each SL secondary.
So right now I'm going to focus about vignette option and the previous video clip that I used for.
I removed it from our sequence timeline and I want to add a new one.
So from our product panel, I want to bring this clip over for video.
Sluttish in our Prosit are a sequence timeline.
And I'm going to apply a vignette effect in this video footage.
So let's work with the vignette.
Effect our vignette, Looma tricolour in this video footage, Juniata be premiere.
OK, so let me open the videotape, Carol.
Tell me one thing.
If I click on this Affinia tab, will this tab open or not?
Maybe you're confused as because till hit, I didn't select this video footage in my prosit timeline,
so I have to select this video footage in my timeline.
Now, all the options inside the luminary color is active.
So now I can apply the veneer tab.
So let me open this Lavenia tab and you can take a look.
Because the settings are parameters in here.
So do you know what is the use of Viniar Genealogy Premium Pro?
Suppose you want to add some round or some kind of Coya or some kind of lens shape in your video.
In that case, you have to use an IT and you can take a look.
We got full parameter amount midpoint around Nyst and further.
So let's start with the amount, OK?
When we increase the power of our mount, then you can take a look.
We will have a rounded, circular, rounded shadow inside this video footage.
So let me move this pointer at a right side.
OK, moving this point at right.
OK, right now I have three values for amount, and you can take a look, we already have a rounded
shape in our video footage and if I reduce the amount tab, each will have the reverse around effect.
So this is the usual amount.
It's creating a round shape.
Seems like a shape inside the videos right now.
I have minus three.
I have plus three right now.
The brightness pleased all in the four corner.
And when I will go from minus three, the darkness will place in Four Corners.
So this is the difference between minus three and plus three.
So depends on your needs.
What you want to pleased.
You want to please the darkness are you want to place the brightness.
So I'm keeping the brightness.
It seems good.
So now we will work with the midpoint.
So what is the use of midpoint?
So use of midpoint is increasing or decreasing the radius of this circle.
So right now we have the value fifteen point.
So if you want to increase or decrease the parameter radius of this circle, then you have to move this
pointer.
So let me let me increase the midpoint.
And that's why you have to move this pointer at.
Right.
And you can take a look at the circle radius is gone as because we have the maximum midpoint parameter.
But if you want to squeeze if you want to squeeze the radius of this circle, then you have to move
this parameter at the left.
So let me move this pointer at left.
And we have squeezed radius for this circle in here.
So this is the use of midpoint in our premium.
So let's focus on the roundness, OK?
If we focus on the roundness, we have to change the parameter.
And with this around this parameter, you can change the shape of this round.
You can make it higher.
You can make it in a rectangle shape and many more.
So let me move this pointer.
Right now we have the zero parameter.
OK, I am moving at right.
So we have the ellipse shape, that means we have the round shape and when we are moving this round,
this parameter at the left, then we have we have a rectangle shape.
So this is the use of roundness in Vignette, sort of final parameter is further and further.
So further basically works with the hardness of this shape.
So right now we can call this is as like a rectangle shape as because we just changed the shape as because
we reduced the round.
So for some time, I want to increase.
I want to increase.
The roundness and as well as I want to increase the midpoint.
OK, so with the setting, it will help us for understanding the feather.
So right now we have the fifty point four feather parameter, if you want to get a strong view, are
clear visibility of fire around this, then you have to use with this feather option.
So right now, I want to have clear visibility of this around shape.
And that's why I have to move this feather point at the left.
So right now, I do have a fifty point.
So let me reduce the point and you can take a look.
I have the clear visibility of this shape, and if I move this point at the right side with the maximum
values, our maximum parameters are feathers, then we will reduce the visibility of Cleartrip.
So let me move this point at right right now, we don't have that strong or clear visibility of shade.
So students, I'm pretty sure right now, you know, the exact amount, you know, only use up midpoint
roundness as well as feather.
So we just covered about the color correction.
Now to be premier, producing the luminously color.
And in the next lesson, I'm going to focus about the input light.
This is one of the most amazing things in our premier, as well as from the creative tab.
We will focus on Luke option.
This is one of the amazing presets that provided by our TV premiere.
And this little option and input lab option will make your video editing more easier than before.
And it'll have lots of presets.
You just have to pick it up from here so soon.
Next, listen.