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- In this chapter we'll
take our first look

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at the Blob Brush, which
is the tool we'll be using

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to create this project right here.

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I'm going to start things off
by going up to the File menu

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and choosing New from Template,

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or we have that keyboard shortcut

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of Control Shift N,

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or Command Shift N on the Mac.

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Then you want to locate
your Center Guides file

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and click on the New button.

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All right, now I'll
click on the Guides layer

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here inside the Layers Panel.

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I don't actually need these guides,

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so I'll go up to the
View menu, choose Guides,

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and then choose Clear
Guides to get rid of them.

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And now we'll introduce
the tracing template,

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just as we did in the previous chapter,

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by going up to the File menu
and choosing the Place command.

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Or you can press Control Shift P,

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or Command Shift P on the Mac.

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Now if you have access
to the Exercise Files,

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then navigate to the 11_painting folder,

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where among other things,
you'll find a file called

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Face sketch.jpg,

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and then click on the Place button

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in order to load your cursor.

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And then click anywhere
inside the document

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in order to introduce a template.

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Now assuming that Align is
set to Align to Artboard,

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you want to click on
each of the center icons,

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Horizontal Align Center,

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and then Vertical Align Center.

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And next go ahead and
click on the word Transform

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right there, or click
on the X, Y, W, or H,

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and make sure your
center point is selected

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inside the reference point matrix.

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Make sure that the link is turned on

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and then change the Width
value to 650 points, like so.

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And if you press the Tab key,

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that will change the
Height value accordingly.

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All right, now you can
press the Escape key

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in order to hide that panel.

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And then finally, I figured
this guy wanted to be

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a little bit higher, so
I press Shift up arrow

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to nudge him upward 10 points.

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All right, now go ahead and
double click on an empty portion

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of the Guides layer to
bring up the Layer Options

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dialog box, rename this layer Template,

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and turn on the Template check box,

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and then click Okay

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and you've got yourself
a tracing template.

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All right, now go ahead and
click on the Drawing layer,

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and then notice this tool
directly above the Pencil Tool

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in the single column toolbox.

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by default it's the Paintbrush Tool

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and you would think that's
the tool you want to use,

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but we're not even going
to get to that tool

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until the Mastery course.

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And that's because the
more fundamentally useful

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painting tool is the next tool down,

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which is the Blob Brush.

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And now, just to make sure
you're painting with Black,

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go ahead and tap the D key,

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which gets you the Default Colors,

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and that makes Black the stroke color.

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And by default, the Blob Brush

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works from the stroke color.

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Nowadays it will also
work from the fill color

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if there is no stroke.

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And now just go ahead and paint

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along this line, if you will,

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and things may end up
looking a little bit jagged,

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especially if you're painting
with a mouse, as I am.

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But as soon as you release,

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Illustrator goes ahead and automatically

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smooths that Path Outline.

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But, not enough for my tastes,

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so I'm going to go ahead
and press Control Z,

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or Command Z on the Mac,
to undo that brush stroke,

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and I'm going to press the Enter key

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to bring up the Blob Brush
Tool Options dialog box.

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If you're working with a drawing tablet,

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you may want to move this slider triangle

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closer to Accurate.

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In my case though, I'm going to move it

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closer to Smooth, like so.

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And this tends to be a
perfect setting right here,

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one tick mark over from Absolute Smooth

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when you're painting with a mouse.

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I also want you to turn on the

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Keep Selected check box,

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just so that we can see
what's really going on.

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And notice that the Size value
set to 10 points, by default,

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the Angle is zero degrees,

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and the Roundness is 100%,

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at which point you can
go ahead and click Okay.

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And then try painting
that line once again,

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and even if it's pretty
shaky, as it is in my case,

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it's going to smooth up
considerably, like so.

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And now notice instead of getting an

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open path outline, as we would if we were

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drawing with a Pencil Tool,

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we get a closed path outline

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filled with the stroke
color, as we're seeing here.

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All right, now I'm going
to paint from this corner

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right there, down into
the left along this edge

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and as soon as I release,

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even though I have a
very wiggly brush stroke,

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things smooth out very nicely,

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and Illustrator goes ahead and joins

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those two brush strokes

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into a single path outline.

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Now here's a bit of advice

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if you want to get nice, sharp corners,

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don't just try to paint the thing

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all the way around, like so,

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because that will get you a soft edge

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as we're seeing right here.

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Instead what you want to do,

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I'll go ahead and press Control Z,

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or Command Z on the Mac
to undo that brush stroke,

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just paint each one of these brush strokes

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independently of each other, and let

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Illustrator join them into
a sharper corner, like so.

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And now I'm just going
to go ahead and paint

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up the nose, and if
you're having problems,

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just slow it down.

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The slower you go,

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the more likely it is that
you can stay on that line,

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and then when you release,

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you're going to get a
nice, smooth path outline,

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as we're seeing right here.

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All right, now I'm going to go ahead

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and paint along the nose, like so.

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And then I'll paint this part right here

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in a separate brush stroke,

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and I'll go ahead and paint the smile,

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and I'll paint this crease and you can see

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everything's turning out super smooth,

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despite my sometimes
awkward brush strokes.

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Now that one wasn't so good,

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so I'm going to press Control Z,

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or Command Z on the Mac to undo it.

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And I'm going to try to
see if I can give this guy

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a fuller lip, and that
worked out pretty nicely.

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And now I'm just going to go ahead

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and paint down his chin.

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All right, now let's just go ahead

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and fill out the cheek over here.

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And incidentally, if you find that

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painting in one direction
doesn't work for you,

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as it's not really working for me,

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then just go ahead and
undo your brush stroke

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and try painting in the
other direction instead.

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And bear in mind folks,

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that I am left handed,

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and so if you're a right hander

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you might find that it's easier to paint

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in the opposite directions
you see me working right now.

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All right, now I'll just go
ahead to paint this eyelid

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and I'll paint in this
brush stroke up here

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and you can see this is
a pretty jagged stroke,

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but it ends up reconciling nicely.

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And now I'll just paint this
little edge for his eye.

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And now despite the
fact that I have painted

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a total of 18 successful brush strokes,

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Illustrator has fused them into

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a single closed path outline.

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And that's at least the basics

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of working with the Blob Brush

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here inside Illustrator.

