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- In this course, we've had
a chance to come to terms

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with some amazing and essential concepts,

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things like lines, shapes,
fill, stroke, color,

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shape building, round
corners, the pencil tool,

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the curvature tool, the pen tool,

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not to mention text and
the wonderful Wizard of Oz.

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Did you read that chapter,
the one about the tin woodman?

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That scarecrow cracks me up.

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Anyway, I hope it feels like
you made some serious progress

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and like you had a chance to build

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some exciting, hands-on projects.

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I remember when I first
started using Illustrator.

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I had some sketchy results, which is why

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I created one-on-one in the first place,

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so your experience would be more expedient

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and more satisfying than mine.

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Meanwhile, if you're feeling like,

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"Hey man, I'm exhausted.
I've had enough," I get it.

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You don't need me saying this,
but you have my permission

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to cut loose any time you like.

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Well, actually you don't.

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I'm not the boss of you,
but here's the thing.

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If you stop now, you're going
to miss some amazing stuff,

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some of the best stuff there is,

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stuff like pathfinder
operations, the appearance panel,

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layers and stacking order,
gradients, live paint,

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dynamic effects, blend modes,
patterns, pictographs, logos.

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Seriously, look at me.

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I'm totally out of fingers,
but, whatever you do,

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it's been my immense
pleasure sharing my knowledge

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of Illustrator with you.

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On behalf of LinkedIn and Lynda.com,

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this is Deke McClelland
hoping to see you real soon.

