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- In this movie we'll take a look at ways

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you can lock, isolate and
preview independent layers.

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And by preview, I mean that
you can see some layers

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in the Outline Mode and
others in the Preview Mode.

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Here's how it works, we'll start with lock

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because it's the simplest to understand.

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Let's say I want to lock this back layer

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so that I can marquee with a little more

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flexibility in the document window,

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then I would just go ahead and
click in the second column,

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next to the eye and I'll get
a little lock, as you can see,

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and now, if I marquee this
area I end up selecting

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the text without moving
the purple background.

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You can also lock all
other layers, by the way,

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and that works by first unlocking this guy

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by clicking on the lock and
then I would Alt + Click,

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or Option + Click on the Mac,
inside of the second column

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and that locks everybody
but the back layer,

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as you can see if I just
go ahead and drag around

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to move the big purple rectangle.

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I'll go ahead and undo
that move, of course,

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because that's not what I want.

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Then if you Alt or Option + Click again,

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in that second column, you'll unlock all

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the other layers and then, presumably,

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I would just go ahead and lock this guy

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in order to keep him safe and sound.

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I'll also sometimes use
locking in order to clear

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a selection, so for
example, let's say I marquee

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this area, right here, and
I then end up selecting

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way too many things, all I want to select

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is the stuff on the oral
layer, so I'll just go ahead

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and drag up the lock column
for all the other layers

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in order to deselect everything
that's on those layers

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and then I'll go ahead and unlock them,

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once again, by dragging
down the column of locks

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and now I have just the aura
selected and nothing more.

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Another way to temporarily
lock down layers

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is to isolate one layer so that you can

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work on it independently of the others.

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You do that by first
selecting the layer you want

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to isolate, in my case
the head layer right here.

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You click on the Fly-out Menu icon

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and choose Enter Isolation Mode.

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That will isolate the
contents of that layer

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so that you can't select
anything on any other layer.

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Of course, everything
that's not selectable

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is going to appear dimmed.

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To get out of the Isolation
Mode all you have to do

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is click on this little
arrow icon, if you want to,

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up in the upper left corner of the screen,

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or you can just press the Escape key.

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Another way to isolate a
layer is to double-click

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on an object on that layer,
so I'm going to double-click

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on this guy's helmet in
order to isolate that object.

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Notice that in addition to
this being a clipping group,

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about which we'll learn more
about in a future chapter,

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you can see that it's on
this layer called Head,

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and you know it's a layer
because, first of all

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if you hover over its name it tells you

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it's a containing layer, but we also have

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this little stack icon that
indicates it's a layer as well.

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What you can do is just
click on the word Head

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in order to now isolate the entire layer.

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Once you get done making
modifications to that layer

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then press the Escape
key in order to escape

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out of the Isolation Mode.

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Now let's talk about previewing layers.

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First of all, by now you
know that you can see

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your path outlines without
any strokes, fills or effects

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by going up to the View
Menu and choosing Outline

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or you have that ancient keyboard shortcut

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of Control + Y on the PC
or Command + Y on the Mac,

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but that can be a little
bit confusing at times

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because now we're seeing this network

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of path outlines all over each other.

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Notice over here in the layers panel,

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this column of eyes right
now, they're all hollow

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to indicate that we're
seeing the layers in

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the Outline Mode, you can
still click on an eye to turn

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a layer off, or back on if
you like, but you also have

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the option of pressing the Control key,

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or the Command key on the Mac,

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and clicking on one of these eyes

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to make it a real eye once again,

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at which point you'll
preview the appearance of

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that one layer while the other layers

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remain in the Outline Mode.

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Then you can Control +
Click or Command + Click

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on other eyes as well,
but I'm going to go ahead

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and switch back to the Preview Mode

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by going up to the View Menu and choosing

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GPU Preview, or again you can use

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that same keyboard shortcut of Control + Y

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here on the PC, or Command + Y on the Mac,

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and that's because you
also have the option

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of Control + Clicking on any eye,

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that's a Command + Click on a Mac,

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in order to send just that
one layer to the Outline Mode,

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like so, or another way
to work, I'll go ahead

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and Control + Click, or Command + Click,

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on that eye again to bring
it back to the Preview Mode.

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You can send all the other
layers to the Outline Mode

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by pressing the Control + Alt keys,

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that's Command + Option on the Mac,

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and clicking on an eye,
and that will leave

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that layer in the Preview Mode

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while sending all the other
layers to the Outline Mode.

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I can also Control + Click, or
Command + Click, on that eye

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to send it to the Outline
Mode, and then Control + Alt

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or Command + Option + Click on that eye

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to send everybody back
into the Preview Mode.

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I know that's a lot of
clicking and double-clicking

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and escaping and modifier
keys but that is,

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in a nutshell, how you go
about locking, isolating

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and previewing independent
layers here, inside Illustrator.

