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- [Instructor] In this
movie, I'll show you

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how to create the text effects

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that we're seeing at the top
and bottom of this document

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using text expressed as an art brush.

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And we'll also see

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how you can distort that
text using the Width tool.

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Alright, so, I'll go and switch
over to our problem so far,

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and we don't need this text converted

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to path outlines anymore,

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because after all, we've now
saved it to the Brush panel.

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So I'll just click one,
shift click the other

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and press the Backspace key
or the Delete key on the Mac.

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Now we need to retrieve the path outlines,

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to which we've assigned this text,

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and that is anything but
obvious in Illustrator.

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There is no option where
you just select the text

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and right click and then choose some sort

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of release command.

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So what we have to do
instead is press the A key

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to switch to the White Arrow tool,

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and then click off that text,

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press Control + Y or
Command + Y on the Mac

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to switch to the Outline Mode

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and go ahead and alt- or
option-click on the path outline

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independently of the text,

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and if you've done it correctly,

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you will have selected the
entire path outline like so.

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Then press Control + C
or Command + C on the Mac

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in order to copy that path outline.

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And now, if you like, you
can just press Control + 0

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or Command + 0 on the
Mac in order to zoom out.

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Then just grab the Black Selection tool,

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which you can get by pressing the V key.

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Shift click on this text down here,

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and just press the Backspace key

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or the Delete key on the Mac.

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Now, if you've done things correctly,

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Illustrator will get mad at you

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because you're trying to
delete this path outline,

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which means the text won't have anything

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to hang onto anymore.

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And so if that happens to you,

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what you need to do, is just shift click

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on that text a couple of more times

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with the Black Arrow tool

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until you definitely get it selected,

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and then press the Backspace key

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or the Delete key on the
Mac to get rid of it.

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And the reason I'm being so cavalier

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about getting rid of this editable text is

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because I still have it,

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it's just associated with
those smooth path outlines.

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Alright, so, I'll go ahead
and turn those guys off.

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Then I'll press Control +
F or Command + F on the Mac

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in order to paste this object in front

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as we're seeing right here.

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Alright, now press Control +
Y or Command + Y on the Mac

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to switch back to the Preview Mode,

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and with this path selected
I bring up my Brushes panel,

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and I'll scroll down the list

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until I see that first text
brush, different strokes,

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and I'll click on it,

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and then I'll hide the Brushes panel,

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and I want you to notice

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that things are already working better.

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Illustrator has not
only auto fit the text,

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but we've got a kind of smooth
transition at the word FOR.

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Alright now, I want to modify
this path outline a little bit,

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and this is a kind of thing
that is made really hard

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when you're working with text on a path.

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Let's see, for example,

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that the path outline
isn't really the shape

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I'm looking for,

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and I still want it to be symmetrical,

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in which case, what I'd like to do,

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is get rid of half the path,

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modify the other half,

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and then flip it and join
those pieces together,

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which you really can't do

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when you're working with text on a path.

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So here's what I'm thinking.

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I'm going to press the A key
to switch to White Arrow tool,

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and I'll click on this
right hand anchor point,

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and I'll press the Backspace key

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or the Delete key on the
Mac to get rid of it,

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and just like that,
Illustrator already goes ahead

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and path-fits that text.

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Alright, now I'm going to select
this anchor point right here.

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And just so you can follow along

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with me as easily as possible,

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I'll press the Enter key or
the Return key on the Mac

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to bring up the Move dialogue box,

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and I'll change the Horizontal
value to negative 12,

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and then I'll change the
Vertical value to seven,

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and that's going to move this
point 12 points to the left

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and seven points down, at which
point I'll just click Okay.

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Alright, now, this point
needs to come down,

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so I'll select it and press the Enter key

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or the Return key on the Mac again.

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I'll change the Horizontal
value to zero this time,

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and I'll change the
Vertical value to 15 points,

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and that'll move that point
down as we're seeing here,

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at which time I'll click
Okay to accept that change.

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Alright, now, I want this
control handle to be horizontal.

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So I'll drag it and then press

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and hold the Shift key like so

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in order to constrain the control handle

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as we're seeing here.

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Alright, now, I'm going to
select this entire path outline

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by alt-clicking on it,

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that's an option-click on the Mac,

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and I need to flip it around
the center of the document.

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Fortunately, I set up
some guides in advance.

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They're down here on this guides Layer,

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so I'll just go ahead and turn it on.

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And then, what you want to
do is select the Reflect tool

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from the Rotate Tool fly out menu

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or you have that keyboard shortcut of O,

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and then I'll alt- or option-click

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on that vertical guideline

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to bring up the Reflect dialogue box.

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I need the axis to be vertical,

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after which point I'll
click the Copy button

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in order to create a copy
of that path outline.

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Alright, now, here's the
part that you could not do,

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if you were working with text on a path.

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I'll press the A key to switch
back to my White Arrow tool,

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and I'll marquee these two
anchor points right here,

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and I'll join 'em together

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by going up to the Object menu,

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choosing Path and choosing Join,

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or you have that keyboard
shortcut of Control + J

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or Command + J on the
Mac, and just like that,

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it joins the two paths together

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and strokes it with a single art brush.

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Now of course, the art brush
is a little bit messed up here.

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It's upside down and everything,

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but we can fix that just
by pressing the V key

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to switch back to the Black Arrow tool.

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I'll click on that path
outline to select it.

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I'll go up here to this Brush menu,

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up here in the Control panel,

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click on it and then click on
that little dialogue box icon,

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just 'cause it's convenient.

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And then with the Preview
checkbox turned on,

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I'll click Flip Along
and then Flip Across,

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and that's going to fix my text,

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at which point I'll click
Okay to accept that change.

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And now I press the Escape
key to hide that menu.

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Alright, now, let's say that
you want to distort that text

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in the middle, so it's taller.

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In that case, I'd grab the Width tool,

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and that's because you
can use the Width tool

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to distort any art brush
along a path outline.

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And so what I'm going to do,

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you have to be careful on this one,

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you click on this point right here,

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and then you shift
double-click on this one.

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And that will bring up the
Width Point Edit dialogue box

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for both of those points.

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And then I'll change that Total
Width value to 1.6 points,

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and if I've done everything
correctly, which I have,

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then I will see this effect here.

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Now, let's see if I have
enough room to pull this off,

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I'll click on this endpoint,

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and I'll shift double-click on this one,

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and I'll change the Total Width
value to 0.9 points like so,

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and I'll click Okay.

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Alright, now I want to
enhance the distortion,

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and I can do that by returning
to that menu right there,

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up here in the Control panel,

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and I once again click
on the dialogue box icon

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to bring up this dialogue box here.

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And notice that the Size option

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now reads Width Points/Profile,

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which means I can now give
it a little extra hight,

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if I want to, by changing
this first value.

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And so I'm going to increase it to 120%,

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I'll leave the second value,

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which represents the minimum, set to 100%,

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and I'll click Okay,

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and because that thing's in my way

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I press the Escape key to hide it,

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and I'll just go ahead and
show you before and after.

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This is before and this is after,

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how cool is that?

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Alright, now, what we want
to do is copy this guy

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to the bottom of the artwork.

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I'm going to zoom out a little
bit here and scroll back up,

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and then I'll switch
back to my Reflect Tool,

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and I'll alt- or option-click
on that horizontal guideline

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like so to bring up the
Reflect dialogue box.

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This time I'll set Axis to Horizontal,

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and I'll click Copy.

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And things look great right now,

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but bear in mind that I need
to apply a different art brush.

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And so, I'll just go ahead and
bring up the Brushes panel,

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and I'll select curiously handcrafted,

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and notice, it's now upside down,

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and bad news, the width
points are messed up.

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But that's a problem that's easily solved.

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I'll just go ahead and switch
back to the Width tool.

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I'll click on this point right here,

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and I'll shift double-click on this one

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to bring up the Width
Point Edit dialogue box,

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and I'll make sure

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that the Total Width value
is set to 1.6 points,

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and I'll click Okay.

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And then I'll click on this guy

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and shift double-click on it,

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and I'll take its value down
to 0.9, that's our problem,

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and then I'll click Okay,

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and we end up getting this effect here.

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Now, I just need to
modify the brush settings.

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So I once again bring
back my Brushes panel,

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make it a little shorter

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so that I can better see the preview,

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and I'll go ahead and click
on the dialogue box icon.

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And this time I will once
again change that first value

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to 120%, and I've got the
Preview checkbox turned on,

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so I can see that this is working.

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Then I'll turn on Flip Along,
followed by Flip Across,

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at which point we get exactly
the effect we're looking for.

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And now, I'll just go
ahead and hide the panel,

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and I'll tidy up the Layers panel

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in addition to turning
off the guides Layer.

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I press Control + Shift + A

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or Command + Shift + A on the Mac

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in order to deselect the artwork,

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and I'll press Control + 0
or Command + 0 on the Mac

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to center my zoom.

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And at this point,

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if you decide things
aren't exactly the way

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you want them to be, for
example, I'm thinking the center

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of this text is a little high,

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then I'll just go ahead and
marquee these two anchor points

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with the White Arrow tool,

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and then I'll press the down arrow key,

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one, two, three, four,
five, six times in a row

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in order to nudge those points down,

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and I'll do the same thing here,

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I press the up arrow key,

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one, two, three, four, five, six times,

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and notice that the art
brushes move right along with.

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So as long as you like like the font,

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and you don't have any typos,

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this is perhaps the most flexible way

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to create type on a path outline

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using a combination of type
expressed as an art brush

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along with the ever useful Width tool

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here inside Illustrator.

