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- [Voiceover] Alright, so as
I was saying in the intro,

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it's easy to think of
printing from Illustrator or

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any other application for that matter,

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as primarily being a function
of going up to the file menu

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and choosing the print command

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and we'll be addressing that command

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in all kinds of detail in future movies.

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But we're going to start by
taking a look at a couple of

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upfront considerations that
are every bit as important

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as that command, starting
with paper color.

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So 99.99 percent of the
time you're going to be

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printing to white paper.

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And that's because white is
theoretically the brightest

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color there is and that way
you're going to be adding

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inks to that paper in order
to darken the paper color

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and by virtue of the fact that
you're starting with white

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you're going to get the
brightest inks possible.

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But let's say for whatever
reason you want to print

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to a colored paper.

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How do you preview that in Illustrator?

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Well the first thing you
want to do is make sure

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your black arrow tool is
selected up here at the top

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of the tool box.

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Then, click on the document
set up button up here

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in the control panel to
bring up the document

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set up dialog box.

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You notice that the second
half of this dialog box

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is devoted to these transparency
and overprint options.

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And their first and
foremost job is to allow you

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to preview the transparent
portions of your artwork.

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And so let's say I go ahead
and change the grid colors

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from light to medium

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and that gives me this
checkerboard pattern right here

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with these light and dark shades of gray.

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At which point I'll go ahead and click OK

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in order to accept that change.

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And then I'll go up to the view menu

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and choose this command right here,

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show transparency grid,

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which is going to replace
everything that's transparent

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inside of my artwork with
that checkerboard pattern.

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And this is just preview by the way.

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Just so you know what's going
on inside of your artwork.

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Notice if I were to go to
the file menu and choose the

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print command then I would
see the artwork previewed here

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against a white paper background.

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So in other words, you're not
really going to be printing

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this transparency grid.

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It's just there to show
you what's going on.

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Alright, I'm going to cancel out.

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Now you might wonder why in the world

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I'm introducing the transparency
grid in the first place

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when that really doesn't
have anything to do

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with colored paper but in fact, it does.

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And so to show you what I mean,

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I'll return to the view menu

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and choose high transparency grid

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to make that thing go away

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and then I'll once again click

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on the document set up button.

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Alright, now notice this
check box right here,

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simulate colored paper.

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That's going to show you
what the artwork looks like

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when it's printed to colored paper.

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But it's up to you to dial in that color

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and you do so by clicking
on this first color swatch,

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not the second one,

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but the first one right there.

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Go ahead and click on
it in order to bring up

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a dialog box that's going to differ

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depending on your platform.

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So right now we're seeing
the Windows version

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of the color dialog box.

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The Macintosh version looks different

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and it gives you different values as well.

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So you're going to have to
play around with these values

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to get whatever results
you're looking for.

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But let's say I'm going to
print to a kind of sepia paper.

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Then I dial in a hue value
of 33 and I'll dial in

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a saturation value of 44, let's say.

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And then I'll go ahead
and crank the lum value,

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the luminosity value, that is,

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up to 200 and then I'll click OK

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in order to accept that color.

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So it's a very light shade
of beige as you can see.

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After which point I'll click OK

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in order to accept that change.

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Now we've got a little
bit of a bug here inside

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this version of Illustrator.

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At any rate, you can see now that

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all of the layer thumbnails
are set against this beige

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background, but we're
not actually previewing

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the effect here inside
the document window.

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In order to update things,
you just need to zoom out

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and then zoom back in like so.

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Now this problem with this preview

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is that it's not accurate.

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What we're seeing is the inks
at their absolute brightest

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even though they're going to
absorb into a colored paper.

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To see what the inks are
really going to look like

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what you have to do is
go up to the view menu

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once again and then choose
this command right there

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overprint preview.

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What that's going to do is
show you how the inks look

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when they're printed on top
of a colored background.

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So as soon as you choose
that command notice

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that the inks darkened.

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And that's because we're
now mixing those inks

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with the paper color.

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The thing is, however,
this is totally a preview.

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Nothing but a preview.

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We're not going to actually
print this color of beige.

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The assumption is that you're
going to load beige paper

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in this case into your printer.

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And so if I were to go to the file menu

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and choose the print command,

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I am seeing the image against
a white paper background

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and that's because that's
the way things always work

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inside the print dialog box.

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So just bear in mind

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that this is nothing more than a preview.

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Also, bear in mind, any
time you're working with

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colored paper, the color
of that paper is going to

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influence the color of your artwork.

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And that's because the inks
end up mixing with the paper

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color and notice the one
thing that we do not have

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is white inside of this artwork.

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And that's because unless
you're printing with

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white ink, which is very rare,

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you're never going to
brighten up the paper color.

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The paper color, generally
speaking, is always going to

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darken your artwork.

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Alright, so that's how
you preview colored paper

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inside of Illustrator.

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Bear in mind that this
is an attribute that

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will be saved along with your document.

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It is only a preview
attribute, once again.

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And for what it's worth,

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if I were to make a recommendation to you,

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it would be that whenever possible,

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print to white paper.

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Because that's going to give you the best

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and brightest inks.

