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- In this movie, I'll
show you the difference

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between absolute and relative rounding.

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So, for starters here,
I'll go ahead and click

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inside this star in order to select it

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with my white arrow tool.

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And then, I'll double
click on any one of these

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round corner widgets to bring up

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the Corners dialog box.

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And notice, in addition to
these various corner options,

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including round and
inverted round, and chamfer,

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we also have these two
rounding icons down here.

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Now they're not going to
produce any effect with chamfer,

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so I'll go ahead and switch
back to inverted round,

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which I had applied before,

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and now notice by default,
rounding is now set to absolute.

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Meaning that we're getting
the same degree of rounding

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on each and every one of these bumps.

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And essentially what Illustrator is doing

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is drawing a perfect quarter circle

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at every one of these locations.

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But, if I switch over to relative,

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then in the case of this star,

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I'm going to make some of these corners

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sharper as we're seeing here.

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So the corners down at the bottom,

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they're remaining more
or less quarter ellipses,

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but as we move upward
to what are basically

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more acute corners, we
are seeing harsher lumps.

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So once again, this is what
we see with absolute rounding.

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And this is what we see
with relative rounding.

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Now, in my case, we are
seeing sharper lumps,

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just as in the case of the
appearance of the icon.

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But that's not always
the way things reconcile.

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To give you a sense for
what's really going on,

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I'll go ahead and click
OK to accept that change,

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and now I'm going to turn
my guides layer back on

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so I can see those center guides,

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and I'm going to create
a kind of custom ellipse

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using the rectangle tool.

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So I'll start by selecting
the Rectangle tool

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from the Shape Tool fly out menu.

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And then I'll position my cursor

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at the intersection of the two guidelines.

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And then I will alt+ or opt+ click

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to bring up the Rectangle dialog box.

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And I'm looking for a square that has

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width and height values
of 100 points each.

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At which point, I'll go ahead and click OK

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to create that rectangle like so.

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Alright, now I want to rotate it

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so it's more of a diamond.

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So I'll click on the word Transform

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up here in the Control Panel.

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I'll make the center
reference point is selected.

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And I'll go ahead and change

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that rotate value to 45 degrees.

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And I'll press the Tab key in
order to rotate that square.

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Alright, now I want to make it wider.

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And so I'm going to
turn off the link icon.

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You want to make sure
you have a broken chain.

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And then click on the W
to select the width value

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and change it to 300 points

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in order to produce this effect here.

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Alright, now I'll go ahead
and press the Enter key,

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or the Return key on a
Mac, to accept that change.

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And if you're working along with me,

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you'll see Shape Expanded
appeared for just a moment

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up here at the top of the screen.

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And that's because you no longer have

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the so-called smart rectangle.

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That doesn't really matter
because we still have

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all these corner points to work with.

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Now I'm going to press the A key

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to switch to the white arrow
tool, as we're seeing here.

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And I'm going to turn off
a couple of points here

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by shift+clicking on the
top and bottom points

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so that only the left and
right points are selected.

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And now I'm going to
change my corners value

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up here in the Control panel to 24 points

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because I want some pretty
exacting results here.

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And then I'll press the Enter key,

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or the Return key on a
Mac to accept that change.

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So now we have what amounts to

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an acute corner over here
on the left and right sides.

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And yet, Illustrator is still tracing them

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with perfect quarter circles.

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Now I'll click on a
top point to select it,

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and shift+click on the bottom
point to select it as well.

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And then, I will drag
upward on this lower widget

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as far as I can until I go way past

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the top edge as you're seeing here.

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Notice the other widget moved
way below the bottom edge.

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And I end up with this maximum

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corners value of 243.78 points.

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And that's going to vary depending
on the size of the shape.

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But if you're doing
exactly what I'm doing,

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you'll get that result as well.

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And we end up with this
kind of modified ellipse.

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You may wonder why would you do that?

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Why would you ever go through the steps

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when you have the ellipse tool,

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which gives you better looking results?

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And the reason is we can
customize our experience

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using round corners.

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Alright, now I'll alt+click or opt+click

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on the outline of the shape

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to select the entire thing.

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And then I'll double
click on any one of these

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round corners widgets to
revisit the Corners dialog box.

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And now notice you can still
switch your corner type

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to, for example, inverted round

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which produces this interesting effect.

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And if you switch to Chamfer,

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you're going to restore a rectangle.

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So again, you can customize

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this experience as much as you want.

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I'm going to switch back to round,

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and now I'm going to switch from absolute,

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which is trying to draw those
perfect arcs, to relative.

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And if you look closely,
I'll do that again.

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This is the appearance
of absolute rounding.

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And this is the appearance
of relative rounding.

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And notice when I switch to relative,

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the acute corners become sharper,

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they become bigger lumps,

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and the less acute
corners, these big corners

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right here, they flatten out.

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And as a result, we get a smoother shape.

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At which point I'll click OK
in order to accept that change.

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Alright now, just for the sake

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of getting something done here,

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let's turn this shape into an eye

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by pressing control+c
or command+c on a Mac,

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in order to copy the
shape to the clipboard.

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Now I'll go ahead and shift+click

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inside the custom starburst
to select it as well.

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And then I'll go up to the Object menu,

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choose Compound Path and choose Make.

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And that moves the shape
in front of the text.

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So I'll right click somewhere
inside the document window,

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choose Arrange, and choose Send to Back,

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in order to send that
shape in back of the text.

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And then to paste that shape

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that I just copied into the background,

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you want to go up to the Edit menu,

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and choose Paste in Back,

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or you have that keyboard short cut

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of Control+b or Command+b on a Mac.

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And it looks like we
just filled in the path,

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but that's because it's
filled with the same color

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as the starburst, which
will become evident

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as soon as we rotate it

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by clicking on the word Transform

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over here on the right
side of the Control panel.

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Make sure that center reference point

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is once again selected,

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and change the rotate value to 90 degrees.

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And then press the Enter key,

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or the Return key on a
Mac, to apply that change.

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Alright now I think the
iris should be purple.

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So I'm going to click on
the first color swatch

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and I'm going to change it to this

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shade of purple right there,

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the one that begins with R=147.

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Alright now I'm going to create the pupil

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by clicking on the word
Transform once again.

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And this time I want the link to be on,

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so I'm going to go ahead and
click on this chain icon,

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so that the width and height
values are linked together,

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and now I'll click on the width
value and change it to 70%,

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so you want to enter the percent value.

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And then, because I want to
make a copy of this shape,

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I'll press alt+enter, or
option+return on a Mac.

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Alright now, we want
this shape to be black,

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so I'll go ahead and click
on the first color swatch

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and change it to black like so.

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Alright now we need to
create a little highlight.

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So I'll click on the word
Transform once again.

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Click on the W in order
to select the width value.

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Change it to 33% and then press alt+enter,

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or option+return on a Mac,

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to create a smaller copy of that shape.

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Let's change it's fill to white.

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And then I'm going to
press shift+ up arrow

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three times and shift+left arrow once

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in order to move the highlight

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into the position you see it now.

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And now I'll go ahead and click off

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the shape to de-select it.

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And I'll turn off the guides layer

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so we can take in the final version

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of this awkward art.

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And that is how you switch between

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absolute and relative rounding

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here inside Illustrator.

