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- [Voiceover] We've spent so much trying

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to basically make sure we have an exact

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vector replica of the original drawing.

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Why even bother?

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If we already have the original drawing,

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why are we working so hard
to turn it into vectors?

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And the most straightforward answer is,

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not only have we managed
to correct the art,

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because recall that it used
to be a pretty dismal scan

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in the first place,
but the ultimate reason

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for converting it to vectors is so we can

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scale the artwork to any size we like.

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And so let me show you how that works.

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I'll go ahead and press Control + 0

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or Command + 0 on a Mac to zoom out,

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and I'm gonna switch to the Artwork tool.

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Once again, you can get
that by pressing Shift + O,

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and up here in the control
panel I'm gonna click

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inside the W value there
and I'm just gonna enter

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*10 in order to multiply it times 10,

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so we go up to 4320 points, and then

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I'm gonna do the same
with the height value,

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I'll multiply it times
10 by entering *10 there,

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and then pressing the Tab
key, and we get 5400 points.

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And that is, by the
way, if you do the math,

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five feet wide by six
and a quarter feet tall.

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All right, now I'm gonna press Control + 0

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or Command + 0 on a Mac to zoom out

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so you can get a sense of how
much bigger this artwork is,

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and then I'll press
the Escape key in order

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to return control to the black arrow tool.

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Now press Control + A
or Command + A on a Mac

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to select all of the
artwork, and I'll click

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on the word Transform up
here in the control panel,

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or you may see a W and H value instead,

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depending on the width of your screen.

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And I'm gonna make sure both the width

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and height values are locked
into alignment with each other,

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and I'll click on the
W to select that value

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and I'll change it to 3800 points,

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and then I'll press the Enter key

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or the Return key on the
Mac to apply that change.

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And we now have what is by any standard

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this massive piece of
artwork that would have been

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very difficult to draw in the first place.

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I don't see how it would have come up with

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these gestures at all
if I were trying to draw

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something that's actually
taller than I am.

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And yet, if I press Control
+ 1 or Command + 1 on a Mac,

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in order to zoom in to 100%, you can see

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that we have this wonderful detail

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that we could not
achieve in any other way.

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All right, and just as
a finishing touch here,

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I decided I wanted to thicken
up the lines a little bit

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for the sake of, let's
just say my signature,

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and so I press Control + A once again,

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Command + A on the Mac to
select all the artwork,

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I press Control + H or
Command + H on a Mac

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just to hide those anchor points,

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and then I went ahead and
changed the line weight

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up here in the control panel to two points

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in order to thicken
things ever so slightly.

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And because by default
the stroke is centered,

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we're actually only
adding one point of weight

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to either side of any given line.

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And that's how you turn a
simple piece of line art

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from the year 1986, a
year before Illustrator

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had even hit the market,
into a massive piece

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of vector-based artwork
here inside Illustrator.

