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- In this movie, I'll show
you how to create your own

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custom variable width profile

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that will appear in
this control panel menu

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that you can apply to any path outline

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in any document that you like.

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So by way of example,
let's say I want to create

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an infinity symbol that
matches this font up here,

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Adobe Caslon Pro.

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And so believe it or not, Caslon Pro,

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just like most fonts, does not
include an infinity symbol,

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which is why you normally have to resort

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to rotating an eight onto its side.

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The problem with an eight on its side

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is that it looks exactly
like a sideways eight.

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Compare it with his h over here,

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which has these thick vertical stems

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and this narrow horizontal shoulder.

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The sideways eight meanwhile
has thick horizontal elements

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and thin vertical elements,
which is why what we need to do

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is draw our own infinity
symbol, as I've done in advance,

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and then assign a variable
weight stroke to it.

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And so I'm going to go ahead
and click on this path outline

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with the Black Arrow Tool
in order to select it.

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And that way, I can see its anchor points.

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And next, I'll go ahead
and select the Width Tool,

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which again has a keyboard
shortcut of shift + w.

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And by the way, don't make
the mistake of just pressing

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the w key, because that's
going to get you a tool

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that doesn't even begin with
a w, which is the Blend Tool.

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All right, so go ahead
and select the Width Tool,

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and then double-click on
this top left anchor point

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and change the total width value to 10 pt,

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and then press the tab key
to make sure that it's being

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evenly distributed on both
sides, and then click OK.

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And you'll now see that the line weight

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up in the control panel is 10 pt,

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and that again represents the
thickest point in the stroke.

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All right, now I'll go
ahead and double click

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on this left-hand point right there,

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and I'll change its total
width value to 24 pt like so,

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and then click OK.

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And now we're just going
to go back and forth

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between those two values.

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So I'll click on this bottom anchor point,

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change it to 10 pt and
press the enter key,

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or the return key on the Mac,

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at which point you may
notice that Illustrator

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has helpfully created a
bunch of width points for you

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over here on the right-hand
side of the shape.

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Unfortunately, they're
not in the right location,

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so what you don't want
to do is double-click

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on one of these anchor points like so

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and then enter 10 pt like we've been doing

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because you'll end up creating
this unfortunate effect here.

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In which case, just go ahead and click

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on that width point that you don't want

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and press the backspace key
or the delete key on the Mac

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to get rid of it.

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All right, now I'll go ahead and hover

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over the path outline.

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That's very important, by the way,

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that you hover over that path outline

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in order to see those width points,

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and then grab this guy
right here that Illustrator

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created for you, and drag it down

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so it snaps into alignment
with the anchor point,

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then double-click on it and
change that width value to 24.

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And then go ahead and grab this guy,

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drag him until he snaps into alignment

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with the anchor point,

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double-click on it, change
its width value to 10

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and click OK.

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And then I'm going to zoom
in on the center portion

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of the infinity symbol,
and notice right there,

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we have a width point.

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And you may recall,
this is that same point

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that the arrowheads were pointing to,

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and that's because this is the beginning

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of the path outline.

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And so you always have a
width point at this location.

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So go ahead and double-click on it

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and change its width value to 10,

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and then we should see,
yes, Illustrator went ahead

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and created one for me,

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and this one has perpendicular handles.

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Notice that.

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So these handles here,
go down into the right

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where these go down into the left.

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And that indicates that it
affects the other segment,

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the one that's crossing.

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So go ahead and double-click on it

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and change its width value to 24 this time

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in order to make it nice and thick.

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All right, now we need to zoom out

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and check that illustrator
has not messed with

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the left-hand portion of
the shape, which it has

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unfortunately.

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It went and added the
total of three handles.

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And to tell which one is
good and which one is bad,

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just hover over it.

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So this one has a width
of 10, that's good.

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This one has a width of 9.691, that's bad.

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So I'll click on it to select
it and press the backspace key

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or the delete key on the
Mac to get rid of it,

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and that also gets rid of that lump

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that Illustrator created.

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Notice this area is really lumpy

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thanks to the fact that
right next to the width point

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that I created, that has
a width of 24 points,

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we've got one that has a
width of 23.944, which is bad.

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So I'll go ahead and
click on it to select it,

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and press the backspace or
delete key to get rid of it.

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And then this guy right
there is wrong too, 10.537.

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I never created anything like
that, so I'll click on it

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and press the backspace key
or the delete key on the Mac

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to get rid of it.

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And then I'll just hover
my cursor over the path

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to make sure that I'm seeing

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three width points on the right,

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three over here on the
left and two in the middle,

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and that's exactly what I want.

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At which point, I'll go
ahead and press the V key

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to switch back to the Black Arrow Tool.

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And notice now that we
have an infinity symbol

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that does not look like a sideways eight.

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It looks like it matches
the actual stroke weights

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of Adobe Caslon Pro.

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All right, now let's go
ahead and save it off

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as a variable width profile.

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You can see a preview
of the profile up here

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in the control panel, but
it has not yet been saved.

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So just go ahead and click on that option

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to bring up this pop-up menu.

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And then click on this
Add to Profiles icon

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and let's go ahead and call this guy Trio,

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after this trio of
lumps, and then click OK.

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All right, now let's test out the profile

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and make sure it looks
like this line right here

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by clicking on a line above
it and then, once again,

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clicking on the Variable
Width Profile options,

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scrolling down to the bottom

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and clicking on the width
profile that we just created.

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And at first, it's going to
look like it's not working right

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but that's because the
line width is set to 1 pt,

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meaning that at its thickest,

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the stroke is just 1 pt wide.

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And so if you want to see it properly,

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you need to take that line
weight up to our desired maximum,

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which is 24 points, and
then press the enter key

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or the return key on
the mac, and everything

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should look great.

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All right, now the thing
about width profiles

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is that unlike swatches and selections

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that you save here in the Select menu,

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they are not part of the active document.

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Rather, they are global preferences

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that transfer automatically
between one document

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and another.

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So if I go ahead and
switch documents like so,

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then let's say I want
to stroke these hills,

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I'll go ahead and click
on one of the hills

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and shift click on the other
with my Black Arrow Tool,

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and I just need to establish
a base stroke here.

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So I'll go ahead and change
the line weight value to 20 pt,

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and press the enter key or
the return key on the Mac,

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and I will get two uniform
strokes as we're seeing here.

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And now I'm going to shift
click on this green stroke,

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which, as you may recall, is 30 pt thick.

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And it already has a
variable width stroke.

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So the profile option up here
is going to appear blank.

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That's okay, you can
override it just by clicking

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on that blank field and
choosing Trio once again

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in order to assign that profile
to all three path outlines.

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And then if you want the strokes to match

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so that we're not seeing this difference

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between the green and black down here,

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then go ahead and click
on the second color swatch

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up here in the control
panel and select black.

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And now, I'll go ahead
and press the escape key

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in order to hide that panel,

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and I'll press ctrl + shift
+ a or cmd + shift + a

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on the Mac to deselect my paths.

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And that's how you create your
own variable width profile

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that you can assign to any path outline

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inside of any document that you like.

