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- [Voiceover] In this movie,
we'll add a gradient fill

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to the background, and we'll
lay down a couple of base

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strokes, and we'll see how
stacking order here inside

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the appearance panel can
effect the behavior of fill

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and stroke attributes
along with dynamic effects.

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If that sounds a little
mysterious right now,

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believe me it will make
perfect sense in the end.

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Alright, so I'll switch
over to our document so far

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and I'll make sure that
the polygon is selected by

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pressing Control A, or
Command A on the MAC,

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and assuming that your working in the most

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recent version of Illustrator CC,

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you should see the word polygon over here

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on the far left side of the control panel.

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Alright now our first step
is going to be to build

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a gradient fill and things
are just going to work

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out better if we are working
in the CMYK color space.

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So I am going to go up to the file menu,

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choose Document Color Mode,
and then choose CMYK color.

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Now what you want to do
is make sure your fill is

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active by clicking on the fill item

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here inside the appearance panel.

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Then, you want to go up to
the menu window and choose

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Gradient to bring up the gradient pattern.

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Now we need our gradient
panel to be bigger than this,

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and if yours is shell like
mine then go ahead and click

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this double up arrow
icon a couple of times

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in order to make it nice and big.

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And then just go ahead and
click on this gradient ramp

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right there in order to
assign a dummy gradient,

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which by default is going
to go from white to black.

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Of course this is not what we want,

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so go ahead and double
click this first color stop,

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this little guy below the gradient ramp

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in order to bring up this color panel.

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And as opposed to viewing
swatches, we want to see colors

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so go ahead and click on
this little pallet icon,

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and then click on this little
fly up icon right there

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and switch to CMYK.

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That will give you the cyan, magenta,

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yellow and black sliders.

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We want the first one, C, to
be zero, so leave it that way.

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Then we are going to
change magenta to 85%,

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tab to yellow and change it to 100%,

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and then tab to black and
change it to 35%, like so.

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Alright now this last guy
is currently black and

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we don't really want that,
but I can't get rid of it yet

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because you have to have
at least two color stops.

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So what you want to do, just
for the sake of efficiency

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here, is alter option drag
this first color stop like so,

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and that will make a duplicate of it.

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Then, you can grab this
black color stop and drag

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it downward to get rid of it.

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Right now drag this guy
all the way over to the

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right hand side and double click on it

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to once again bring up the CMYK values.

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Because we copied the first guy,

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our magenta and yellow
values are just fine

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all you need to do is correct
the K value up to 100%,

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and that way we are mixing 100% black ink,

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along with 100% yellow, and 85% magenta.

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Which means we have a
total of 285% of ink,

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which is about as much as you want.

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It gives us this nice
rich, dark brown over here

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on the right hand side of
each one of the hexagons.

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Alright now we want to make
a duplicate of this guy,

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so go ahead and alter option
drag it over to the left.

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We are looking for a
location value of 50%,

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so go ahead and enter that,

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and then double click on
this middle color stop,

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leave the magenta and
yellow values alone once

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again, and change that K
value, which represents

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black to 75% and press the Enter key,

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or the Return key on the
MAC, to accept that change.

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This is the gradient we're looking for,

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but we need to make one more modification,

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and that is to change
the type from Linear,

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to Radial, which gives
us this effect here.

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Alright now we need to
add a couple of strokes,

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so go ahead and click on
the stoke item here inside

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the appearance panel
and we need a little bit

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more room to work so go ahead and collapse

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that gradient panel once
again, or better still,

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just go ahead and switch
back to the stroke panel.

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And now, I'm going to crank
up this line weight value to

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28 points in order to create
these very thick strokes here,

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but this is not the
color I am looking for.

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You can click on this
little color swatch there if

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you want to select a
predefined color from your

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swatches panel, but that
is not what we want to do.

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We want to dial in our own
color, so notice when I

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hover over this swatch up
here it tells me to hold

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the shift key to bring
up an alternate color UI,

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and that's what I want.

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And, I will go ahead and click in order to

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make that one go away,

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and shift click in order
to bring up my CMYK values.

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I am going to change the C value to zero,

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I am going to change magenta
value to once again 85%,

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take the yellow value up to 100%,

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and take that black
value up to 100% as well.

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So, we are dialing in
that rich, deep brown.

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Alright, now we want to
create another stroke,

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and you can do that by clicking
on the Add New Stroke icon

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in the bottom left corner
of the appearance panel,

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or you can press Control-Alt-/,

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or Command-Alt-/ on the MAC.

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Alright, this time I want
yellow, so I am going to

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shift click once again on
that little color swatch

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there to bring up the CMYK values,

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and I am going to leave
the cyan value alone.

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Take the magenta value down to 35%,

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take the yellow value down to 85%,

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and the K, or black value, down to 0%,

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and that will give us this
very bright yellow right here.

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Alright now take that line
weight value down to 8 points

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in order to produce this effect.

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Now, as you can see we have some problems.

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We have these obvious
seams between the strokes,

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and each and everyone of
the hexagons is filled

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with a radio gradient.

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What we want is this,

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seamless transitions between the strokes,

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and one big radial
gradient in the background.

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To make that happen we need to change

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the order of the
attributes and the effects.

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And to make a long story short
we need to click on the first

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transform and shift click on the last one,

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and then just go ahead and drag them

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and drop them on top of
the attributes like so.

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The reason this works out,
is this way, this is kind

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of weird the way this works
in the appearance panel.

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They are a little bit upside down.

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This guy right here, if you click on it,

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he represents the very first
transform effect we applied,

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and so rather than the first
stuff being at the bottom,

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the first stuff is at the top.

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So what's happening here as
a result of dragging these

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effects to the top is that
we are applying the effects

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first, and then, we're adding the

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fill and stroke attributes.

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Which is why before, we had this effect,

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and now we have this one
where all the strokes

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are working out seamlessly.

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Alright, the last thing
I want you to do is to go

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up to the window menu and
choose the Transform command

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to bring up the transform panel,

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and assuming you are working
in the most recent version

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of Illustrator CC then you
will have the option of

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changing the corner radius right here.

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I want you to take that
value up to 20 points,

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and press the Enter key, or
the Return key on the MAC,

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to round off the corners
of that first hexagon which

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ends up creating this nice
round honeycomb effect.

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And that is how you fill a
shape with a radial gradient,

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as well as how you adjust the
stacking order of attributes,

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and dynamic effects here
inside the appearance panel.

