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- [Voiceover] In this movie, I'll show you

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just about everything else there is to

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know about the controls in the

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edit colors dialogue box, including how

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you can change the base color, unlink any

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semblance of a harmony
rule so that you can

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modify the colors
independently of each other,

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and add and subtract colors.

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So, the first thing I'm gonna do is double

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click on the folder for
Baroque Six, once again,

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because that's where I want to start,

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and then I can drag this base color around

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as you're seeing here.

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I can independently modify the

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saturation of the other colors.

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But also notice what
happens if I right click on,

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for example, this color right there.

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Then I can get a little
pop-up menu that lets me

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set this as the base color
and that's gonna move

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all the other colors
around, as you just saw

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happen on screen and that's because we're

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sticking with that same harmony rule.

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Or, I want you to notice this.

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See where the green is, up here in the

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active colors list?

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If I right click on that
green color and then

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choose set as base color
for it, then it moves

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to the front, and all the
other colors change in kind.

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So, in other words, we're
maintaining the same

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relative position of these sticks, here.

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Alright, but I want this
guy to have a specific

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color, so, let's say I
go ahead and give it a

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hue value of 10 degrees,
a saturation of 80,

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and a brightness of 44 percent.

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Now, what you have to be
really careful of, when

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you're modifying values,
here, is that it's

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totally okay to press the
tab key, but you don't

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want to press the enter
or return key on a Mac,

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because notice if I do,
then, I'm invoking the

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O.K. button and illustrator
asks me, "Hey, do you

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want to save changes to
this group before closing?".

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You can if you're done,
just click the yes button.

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Do not click the no
button, because that will

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just the dialog box and
you'll lose all your changes.

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So, what I really recommend you do,

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is be more deliberate,
and hit the cancel button.

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Here's the other thing that can happen.

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You might decide, you
know, I think I'll change

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the brightness value to
66 percent, or, on the

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other hand, no, I'll leave it alone by

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pressing the escape key.

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That will just take you
out of the dialog box

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and you will lose
everything, in which case,

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just go ahead and double
click on that folder

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icon there in the swatches
panel, in order to,

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once again, bring up
the edit colors dialogue

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box and I am gonna go ahead and drag this

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guy to a better location, or, want you to

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notice that we have a couple of additional

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icons down here.

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Right now, we're seeing
a smooth color wheel.

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But you could switch to
a segmented color wheel,

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which is gonna limit the number of colors

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that are available to you.

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Do not mistake this with the
216 color web safe palette.

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It's nothing of the kind.

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In fact, what we have
here are a total of 12

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different hues, multiplied
by six levels of

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saturation and then we
have seven levels of

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brightness and so if
you do the math, that's

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a total of 504 colors, with one exception.

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Right here in the center, we have no

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saturation and seven
different luminance levels,

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which means that we have
504 plus seven, which is

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511 different colors, which I know is not

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something you really
care about, but that's

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what's going on.

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Then, we have this guy, which is gonna

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display color bars.

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The great thing about
working with color bars

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is that you can drag them around like so

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to totally different
locations if you want to.

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You also have access to
a couple of new icons,

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one of which is going
to randomly change the

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color order and the
other of which is gonna

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leave the hue values alone, but randomly

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change the saturation and brightness

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of every single one of
your colors like so, which

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is another way of saying
it's gonna kinda make a

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mess of things, because
notice now, if I go ahead

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and switch back to the
smooth display, here,

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our first color is green,
which is not my base color.

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My base color continues to be this

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dull shade of orange right here.

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And yet, it appears toward the end of

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our active colors, which
is not what you want,

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because then illustrator
is not getting to treat

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this guy as a base color
from the color guide panel.

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So, instead, what you want to do is

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return to the color bars and then drag

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that guy, who represents the base color,

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all the way to the beginning, like so,

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so he remains the dominant base color.

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Alright, now I'll switch back to the

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smooth lab color wheel, and I'm gonna

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dial in a few specific values for this

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selected base color,
which are, once again,

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a hue of 10 degrees, a
saturation of 80 percent

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and a brightness of 44 percent.

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Alright, notice that reduce the brightness

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of all the colors, which
is not something I want.

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So, what I'm gonna do
is just click on this

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chain icon to unlink
my custom harmony rules

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and notice now that I have dotted lines

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connecting the circles
to the center of the

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wheel, at which point, I'll go ahead and

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select this second guy right here.

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And, you know what?

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I'm gonna move it to a different location,

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because I really want this guy, which is

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the second color, to actually be second.

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So, I'm gonna go ahead
and move him over here,

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and I, once again, have
some specific values

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in mind, because I want
to get some halfway

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decent results this time around.

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And so, I've got a hue of 25 degrees,

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a saturation of 60 percent,

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and a brightness of 88 percent and

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next I'll select this guy, who may be

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the second color in the list.

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Let's make sure by clicking on it.

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Yes, he is.

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And, so, I'll go ahead
and set him to 40 degrees,

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and 70 percent and then
50 percent brightness.

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Alright, I don't really
need this guy anymore.

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He's too close to his neighbor.

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And so, one way to get
rid of him is to right

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click and choose remove color.

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But you can also grab
this remove color tool,

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and that way, you can click on any one

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of the colors in order to delete it

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and notice, the second you delete,

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you're switched away from that tool.

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Alright, now I'm gonna
select this shade of

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green here, and I'm gonna change it's

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hue value to 130 degrees.

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I'll set the saturation to 70, and

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I'll change the brightness value

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to 50 percent, like so.

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Alright, now, I want to grab this guy,

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and drag him way down here so that he

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has a hue of 250 degrees, and both

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saturation and brightness
values of 50 percent.

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And now, we need to add
a color, and you can

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do that by right clicking
at an empty portion

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of the wheel, and choosing that new color.

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Or, you also have this
little tool right here

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with the plus sign.

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Go ahead and select it, and then click at

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the desired location, and this time I want

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a hue value of 200 degrees.

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I'm gonna set the saturation
value to 88 percent

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and I'll take the brightness
up to 60 percent, like so.

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Alright, now, I'm gonna turn the link icon

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back on, so that if I
were to drag one of these

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colors, then I would
move them all, but you

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need to bear in mind
that you don't have undo,

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so, I'm not going to do that.

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And, now, I can either
replace Baroque Six by

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clicking on the little
hard drive icon, or I can

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create a new color group
by selecting this guy's

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name and then pasting in
Seafarer colors, which

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I copied in advance.

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And now, Ill go ahead and click on my new

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color group icon in order
to create those new colors.

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And notice if I twirl
this guy open, that they

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all, with the exception
of the new one I created,

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they all happen to be
defined as CMYK colors, even

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though I'm working in
an RGB document, and the

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reason for that is
because all of the colors

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in the Baroque set were originally defined

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as CMYK, but notice if
I click O.K. in order to

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accept my changes, and
then expand the height of

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the swatches panel and
double click on the folder

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icon for the new color
group, and then, twirl

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this guy open, which is
now moved to the top of

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the list, everything is defined as RGB.

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So, just something to bear in mind.

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Alright, I'm gonna
cancel out and this time,

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I'm gonna use my new color
group by switching to

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the color guide panel,
then I'll click on one of

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these red shapes here,
and then click on that

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top left color swatch in order to set

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it as the base color.

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And now, I'll click on the green

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rectangle in the background,

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and set it to this color right here.

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Now, that might not work
the first time around,

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but, in my case it did,
so that's a good thing.

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And then, I'll select
this brown rectangle in

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the background over here
on the left hand side

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of the document, and
I'll change it to this

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medium shade of blue right there.

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Didn't take, notice that?

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I clicked, but nothing happened.

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I need to click again, and, by the way,

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of course, this assumes that your fill

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is active inside either the swatches or

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the color panel.

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And then, click on one of these guys,

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and I'll change it to this third

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to brightest shade of pink, or whatever

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this color is.

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Again, I have to click
twice in order to make

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that take, and then I'll
press ctrl + shift + a,

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or command + shift + a on the Mac to

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deselect my artwork.

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And that folks, is how
you change the base color,

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as well as how you
unlink the harmony rule,

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whether custom or otherwise,
and add and remove

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colors from your color
group using the various

222
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controls inside the
edit colors dialogue box

223
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here inside illustrator.

