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- [Voiceover] In this movie
I'll show you how to use

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the Live Paint Selection
Tool, which allows you

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to select and modify
overlapping regions of

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your Live Paint object.

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So now, notice ever since I've stroked

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this central intersecting
region with yellow

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that we have some problems.

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Specifically, over here at the corners.

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And the reason that we're seeing

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these rounded ends is because I set

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the line caps to round.

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Things would look even worse if I went up

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to my Stroke options here, I'll go ahead

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and change the lineweight to eight points,

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click on the word Stroke and make sure

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that my cap is set to a Butt Cap.

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Then I'll press the esc
key and I'll go ahead

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and hover over this stroke
region and click on it,

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and notice those round caps went away,

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they just got severed off.

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The reason that we're seeing
them project, however,

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into the yellow stroke is
because this LAND circle

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is on top, and you can
confirm that's the case

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by twirling open the Diagram
layer and then twirling open

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the Live Paint Object,
at which point you'll see

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that Earth is on top and
you'll just have to believe me

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that this is this top circle because

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clicking on the eye doesn't work.

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You can't turn off one subpath
inside of a Live Paint Object

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independently of the others.

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But anyway, that guy's on top and then

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this guy right here, SEA,
is the next one on the list,

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it's called Coral.

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And then in the background we have SKY,

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which is called Azure, which is why

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it's little strokelets
right there are covered up.

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Which is why I decided it was
unwise to work with yellow.

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Not to mention the fact of
course, it's pretty ugly.

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So instead what we're going to do

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is select these subpaths and modify them

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using the Live Paint Selection Tool.

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To get to it, go ahead
and click and hold on

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the Live Paint Bucket
here inside the toolbox,

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and then select the Live
Paint Selection Tool

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from the bottom of the flyout menu,

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which has the keyboard
shortcut of Shift+L,

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which is another thing
that motivated me to change

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the Shape Builder
shortcut to L, way back in

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Chapter Eleven of the Fundamentals Course.

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Anyway, I'm gonna go
ahead and select this guy

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and now, what you can do is

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select a filled region by clicking on it.

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At which point you'll
see this dot pattern.

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If that dot pattern is getting in your way

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you can press Ctrl+H or Cmd+H on a Mac,

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to temporarily hide it.

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And then let's say I were to
select a different fill color,

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up here in the far left
side of the Control Panel,

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by clicking on this first swatch

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and then selecting
something totally different,

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like this shade of green.

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Then I would change that selected region,

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here inside the document.

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That's not what I want, of course,

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so I'll press Ctrl+Z or Cmd+Z on a Mac,

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to undo that change, and also press Ctrl+H

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or Cmd+H on a Mac, to
bring back those dots

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that represent the selection.

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And now, notice once again I'm seeing

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my thick red boundary when I
hover over a selected region,

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which could be the fill or, incidentally,

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it could a stroke as
well, and that's because,

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unlike the Live Paint Bucket,

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the Live Paint Selection Tool allows you

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to select strokes by default.

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Alright, but let's say you want

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to make a change to this tool.

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Just go ahead and press the enter key,

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or the return key on a Mac,
to bring up this dialogue box,

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and as you can see, both
select fills and select strokes

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are turned on by default.

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I'm gonna once again drop
down to this highlights color

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and I'm gonna change it
to, let's say, light blue,

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and I'm gonna reduce the
width value to two points

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and click OK and now notice,

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when I hover over a
filled region or a stroke,

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I see a thin blue highlight
instead of a thick red one.

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Alright, so having selected
this little region right here,

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I'm gonna select all
the other yellow strokes

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by clicking on that Select
Similar Objects icon.

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Only, it's not available to me
up here in the Control Panel,

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even though I have tons of extra room

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when the Live Paint Tools are active.

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And so what you have to do instead,

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is go to the Select Menu, choose Same,

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and then choose Stroke Color.

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Don't choose Stroke Weight,
because that'll end up

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selecting all the strokes because

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they're all eight points thick.

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We want Stroke Color instead,

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which will select just the yellow ones.

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And then go up to the Control Panel

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and first change the stroke
color from yellow to black,

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and then I'm going to reduce

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that lineweight value
right there to two points,

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and press the enter key or
the return key on a Mac,

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in order to reduce the thickness

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of every one of those internal strokes.

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Alright, now I'm gonna press the V key

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to switch back to my black Arrow Tool,

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which will turn the
highlight off, of course,

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and allow me to select and move subpaths

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inside of this Live Paint Object.

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So, in other words, the
Live Paint Selection Tool

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allows you to select regions

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and either change their
fills or their strokes.

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If you want to move the path outlines,

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then you need to switch to an Arrow Tool.

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And come to think of
it, I'm gonna go ahead

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and switch to the white Arrow Tool,

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which I can get by pressing the A key.

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And that way if I click inside this circle

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I'll select it
independently of the others.

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And now notice, I can drag it around

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and both the fills and strokes
will update on the fly.

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Now, my only bit of advice here is,

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don't go moving things too far.

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So in other words, if I
move this circle up above

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the violet region down
there, I'll lose it,

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and I'll end up creating
a new area of intersection

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down in this region here.

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And what that means is even
if I move this shape back,

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I'm not gonna regain that purple fill,

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unless I reassign it using
the Live Paint Bucket.

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Which is why I'm just gonna go ahead

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and press Ctrl+Z or Cmd+Z on a Mac,

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as many times as it takes to reinstate

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the original position of that circle.

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And that's how you select sub-regions

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of a Live Paint Object
and modify their fills

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and strokes using the
Live Paint Selection Tool

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here inside Illustrator.

