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- [Instructor] In this movie,
we'll see what it looks like

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to combine the Blob Brush
along with the drawing tablet

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and a pressure sensitive stylus.

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So the first thing I'm going
to do is create a new document

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by going up to the File menu
and choosing New from Template,

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and then I'll go ahead and double-click

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on that template file that I
created a few chapters back.

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Then I'll go up to the
View menu, choose Guides,

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and choose Clear Guides
to get rid of them.

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And now I'm going to go
ahead and rename my layers.

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I'll call the bottom one Colors

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and then I'll call the top one Lines.

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And now I'll go ahead and
select the Blob Brush,

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which again, these days I can
get by pressing the B key.

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And then I'll press the Enter key,

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or the Return key on the Mac,

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to bring up my Blob Brush
Tool Options dialog box.

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And the first thing I'm going to do is

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increase the roundness value
to its maximum, which is 100%,

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and then I'm going to associate
the Size not with Fixed,

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but rather with Pressure.

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And then I'll go ahead and click OK.

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All right, now I'm once again
working with the Wacom Cintiq,

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but any tablet that
supports pressure will do.

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And now I'll just go ahead and paint,

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and even though I'm varying the pressure,

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I'm getting a uniform stroke.

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And that's because I ignored
a value in that dialog box

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just a moment ago.

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And so I'm just going to go ahead

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and press the Backspace key,
or the Delete key on the Mac,

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to get rid of that path.

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And I'll press the Enter
key, or the Return key,

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in order to bring up the Blob
Brush options dialog box.

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This is our culprit right there.

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Notice that the variation is set to zero.

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It should be set to something higher.

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So for example, if I set
the Size value to 24 points,

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and then I take the Variation value

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up to 24 points as well--

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it can't be any bigger than
the size value, by the way--

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then I can vary the size of my brush

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all the way down to
nothing, at which point

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I'll go ahead and click
OK to accept that change.

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And then I'll just go ahead

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and enter the first
letter of my last name,

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and I'll add a couple of C's as well,

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as you're seeing me do here.

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And the real point of the matter

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is not that I can spell my name weirdly,

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but rather that I am varying the thickness

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of my brush strokes.

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And now I'll just go ahead

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and add an ampersand at this point,

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and a couple of additional lines as well.

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And now I'll go ahead

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and draw the first
letter of my first name,

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along with a kind of modified K,

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and then a couple of E's
inside of it like so.

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And next I'll press Control + Shift + A,

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or Command + Shift + A on the Mac,

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to deselect my artwork, and
I'll click on the Colors layer

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to make it active, and then
I'll click on the Fill swatch,

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the very first swatch up
here in the Control Panel,

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and I'll change it to
this light shade of green

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which, for what it's
worth, is R:140 G:198 B:63.

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Then I'll press the Enter key,
or the Return key on the Mac,

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to accept that change.

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And now I'll just go ahead
and paint inside of here.

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And even though I'm being
pretty sloppy about it,

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just because I don't want to
waste too much of your time,

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I do have the option of
painting into the corners

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if I'm a little more careful,

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because I can vary that
pressure on the fly.

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And now I'll paint this
light green, let's say,

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into each of the C's.

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And if you see something like that,

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right there where I'm pointing my cursor,

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that little cluster of
anchor points shows me

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that I have a hole.

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And now I'll go ahead and
paint down here, let's say,

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and then I'm going to paint inside the E

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with this light green as well.

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And I'll paint right there

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and right there

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inside the ampersand just for fun.

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And this guy needs a little bit of work,

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so I'll Control + Click,

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or Command + Click on him on the Mac,

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and paint that in like so.

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And now I'll go ahead and
press Control + Shift + A,

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or Command + Shift + A on the Mac,

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to deselect my artwork

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and I'll click on the Fill swatch again

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and select this darker
green, R:0 G:146 B:69.

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And I'll press the Escape key

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to go ahead and hide that panel.

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And then I'm going to paint
into this region of the E

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right there like so,

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and I'm going to paint
into this region as well.

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I kind of made a mess of that first guy.

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Actually this guy's not that great either,

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so I'll go ahead and paint
a little more into it,

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and then I'll Control +
Click or Command + Click

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on this first path, and I'll
paint into it a little bit too.

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And then I'm going to
switch to the Eraser tool,

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which nowadays I can get
by pressing the E key.

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It supports pressure as well,

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so all I have to do if I want to

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erase with pressure sensitivity
is press the Enter key,

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or the Return key on the Mac.

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And then I'm going to
change the Roundness value

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back to 100%.

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I'm going to set the Size value to,

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let's say, that same value 24.

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I'm going to change Fixed
right here to Pressure,

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and I'm going to take the Variation value

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as high as it goes, which is 24 points,

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the same as the Size value,
and then I'll click OK.

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And now I'll just go ahead
and erase with pressure.

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Notice the fine-tuned control

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that I have here on the
edge of that path outline,

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and I'll do the same right here as well.

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And I'm only affecting the
selected shape, of course.

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And now I'll press Control + Shift + A,

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or Command + Shift + A on the Mac,

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to deselect that path.

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And I'll switch to my Blob
Brush and I'll go ahead

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and paint with the dark
green up in this area,

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and maybe I'll try to be a
little more careful this time.

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And then I'll paint down here as well.

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And you know what?

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If I want to get better results,

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then it would perhaps be useful to me

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to change the Fidelity setting.

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So I'll press the Enter key,
or the Return key on the Mac,

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and I'll move the slider in
the direction of Accurate,

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and then I'll click OK.

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And that way, I'll get less
rounding out of the tool

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as I paint inside of
these regions right here,

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including between the two
letter C's, let's say.

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And this is just the
effect I came up with.

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You will obviously want to go your way

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as opposed to spelling
my name, I would imagine.

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And now I'll press Control + Shift + A,

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or Command + Shift + A on the Mac,

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to deselect my artwork.

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And you can see that we have a series of

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variable-weight path outlines.

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And what's so great about this is

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that you can go very nuts indeed.

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I'm not going to paint
this for you right now,

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but this is something
that I painted in advance

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using a drawing tablet,
specifically a Wacom Intuos,

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along with a pressure sensitive stylus.

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And you can see, if I go ahead

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and turn these layers off right there,

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that I started with this tracing template,

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and then I've got all this
brushwork up at the top here.

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I have this layer of yellow elements.

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So you can see I'm trying
to keep my different colors

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on different layers.

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And then finally, this just white layer

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contains a big white rectangle

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in order to cover up the
template in the background.

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And that's how you combine

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both the Blob Brush and the eraser

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with a drawing tablet and
a pressure sensitive stylus

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in order to achieve very painterly effects

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here inside Illustrator.

