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- [Instructor] In this
movie, I'll show you

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how to create and rename symbols.

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And so, if you have access
to my Exercise Files,

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I've got some really good ones
for you that provide you with

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what I consider to be,
some valuable assets.

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And this is one of them.

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Basically, what we're looking
at is a bunch of custom shapes

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that are available to you,
not inside Illustrator,

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but rather inside Photoshop.

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And so, in other words,
Illustrator doesn't really provide

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you with an auto drawing
tool, whereas Photoshop does.

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And so, if you were to
go to the Window menu

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and choose the Symbols command,

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in order to bring up that Symbols panel,

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notice if I expand the
panel, that we've got tons

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and tons of custom shapes available to us,

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all of which I brought
over from Photoshop.

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And, let me show you what that looks like.

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Just in case you want to
create your own such file.

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I'll switch over to Photoshop here.

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And then I'll drop down to the Shape Tool,

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which by default is going
to be the Rectangle Tool.

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And then I'll click and hold and select

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the Custom Shape Tool
from the fly-out menu.

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And now you can go up here
to the horizontal options bar

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and click right there in order
to select a custom shape,

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which by default is this
guy right here, Blob 1.

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But let's say I'm looking for something

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a little more jazzy, such as Fleur-De-Lis.

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So, I'll go ahead and select it.

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And then all you have to do is
drag here in the image window

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in order to draw a Fleur-De-Lis.

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So, the great thing here is
that somebody's gone ahead

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and done the work for us.

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So, we don't have to meticulously draw

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all those anchor points
and control handles.

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Now, if you don't want the
shape to be tall and skinny

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or short and squat, then go
ahead and press the Shift key

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in order to constrain it's proportions.

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And, I'll make it about this big,

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let's say, and then release.

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And we end up with a new
vector-based shape layer.

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So, this is a layer inside
Photoshop that's made up of

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anchor points and control
handles, just as in Illustrator.

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Now, it's pretty cool that

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these shapes are available to you.

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It would be actually kind of lame

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if this were all of them, but it's not.

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And, so if you want
access to all the shapes

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that ship with Photoshop,
then click on this gear icon

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right there and choose All.

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And that is going to include the
shapes that we've already got.

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So, don't append, cause then you'd end up

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with a bunch of repetitions.

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Instead, just click OK,
and you will now see

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this huge list of custom shapes.

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At which point, I'll go ahead
and grab, let's say Crown 2,

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and then I'll press the Escape key

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to hide this pop-up panel.

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And I'll just go ahead and draw a crown.

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Well, again pressing the Shift key,

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in order to constrain its proportions.

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Alright, now let's say you want to

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take these guys over to Illustrator.

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Well, the first thing you need to do is

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put both of the shapes
on the same shape layer,

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so that you can copy them together.

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And notice right now that's not the case.

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So, what you need to do
is press CTRL + X, or

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Command + X on the Mac, in order
to cut those path outlines.

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And then, with the Shape 1 layer active,

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press CTRL + V, or Command +
V on the Mac, to paste them.

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And now notice, both
of these custom shapes

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appear on the same Shape Layer.

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Alright, now what you need to do

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just to ensure that everything's
going to work properly

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is press CTRL + K or
Command + K on the Mac,

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to bring up the Preferences dialogue box,

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same keyboard shortcut
you have in Illustrator.

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And then notice this checkbox
right here, Export Clipboard.

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Normally, I recommend
people turn it off because

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otherwise you run the risk
of copying huge images

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inside Photoshop, and then
when you switch to a different

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application, Photoshop has to
hand off that huge image to

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the operating system, which is
a process that usually fails.

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But in our case, we need
to have the checkbox on,

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as by default incidentally,

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so just make sure it's on, then click OK.

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And now, I'll switch to
the black arrow tool,

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which Photoshop calls
the Path Selection Tool,

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but it's got a keyboard
shortcut of A for arrow.

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And then go ahead and
marquis these two shapes

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to select them, and then press CTRL + C,

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or Command + C on the Mac,
in order to copy them.

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Now, let's switch back to
Illustrator and press CTRL + V,

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or Command + V on the Mac, in
order to paste those shapes.

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At which point, you'll get
this alert message asking you

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if you want to paste
them as a compound shape,

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which is great when you have
really super complex artwork.

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But, in our case, compound
path is going to work,

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not faster really, just better.

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And the reason it's better is because

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these are fairly simple shapes.

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They do have holes in them,

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but they don't have any complex
pathfinder stuff going on.

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Alright, so I'll go ahead

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and select that option and click OK.

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And we end up with these
two paths right here.

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Now, it may alarm you that
they're neither filled

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nor stroked, but that's
not really a problem.

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The real problem is that
they're grouped together.

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Illustrator just loves to group things.

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We can see that this is the
case, because of the word Group

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on the far left side of the Control Panel.

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So, the first thing you need to do is

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go to the Object menu and choose Ungroup,

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or you can press CTRL + Shift + G,

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or Command + Shift + G on the Mac,

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at which point we'll see compound path,

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because both of these guys are
in fact now compound paths.

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And so, I'm going to give
them a fill by clicking on

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this first color swatch and
selecting this shade of red,

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just to make them stand out.

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Now this guy does need to be
a compound path, incidentally,

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because he's got a bunch
of holes, you can see that.

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And this guy doesn't.

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He doesn't have anything
going on, so if you wanted to,

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you don't have to, but you
could go up to the Object Menu,

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choose Compound Path and choose Release,

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so that he's just a standard path outline.

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Alright, now you would presumably

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turn these guys into symbols.

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The thing is I've already
saved both of these shapes

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as symbols in advance here.

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And so, you can see if I
scroll down a little ways,

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there's Crown 2, so the king's crown,

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and there's the Fleur-De-Lis.

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However, I haven't got around to

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saving these tiny paths right here,

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which are located more or less
in the center of the artwork.

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And so, to see what those look like,

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I'll deselect my artwork
and then zoom in on them.

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And you may wonder why they're so tiny.

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Well, that's because all of
the original symbol definitions

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in this particular piece
of artwork are very small.

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And so, I want to match them.

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Alright, so I'm going to
scroll down the Symbols Panel,

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and maybe make it a little taller,

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until I can see that italic I
that represents Information.

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Alright, so let's say I
want to put these paths

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right next door to the info
icon, for the simple reason

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that that's the way things are
organized inside Photoshop.

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In that case, I would go ahead

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and select the paths, like so.

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And notice that they're organized

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into a single compound path.

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And then I would drag them and drop them

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to this location right there.

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And that's going to bring up
the Symbol Options dialogue box.

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Now, the first thing you
want to do, of course,

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is name your symbol.

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So, I'll go ahead and call mine Campfire.

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And then I'll briefly run
through what's going on here.

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Export Type is set to
Movie Clip, by default.

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That's an old Flash thing.

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And what that does is it just goes ahead

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and gives the symbol a time code.

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If you're working exclusively
inside Illustrator,

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then it absolutely doesn't
matter what you set this to,

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which is a great reason to ignore it.

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Then we have Symbol Type,
which can be Dynamic or Static.

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That's a relatively new
thing inside Illustrator CC.

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I'm going to be explaining
exactly what's going on here,

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in a future movie.

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But for now, just set it to Static.

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Then you can set a center point,

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which is going to be your
default transformation origin.

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We might as well leave it set to Center,

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because you can always override it later.

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And then we have 9-Slice Scaling,

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which again I'm going to be
dealing with in a future movie.

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And, so for now the only
change you have to make

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is to select Static Symbol and click OK.

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And now notice that we
have a new campfire symbol

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right next door to Information.

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Now, let's say, instead
of putting a symbol

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at a specific location
here inside the panel,

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and you can move these around by the way.

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You can drag them to different
locations if you want.

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I don't want to do that though,
so I'm going to put them back.

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Let's say you just want to add a symbol

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to the end of the list.

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In that case, just go
ahead and select the item,

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which is this guy right here.

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And then you can click
on the little page icon

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at the bottom of the Symbols panel

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to once again bring up that dialogue box.

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I'm going to call this guy World Wide Web,

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set it to a Static Symbol and click OK.

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And we end up with this
new World Wide Web symbol

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at the bottom of the list.

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Also worth noting, both of these guys

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have now been converted to Instances.

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Notice we're no longer seeing

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the anchor points and control handles.

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Instead, we're just seeing
a rectangular bounding box.

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Alright, now there's
just one more thing here.

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Notice this star that's just
above the Information symbol.

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It doesn't have a name.

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So, next door we have Boom 1 and Boom 2.

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And then we've got New Symbol 164.

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If you want to rename a symbol,
don't double click on it

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because that's going to take
you into the symbol edit mode,

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as we saw in the previous movie.

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Instead, click on it to select it,

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and then drop down to this
little dialogue box icon

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at the bottom of the
panel and click on it.

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And that will once again bring up

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the Symbol Options dialogue box.

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At which point, I'll just
go ahead and name this guy

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Sculpted Star, let's say,
and then I'll click OK.

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And notice now, if I
hover over that symbol,

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that I have indeed renamed it.

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And that is how you create new symbols,

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as well as rename existing
symbols here inside Illustrator.

