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- [Voiceover] In this
movie, we're going to,

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expand these green shapes in
order to create this white one.

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And we're gonna do so using
a special scaling function,

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known as offset path.

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So, I'll go ahead and switch
over to my base star flower.

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And just to demonstrate
why the scale tool,

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is not the solution is not
the solution in this case,

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I'll go ahead and select
one of these green shapes.

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And then I'll go up to the control panel,

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and click the Select Similar Objects icon,

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in order to select all of these guys.

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And, if for some reason that doesn't work,

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then you can click this
down-pointing arrowhead,

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and choose All or Fill Color.

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Either one's gonna be fine.

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Alright, now that I've selected
all of the green paths,

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I'm gonna go ahead and duplicate
them onto this back layer.

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So, you know what?

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I'm just gonna go ahead
and unlock that layer,

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pull open the layer and lock
the rectangle instead, like so.

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Alright, now to duplicate these paths,

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I'll just go ahead and Alt or
Option drag that red square,

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until it becomes an orange
square on the back layer like so.

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And you can see, now we've
got a bunch of green shapes.

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I'm gonna make 'em light so
we can see the difference,

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by clicking on the first
color swatch up here,

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in the control panel and
changing it to white.

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That's not going to make any
difference on screen right now,

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because the white shapes are covered up,

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with the green ones.

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Well, we'll be able to see
things in just a moment,

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after, I select a Scale Tool
from that same fly-out menu,

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that contains the Shear Tool.

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Or, you can just go ahead
and press the S key.

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Alright now, just to make sure
I'm doing things properly,

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I'll twirl this back layer closed,

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and I'll turn the guises layer back on,

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so I can see my center
guise right there. And,

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I'll Alt or Option click at
the intersection of those two

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center guides to bring up
the Scale dialogue box.

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And then I'll start with the
uniform value of 100 percent.

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And I'll press Shift,
Up, Arrow in order to,

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increase it to 110 percent.
And you can see that,

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this does not give me
the right effect at all.

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We're getting this kind
of tapering right here,

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in the corners. And
then the shapes expand,

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at the tips of each
one of the five petals.

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If what you really wanna do is,

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expand the path outlines uniformly,

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then you need to switch to
the Offset Paths command.

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And, let me show you what that looks like.

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I'll go ahead and cancel out.

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And, I'll press the backspace key,

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or the delete key on the
Mac, in order to get rid,

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of those duplicate paths. And,

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I'll press the V key to switch
back to my black arrow tool,

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click on one of the
green paths once again,

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and then click on a Select
Similar Objects icon,

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up here in the Control Panel,
to select all five of 'em.

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Now you wanna go to the
Object menu, choose Path,

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and choose this guy
right here, Offset Path.

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So, it's a hard command to find,

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and it's not arranged with the other,

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Transformation functions.

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And that's because, as the logic goes,

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it's more of a Stroke
function. So notice we have,

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Outline Stroke, which does just that.

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It takes Stroked outlines,

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and it converts them to Field Paths.

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The other option, though,

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is to build a kind of Stroke on the fly,

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using the Offset Path command. So,

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go ahead and choose that command,

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and then enter an Offset
value. And, by default,

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you're gonna see an Offset of 10.

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Go ahead and turn on the Preview
check box and you'll see,

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how the Path builds
outward, 10 points, like so.

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If you wanted it to go inward
instead, you could enter,

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a negative value such as negative 10,

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and that'll move the edges inward.

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The value I'm looking for, however, is 24.

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So, I'll just enter an
Offset value of 24 points.

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We don't care about the Joins, by the way.

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They're all Miter Joins as things stand.

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You could round them, if you want to,

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by selecting Rounds. And notice
that goes ahead and rounds,

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all of those corners. But,
Miters are gonna work out,

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just fine. Don't need to
worry about the Miter limit,

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because we're not
getting any beveling. So,

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I'll just go ahead and
click, OK, in order to,

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apply that effect. And
what's just happened there,

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by the way, if I press the backspace key,

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or the delete key on the Mac,

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in order to get rid of the new shapes.

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You can see that the old
shapes are still intact.

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And that's because the
Offset Path command,

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always scales a duplicate.
Alright, I'll go ahead,

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and undo the deletion of that duplicate.

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And, I'll change the Fill
color to white, like so.

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And now, I'll go ahead
and move these guys,

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onto the back layer, by
dragging this little red square,

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on the right side of the Layers panel,

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down to the back layer. At which point,

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it'll turn gold and you'll
see those white shapes,

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moving behind the green ones. Alright,

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we still have some holes here and there.

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And we have too many
intersecting paths. So,

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let's clean things up by bringing back up,

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the Pathfinder Panel, which I can get,

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by clicking on this
Pathfinder icon right there.

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And then, I'll unite
everything by clicking on,

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the very first icon, in the first row.

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And that's gonna result, by
the way, in a compound path,

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as we could see in the far,
left side of the control panel.

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Alright, I'm gonna go ahead
and hide the Pathfinder panel.

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And, I will dissolve the
Compound Path because,

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after all, I don't wanna
see any of these holes;

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by going up to the Object
menu, choosing Compound Path,

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and then choosing release.

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And then finally, what you
wanna do is just Shift, Click,

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on this outside Path to deselect it.

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And press the backspace key
or the delete key on the Mac,

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to get rid of all the
internal Paths. Alright,

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now I'm gonna hide the Guise Layer,

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once again, because it's distracting.

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And, I'll select this, outer-most Path,

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and then I'll go up to the Effect menu,

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choose Stylize, and choose Drop Shadow,

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to bring up the Drop Shadow dialogue box.

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These are the default settings by the way.

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Mode set to Multiply, it
doesn't really matter.

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Capacity is set to 75 percent.

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Both X and Y Offset are seven points,

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and the Blur is five points.
That works out just fine,

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for me. So, I'll just turn
on the Preview check box,

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in order to see that shadow
form in the background.

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And then I'll click OK
to accept that effect.

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And I'll click off my Paths
in order to deselect them.

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And that folks, is how you uniformly,

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scale a shape. Either to make it smaller,

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with a negative value, or
larger with a positive value,

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using the Offset Path command,

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here, inside Illustrator.

