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- [Voiceover] In this movie

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we'll begin the creation of

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this wild background.

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That's all based on a single strait line.

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And we'll create this effect

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the way you really go about doing so

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through experimentation.

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And one of the great
things about graphic styles

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is that they allow you to
experiment without penalty.

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All right, I'll go ahead and
switch over to this document

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right here and I'll zoom out

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so that I can see the entire

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art board with its bleed

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and I'll go ahead and
click on that rectangle

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and press the Backspace key,

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or the Delete key on
Mac, to get rid of it.

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Next I'll go up to the view menu

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and I'll turn on my smart guides,

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which are currently turned off,

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you may recall that you can turn

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them on and off by pressing Control + U

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or Command + U on the Mac.

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And now I'll grab my line segment tool

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which I can select from
the line tool fly-out menu

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and I'll drag from one corner to the other

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specifically, from the top left corner

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to the bottom right corner

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and now, I'll go ahead and
change the line weight,

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up here in the control
panel to two points,

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like so,

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and I don't want all
this flashing on screen.

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So I'll press Control +
U or Command + U on Mac

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to turn the smart guides back off.

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All right, now I want to rotate

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this line all the way around,

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so my background is just filled with lines

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and I'm going to do that

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by going up to the Effect menu,

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choosing Distort & Transform,

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and choosing the Transform command.

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And I don't want to assign
the setting to just a stroke

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I want to assign it to the entire path.

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And so what I'm going to do

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is change the angle value
to just two degrees.

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All right, now I'll turn
on the preview check box

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so that we can see that
line move ever so slightly,

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and now I'm going to
click in the Copies value

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and press Shift + Up
Arrow a bunch of times

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to start rotating as
many copies as I need.

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And at 80 copies you can see

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that we're pretty close
to filling in the gap

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and it actually takes 81,
two, three, four, five,

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six, seven, eight, nine copies

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in order to do the trick.

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And there's a reason for that by the way,

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think of it this way,

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we're going in two degree increments

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and if it were one degree
it would only take a 180

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of these things to wrap all the way around

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because we're only trying
to describe a half circle

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cause we're rotating
around the center point

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there, as indicated by that
reference point matrix.

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And so because we're rotating two degrees

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we only have 90 degrees
that we need to fill in

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and so one original plus 89

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gives you 90.

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So, if that makes any sense

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that's the way it works.

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but in any case, click
OK, to accept that change.

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All right, now let's tryout a few tricks.

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Let's see what happens if we start to spin

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or twist or vibrate these lines.

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And so, first go up to the Effect menu,

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choose Distort and
Transform, and choose twist.

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And, I'm going to set this
guide to a 100 degrees,

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and turn on the preview check box

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and I end up getting this
fantastic effect right here.

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I like that, I'm going to
click OK to accept that change

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now, I want the Transform
to happen before the Twist

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and to make that happen
I'll go ahead and drag

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Transform up to the top
of the panel like so

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and I end up getting a
slightly different effect.

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Now let's say I'm not
sure this is what I want

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but this is definitely something I like.

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Well, in that case why
not save it out as a

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graphic style by clicking
on this icon right here

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to bring up the graphic Styles Panel

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and now I'll press the Alt key,

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or the Option key on a Mac,

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and click on the little page icon

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and I'll call this guy
spinning lines, let's say

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and then I'll click OK.

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All right, as I say I'm
not sure that twist effect

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is what I'm looking for
so I'm going to select it

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and delete it here inside
the Appearance panel

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by clicking in the Trash icon.

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And I can do that with all assurance

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because after all I saved that effect

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as a graphic style and
now I'll try a new one

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by going to the Effect menu choosing

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Distort and Transform and choosing Zig Zag

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and this time I came up with a size value

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of two points and we
might as well look at it,

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as I apply, it so we'll turn on

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the preview check box.

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That's not nearly enough
ridges for segment,

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however, so I'll take
that value up to a 100

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because after all we only have one segment

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in this single segment line.

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And that'll give us a lot
of zigging and zagging

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and then I'll switch to smooth here

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in order to create these smooth lines

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and now I'll click OK and

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I love that, so I'll save that effect

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by Alt or Option clicking
on a little page icon

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at the bottom of the Graphic Styles panel

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and I'll call this one Waving
Lines and I'll click OK.

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Not sure if that's really
the effect I want however

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so I'll select Zig Zag
in the Appearance panel

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and I'll click on the Trash
icon to get rid of it.

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And then I'll return to the Effect menu

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choose Distort and Transform and choose,

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this time, the Roughen
command and I'll turn

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on the preview check box.

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That's way too much roughness I think

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so I'll switch to absolute
so we're no longer

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working with a relative
percentage but rather

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an absolute measurement of points

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now I'm going to take that value down

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to four points and then
I'm going to tab to

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the Detail value and
press Shift + Up Arrow

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a couple of times in
order to take it up to

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30 per inches so 30 little ridges

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per inches in other-words, at which point,

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I could switch to smooth.

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But it doesn't make much difference

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so I'm going to stick with Corner

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which should ostensibly be easier

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and now I'll click OK.

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Now I want you to notice something

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if I had applied Roughen before Transform,

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and remember, the first
effect is at the top

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the last effect is at the bottom.

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So if I applied Roughen first

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then Transform would just go ahead and

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repeat that same Roughen effect

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the thing is Roughen is a random effect

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and so if you want to make sure

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every line is different you need to

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apply Transform first to the lines

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and then Roughen
afterwards to that result.

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In which case, every
single line is different.

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Love it, so I'm going to save it

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by Alt or Option clicking
on that Page icon

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and I'm going to call this guy

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Vibrating Lines, let's say, and click OK.

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And now if I ever want
to revisit an effect

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all I have to do is click
on one of these Styles

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either Spinning Lines, in order to produce

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this kind of wild vortex,

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which is a little bit bumpy
in places you'll note,

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which I think is actually pretty great.

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Compare that with of course Waving Lines,

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which gets us this effect here

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and then finally Vibrating Lines.

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Which employs the Roughen effect.

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And that's how you experiment with

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Dynamic Effects so that you can learn

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what you're doing with
absolutely no penalty

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using Graphic Styles
here inside Illustrator.

