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- [Instructor] In this movie,

I'll take you on a tour



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of what I consider to be some

of the dekeKeys highlights.



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Now, I don't expect you

to remember all of these.



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That's why I'm providing

you with this documentation,



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so you can review it at your leisure



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and decide what stuff matters most to you.



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Now, the other thing to bear in mind



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is these are strictly

keyboard equivalents.



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We're not talking about

keyboard-mouse combos,



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like Alt-clicking or

something along those lines.



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And that's because keyboard

shortcuts are all you can modify



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using Illustrator's

keyboard shortcuts command.



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All right, I'm starting

off on page three here



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because that's where the

action really starts.



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Notice that I've changed Command-Option-C.



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And you know the drill by now.



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I'm looking at the Macintosh document.



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Command is the same as Ctrl on the PC,



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Option is the same as Alt,



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and Shift is the exact

same thing as Shift.



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All right, so I've assigned

Command-Option or Ctrl-Alt-C



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to hiding and showing the corner widgets



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inside of a live rectangle.



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Now, that's one of those remap shortcuts.



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If we take a look at the

Macintosh defaults here,



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you can see that it's originally assigned



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to an Envelope Distortion function



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called Make With Top Object,



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which doesn't really

have much of a C in it,



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just the second-to-last letter.



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We also have Envelope

Distort, Make With Mesh



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with a keyboard shortcut

of Command-Option-M.



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And then if we scroll a

couple of pages down here,



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for Envelope Distort, Make With Warp,



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we have a totally non-parallel shortcut



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of Command-Shift-Option-W.



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Now, let me show you what's going on



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just in case you might

find this interesting.



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I'm gonna switch to the

last page in this document,



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the one that I'm calling

the Old Garbage Page,



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by pressing Ctrl-Shift-Page Down.



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That's Command-Shift-Page Down on the Mac.



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And then I'll go ahead

and grab my Ellipse tool



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from the Shape tool fly-out menu.



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And I'll draw an ellipse that's roughly



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the size of this little table right here.



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And then I'll go ahead and switch back



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to my black arrow tool, up

here at the top of the toolbox,



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by pressing the V key.



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And I'll go ahead and marquee

all these items like so.



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And then I'll go to the Object menu,



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choose Envelope Distort.



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Notice these three commands.



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These were the ones

that used to have those



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very different keyboard shortcuts.



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I'll choose Make With Top Object.



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That's the one that used to be



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Ctrl-Shift or Command-Shift-C.



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And I'll get this effect here.



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And that is a very cool effect.



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It's like we wrapped the text

around a blimp or something.



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Thing is, how often are you gonna do that?



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And do you find

Command-Shift or Ctrl-Shift-C



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to be a memorable

shortcut for this effect?



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Speaking personally,

I'm very happy choosing



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that command manually when I want it.



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Whereas if I grab the Rectangle

tool and draw a rectangle,



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and then I switch to the white arrow tool



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by pressing the A key,



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notice I've got these

corner widgets right here.



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If I don't wanna see them, I

have to go up the View menu



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and try to find that command.



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It's down here, Hide Corner Widget.



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So much easier just to press Ctrl-Alt-C



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or Command-Option-C on the

Mac, and that's a toggle.



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So the first time I press the shortcut,



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the widgets disappear.



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And if I press it again,

it brings them back.



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Anyway, so there's a

little bit of reasoning



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where some of this stuff is concerned.



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And that gave me a lot of freedom.



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Once I gave myself permission

to remap all this stuff,



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for example, Command-Option-M,



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I set to Object, Pattern, Edit Pattern.



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Now, you may look at that

and say, that's ridiculous,



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that totally falls into that category



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you were just complaining about.



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The letter M doesn't

appear anywhere in this.



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Well, here's the thing.



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When I remapped Command-M



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to Object, Pattern,

Make for the word Make,



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because I enjoy making

patterns so very much,



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then it seems to be common

sense to apply Command-Option-M



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to editing the pattern.



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Now, this Command-Option-L

is a very interesting one.



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I want you to see what

was going on in the past.



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I'll go ahead and switch

back to page three here.



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And you can see, by default,



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Command-Option-L makes a new layer.



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So if I switch to the first page,



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Command-L or Ctrl-L on

the PC makes a new layer,



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but it doesn't display the dialog box.



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So you don't get to

name and color the layer



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as you create it.



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Whereas if you press Command-Option-L,

Ctrl-Alt-L on the PC,



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you get a dialog box,

which is what's indicated



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by this dot, dot, dot.



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The problem is, quite bizarrely,



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that new layer appears

behind the current one



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instead of on top of it.



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And that is a function

of the fact that if you



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press the Command and Option

keys or Ctrl and Alt on the PC,



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and you click on that little page icon



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at the bottom of the Layers panel,



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that's a special trick for

putting one layer behind another.



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For some reason, it carries

over to the keyboard shortcut



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and that's not a good thing.



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So here's the solution I came up with.



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I went ahead and assigned



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Command-Shift-Option-L



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right here to New Layer with dialog box.



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And that way, the new

layer appears in front



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of the active ones, which to me,



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makes a heck of a lot more sense.



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And then, speaking of sense,

that allowed me to take



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Command-Option-X, which was

previously assigned here



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to this guy right here,

Object, Live Paint, Make.



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X has nothing to do with

Live Paint in my imagination.



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And so I was able to then

assign Command-Option-X



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to File, Export Selection,

the X for export.



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And I assigned Command-Option-L

for Live Paint, Make.



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This is the kind of reasoning

I'm trying to pull off here.



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You might be skeptical

of this one right here.



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Command-Option-Q for

Select, Save Selection.



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That's where you select a bunch of objects



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and then you save that

off in the Select menu



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in case you wanna just

choose that command again



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in order to select all those objects.



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Well, here's my reasoning there.



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Command-Option-V for View, New View,



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that makes a lot of sense.



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And these were wide open

keyboard shortcuts, by the way.



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And it's the same thing in a way.



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You're saving your view, that

is, how far you zoomed in



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and where you're scrolled to,



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what part of the document

you're looking at.



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You save that in the View menu.



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And the View menu's just a couple of menus



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away from Select.



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And so I figured, maybe it'll

make a little bit of sense



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to create some parody here.



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At least it's worked well for me.



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All right, so moving right along.



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Command-Shift-Option-A adds anchor points.



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So it doubles the number of

anchor points in an object,



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which is why I thought I would

apply Command-Shift-Option-Z,



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the opposite shortcut,

to simplifying the path,



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removing points from it.



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We have Command-Shift-Option-R

for Recolor Artwork.



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I think that's pretty straightforward.



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This one is one that I

think is really important.



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By default, Command-Shift-Option-B,



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I'll go ahead and scroll down to it here.



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This is, of course,

Ctrl-Shift-Alt-B on the PC.



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It goes ahead and releases a blend.



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So if you create a blend, you press this



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and you release it, you destroy the blend.



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You almost never wanna do that.



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So why in the world would

it get a keyboard shortcut



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when something you wanna do all the time,



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bring up the Blend Options dialog box,



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which normally, the only

shortcut for that is



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double-clicking on a Blend tool,



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which is really difficult

to find in the toolbox.



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Instead, I'm gonna go ahead

and reassign this shortcut,



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which again, works for me.



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I can't stress that enough.



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These are things that are

making sense to me over time.



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I'm hoping they'll make sense to you.



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Here's a really interesting default one



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just to bear in mind.



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Command-Shift-Option-F goes

ahead and highlights the font



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in the Character panel so that

you can type a different font



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if you want to or arrow through them.



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Very useful keyboard shortcut.



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But notice this green asterisk.



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It refers to this guy right here.



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Command-Shift-Option-M does

exactly the same thing.



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And it's some kind of weird

Quark Express holdover.



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I'm not sure why it's here,

but I did not reassign it.



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You could if you want to.



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You can go ahead and

reassign that shortcut



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without hurting the thin space.



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That's only gonna happen

when text is selected.



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And so you might want to,

but I didn't wanna do it



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because I know a lot of people find this



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secondary shortcut to be helpful.



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All right, let's see what else we've got.



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We've got modifiers with numbers.



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You can take a look at that.



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Command-9, I just figured I'd

give it to Text Wrap, Make



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because it doesn't have anything normally.



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And this Text Wrap, Make

command, it's in the Object menu



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and it's very close by

to Compound Path, Make



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and Clipping Mask, Make.



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And the rest of these commands here,



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you can look at them if you like.



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I'm gonna move on to page six,



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so that we can see something again.



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I feel like I'm tidying things up.



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Notice if you wanna

release a clipping mask,



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which is actually a common operation,



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you have keyboard shortcut of

Command-Option or Ctrl-Alt-7.



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But by default, I'll switch to this page



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inside the default document here,



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if you wanna do the same

thing with a compound path,



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which is right next

door in the Object menu,



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you have to add the Shift

key for some reason.



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So notice, it's Command-Shift-Option-8

and Command-Option-7.



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That isn't the way it used to be.



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Somebody messed this up years ago.



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And so I think it makes so much more sense



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that if you wanna release a compound path,



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which oftentimes you do,



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that's as common as

ungrouping in Illustrator,



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then Command-Option-8 so that you have,



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once again, parody between

these two commands.



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Then if you're working on a clipping mask



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and you wanna switch

between editing the contents



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and the mask, you can press

Command-Shift-Option-7,



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which is analogous to

Command-Option-7 up here and so forth.



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All right, let's see if

there's anything interesting



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on page seven.



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There actually is.



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I really like this shortcut right here.



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Command-Shift-minus to

change all the text,



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as long as it's not selected

using the Type tool,



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as long as it's just selected



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with the arrow tool, for example.



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That will take all your

text to lower case.



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Command-Shift-plus will change it all



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to upper case on the Mac.



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On the PC, you'll see right here.



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I'll go ahead and scroll forward.



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I wasn't able to get it to work.



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Ctrl-Shift-plus is unassignable.



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So I decided to leave these

keyboard shortcuts alone



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on the PC.



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I just want you to know.



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That's why you Mackintosh folks



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have 100 custom keyboard shortcuts,



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where you PC people only get 96.



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Hope you don't feel ripped off by that,



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but that's the way it is.



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All right, I'm gonna go

ahead and move forward here.



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Couple of interesting things on this page.



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First of all, Expand, the Expand command.



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So the idea here is, maybe

you know what it does,



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it will take something like a gradient



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and break it apart into a blend.



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So it will expand it into

its core path outlines.



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Thing is if the path contains

special appearance attributes,



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for example, you have a couple of strokes



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piled on top of each other,



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then you have to use this second

command, Expand Appearance.



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I don't know why they did this.



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One has a dialog box,

one doesn't, typically.



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But the thing that's really confusing



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is only one of these

commands is ever available



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and it's very difficult to

predict which one it's gonna be.



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Which is why I'm giving

you this keyboard shortcut,



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again, I found it to be useful,

of Command-Shift-Option-[.



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And so the idea here is if

you wanna expand something,



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you just press

mash-your-fist, left bracket.



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And if it doesn't work,



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because that's the wrong Expand command,



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then you just press

mash-your-fist, right bracket.



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See if that works for you.



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And then this one, I think is great.



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Command-Shift-Option-;

to clear all the guides



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inside of a document.



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I find sometimes when I send a

document off to someone else,



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especially to get printed, that

they'll look at the document



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and think, something's weird



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because there's all these cyan lines



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because they're not familiar with guides.



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00:11:45.08 --> 00:11:47.08

So I like to do a last-minute clean-up



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and get rid of all the guides

from my final document.



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And so you may know,



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Command-; allows you to

hide and show the guides.



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00:11:56.09 --> 00:12:01.08

Whereas Command-Option-; will

lock and unlock the guides.



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00:12:01.08 --> 00:12:06.08

So I figured Command-Shift-Option-;

will clear the guides.



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All right, we've only

made it to page eight



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of a 14-page document in this case.



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So there's plenty more to discuss



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00:12:13.03 --> 00:12:15.00

as we will in a future movie.



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But first, just in case you

don't like all this junk,



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I wanna show you how to restore



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Illustrator's default

shortcuts anytime you like.