1
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- [Man] Alright, our big letter z is

2
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looking pretty awesome.

3
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The only problem, potentially

4
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is that we don't have any caps.

5
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Either here at the
beginning of the letter,

6
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or here at the end.

7
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It might be nice if we did.

8
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In which case we could create

9
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this effect right here.

10
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Where the lines wrap around.

11
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And this is a function
of start and end tiles.

12
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That you can associate
with any pattern brush.

13
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Problem is Illustrator doesn't help

14
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you with this one.

15
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You have to do it manually.

16
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And in our case it's going
to be a fair amount of work.

17
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So, let's roll up our sleeves here.

18
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I'm going to turn off
the Z and I'm going to

19
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turn on the expanded layer.

20
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I'm going to turn off
the pattern layer as well

21
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just so we can focus in
on what we're doing here.

22
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And I'm going to move these ...

23
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And I'm going to go
ahead and grab this guy

24
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lets say, down here.

25
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So that he exists on a different row.

26
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And that'll just give us
a little more control.

27
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Alright, now I'm going to click off

28
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the shapes to deselect them.

29
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Click on one of these
black paths right there

30
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in order to select it.

31
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And I'm going to zoom
in a little farther here

32
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and I'm going to grab this guy,
this anchor point right here

33
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and drag it over until
it snaps into alignment

34
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with its equivalent on the
left side of the shape.

35
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And then I'll press and
hold the shift and alt keys

36
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or shift and option on the Mac.

37
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In order to make a copy
of those shapes, like so.

38
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And now, I'm going to
rotate a copy by switching

39
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to the rotate tool.

40
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Then I'll just press the enter key

41
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or the return key on the Mac.

42
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I want the angle value to be 90 degrees

43
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and I'm going to click copy, like so.

44
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Alright, things are getting a
little bit complicated here.

45
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I don't know why we have a group.

46
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Where did that come from?

47
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I'm going to press control, shift, G.

48
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Or command, shift, G on the
Mac to ungroup these paths.

49
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And then I'll go to the object menu

50
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choose Compound Path and choose Make

51
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and that's going to make things better

52
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as we'll see in a moment.

53
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And also change the color of these paths

54
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to lets say, a shade of blue.

55
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Alright, now I've got
to press the V key to

56
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switch back to the black arrow tool

57
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and select these guys,
they're a group too.

58
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I have no idea where this came from.

59
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I'm going to press control, shift, G.

60
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Or command, shift, G on the Mac to ungroup

61
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and then I'll drop down to
Compound Path and choose Make

62
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or I could press Control 8 in order to

63
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turn these guys into a
single compound path.

64
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Now, this very important because
now what we're going to do

65
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is shift click on the blue paths.

66
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Go to the window menu
and choose Pathfinder

67
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to bring up the Pathfinder panel and click

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the first icon in the second row, Divide.

69
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Which is going to divide
all these guys apart

70
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so that we can assemble them
into that wrap around thing.

71
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Alright I'm going to hide
the Pathfinder panel.

72
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We've got a group again.

73
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I'm going to press control, shift, G or

74
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command, shift, G on the
Mac to ungroup these paths

75
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because we need them
all to be independent.

76
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Alright, now what you want
to do is very carefully

77
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marquee down this line
of paths right here.

78
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Just get those anchor points,
those far left anchor points.

79
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In order to select them
independently of everything else

80
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and get rid of them and then do the

81
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same thing up top here and
get rid of those and do

82
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the same thing down here at the
bottom and get rid of those.

83
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Alright, here's where
things get very tedious.

84
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Click here, shift click, shift click

85
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shift click, shift click, shift click

86
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because we can't just
kind of drag through these

87
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things because they're
all at weird angles.

88
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You have to shift click on
the stuff that you don't want

89
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and then press the backspace key

90
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or the delete key on the
Mac to get rid of them.

91
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And then we're going to do
the same thing up here and

92
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so you just need to make
sure you select everything

93
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you don't want and then
press the backspace key

94
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or the delete key on the
Mac to get rid of it.

95
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And we're going to do the same
thing over here I'm afraid

96
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and then we need to backspace those.

97
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And so it's really just a matter of

98
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imagining what it is you don't want.

99
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Which can be confusing but
I'm going to make quick

100
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work of it I hope here by
selecting these guys here

101
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and I don't want to go
all the way to the end.

102
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I want to select this guy but not this guy

103
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and then I'll press the backspace key

104
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or the delete key on the
Mac to get rid of them.

105
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And I'll go ahead and
select these guys like so

106
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and I'll backspace them away
and I'll get these guys.

107
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Me and these guys, I'm going
to be saying those words a lot

108
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because I really have to select a lot of

109
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different shapes to get rid of them.

110
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And the you go almost as
far as that guy there and

111
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then you kind of retract back so you see

112
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how I'm whittling my way inward.

113
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And I'm going to select these
guys all the way to the end.

114
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Right there, and then I'll press backspace

115
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or delete to get rid of them.

116
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And I'll select these
four guys right there.

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Actually these five guys,
these six guys, him too.

118
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And get rid of them, and then
these guys want to go away.

119
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But just four of them and
I'll press backspace or

120
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delete to get rid of those
guys and I'll get rid

121
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of these two, so I'm clicking
and I'm shift clicking.

122
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Oops! I moved them and I don't

123
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care because they're going away.

124
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And now I'll go ahead and
grab these guys up to here

125
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and get rid of those and
right through the center

126
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we need these guys to be
well disposed of, goodbye.

127
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And it looks like I went
too far, I'll undo that.

128
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I want to keep that guy, I love him.

129
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And I'll press the backspace
key or the delete key

130
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on the Mac to get rid
of those and I'll select

131
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these two guys and press
backspace for delete.

132
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Ha, see isn't that fun? Drawing is fun!

133
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Art's great, anyway I'm
going to select all these

134
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paths right there like so
and then I'm going to bring

135
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up the Pathfinder panel
again and I'll click Unite

136
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in order to fuse them together
and they'll all turn blue.

137
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And by the way, you may
find that you have some

138
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transparent paths in there
that you need to get rid of.

139
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I don't, I should have
told you this in advance

140
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because I clicked on the fly out menu

141
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icon, chose pathfinder options

142
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and I turned on both of these check boxes.

143
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Remove Redundant Points and Divide

144
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and Outline Will Remove Unpainted Artwork.

145
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If you didn't do that, you're
going to have some transparent

146
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stuff that'll you'll need
to delete but all you need

147
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to do is select one of
the transparent paths

148
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come up to this guy,
Select Similar Objects.

149
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Click on it and then
press backspace key or

150
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the delete key on the
Mac to get rid of them.

151
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Alright, now this is still a group.

152
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What is going on, I don't
want it to be a group.

153
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I'm going to press control, shift, G or

154
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command, shift, G on the Mac to ungroup.

155
00:06:31.05 --> 00:06:34.00
Oh, that's because I clicked on Unite.

156
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And then I'll change the color to black.

157
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And I really want these
guys to be a Compound Path.

158
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Compound Paths are so much
easier to work with when they

159
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all have the same fill
and stroke attributes.

160
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And now we need to turn
this guy into a pattern by

161
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going up to the Object menu, choosing

162
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Pattern and then choosing Make.

163
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Or is you loaded D keys
you have that keyboard

164
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shortcut of control M
or command M on the Mac.

165
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And even though this looks terrible

166
00:06:59.09 --> 00:07:01.04
this is exactly what we want.

167
00:07:01.04 --> 00:07:05.06
Just go ahead and call
this start denim and then

168
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press the escape key in
order to create a new swatch.

169
00:07:08.08 --> 00:07:12.00
And now lets go ahead and
add it to the sea by pressing

170
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control 0 or command 0 on the Mac.

171
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I'll turn off the expanded
layer, turn on the

172
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Z layer as well as the denim layer.

173
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And I'll bring up the brushes
panel, scroll all the way to

174
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the bottom, double click on this guy

175
00:07:25.03 --> 00:07:27.04
and I will change my start tile.

176
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As you can see right
here, we get a tool tip.

177
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I'll change it to start denim
right there, and that'll

178
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add that little bit of denim to the

179
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beginning of the path outlined.

180
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Now the arrow indicated the end.

181
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Wouldn't it be wonderful if start denim

182
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worked at the end as well?

183
00:07:44.00 --> 00:07:46.05
Yeah but it doesn't, so
anyway I'm going to go ahead

184
00:07:46.05 --> 00:07:48.04
and click okay to accept that change.

185
00:07:48.04 --> 00:07:50.05
Yes, I want to apply it to the strokes.

186
00:07:50.05 --> 00:07:53.09
And now notice that looks great
at the beginning of the path

187
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and it looks completely wrong
here at the end of the path.

188
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Go figure, and that's because we need

189
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to create a separate end tile.

190
00:08:02.04 --> 00:08:04.00
And I'm afraid it's the same thing.

191
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If you're looking
forward to that, join me.

192
00:08:06.01 --> 00:08:08.03
I'm going to go ahead
and turn on off the Z

193
00:08:08.03 --> 00:08:11.07
and the pattern and turn on
the expanded item right there

194
00:08:11.07 --> 00:08:14.00
and I'm going to go
ahead and grab these guys

195
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which are a group, darn it!

196
00:08:15.08 --> 00:08:18.02
Command, shift, G or
control, shift, G on the Mac.

197
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Go to the Object menu, choose
Compound Path and choose Make.

198
00:08:22.05 --> 00:08:25.05
And then, let's go ahead
and zoom in here and we

199
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want to drag on of these
guys by its anchor point.

200
00:08:28.05 --> 00:08:31.05
And drag it over here until
it snaps into alignment.

201
00:08:31.05 --> 00:08:34.06
Press the shift and alt keys,
shift and option on the Mac.

202
00:08:34.06 --> 00:08:38.06
In order to constrain the
angle as well as create a copy.

203
00:08:38.06 --> 00:08:40.06
Go ahead and switch to the rotate tool.

204
00:08:40.06 --> 00:08:43.01
Press the enter key or the
return key on the Mac to bring

205
00:08:43.01 --> 00:08:44.09
up that Rotate dialog box, the

206
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angle should still be
90 degrees, click copy.

207
00:08:47.09 --> 00:08:50.05
Let's go ahead and fill these
guys, this time with green.

208
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Just so that we're having some fun.

209
00:08:52.06 --> 00:08:54.03
And then I'll press the V key to

210
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switch back to my black arrow tool.

211
00:08:56.03 --> 00:08:58.00
I'll shift click on the black lines.

212
00:08:58.00 --> 00:09:01.03
Bring up Pathfinder panel,
definitely if you didn't do it

213
00:09:01.03 --> 00:09:03.02
before, click on the fly out menu icon

214
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and choose Pathfinder
Options and at least turn on

215
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this second check box
so that you don't have

216
00:09:08.08 --> 00:09:11.01
a bunch of transparent paths.

217
00:09:11.01 --> 00:09:15.04
And then click on Divide,
the Divide icon right there.

218
00:09:15.04 --> 00:09:16.09
You're going to get a group cause

219
00:09:16.09 --> 00:09:18.07
Illustrator is so fond of them.

220
00:09:18.07 --> 00:09:20.02
So I'm going to go to the
Object menu and choose

221
00:09:20.02 --> 00:09:22.05
Ungroup so I'm seeing
just a bunch of paths.

222
00:09:22.05 --> 00:09:25.04
And now same thing, I'm
going to marquee these guys

223
00:09:25.04 --> 00:09:27.09
in order to select them
and get rid of them.

224
00:09:27.09 --> 00:09:30.06
Marquee just the tops of
these guys, get rid of them.

225
00:09:30.06 --> 00:09:34.02
Marquee just the bottom of
these guys and get rid of them.

226
00:09:34.02 --> 00:09:37.07
And now we want to do a bunch
of clicking and shift clicking.

227
00:09:37.07 --> 00:09:40.02
So I'm going to grab these
guys right here, and remember

228
00:09:40.02 --> 00:09:41.08
if you select too much you just

229
00:09:41.08 --> 00:09:43.08
shift click again to turn it off.

230
00:09:43.08 --> 00:09:47.03
And then we start one
column in, so we want to

231
00:09:47.03 --> 00:09:50.02
go all the way to the end
with these green guys.

232
00:09:50.02 --> 00:09:52.06
And the I skip another column to go in

233
00:09:52.06 --> 00:09:56.05
like so and I'll go ahead and select them.

234
00:09:56.05 --> 00:10:00.06
And then we skip in another
column right here, I believe.

235
00:10:00.06 --> 00:10:02.02
Yes, I believe, yes
this looks right to me.

236
00:10:02.02 --> 00:10:04.01
And I'll go ahead and select not him

237
00:10:04.01 --> 00:10:05.03
I want to leave him there.

238
00:10:05.03 --> 00:10:08.04
Select him and him and him

239
00:10:08.04 --> 00:10:11.04
and then do I keep going inward?

240
00:10:11.04 --> 00:10:14.03
I'm not sure at this point
but I'll do it anyway.

241
00:10:14.03 --> 00:10:15.05
Can't harm anything.

242
00:10:15.05 --> 00:10:17.00
And I'll press the backspace key or

243
00:10:17.00 --> 00:10:19.09
the delete key on the Mac to
get rid of all those guys.

244
00:10:19.09 --> 00:10:22.05
And now I'll select
some of the black paths.

245
00:10:22.05 --> 00:10:25.03
Working my way vertically, I
accidentally select that guy

246
00:10:25.03 --> 00:10:28.03
so I shift click to deselect him.

247
00:10:28.03 --> 00:10:31.03
And I want to work my way in once

248
00:10:31.03 --> 00:10:34.04
again but on both sides this time.

249
00:10:34.04 --> 00:10:37.04
And I don't want to make any
mistakes so you know what

250
00:10:37.04 --> 00:10:40.00
I'm going to deselect him,
I'm not sure about him.

251
00:10:40.00 --> 00:10:43.02
And I'll get rid of these guys like so.

252
00:10:43.02 --> 00:10:45.08
Why don't we work our way
through the greens again

253
00:10:45.08 --> 00:10:48.02
cause they're a little easier to navigate.

254
00:10:48.02 --> 00:10:51.00
So I'll just shift click on all of these.

255
00:10:51.00 --> 00:10:54.07
I'll work through this way as well.

256
00:10:54.07 --> 00:10:56.09
Almost all the way to
the end, like I'll go

257
00:10:56.09 --> 00:10:59.02
ahead and select that guy but no further.

258
00:10:59.02 --> 00:11:04.03
And then I'll select these
guys, working my way inward.

259
00:11:04.03 --> 00:11:09.02
And I'll start over here
and I'll select these guys

260
00:11:09.02 --> 00:11:13.05
by shift clicking on them
in case you forgot, because

261
00:11:13.05 --> 00:11:15.01
it's really obvious by now what

262
00:11:15.01 --> 00:11:17.03
it is I'm trying to accomplish.

263
00:11:17.03 --> 00:11:21.03
And I'll shift click on these guys as well

264
00:11:21.03 --> 00:11:22.08
and I'll press the backspace key or the

265
00:11:22.08 --> 00:11:25.01
delete key on the Mac to get rid of them.

266
00:11:25.01 --> 00:11:29.01
Then I'll select these four
guys and these two guys

267
00:11:29.01 --> 00:11:32.01
and I'll get rid of them
and that looks beautiful.

268
00:11:32.01 --> 00:11:34.06
Alright, so now I'll
zoom out a little bit.

269
00:11:34.06 --> 00:11:36.08
I'll go ahead and
marquee all these shapes.

270
00:11:36.08 --> 00:11:39.02
Hopefully they're not
groups for some reason.

271
00:11:39.02 --> 00:11:41.02
And then I'll bring up
the Pathfinder panel

272
00:11:41.02 --> 00:11:46.00
and I'll click Unite, that
will turn them into a group.

273
00:11:46.00 --> 00:11:48.07
So I'm going to press control,
shift, G or command, shift, G

274
00:11:48.07 --> 00:11:50.04
on the Mac in order to ungroup them.

275
00:11:50.04 --> 00:11:53.02
Then I'll press control
8 or command 8 on the Mac

276
00:11:53.02 --> 00:11:55.04
to turn them all into a compound path

277
00:11:55.04 --> 00:11:58.05
and I'll fill them with black, like so.

278
00:11:58.05 --> 00:12:00.04
And now I'll go up to the Object menu

279
00:12:00.04 --> 00:12:02.07
choose Pattern and choose Make.

280
00:12:02.07 --> 00:12:05.02
In order to choose to the pattern editor

281
00:12:05.02 --> 00:12:07.07
I'll change the name to end denim.

282
00:12:07.07 --> 00:12:09.06
And then I'll press the escape key

283
00:12:09.06 --> 00:12:12.03
in order to create that new swatch.

284
00:12:12.03 --> 00:12:13.09
Alright, now you can turn off expanded

285
00:12:13.09 --> 00:12:16.06
turn on the Z and patterned layers.

286
00:12:16.06 --> 00:12:18.01
Press control 0 or command 0 on

287
00:12:18.01 --> 00:12:20.03
the Mac in order to zoom out.

288
00:12:20.03 --> 00:12:23.05
Bring up the brushes panel,
make it not so tall so that we

289
00:12:23.05 --> 00:12:25.03
can see that end right there.

290
00:12:25.03 --> 00:12:28.03
And I'll go ahead and scroll
to the bottom and double click

291
00:12:28.03 --> 00:12:31.02
in order to bring up the brush
pattern options dialog box.

292
00:12:31.02 --> 00:12:34.00
And I'll click on this
very last guy, End Tile.

293
00:12:34.00 --> 00:12:36.04
And I'll change it to end denim so things

294
00:12:36.04 --> 00:12:39.01
are listed in alphabetical
order right here.

295
00:12:39.01 --> 00:12:41.04
So I'll select end denim and that's

296
00:12:41.04 --> 00:12:42.08
looking better in the preview.

297
00:12:42.08 --> 00:12:46.07
Now to click okay and
I'll say Apply to Strokes.

298
00:12:46.07 --> 00:12:49.01
And you can see that
everything works out nicely.

299
00:12:49.01 --> 00:12:51.08
And so I want you to notice
this preview here inside

300
00:12:51.08 --> 00:12:55.01
the brushes panel is
now completely full up.

301
00:12:55.01 --> 00:12:56.07
It has a little room at the end just to

302
00:12:56.07 --> 00:12:58.08
indicate that this is an end tile.

303
00:12:58.08 --> 00:13:01.05
But otherwise we're looking
at the outer corner tile

304
00:13:01.05 --> 00:13:06.02
two slots of the side
tile, the inner corner tile

305
00:13:06.02 --> 00:13:09.08
then we have the start tile
followed by the end tile.

306
00:13:09.08 --> 00:13:12.06
And now, just to finish things
off, I'm going to click on

307
00:13:12.06 --> 00:13:15.07
the word Opacity up here in
the control panel and I'm

308
00:13:15.07 --> 00:13:18.03
going to change the
blend mode to hard light.

309
00:13:18.03 --> 00:13:21.03
And that doesn't do anything
because as we can see over

310
00:13:21.03 --> 00:13:22.06
here on the left side of the control

311
00:13:22.06 --> 00:13:24.05
panel nothing is selected.

312
00:13:24.05 --> 00:13:27.05
So I need to click on the Z
in order to select it, then

313
00:13:27.05 --> 00:13:30.09
click on the word Opacity
and change it to hard light.

314
00:13:30.09 --> 00:13:33.08
For some reason it already
thought it was but if you still

315
00:13:33.08 --> 00:13:36.04
had your Z set to normal,
you want to change it

316
00:13:36.04 --> 00:13:39.04
to hard light as well,
assuming that you want to get

317
00:13:39.04 --> 00:13:42.05
the same effect as I'm getting.

318
00:13:42.05 --> 00:13:46.04
And that is how you create
custom start and end tiles.

319
00:13:46.04 --> 00:13:49.07
Just imagine if you had to do
that for the corners as well.

320
00:13:49.07 --> 00:13:50.08
That's the kind of stuff you used

321
00:13:50.08 --> 00:13:52.09
to have to do on a regular basis.

322
00:13:52.09 --> 00:13:56.09
But again that is how you create
custom start and end tiles.

323
00:13:56.09 --> 00:13:58.07
To all together finish off your

324
00:13:58.07 --> 00:14:01.09
pattern brush here inside Illustrator.

