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- [Instructor] In this movie,
I'll show you a better way

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to create a new pattern
based on an existing one

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that's a heck of a lot
less confusing, frankly.

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And that's going to allow us to
add these repeated reflections

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closer to the center of the eye.

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Alright, so the first
thing we want to do is

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ensure that we're going to
keep our effects live by

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applying them to the original
object on the Drawing Layer.

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So, I'll go ahead and turn
off the Pattern Layer,

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for the moment, and I'll
select this shape right here.

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And, notice what we have, if
you will, is a compound shape.

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So, this circle right
here, the lower circle,

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is cutting a hole in the
higher circle behind it.

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And then, the remaining region
is filled with a gradient.

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And, if you were to bring up
the gradient panel right here,

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you would see that it's a
fairly complicated gradient.

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It has a bunch of shades of blue in it,

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and some of the colors stops
are set to zero percent

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opacity, and that allows us to
create these holes right here

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on either side of the shape.

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Alright, so what we want to do is

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take this effect and
duplicate it a couple of times

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using a live transform effect.

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So, I'll go ahead and switch
back to the Stroke Panel,

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just so I have a little more room to work.

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And I'll switch over to
the Appearance Panel,

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which of course you can get by choosing

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the Appearance command
from the Window Menu.

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Notice that we're working with
a compound shape, once again.

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No stroke, gradient fill and
a little bit of Gaussian Blur.

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And, then the Blend Mode is set to Screen.

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Alright, so now what I want to do

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is go up to the Effect Menu,
choose Distort and Transform,

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and choose Transform,
which if you loaded D Keys,

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has a handy keyboard shortcut
of CTRL + E here on the PC,

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or Command + E on the Mac.

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And, now I'll go ahead and
turn on the Preview checkbox.

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And, then I just went ahead
and experimented here.

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I'm going to click in
Horizontal Scale value

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and press Shift + Down Arrow a few times,

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in order to reduce the
width of the effect.

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And then I'll tab to the Vertical value

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and take it down as
well, ultimately to 40%.

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Now I want to see what that looks like,

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so I'll go ahead and click
in the Copies value here,

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and I'll press the Up
Arrow key a couple of times

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so that we have these two copies.

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Notice they're way too
close to the original.

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So, I went ahead and
changed the origin point,

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in this little reference
point matrix right here,

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to the bottom point, like so.

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And that ends up spreading
things out pretty nicely,

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but now the reflections are
too close to the center.

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And, so I clicked in this
Vertical Move value, and I pressed

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Shift + Down Arrow, in order
to reduce that value to -10.

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And then I pressed the Down
Arrow key a few more times

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until I got the effect I was looking for.

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So, to recap, the Horizontal
Scale value is 50%.

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The Vertical Scale value is 40%.

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I set the Copies value to two.

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I selected the bottom point
in the reference point matrix.

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And I set the Vertical Move value to -14.

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At which point, I'll click
OK to accept that change.

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Alright, now we want
to update the pattern.

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And you can do that by
first pressing CTRL + C,

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or Command + C on the Mac,
in order to copy the effect.

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Then, click off the paths,
in order to deselect them,

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so you don't end up filling
them with a pattern.

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And, assuming you're
working along with me,

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go ahead and select that
second pattern swatch HAL 2.

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And, then instead of double-clicking
on it, just drop down

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to the little page icon at the
bottom of the Swatches Panel,

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and click on it.

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And anytime you're working
with a pattern swatch,

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that is going to duplicate that swatch,

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as we're seeing right here.

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At which point, I'll just go
ahead and call this guy HAL 3,

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and click OK, and now
we have a third swatch.

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Now, I'll double-click on it,

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in order to switch to the Pattern Editor.

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And, I'll click on this guy right here,

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which is the reflection,
which has once again

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been rasterized to a pixel-based image.

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So, go ahead and select it
and press the Backspace key,

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or the Delete key on the
Mac, to get rid of it.

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And then press CTRL + F,
or Command + F on the Mac,

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in order to paste in the new reflections.

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Notice once again, they are off center,

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so you're going to have to
press CTRL + Y, or Command + Y

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on the Mac, to switch to the Outline Mode.

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And I'll go ahead and
zoom in a little bit,

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just so I have a more
satisfying experience here.

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And I'll drag the center
point so that it snaps

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into alignment with the
center of the other circles.

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And you want to drag that
top center point, by the way,

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not the bottom one.

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It doesn't look to me like we've really

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snapped into alignment right there.

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So, I'm going to zoom in a little closer.

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And this is one of those
times when smart guys

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can get in your way, actually.

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So, I'm going to undo that movement.

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And I'm going to go up to the View Menu

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and turn off Smart Guides
to get them out of my way.

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And then I'll drag this top
center point once again,

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not this guy down here, but this one.

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I'll go ahead and drag it
until it snaps into alignment.

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Well, I guess, Smart Guides
would've helped me out

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a little bit there cause
I got no snap whatsoever.

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But it looks like it's aligned anyway.

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Alright, so I'll just go
ahead and press CTRL + 0,

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or Command + 0 on the
Mac, in order to zoom out.

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I'll click off the
shapes to deselect them.

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And then I'll press CTRL +
Y, or Command + Y on the Mac,

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to switch back to the preview mode.

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At which point, everything
looks to be in good shape.

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Now, as you can see here in
the Pattern Options panel,

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we are working on the HAL 3 pattern,

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which means all you need
to do at this point is

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click the Done button, up
here at the top of the screen,

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or you can just press the Escape key.

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Now, you are going to get that
first alert message once again

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that's telling you that
you're going to lose,

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in this case, your live effects.

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All you can do is click
OK to accept that fact.

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But, it's not a problem
because we still have

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our original live effects,
right here on the Drawing Layer

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here inside the Layers panel.

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Alright, so I'll go ahead

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and turn the Pattern Layer back on.

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And then I'll click on the big
red rectangle to select it,

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make sure my fill is active in
the Swatches Panel, and then

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I'll select HAL 3 in order to
update all those reflections.

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Alright, that's it.

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So, I'll just go ahead and press
the F key a couple of times

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to switch to the Full Screen mode.

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And I'll press CTRL + 0,
or Command + 0 on the Mac,

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to center my zoom.

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And that is how you create a pattern

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of honest to gosh HAL 9000 eyes,

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over the course of five movies
here inside Illustrator.

