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- Alright, one of the more
labor intensive things

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you end up doing in
Illustrator, is mixing colors.

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And you have a hand full of ways to work.

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You can mix your colors using CMYK.

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You can make a color
using the RGB sliders,

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or you can work with my
favorite color model,

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which is HSB.

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And that stands for hue,
saturation, and brightness.

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And by way of example,
consider the color orange.

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Let's say you want to mix the
brightest orange possible.

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Well, if you're looking
at your CMYK sliders,

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then you want to crank
the K value down to zero.

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You want to take the Y value
all the way up to 100%.

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You want to take the C value down to zero.

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And then you want to set
the magenta value to 50%.

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And the reason for 50, is that
if you add any more magenta,

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you're going to make the color more red.

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And if you take away magenta,

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you're going to make
the color more yellow.

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And it's helpful that the sliders preview

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the colors you're looking for,

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but that's still not necessarily

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the friendliest way to work.

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Where as, if I go ahead and
click on the Flyout Menu icon,

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and choose RGB, then
what I would want to do

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is crank the red value
all the way up to 255,

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take the blue value down to
its absolute minimum of zero,

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and then I'd want to split the difference

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where the green value
is, by taking it to 128.

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And again, if I give it any less green,

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then the color becomes more red,

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and if I give it any more green,

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it becomes yellow.

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Compare that to HSB, and
you get the HSB sliders,

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by clicking on that
Flyout Menu once again,

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and choosing HSB.

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And then what we'd want to do

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is crank the saturation and
brightness values up to 100%,

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and set the hue value to 30 degrees.

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Now you might look at that and say,

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well gosh Deke, I don't
know why that's any easier.

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These numbers are just as meaningless

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as the ones that we saw before.

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But the great thing about HSB,

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is that it's possible to anticipate

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what you're going to get,

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once you learn how it works.

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And so hue, is the core color.

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It's measured in degrees,

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as if the colors were
wrapped around a circle.

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So in another words, you
can change that hue value

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to anything from zero
degrees, which is red,

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all the way up to 360
degrees, which is also red.

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And that's because the
visible color spectrum,

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wraps around on to itself.

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So as you can see in the circular chart,

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a hue value of zero degrees is red,

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30 degrees is orange,
60 degrees is yellow,

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90 degrees I'm calling lime.

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It's in this yellow to green territory.

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120 degrees is RGB green,

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just full on green and nothing else.

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150 degrees, I'm calling it turquoise.

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180 degrees is cyan, 210
degrees I'm calling cobalt.

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It's a shade of blue obviously.

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240 degrees is RGB blue,

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so pure blue with no red and no green.

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270 degrees is violet,
300 degrees is magenta,

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and 330 degrees is somewhere between

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magenta and red, and
I'm calling it crimson.

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In any event, you can see how the colors

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wrap around the chart.

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We've got the red, green, blue primaries.

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It's zero, 120, and 240.

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And then we have cyan, magenta, yellow,

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at 180, 300, and then 60.

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Next, we have saturation,

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which controls the intensity of a color,

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from its most vivid at 100%,

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as we can see around the
perimeter of the circle,

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to gray or white, at zero percent,

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which we're seeing at
the center of the circle.

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So these are the desaturated
colors towards the center.

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And then brightness
goes from bright color,

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that is, whatever color you've mixed

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using the hue and saturation values,

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or white at 100%, to
black at zero percent.

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So at zero percent brightness,

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it doesn't matter what the
hue and saturation values are,

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you're going to get black.

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Where as if you have the saturation value

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cranked up to 100%, and you
take the brightness value

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up to 100%, you're going to
get the most vivid version

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of the hue value possible.

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So if we were to take the
hue value to 30 degrees,

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then we'd get a nice vivid orange.

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If we were to take it up to 60 degrees,

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then we would get a nice vivid yellow.

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If you want white, then you just go ahead

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and crank the saturation
value down to zero percent.

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And it doesn't matter
what the hue value is,

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as long as the saturation is
zero and the brightness is 100,

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you get white.

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And then finally, if you
want a stone cold gray,

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you would go ahead and
take that saturation value

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down to zero percent, and then,

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you would adjust the
brightness value to taste.

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And so notice, if I have a
saturation of zero percent,

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and a brightness of
approximately 50% in this case,

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then I'm going to get an
absolutely medium gray.

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Now I will say that HSB
provides the most satisfying

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color experience, when you're
working with an RGB document,

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but you can also get
great results in CMYK.

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And so it's really up
to you how you decide

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to mix your colors,

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but I just wanted you to know
about my favorite color model,

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which is available in the
Color panel Flyout Menu,

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which is this guy right there, HSB.

