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- In this movie, we'll
create the central element

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of the magnifying glass,
which is these two circles,

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one inset inside of the
other, and along the way,

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I will pass along some new tips

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for working with any shade
tool inside Illustrator.

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Alright, so we'll go ahead and switch over

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to my document so far, and
I'm not really interested

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in anything that I'm
drawing, so I'll go up

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to the Select menu and choose All in order

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to select everything, or
you can press Control+A,

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or Command+A on the Mac,
and then I'll delete

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the shapes by pressing the Backspace key,

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or the Delete key on the Mac.

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Alright, now I want to create
a couple of additional guides,

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so I need to unlock the
current guides by going

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to the View menu,
choosing Guides and then,

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in the most recent
version of the software,

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if you see Lock Guides with the check mark

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in front of it, go ahead
and choose it instead.

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And now I'll marquee this vertical guide

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with my black arrow tool.

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That's the easiest way to select it.

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And then, I'll press the Enter key, or the

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Return key on the Mac, to
bring up the Move dialogue box,

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and I'm looking for a
horizontal value of negative 30

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and a vertical value of
zero, and if you have

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the preview checkbox turned on,

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you will see that guide move on screen.

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I don't really want to
move it, I want to copy it,

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which I can do by
clicking the Copy button,

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but you also have a keyboard shortcut,

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so just as you can press Enter or Return

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to evoke the Okay button, you can press

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Alt+Enter or Option+Return
to invoke the Copy button.

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But for now, since my
cursor's right there,

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I'll just go ahead and click on the button

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in order to create a copy of that guide.

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Alright, now I wanna create another copy

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way over here, and so I'm gonna once again

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press the Enter key, or
the Return key on the Mac,

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and again, if you have
the Preview checkbox on,

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you'll see that last movement replayed,

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but this time I want to
change the horizontal value

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to 310 points, and then
I'll press the Tab key.

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I don't really want to
move it, I want to copy it,

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so I'll press Alt+Enter here on the PC,

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or Option+Return on the Mac.

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Alright, now I want to
lock the guide down again,

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and you can go all the
way to the View menu,

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choose Guides, and then
choose Lock Guides,

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or nowadays, you can just right-click

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inside the document window,
and choose Lock Guides.

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Incidentally, if the guide
still appears to be selected,

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just click off of it, and you'll find that

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none of the guides can be
selected from this point forward.

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Alright, now I'm gonna
zoom out a little bit

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by pressing Control+Zero,
or Command+Zero on the Mac,

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and I'm gonna go ahead and
drag my mini tool box here

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to the upper left-hand
corner of the screen,

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and I'll select the Ellipse tool

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in order to create a new shade.

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Of course, I can drag with
the tool as we've seen

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in the past, but let's say I know exactly

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how big I want my ellipse to be.

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In fact, I know I want to create a circle

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with a 422-point diameter.

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In that case, you can just click,

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and this works with other
shade tools as well.

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In order, in this case to bring up the

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Ellipse Tool dialogue
box, and for starters,

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I'll just change the
width value to 300 points

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and I'll change the height
value to 200 points.

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And the reason I'm doing
this is I want to demonstrate

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this feature right here,
the Constrain icon.

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Notice if I turn it on so
that the icon becomes a chain,

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and then I change the
width value to let's say,

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600 points, that doesn't change

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the height value to 600-points as well.

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Instead, it scales the
height value proportionally.

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So where it was 200 points
before, now it's 400 points.

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So at this point, if I want
to create a perfect circle,

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ironically I have to
unconstrain the values

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by turning that chain off,
and then I will dial in

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422 for the width value as well
as 422 for the height value.

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And then I'll press the
Enter key or the Return key

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on the Mac to evoke that change.

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Alright, now let's say I
want to move my circle,

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so that it's exactly
centered at the intersection

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of these two guides right here.

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Why then, assuming the
bounding box is turned on,

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you can drag this center
point, not the perimeter

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of the circle, by the way.

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If you do that, you'll
just create a new circle,

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which is not what we
want, and it looks like

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we've lost the old circle.

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That's just because, in
my case, I have neither

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a fill nor a stroke applied so far.

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But if you do make a mistake like this,

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obviously, all you have
to do press Control+Z

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or Command+Z on the Mac,
to undo that change.

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And then, instead of
dragging the circle itself,

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drag it's center-point.

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Now I'm not getting a
snap, and that's because

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my smart guides are turned off.

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But that's actually not
really a problem because

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I'm gonna show you a better way to work.

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So I'll just go ahead and
press the Backspace key,

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or the Delete key on a Mac,
to get rid of that shape.

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And then let's say, not only do you know

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the exact measurements of
your shape, but you want

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to center it at a specific location,

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but instead of clicking,
you want to press and hold

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the Alt key, or the Option key on the Mac.

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And notice that changes the
cursor from a plain cross

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to a cross with a circle around it,

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and then I'll make sure that my cursor

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is exactly aligned at the intersection

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of those two guidelines, and I'll go ahead

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and Alt+click or Option+click on a Mac,

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in order to bring up the
Ellipse dialogue box,

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which, for whatever
reason, isn't showing me

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the size of my last created ellipse,

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so I'll just go ahead and
dial in those values again.

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420 by 420, and actually
I've made a mistake.

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I'm gonna turn my link icon on here

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so that both of these
values change together,

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and I"m going to enter Plus
2 after the width that value.

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I want it to be 422 points, after all,

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and because I started with this circle.

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The height value grows in kind as well,

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and now, I'll click OK, at which point,

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I'm creating a circle from the inside out

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so that's exactly centered
at the click point.

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Alright, now I'll go ahead and zoom in

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by Control+Spacebar, or
Command+Spacebar clicking.

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And at this point, I no
longer need this bounding box,

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so I'm gonna return to the View menu

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and choose Hide Bounding Box.

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Alright, now notice that both

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my Fill and my Stroke are set to None.

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I want to give this guy a 1-point stroke,

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so I'll just go ahead and click this

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down-pointing arrowhead right there

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and choose one point for the line weight.

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For now on we can see our shape,
even when it's deselected.

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Alright, now I want to create
a perfectly inset circle

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that's just 12 points smaller,

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that is six points smaller on all sides.

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And I could do that just by, once again,

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Alt or Option clicking
with the Ellipse tool.

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But I wanna show you another way to work

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that involves scaling a
duplicate of the shape.

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Anytime you wanna duplicate a shape,

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it's a two-part operation in Illustrator.

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You go up to the Edit menu
and choose the Copy command,

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or you've got that standard
keyboard short cut,

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of Control+C or Command+C
on a Mac, that goes ahead

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and copies the ellipse to the clipboard.

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Then you return to the
Edit menu, and choose

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Paste in Front, or you can press

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Control+F or Command+F on a Mac.

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And that goes ahead and
pastes a copy of the ellipse

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directly in front of the previous one.

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You can't really tell that's
the case because they're

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aligned with each other,
but if I were to press

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the Control key or the
Command key on a Mac,

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to temporarily get my black arrow tool,

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and drag this ellipse
to a different location,

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you can now see that we have two ellipses,

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one directly on top of the other.

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Alright, I'm gonna undo
that movement there,

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and I'll go up to this option, Transform,

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up here in the control panel.

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If you can't see the word
transform, that means

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that you're screen's wider than mine.

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Instead, you're gonna see
X, Y, W, and H values.

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You can click on the X, Y, W, or H.

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Any of those will bring the
Transform panel like so.

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Next, you wanna make sure
that the center point

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inside this tiny reference point matrix

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is active so that we're
scaling with respect to that

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center, and then go ahead
and make sure the width

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and height values are linked together.

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If they're not, go ahead and
click on this Chain icon.

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In my case, they already
were, so I'll click

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on that icon again, and then
you can change either value

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by clicking after it like
so, and entering minus 12,

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then, pressing the Tab
key, and that should change

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both values to 410 points, like so.

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After which, you'll go ahead
and press the Enter key

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or the Return key on the
Mac, to hide that panel.

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And that's how you create
two precisely scaled

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and perfectly aligned ellipses, one inset

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with respect to another
here inside Illustrator.

