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- [Instructor] In this movie,

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I'll show you how to combine
straight and curving segments

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to create the letter D.

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I'll go ahead and switch
over to my document so far,

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and you can see that I've drawn in

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the I and the N off
screen because after all,

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both letters exclusively
comprise quarter points

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and we've frankly seen enough of them.

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Alright now I'm going to
go ahead and just switch

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all the layers to the outline mode.

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By choosing the outline
command from the view menu

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or pressing the keyboard
shortcut of control Y

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or command Y on the Mac.

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Alright so this time
around, let's go ahead

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and create the straight segment first

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by pressing the P key
to select the pen tool

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and then I'll click right
here to create a corner point

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and I'll create another
corner point at this location.

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And you may notice that by
rubber band preview is back.

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For whatever reason, I
had to close this document

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and reopen it.

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Alright now, I'll click
up here in order to create

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a third corner point and now, because

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I want the next segment to curve,

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I'll go ahead and drag out from it

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to create a control handle.

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Next, I'm going to drag
from the very top of the D

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to set a smooth point here,
and I'll press the shift key

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as I do in order to constrain
the angle of my control handle

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to exactly horizontal.

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Now I want this one to be longer

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so I'll press the control key
or the command key on a Mac

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in order to stretch this handle

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while leaving the previous one unharmed.

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And if you take a close look here,

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I think this corner handle is too high

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so I'll press the control key
or the command key on a Mac,

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to get my white arrow tool,

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that was the last arrow tool I'll use,

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to get that tool on the fly,
and drag this point down,

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and then I'll control or command drag

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the control handle down as well.

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Alright now I'll zoom
out just a little bit

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so I can see more of my illustration.

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And I'll begin dragging
from the far right point

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while pressing the shift key as well

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in order to create an entirely
vertical control handle.

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And that actually looks pretty good.

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So I'll go ahead and move down to here

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and now we've got a
problem at this location.

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Normally, I would just go
ahead and start dragging

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at this lowest point in
order to add a control handle

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about there and I'll take it
pretty far out as you can see

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and then I'll press the control key

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or the command key on a
Mac and I'll bring it back.

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But I need a heck of a lot of
control handle on this side

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in order to pull of this
degree of curvature.

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You can see that the
designer of this specific D

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decided to flatten things out
right here at this location.

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So what I'm going to do is
add another smooth point

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right there and then I'm going to

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control or command drag it up like so

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in order to flatten out the curve,

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and I'm going to move this
control handle up and outward

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in order to produce this effect,

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which I think is more or less dead on.

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I could take this handle out
a little bit if I wanted to,

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but I'm worried that we're going

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to have a lump in this location.

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So I think that's as far as I'll go.

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And now I'll zoom in, and I will drag out

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some pretty small control
handles from this smooth point

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and then I'll finish things
up by dragging outward

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from this corner point so that

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the control handle that
I'm actually modifying

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is going up and to the right
as I drag down and to the left

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and I'll end up with
this effect right here.

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Okay now we need to draw
the inside of the D shape,

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and this time I'm going to
start with the smooth points.

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So I'll go ahead and drag like so

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to drag out some pretty
big control handles.

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And they might need to come
out a little farther even.

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And then I'll go ahead and
drag from this far right point

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right there like so.

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I don't want the bottom control handle

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to be this long, though, I don't think

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so I'll press the control key
or the command key on a Mac

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as I'm dragging in order
to move it back in,

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and this control handle
has to come farther out

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so I'll control drag it,
that's a command drag on a Mac.

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Again the control or command key

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is going to get me the
white arrow tool on the fly,

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and then I'll control or
command drag this guy downward.

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Alright now notice here,
we've got a little bit

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of a cusp point, so I'm
going to drag like so

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to begin a smooth point and
then midway into the drag,

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after I get that opposite control handle

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on the right location, I'll
press and hold the alt key

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or the option key on the Mac,

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and I'll send this control
handle in a different direction

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and then I'll drag right here

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to create another smooth point like so.

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And it looks like I didn't
quite position that cusp point

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at the right location so
I'll press the control key

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or the command key on a Mac
and move it down a little bit,

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and that looks more or less right.

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And now, I'll control drag
or command drag this control

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handle outward and so in this case,

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we've got a cusp point
that's surrounded by

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two curving segments.

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Alright now finally, I'll
go ahead and zoom out.

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I actually want to take
this guy down a little bit

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or at least maybe its control
handle has to come down.

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That looks good to me.

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And now I'll go ahead and
lop off this control handle.

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I don't want it because I have
a straight segment coming up

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so I'll just click on it to
get rid of its control handle

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and then I'll go up to this
guy and just click on him

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to lop off his left hand
control handle as well.

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Alright now I want to see
what I'm doing so I'll press

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control Y or command Y
on a Mac to switch back

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to the preview mode and
I'll zoom out a little bit.

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And that's looking pretty darn good,

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but obviously I need to convert it into

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a compound path so that
this inner path cuts a hole

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out of the outer one.

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But before I do that, I might as

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well create the beveled edge.

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So I'm going to press
control Y or command Y again

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so I can see the tracing template,

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and I'll press the V key to
select my black arrow tool.

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And I'll go ahead and click right there

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to select that inner shape
and I'll press control C,

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control F, that's command
C, command F on a Mac,

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in order to copy this shape
and paste it in front.

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And I'll click on the word transform

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up here in the control panel or,

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if you don't see the word transform,

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click on the XYW or agent stat.

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Now I want to make sure
that the chain icon is off.

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We do not want to constrain

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the width and height proportions.

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Go ahead and select the
bottom left reference point

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and then click into width
value and press the down arrow

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key until it looks like
you've got that left edge

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in the right location and then press

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the tab key to advance the height value,

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and press the down arrow key until we get

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the top edge in the
right location as well.

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Now we need to get the right
edge over a little bit.

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So I'll select this bottom
left reference point

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and I'll click into width value and press

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the down arrow key until
it moves over as desired.

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And now I'm going to select
this top left reference point

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and I'm going to increase the height value

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until this point moves down underneath.

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Alright, now let's go ahead
and select the outer path.

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Copy and paste in front
so control C, control F.

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That's command C, command F on a Mac.

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Click on the word transform,
leave that top left point

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selected, click into width value,

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and press the up arrow
key until that letter

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gets sufficiently wider
as we're seeing here,

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and then press the tab key to advance

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to the height value and
press the up arrow key

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until the bottom edge goes
down as we're seeing it do now.

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Alright now I'm going to
make some manual adjustments

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by zooming in a little
bit and then I'll press

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shift left arrow in order to
scoot that path to the left.

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And I'll press the A key to
switch to the wide arrow tool.

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I'll select this anchor point
and just drag it down and out

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like so.

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Alright, now let's press
control Y or command Y on a Mac

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in order to switch back
to the preview mode.

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And I'll switch to the black arrow tool

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by pressing the V key and
I'll click on this big path

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and then I'll click on the innermost path

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in order to select it.

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And I'll go up to the object
menu, choose compound path,

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and choose make in order
to force the inside path

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to cut a hole in the outside one.

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And let's go ahead and fill this path

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with this dark shade of gray

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in which all the RGB values are 77.

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Alright and now, we need
to send this guy to back

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by right clicking on
him, choosing a range,

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and choosing send to back, and now we want

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to select each of these white shapes

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so I'll click on the big one,
shift click on a smaller one,

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return to the object menu,
choose compound path,

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and choose make.

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And now I want the fill
to be slightly darker

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so I'll go ahead and select
this very light shade of gray

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in which the RGB values are each 230

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in order to produce this effect here

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and now I'll click off the
path outline to deselect them

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and I'll press control zero
or command zero on a Mac

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to take in my entire document.

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And that's how you combine
straight and curving segments.

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Not to mention a couple of compound paths.

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In our case, to create the
letter D in the word design,

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here inside Illustrator.

