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- [Instructor] In this movie
I'll show you how to create

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a Pattern Brush, complete
with auto corners,

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which is a recent
development in Illustrator.

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It's a CC thing that is truly awesome.

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So I'm going to go ahead and
turn on my zee layer right there,

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and then I'll click on it to select it.

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And next, I'll go up to the Window menu

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and I'll choose the Brushes command

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in order to bring up the Brushes panel.

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Now this panel is chock full

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of a ton of different kinds of brushes

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that I assembled back in chapter 33.

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And we're going to add yet another brush

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to the bottom of the panel.

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So go ahead and click
on the little page icon

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down here at the bottom
of the Brushes panel

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and select Pattern
Brush and then click OK.

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At which point notice
that it wants to turn

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the letter Z into a brush,

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which is not what we want at all.

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Now what's interesting
about a Pattern Brush

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is that it has five different pieces to it

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and each of these five pieces control

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a certain element of the brush.

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Now the most important
one is the second one,

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you have to define a Side Tile.

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And the Side Tile is actually

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the tile that repeats
through the path outline.

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And so I'll go ahead
and change my Side Tile

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to vertical denim, like so.

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And you can see that that
fills things out nicely.

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But if this first item right here,

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which is the Outer Corner, notice that,

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and Illustrator's trying to show you

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what an Outer Corner is.

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This would be the corner
on the outside of the path,

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where this would be the inner corner

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on the inside of the path,

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but I'm here to tell you

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it is ultimately a random phenomenon,

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it really depends on the path outline.

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But I'm going to go ahead and
change the Outer Corner to None,

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just so you can see how
very important corners are.

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And then I'll change the Method down here,

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the Colorization Method, to Tints.

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And I'll go ahead and
name this guy auto denim

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for reasons that will become
obvious in just a moment.

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After which point I'll click OK.

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And then I'll go ahead
and apply that brush

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and I want you to notice
how the brush preview

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here inside the Brushes panel

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has six different containers inside of it.

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The first container
represents the outer corner,

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the second two show you the side pattern,

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and so that's why that thing's repeated,

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then we see the inner corner,

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and after that we see the
start tile and the end tile,

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both of which we'll
visit in a future movie.

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In any case, go ahead and
click on that guy to apply it.

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And you can see what a mess
it is without any corners.

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So as long as the path
outline is nice and smooth

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then the Pattern Brush moves along with it

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very much as if it was an art brush,

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but as soon as we come to a
corner we lose our pattern.

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And that's because currently
the corner tiles are undefined.

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All right, just to make
this show up a little better

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I'm going to click on the stroke swatch

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up here in the control panel

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and change it to this
light shade of orange

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that begins R equals 251.

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And I also want to give
this guy a drop shadow.

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So I'll bring up the Effect
menu, choose Stylize,

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and then choose Drop Shadow.

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And these are my settings.

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I set the Mode to Multiply,
the Opacity is 100%,

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the Color is black, both the
X and Y Offset are 2 points,

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and the Blur is 0 point,

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so that we'll get a nice, graphic effect.

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And notice, if I turn
on the Preview checkbox

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that helps things stand out nicely.

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After which point I'll click OK.

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All right, now let's take
care of these corners here

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by bringing up the
Brushes panel once again,

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dropping down to that very last brush,

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and double-clicking on it.

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And I want you to notice something here.

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The Preview checkbox is turned on,

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but I'm afraid it doesn't
really do us much good

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where the various tiles are concerned.

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Now you can preview the
Colorization technique,

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for example, if you set it to None

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then your stroke will turn black.

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I don't want that, so I'll
switch it back to Tints.

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But if I were to set the,
let's say, Outer Corner Tile

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to something like Auto-Centered

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then we're not actually going to see

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that applied to the corner.

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Although I have to be honest,

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I don't know if that's
the outer corner or not.

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Perhaps this is the outer corner.

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We're not actually preview either of them.

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To see, let's just go ahead and click OK,

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at which point Illustrator will ask me

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if I want to apply my
changes to the strokes,

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I do.

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Notice that Leave Strokes really
grabs your attention there.

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So try not to click it
if you don't want to.

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Just go ahead and click Apply to Strokes

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and notice this time
that is the outer corner,

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up there in the top right
corner of the artwork.

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All right, I'm going to
double-click on this guy again

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and I want you to notice
that there are four different

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Auto options that are available to you.

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Auto-Centered, Auto-Between,
Auto-Sliced, and Auto-Overlap.

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Now the first two are
a little bit difficult

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to distinguish each
other most of the time,

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but the last two are pretty obvious.

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And what I've done, I'll go
ahead and click OK for now,

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but I've put together a handful of files

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to show the difference

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where this specific path
outline is concerned.

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So this is effect of
applying Auto-Centered

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to each one of the corners.

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Whereas if we were to apply Auto-Between

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then we would get this effect here.

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So as I'm saying, it has
quite the subtle difference.

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So again, this is Auto-Centered

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and this is Auto-Between.

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So in both cases these
lines are fanning outward,

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we just have a different distribution

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of those lines inside the pattern.

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Whereas if I switch to Auto-Sliced

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things are quite different.

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You can see that the paths

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are actually overlapping each other

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and that they're sliced
through the center,

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as apposed to being fanned.

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So that's something to bear in mind.

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You may find that to be helpful sometimes.

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And then if you have perpendicular corners

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you might want to take
advantage of Auto-Overlap,

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which in our case is creating
a kind of waffle pattern.

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So I just want you to see what
each one of those looks like.

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Anyway, I'm going to switch
back to my artwork in progress

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and I'll bring up the Brushes panel

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and double-click on that brush once again.

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And I'll go ahead and
change the Inner Corner

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to Auto-Between, let's say,

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and notice that that goes ahead

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and fills out this interior
corner right there.

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And then if I click OK
and click Apply to Strokes

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then I apply that setting
to the bottom left corner,

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which Illustrator considers
to be an interior corner

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for whatever reason.

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Also notice that the brush
preview is filling out

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here inside the Brushes panel.

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So in addition to those side patterns

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we also have the outer
corner and the inner corner.

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All right, thing is I'm not

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all together happy with this brush stroke.

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I want it to look more like this one here.

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So in other words the
lines are running parallel

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instead of perpendicular
to the path outline.

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And that's a pretty easy change to make,

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so I'll just go ahead and
turn the zee off for a moment

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and turn on the expanded layer again.

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And I'll go ahead and zoom in here

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and I'll marquee this guy

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and just drag him over to the right

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while pressing the Shift and Alt keys,

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that's Shift and Option on the Mac.

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And then I'll press the R key

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to switch to my Rotate Tool right there,

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and I'll press the Enter key,
or the Return key on a Mac,

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to bring up the Rotate dialog box.

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I'll enter an Angle value
of 90 degrees and click OK.

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And then I'll press the V
key in order to switch back

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to my black arrow tool,

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I'll Shift + click on that
red square to deselect it.

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I just want it to be there
for the sake of contrast.

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And then I'll go to the Object menu,

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choose Pattern, and choose Make.

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And I'll just go ahead and call this guy

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horizontal denim this time around,

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and I'll press the Enter key,
or the Return key on a Mac,

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to accept that name,

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and otherwise that is it.

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Now all I have to do
is press the Escape key

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in order to create that new pattern.

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And I'll zoom back out
by pressing Control + 0,

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or Command + 0 on the Mac.

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And I'll turn that layer off

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and then I'll go up to the Brushes panel

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and I'll double-click on
that last brush right there,

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the one that's called auto denim,

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and I'll change my Side
Tile to horizontal denim.

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And because the corners are auto corners

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they're going to fill in automatically,

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as you can see right there.

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So it's very easy.

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In the old days you had to
hand design your corners,

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which means that if you decide

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to change your mind with the Side Tile

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you would have to redesign
the corner tiles as well.

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Nowadays Illustrator
takes care of it for you.

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At which point I'll click OK

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and then Illustrator will ask me

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do I want to apply my
changes to the strokes?

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Of course I do.

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And so then I'll just go ahead

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and bring back my zee, like so.

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And you can see that the deed is done.

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The one problem is notice right there

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that we've got some goofy
overlapping going on,

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I don't want that.

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And so I'll bring back the Brushes panel,

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I'll double-click on the brush,

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and I'll change that Outer Corner Tile

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from Auto-Sliced to
Auto-Center, let's say,

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and then I'll click OK
to accept that change.

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I'll click Apply to Strokes

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and I end up with this effect instead.

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Now the thing to bear in mind

224
00:09:15.03 --> 00:09:17.01
with both of the auto functions

225
00:09:17.01 --> 00:09:19.06
is they tend to result in a little static,

226
00:09:19.06 --> 00:09:21.04
as we can see right there.

227
00:09:21.04 --> 00:09:22.06
If that bothers you

228
00:09:22.06 --> 00:09:24.06
you might go ahead and double-click again

229
00:09:24.06 --> 00:09:27.09
and try switching that to Auto-Between

230
00:09:27.09 --> 00:09:30.07
and see if that works out any better.

231
00:09:30.07 --> 00:09:33.08
And in my case, eh, I
don't think it really does,

232
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so I'll press Control + Z,
or Command + Z on a Mac,

233
00:09:36.01 --> 00:09:37.07
to undo that change.

234
00:09:37.07 --> 00:09:39.06
And then I'll hide the Brushes panel

235
00:09:39.06 --> 00:09:41.06
and I'll just go ahead
and press Control + 0,

236
00:09:41.06 --> 00:09:45.08
or Command + 0 on a Mac, to zoom on out.

237
00:09:45.08 --> 00:09:48.02
And that is how you create a Pattern Brush

238
00:09:48.02 --> 00:09:51.05
that flows along the
contour of a path outline,

239
00:09:51.05 --> 00:09:53.05
as well as how you take advantage

240
00:09:53.05 --> 00:09:57.06
of the four auto corner settings
here inside Illustrator CC.

