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- [Voiceover] Alright, now the downside

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of working dynamically here
is all of the duplicates

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are, of course, clones of
the original right here,

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which is to say they're
all colored the same.

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What I want is to color
my cubes differently,

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which is why is why in this movie,

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we're gonna bust up the dynamic effect

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in order to gain control
over the individual cubes.

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And you'll see, because
we've set things up

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using tints of a global swatch,

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it's gonna make the job a lot easier.

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Alright, so I'm gonna switch
back to the Layers panel

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and I'm gonna turn off that guides layer

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because, at this point, it's
just a bunch of visual noise.

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I'm also gonna turn off my
Smart Guides, because otherwise,

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we're gonna get a bunch
of flashing on-screen.

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Alright, now I want
you to notice over here

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the cubes layer is twirled open

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and we've got this single group,
if I were to twirl it open,

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it contains nothing more than
those three path outlines

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that we created a couple of movies ago.

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Now we don't wanna mess any of this up

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because we might want to come
back to this effect later.

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So I'm gonna go up to the
layers panel fly-out menu

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and choose Duplicate "cubes"

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to create a duplicate of the cubes layer,

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and I'll go ahead and twirl
the original one closed

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and turn it off in order to protect it.

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And now, I'll go ahead and
double-click in an empty portion

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of this layer to bring up
the Layer Options dialog box

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and I'll call this guy "blocks",

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just to indicate that it's now static.

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And I'll change the color
to, let's say, violet,

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and then click OK.

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Alright, in my case, I'm seeing that bug

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where we continue to see the old color

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next to the expanded
contents of the layer.

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But I can fix that just by
twirling the layer closed

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and then back open.

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Alright, now let's gain control
over the individual cubes

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by going up to the Object menu

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and choosing Expand Appearance.

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And notice now that we
once again have a group,

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but that group contains
a bunch of other groups.

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So right now, we're looking
at each one of those plates

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of 16 cubes, and so to break those up,

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go up to the Object menu and
choose the Ungroup command,

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or you can press a keyboard
shortcut of Control + Shift + G,

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or Command + Shift + G on the Mac,

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and that does indeed
break up the first group,

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but it leaves us with the interior groups.

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And so we need to bust them up

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by pressing Control + Shift + G

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or Command + Shift + G on the Mac

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and now we're seeing each one of the rows.

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That's good, but we need
to dig down farther,

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so press Control + Shift + G
or Command + Shift + G again

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and you will see that we now have,

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if you were to count them,

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a total of 64 orthogonal cubes.

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Alright, now we need to color them.

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And so, I'm just gonna go ahead

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and twirl closed that layer right there,

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so that we can focus our efforts
inside the document window.

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And so I'm gonna start things off

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by clicking off the
shapes to deselect them,

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and then I'll click on this
front group right there,

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and I'll go up to the Object menu

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and choose Hide Selection,

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or, and this is what I'm
gonna be doing in the future,

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you can press Control + 3
or Command + 3 on the Mac.

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And that's gonna expose this
first sort of clump of cubes

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here in the background.

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And to select them, you need to click

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and then shift + click

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with the black arrow tool several times.

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And you wanna get this
guy as well right there.

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So you'll have a total
of one, two, three, four,

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five, six, seven cubes
selected, at which point,

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go ahead and click on
that first color swatch,

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the one that represents the fill over here

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in the far left side of the control panel.

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And if you have access to my color group,

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go ahead and click on the Cube 2 swatch.

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And by virtue of the fact
that we're working with tints,

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all of those different colors survive.

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At which point I'll press the escape key

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in order to hide that panel.

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And this next step is very important.

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You wanna go up to the Object menu

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and choose the Group command,

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and I know there's a
certain degree of irony

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associated with having ungrouped
these things so many times,

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and now trying to
reassemble groups of groups,

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but our original groups
were totally different

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than the ones we're looking for.

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And so go ahead and choose that command,

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or press Control + G or
Command + G on the Mac,

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and then we wanna once
again hide that selection

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by going to the Object menu,

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choosing Hide, and choosing Selection,

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or again, you've got
that keyboard shortcut

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of Control + 3 or Command + 3 on the Mac.

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Alright, now, this is
the most tedious step

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because we have a lot of cubes

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and the only way you're gonna get them

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is by clicking and shift + clicking,

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and that's because there's
cubes behind these cubes.

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After all, this is a faux 3D effect.

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So a click here and then
shift + click like so

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around this edge right here

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and then I'm gonna have to shift + click

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on the interior guys as
well, as you're seeing me do.

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And then finally,

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you gotta get this guy
right there in the middle.

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So, there's a lot of them,
I don't know how many,

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but there's quite a few of these
guys that are now selected.

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And to make sure you
selected the right stuff,

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go ahead and click on
that first color swatch

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up here in the control panel,

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and, if you're working along with me,

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select the Cube 3 swatch

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in order to apply these shades of blue.

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And then, go to the Object menu

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and choose the Group command,

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or press Control + G or
Command + G on the Mac.

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You're gonna need those
groups in the long run.

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Alright, now I'll hide these
guys by pressing Control + 3,

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or Command + 3 on the Mac,
which is that keyboard shortcut

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for the Hide Selection command.

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And now, I'll just go ahead

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and marquee everybody that remains,

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or I could've just pressed Control + A

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or Command + A on the Mac.

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And let's go ahead and group
them, so we don't forget,

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by choosing the Group command,
or pressing Control + G,

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Command + G on the Mac.

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And then I'll click on
this first color swatch

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and apply the Cube 4 swatch.

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Again, it's a global swatch,
so all of our tints survive.

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Alright, now you can click off
the shapes to deselect them,

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and then to bring everybody back,

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just go up to the Object menu

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and choose the Show All command,

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or press Control + Alt + 3

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or Command + Option + 3 on the Mac.

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And then I'll once again

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click off the shapes to deselect them.

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And that is how you bust
up all of your cubes

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and then assign them colors
based on their stacking order,

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with all the background
cubes totally intact,

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here inside Illustrator.

