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- [Instructor] All right,

we're doing pretty well,



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but we still need to add

some more column lines



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in order to express these

contoured highlights,



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both along the rear fender up

here at the top of the doors,



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and along this ridge line as well.



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All right, so I'm going to be

daring and I'm going to try



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to select this guy just

using my white arrow tool,



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and notice if I'm seeing an arrowhead



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along with a black square,

then that means if I click,



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I'm going to select a segment,

whereas, I'll go ahead



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and press control + shift + a



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or command + shift + a on the

Mac to deselect the artwork.



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If I see a little transparent square,



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then I'm going to select a mesh point.



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At least that's the way it

works in the most recent version



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of the software.



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All right, I'm going to

select this mesh point



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and this one as well, and I'm

want to take those guys up



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so that they're tracing

along this seam right here,



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and then, if necessary, I'll

just go ahead and adjust



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this control handle,

although it looks like things



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are in pretty good shape

here, and I'll go ahead



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and select this mesh point

and adjust its control handle



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as well.



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All right, now let's add

a few more column lines



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by switching to the mesh tool,

which of course you can get



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by pressing the u key, and

I want to create a couple



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of points of highlight right

about here along the top



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of the rear door, so I'll go

ahead and click at this point



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in order to create a column.



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That is in no way, shape, or

form the column I'm looking for



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and so I'll go ahead and

drag this guy while pressing



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the shift key, so that

we're matching more or less



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the contour of the door right

there, and I'll go ahead



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and shift + drag this guy

over like so, and of course



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adjust the angle of the control handle,



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and I'll shift + drag this

guy over to right about here,



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let's say, and then, I'm

going to shift + drag this guy



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just ever so slightly outside the tire



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and I want to bring

these guys into the car



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to right about there, so in every case,



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I am shift + dragging with the mesh tool



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in order to make this

occur, and I'll go ahead



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and shift + drag this guy

to about this location,



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and now I need to fix the control handle,



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so I'll go ahead and drag them like so.



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It's a fair amount of work



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creating these intense mesh objects,



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but it's going to be totally

worth it, I assure you,



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once we're done.



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All right, now, for starters,

I just want to select



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this point right there, and

I want to fill it with white,



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so that we have this big bright highlight,



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and I just want to confirm

that the point above



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is set to blue 1, and that should be true



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for the mesh point below as well.



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So I'll just go ahead and

make sure it's set to mesh 1



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like so.



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All right, now I want to

change multiple points,



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so I'm going to press the a key



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to switch to the white arrow tool



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and I'm going to click and shift + click



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and then shift + click on this guy,



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so I'm skipping this mesh point here,



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and I'll make sure they're all mesh 1,



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and then I'll select this guy

and I will change him to white



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so that we have a big

highlight at this location,



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and I'll select this guy

and I'll set him to blue 3.



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All right, one column line

down, three more to go.



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I'll go ahead and press

the u key to switch back



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to the mesh tool, and I

will click right about there



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in order to create another

column which should look a lot



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like the one right next to

it, and I'll go ahead and set



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this new point to white once again,



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so that we continue that highlight.



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All right, now I just want to make sure



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these new mesh points

are colored properly,



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and so I'll press the a key to switch back



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to my white arrow tool.



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I'll click on this point and

shift + click on this one



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as well as this guy, this

one, this one down here,



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and this one too.



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So everybody going down except the one



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that we just changed to white,

and this guy right there,



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and then for some reason I'm

seeing white as the fill color.



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That's not true but something's wrong.



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So I'll just go ahead

and switch to blue 1,



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which will cut short this shine down here



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at the bottom of the car, and

then I'll select this point



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and I'll just go ahead and

make sure it's set to blue 3.



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Now I haven't really checked

in on these points up here,



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so I'm going to marquee these two guys



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and that didn't take for some reason



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and I can't locate 'em with my cursor.



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So I'll just make sure the

meshes layer is twirled open



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and then I'll scroll

down to the mesh object



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which is right there, and

I'll go ahead and click



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on that point and shift +

click on each of these guys,



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like so, so I'm selecting

most of this row.



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Notice that we've got a little

question mark in the fill.



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I want to change it to blue 2



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so that we're having a little

bit of continued highlight



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up here at the top of the car.



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All right, we need two more columns,



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so I'll press the u key

to switch to the mesh tool



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and I'll create a new column

right here, let's say,



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and another one at this location.



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All right, now we're

going to need to make some



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pretty big modifications,

so I'll press the a key



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to switch to the white arrow

tool, and I'm going to grab



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this point right there and I'm

going to drag it down like so,



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and then I'm going to drag

its control handle upward



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quite a bit in order to create the contour



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of this rear fender, and I'll

do the same with this guy,



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and then I'll try to select this point,



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but I missed it, I guess, and

so I'll click again to grab it



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and I'll drag its control

handle if I might,



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upward like so, and I'm just

going to drag this point



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upward a little bit as

well, and I'll drag this guy



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a little farther down, and

I want this one to dip down



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like so, and then I want

this guy to go back upward.



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All right, now let's check in on the color



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of a few of these points.



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This guy right here wants to be blue 4,



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and so I'll go ahead and select it



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and change it to blue 4, and then this one



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wants to be blue 3, and so

I'll go ahead and make it so.



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This one wants to be blue 2,



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and this guy wants to be blue 1.



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All right, now let's go ahead

and select these two points



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right here, and I'm doing so by clicking



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and shift + clicking with

the white arrow tool.



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So I'm selecting more

than two points actually,



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everything from here down, and

I'm going to change their color



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to blue 1, and then I'll select this guy.



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I want a big highlight there,

so I'll change it to white,



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which will give us a

pretty stunning effect,



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and then I'll click this point

and I'll change it to blue 3.



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All right, now I'll click

off the shape to deselect it



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for a moment, and I'll press control + 0,



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or command + 0 on the

Mac, to center my zoom.



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All right, now viewed from a distance,



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it looks like we need to

make a few modifications.



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I'm going to start by

clicking right about here,



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let's say, and one of the problems,



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we've got too much

highlight going on here,



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and one of the problems is that

this mesh point right there



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should be set to blue 1, not to blue 3,



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and I think that's just going

to help to temper things



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a little bit, and I'll go

ahead and drag this guy up



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and this guy down as well, and

I'll drag the control handles



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so the fender seems to be

a little more continuous,



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and I'm going to drag this mesh point up,



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and I'll drag this one up as well,



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and I'm going to set them both to blue 2



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because I want a little bit

of a bounce at this location.



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I also want to fill in

more of a highlight up here



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toward the front of the car.



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So I'll just hunt around for a segment,



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I found it right there,

and then I'll go ahead



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and grab these two mesh

points, and I'll drag 'em up



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so that we have a little more room between



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the highlight points and

the shadow points there,



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and I'll go ahead and drag this

guy down, let's say, like so



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and then I'll drag its control

handle up a little bit,



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and I might actually move it

down just a little farther



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and I want to drag this

control handle up as well.



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All right, and that is, in my option,



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looking pretty darn good.



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Now the thing that we're still

missing is the highlights



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along the front of the car right here.



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The problem is I can't really achieve them



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using the mesh that I've created so far



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because I need column lines that run



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in a totally different

direction, which is why



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I'm going to show you how to

add yet another mesh object



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and blend it with the one

that we've created so far



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in the very next movie.