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- [Voiceover] In this movie, I'll show you

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how to add more path outlines to

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an existing compound shape,

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in order to finish off the word, Colleen.

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So obviously we could express the end

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of this word with
independent compound shape,

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that would be fine.

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But let's just say for whatever reason

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I want to keep the entire name together.

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Well one way to work would be to marquee

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all the letters like so.

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And then go over here
to the path finder panel

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and once again Alt or Option
click the Exclude icon.

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Which would mess up the fill and strobe,

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but otherwise we end up with a

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single compound shape and the interaction

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of the first four letters goes unharmed.

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But here's the problem.

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If I now double click on any one of these

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path outlines to enter the isolation mode,

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I can access the new sub paths just fine.

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But if I click on one of the old ones,

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I select them all
together, because they're

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part of a nested compound shape.

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So in other words, they are another

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compound shape, as you can see on the far

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left side of the control panel,

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that is inside the newest compound shape.

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And what's really damning about that

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is that I can't enter in isolation mode

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for these letters.

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If I double click on
them, nothing happens.

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So here's the better way to work.

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I'm just going to escape out.

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And then I'll press Control Z or

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Command Z on a Mac, to undo

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that new compound shape.

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And now this marquee,
these guys right here,

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make sure I've selected all of them.

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And then go up to the Edit menu and

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choose the Cut command, or you can press

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that very common keyboard shortcut of

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Control X or Command X on a Mac.

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Now double click on any one of

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these path outlines to once
again enter the isolation mode.

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And then go up to the Edit menu and choose

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Paste in Front, or you can press Control F

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or Command F on a Mac.

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And that adds these letters to the

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existing compound shape.

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Which means I can select every

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sub path independently.

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Alright, now I want to be able

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to see what I'm doing.

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So i'll go ahead and marquee these

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new guys here and I will Alt click

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or Option click on the exclude icon

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in order to override their previous

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shape mode.

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Alright now I obviously have quite

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a bit of work to do here.

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So I'll go ahead and
click this path outline,

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this rectangle here, and
Shift click this circle.

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Now Alt click or Option
click on Minus front,

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in order to subtract them.

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Then I'll select this guy right here

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as well as this one if I can get to it.

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I can't that way, I'll have to Shift click

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on it over here.

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And maybe I should zoom in

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so you can better see what I'm doing.

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With these two path outlines selected,

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I'll Alt click or Option
click on the unite icon

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in order to finish off that N.

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And as you can see this N is behind

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some other stuff.

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In order to remedy that situation,

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just go ahead and marquee like so

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in order to avoid this big rectangle.

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And then right click
anywhere in the document

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window, choose Arrange, and
then choose Bring to Front.

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And that will take care of all the

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problems affecting the N.

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But we still have some other problems

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going on in the background obviously.

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So i'm going to go ahead and marquee

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these top rectangles here.

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And I'll Alt or Option click Minus Front

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in order to subtract them, and that

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actually makes a huge difference.

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The N is now in good shape as you can see.

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And next, I'll go ahead and select

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this modified ellipse
and Shift click on this

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one in order to select both of them.

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And I will Alt or Option
click on the Unite icon

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in order to fix just about everything

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that's wrong with the E's.

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Except this rectangle here is obviously

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in the wrong stacking order.

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It's in the wrong front to back location.

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So I'm going to select
it and press Control X or

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Command X on the Mac to cut it,

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and then I'll try to find
this rectangle right there,

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and I'll press Control
F, or Command F on a Mac

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to paste it in front.

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And I have to do that exact same thing

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to this rectangle.

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Go ahead and select it, press Control X or

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Command X on the Mac to cut it,

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and then click on this big rectangle and

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press Control F or Command F on the Mac

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to paste it in front.

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Alright now we still have a problem.

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Notice these tiny little notches

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that are showing up here.

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I figured out that's a function of

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the edges of the big rectangles,

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they're not far enough over.

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So to make them visible, because otherwise

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I probably won't have
a chance of selecting

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them correctly, I'll press Control Y or

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Command Y on a Mac to switch to the

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preview mode.

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Now I'll press the A
key in order to select

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the white arrow tool,

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And then I'll go ahead
and click on this edge

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right there in order to
select it independently.

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And I know I've done
it right because I have

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hollow anchor points, which indicates that

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the rest of the path was not selected.

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And then I'll Shift click on this edge

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as well, right there, and now I'll press

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Control Y or Command Y on the Mac in order

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to re-enter the preview
mode, and I'll press

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Shift left arrow, in
order to scoot those edges

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ten points over which totally
takes care of the problem.

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Alright now, I'll zoom out for a last look

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and it looks pretty darn good to me.

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So I'll just go ahead
and press the Esc key

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to escape out of the isolation mode.

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And that folks, is how you take a bunch of

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additional path outlines,
and paste them into

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an existing compound shape.

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And then edit those paths
to absolute perfection

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in order to create a custom type effect

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here inside Illustrator.

