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- [Voiceover] In this movie,
I'll show you how to reduce

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the number of colors in your artwork.

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Specifically, we're gonna
reduce the number of colors

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in the emoji to just three
spot colors and nothing more.

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The reason being that, currently

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if I was to print this
with a commercial printer,

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then it would separate to
cyan, magenta, and yellow inks

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which would make for a much
blander piece of artwork.

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What I wanna do instead is
apply some Pantone spot colors.

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Specifically, PMS 186 for the
red, PMS 130 for the orange,

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and then we'll just use
black for everything else.

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And I came up with these colors

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by searching through
a Pantone swatch book.

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Alright, so I'm gonna go ahead

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and marquee the top right face.

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And then, I'll click
on Recolor Artwork icon

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up here in the control panel

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in order to bring up that
big old dialogue box.

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And I'm gonna click on this arrowhead

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on the right hand side
of the dialogue box to,

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for the moment, hide those color groups

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so that I have a little more room to work.

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And now there's a bunch of
different ways, by the way,

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to combine colors together.

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You can go up to the Colors option there

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and just go ahead and select a number

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of colors such as five.

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But that's gonna do quite
the number on the artwork

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because you can see that Illustrator

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is just automatically
collapsing the colors together.

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So, in this strip right
here we have the dark red

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and the medium red being
changed to the medium red.

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And then we have these
colors being changed

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to the shade of brown right here

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which is Brown 3 I believe.

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And then we have, for some reason,

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this very dark brown and
this bright yellowish orange

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being changed to the
yellowish orange and so forth.

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So, presuming that's
not what you wanna do,

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go ahead and click on the Eyedropper

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in order to restore the original artwork.

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Another way to work is to
drag and drop these guys.

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So, let's say I wanna combine

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all three shades of red
that make up the eye.

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Then, I'll just go ahead
and drag this medium red

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and drop it onto the dark red at the top

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and then I'll drag this bright red

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and drop it into that strip as well.

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And you can see that the eyes

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are now made up of a single color.

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Albeit, it's set to different tints

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in order to preserve
the relative brightness.

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What I wanna do instead is select a Preset

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by clicking on the word
Custom right there.

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And I'm gonna choose 3 color job...

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At which point Illustrator's gonna ask me

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if I want to work with a color library.

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Turns out, I do.

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So, I'll go ahead and
click on this Library icon

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and I'll choose PANTONE - Solid Coated

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which will provide me with spot colors.

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And because I'm gonna
work with three colors,

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that is to say, three inks as opposed to

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four processed inks: cyan,
magenta, yellow, and black,

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I'll save a little bit
of money while I'm at it.

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Alright, so I'll go ahead and click OK

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in order to accept that change.

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And now you can see that
basically all the colors

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are being combined into
this shade of brown.

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Yellow remains yellow and that's it.

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So, what I'm gonna do here is start off

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by double-clicking on this
little color item right there

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in order to bring up the
Color Picker dialogue box.

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And you wanna make sure

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if you're seeing the standard Color Picker

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that you click on the
Color Swatches button

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in order to dial in the Pantone color.

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And I'm gonna start off with 186,

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which is this shade of red

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and then I'll go ahead and
click OK to accept that change.

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Now, I'm gonna double-click
on this second guy right there

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in order to return to
the Color Picker list

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and this time I'm gonna dial in 130.

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And again, Pantone
sells these swatch books

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for close to a 100 bucks

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that provides you with all the
color information you need.

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And so, I'll go ahead

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and select that shade
of orange and click OK.

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Alright, now what I wanna do

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is drag things around a little bit.

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And so you can see that
black is already remapping

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along with gray and if
that's not the case for you

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then you can click on that
little dialogue box icon

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and turn off the Black checkbox.

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Make sure Grays is off as well.

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We don't care about White.

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Then you can click OK.

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But you can also click
on that little arrow icon

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to turn it off or click
again to turn it back on.

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Alright, now we're gonna
drag and drop a few colors

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and it looks like I messed
up everything, by the way.

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I'm not sure how that happened
but I'm gonna go ahead

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and double-click on this
guy again and dial in 186.

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Yes that's it.

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And select that color and then click OK.

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And then I'll try again with yellow

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by double-clicking on it, dialing in 130,

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selecting that color, and clicking OK.

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And now, I'm gonna drag
and drop some colors

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from this top color strip down.

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So, I'll drag this bright shade of orange

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so that it shares some space with yellow.

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And I'll go ahead and drag
down this shade of orange

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and this one as well

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in order to produce this
effect in the background.

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And then, I wanna get
these browns out of here.

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And I'm just gonna move the browns

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in with black and gray in order

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to produce this darker
monochrome effect right here.

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And I'll finish things up

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with that sort of greenish shade of brown

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and I'll end up with this effect here.

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And notice, if you will,
that when you hoover over

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this color swatch right there

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you'll see a little
down pointing arrowhead.

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In which case, click on it

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and you can specify different
ways of mapping the colors.

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For example, right now
we're scaling the tints

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which means that we're
brightening the main color

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in order to create some
distinction in the luminous.

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But you could also just preserve the tints

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that are already built into the gradients

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by selecting the second option.

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It won't preview, however,

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until you click off
menu in order to hide it

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and you'll end up with this effect here.

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So, that's one way to work.

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Notice, by the way, that goes ahead

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and affects the eyes as well

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because they applied to
all checkboxes turned on.

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And so, if you don't
want that just go ahead

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and turn the checkbox off

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and switch the eyes for
example back to Scale Tints

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and you'll get this effect right here.

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At which point, I'll go ahead

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and expand the dialogue box again

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by clicking on that arrow
on the right hand side.

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And then, I'll enter a name
of Three Spots, let's say,

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and I'll click on a Folder icon

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to create this new group right here

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which contains a total
of three spot colors

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as indicated by those little white wedges

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with black dots inside them.

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At which point, go ahead and click OK

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in order to apply that change.

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And now, click off the
artwork to deselect it.

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And that is how you go about

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reducing the number of
colors in a piece of artwork

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to just, in this case, three spot colors

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using the Recolor Artwork
feature here inside Illustrator.

