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- [Instructor] Alright so far

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we've seen how you can create
single color arrowheads,

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albeit subject to gradience if you like.

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In this movie I'll show you

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how to create tinted arrowheads

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and so notice that the arrowheads

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are the same color as their base strokes,

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but they have lighter tints as well.

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Alright so I'll go head and switch over

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to my Arrowheads.ai file

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I have to assume that
you're working along with me

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on the Arrowheads.ai file

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that's included on your hard drive.

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In which case just go ahead

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and zoom out a little bit

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and now let's create a copy of

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these three custom arrow heads right there

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by marquee-ing them with
the black arrow tool

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and then I'm going to
drag the anchor point

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that's associated with this
first line of point text

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while pressing the shift and alt keys.

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That's shift and option on the Mac,

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and if you have your
smart guides turned on

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then you'll see things snap
into alignment like this,

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and because I have shift and alt,

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or shift and option down,

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I'm constraining the angle of my drag

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to exactly horizontal

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as well as creating a copy
of those custom arrowheads.

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Alright I'm going to go head
and zoom in on these guys

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and I'll press the T key

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to switch to my type tool

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and then I'll double
click on the word Custom

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and change it to Tinted

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and I'll do the same thing
for the next lines of type.

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I'll change the second Custom to Tinted

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and the third Custom to tinted as well.

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Again, these are labels
for your benefit only,

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they have nothing to do with

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the final names of these arrowheads.

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Right now all these guys are
instances of existing symbols.

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I don't need that actually,

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so I'm going to marquee
these second two guys

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and press the backspace key

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or the delete key on the
Mac to get rid of them.

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And then I'll zoom in on this guy,

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and I'll click on him to select him

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and then I'll go up to the control panel

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and click on the Break Link button,

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which is going to result
in this new sublayer

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called Custom 1.

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I'm going to call it
Bad Sublayer once again

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and press the enter key.

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And then I'll go head and twirl it open

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and I'll click on this path,

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shift click on this bottom one,

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drag 'em all out of that sublayer

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then go ahead and click
on Bad Sublayer here

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inside the layers panel,

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you don't have to target
it, just click on it.

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And then click on the
little trash can icon

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in the bottom right corner of the panel,

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and now notice if you
twirl layer one closed

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and then twirl it back
open everything is blue.

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Alright now notice this
bounding box right here,

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this invisible rectangle,

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I want you to press the A key

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in order to switch to the wite arrow tool,

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and then just go ahead and marquee

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that vertical segment right there

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and press the enter key or
the return key on the Mac

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to bring up the Move dialogue box,

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change the horizontal value to 4,

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and leave the vertical value set to 0

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which will move that
edge outward four points.

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And I just happen to know
that's going to work nicely

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for this upcoming arrowhead

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at which point I'll click
Okay to accept that change.

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Now you want to click inside
this arrowhead to select it

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and then bring up your
swatches panel on screen,

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make sure the fill is active,

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and then click on this
lightest shade of gray.

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And I want you to notice
something about it.

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I'm going to double click on this gray,

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notice we just have a few
gray values available to us

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here inside the arrowheads file,

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notice that even though to swatch name is

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R 191 G 191 B 191

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that the color modes
actually set to Grayscale

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this is very important.

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If you set it to RGB or some
other model it won't work.

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You need Grayscale and the K value is 25.1

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for what that's worth

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you can either work with
that value if you want to,

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you can change the value,

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or if you want to create a new swatch,

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just make sure that its color mode

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is set to Grayscale as well.

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Alright I'm going to cancel out of here

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because I'm fine with this gray.

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And now I'll click this bottom
anchor point right there

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and I'll press Control C, Control F.

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That's going to be Command C Command F

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to paste these two segments in front

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and I'll go ahead and fill them

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with this slightly darker shade of gray

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in which the RGB values all read 128.

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And that's going to give
us this effect here.

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Alright now press the V key

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to switch to the black arrow tool,

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and I will click on this
lighter shade of gray

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and I'll press Control C Control B

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that is Command C Command B

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in order to copy the shape

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and paste it in back.

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Hence, B by the way,

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in case you can't understand
what letter I'm saying.

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Alright, now I want this
shape to have a stroke

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and so I'll go ahead and
change the line weight value

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up here in the Control Panel to 1 point

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and press the enter key or
the return key on the Mac

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to accept that change.

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If you look very closely

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you'll see that the color of the stroke

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is slightly lighter than it ought to be

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and so I'll click on a second color swatch

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and change it to K=100 so
we have a nice black stroke.

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You might also notice,

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and you don't even have
to look closely for this,

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that we have some bevel joints,

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that is to say the tips are cut off,

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and to fix that click into Wordstroke

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and then click in the
limit value right there,

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and press the up arrow key until

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not only these points come back,

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but that front point as well.

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Which for me happens
at a limit value of 7x.

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That is, seven times the line weight.

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Alright, well wherever it happens,

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doesn't really matter.

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Now the thing is custom arrowheads

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do not support strokes,

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and so we need to convert
the stroke to a fill

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by going up to the Object menu,

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choosing Path, and choosing Outline Stroke

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or if you loaded D keys,

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I've given you a shortcut

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of Control \, that's Command \ on the Mac,

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and that may seem fairly arbitrary,

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but it was an open keyboard shortcut

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and I have personally found
it very useful over time.

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Anyway, I'll go ahead
and choose that command.

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Now notice on the far left
side of the Control Panel

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that we have a group to get rid of it,

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go up to the Object
menu and choose Ungroup

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or you have that shortcut
of Control + Shift + G

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or Command + Shift + G on a Mac.

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Now notice we have some mixed objects.

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Well I'm going to shift click
on this object right there

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in order to deselect it,

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we still have this inner guy right there,

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you could get rid of it by
pressing the backspace key

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or the delete key on the Mac.

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And now click on this black stroke

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at which point you can
see it's a compound path

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over again on the left
side of the Control Panel.

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I'm not sure if that's actually

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going to cause us any problems

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but we don't need it.

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So I'll go up to the Object menu,

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choose Compound Path,

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and choose Release.

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And then I'll shift click
on that outermost blackpath

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and I'll press the backspace key

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or the delete key on the Mac

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to get rid of the excess.

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Alright now we need to create
two more tinted strokes,

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you don't actually have
to if you don't want to

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but gosh it's a lot of fun.

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So I'll go ahead and marquee
all these paths like so

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and then I'll drag 'em down

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while pressing the shift and alt keys

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that's shift and option on a Mac,

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if your smart guides are turned on

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you'll see a snap at which point release

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in order to create that copy

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and then press Control D here on the PC

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or Command D on the Mac

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in order to duplicate that arrowhead.

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Alright let's start with
this middle guy right here

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and just so I can better
see what I'm doing

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I'll press Control Y

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or Command Y on a Mac.

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I'll zoom in a little more,

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at any rate pressing Control or Command Y

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switched me to the outline mode,

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and now I am going to draw a tail

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that looks like this guy right here.

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And so I want you to notice that

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it has a kind of outline

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and then it has one, two, three, four,

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five, six, seven, light feathers

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and in between there's six darker ones.

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Alright so you don't
have to do exactly that

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but here's how I managed
to make that happen.

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I'll go ahead and switch to the pen tool

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which you can get by pressing the P key,

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and I'll drag from this point right there,

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and it's not selected,

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so I'm not joining to anything

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I'm just creating a new smooth point

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and now I'll drag to
create another smooth point

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at this location

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and I'll press the shift key as I do

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to constrain the angle
of my drag to vertical,

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and that is the segment I'm looking for.

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Just in case you're trying
to follow along with me.

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Alright now I'll switch to my reflect tool

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by grabbing it from the
rotate tool flyout menu

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and I'll go ahead and
select this entire path

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by control or command clicking on it,

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and then I'll release the
control or command key

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and I'll move my cursor to
this anchor point right there

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and I'll alt or option click on it

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to bring up the Reflect dialogue box.

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I have been flipping
around a horizontal axis

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which is exactly what I'm looking for

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so I'll just click the Copy button

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in order to make a copy of that path

230
00:08:02.05 --> 00:08:04.00
and then I'll press the V key

231
00:08:04.00 --> 00:08:05.07
to switch back to my black arrow tool

232
00:08:05.07 --> 00:08:07.06
and shift click on this top half

233
00:08:07.06 --> 00:08:08.07
and I'll join them together

234
00:08:08.07 --> 00:08:10.05
by going up to the Object menu,

235
00:08:10.05 --> 00:08:12.06
choosing Path, and choosing Join

236
00:08:12.06 --> 00:08:14.09
or you have that shortcut of Control J

237
00:08:14.09 --> 00:08:17.02
or Command J on a Mac.

238
00:08:17.02 --> 00:08:18.04
Alright now I'll marquee these guys,

239
00:08:18.04 --> 00:08:19.03
we don't need 'em

240
00:08:19.03 --> 00:08:20.04
so I'll just press the backspace key

241
00:08:20.04 --> 00:08:21.09
or the delete key on a Mac

242
00:08:21.09 --> 00:08:24.01
and then I'll press Control Y or Command Y

243
00:08:24.01 --> 00:08:26.05
in order to switch back
to the preview mode.

244
00:08:26.05 --> 00:08:28.07
Alright now let's select
this guy right there

245
00:08:28.07 --> 00:08:31.04
which is one path outline as you can see.

246
00:08:31.04 --> 00:08:32.06
I want to swap the fill and stroke

247
00:08:32.06 --> 00:08:36.04
and you can do that just by
pressing Shift X like so,

248
00:08:36.04 --> 00:08:39.05
and now let's make this stroke light

249
00:08:39.05 --> 00:08:41.05
by clicking on a second swatch up here

250
00:08:41.05 --> 00:08:42.05
in the Control Panel,

251
00:08:42.05 --> 00:08:44.07
and selecting this lighter shade of gray.

252
00:08:44.07 --> 00:08:46.05
Notice this guy right there is just K 0

253
00:08:46.05 --> 00:08:47.05
so that's white,

254
00:08:47.05 --> 00:08:49.01
we want the next guy over.

255
00:08:49.01 --> 00:08:51.05
Everybody = 191,

256
00:08:51.05 --> 00:08:54.00
and then we want to
create a copy of this path

257
00:08:54.00 --> 00:08:56.04
and just to make sure you
and I get the same results

258
00:08:56.04 --> 00:08:58.07
I'll press the enter key or
the return key on the Mac

259
00:08:58.07 --> 00:09:00.05
to bring up the Move dialogue box,

260
00:09:00.05 --> 00:09:03.02
you want the horizontal value to be 2,

261
00:09:03.02 --> 00:09:06.00
and then change the vertical value to 0.

262
00:09:06.00 --> 00:09:07.07
And then press the tab key,

263
00:09:07.07 --> 00:09:10.06
and you'll notice this
guy move over a little bit

264
00:09:10.06 --> 00:09:12.04
at which point click the copy button

265
00:09:12.04 --> 00:09:15.01
and you'll create a copy
of the path like so.

266
00:09:15.01 --> 00:09:16.05
Apparently that's not what I want.

267
00:09:16.05 --> 00:09:17.08
So, I'll undo that change

268
00:09:17.08 --> 00:09:19.03
and I'll try again by pressing

269
00:09:19.03 --> 00:09:21.02
the enter key or the return key on a Mac,

270
00:09:21.02 --> 00:09:23.03
I guess I want a horizontal value of 1

271
00:09:23.03 --> 00:09:25.04
and a vertical value of 0

272
00:09:25.04 --> 00:09:27.02
at which point I'll click Copy

273
00:09:27.02 --> 00:09:28.09
and that creates a copy of the path

274
00:09:28.09 --> 00:09:30.02
in the proper location.

275
00:09:30.02 --> 00:09:33.04
Alright, now I'll change
the color of that stroke

276
00:09:33.04 --> 00:09:35.09
to everybody = 128,

277
00:09:35.09 --> 00:09:38.02
and now I'll shift click on the first guy

278
00:09:38.02 --> 00:09:39.09
so that both of 'em are selected,

279
00:09:39.09 --> 00:09:41.01
and I'll press the enter key

280
00:09:41.01 --> 00:09:42.03
or the return key on the Mac

281
00:09:42.03 --> 00:09:44.03
to revisit the Move dialogue box

282
00:09:44.03 --> 00:09:47.03
and this time I'll take the
horizontal value up to 2,

283
00:09:47.03 --> 00:09:49.00
leave the vertical value set to 0

284
00:09:49.00 --> 00:09:50.06
and click the Copy button.

285
00:09:50.06 --> 00:09:53.08
And that gets me the
effect I'm looking for.

286
00:09:53.08 --> 00:09:55.04
Alright now we have two sets

287
00:09:55.04 --> 00:09:58.01
of light and medium gray stripes,

288
00:09:58.01 --> 00:09:59.08
I want six sets

289
00:09:59.08 --> 00:10:01.02
and so I'll press Control D

290
00:10:01.02 --> 00:10:02.05
or Command D on the Mac

291
00:10:02.05 --> 00:10:05.05
three, four, five, six times,

292
00:10:05.05 --> 00:10:07.04
and I'm not counting
out the number of times

293
00:10:07.04 --> 00:10:08.08
I'm pressing they keyboard shortcut,

294
00:10:08.08 --> 00:10:10.06
I'm pressing the number of times

295
00:10:10.06 --> 00:10:14.06
we have alternating light
and dark gray stripes.

296
00:10:14.06 --> 00:10:17.00
And now I want to take
this guy by himself,

297
00:10:17.00 --> 00:10:18.06
so click off and then click on

298
00:10:18.06 --> 00:10:20.02
to select that guy by himself,

299
00:10:20.02 --> 00:10:21.08
and I'll just press Control D

300
00:10:21.08 --> 00:10:22.09
or Command D on a Mac

301
00:10:22.09 --> 00:10:24.09
in order to make a copy of that guy,

302
00:10:24.09 --> 00:10:26.06
and notice that this guy is in front

303
00:10:26.06 --> 00:10:28.00
and as a result it's thicker,

304
00:10:28.00 --> 00:10:30.04
and so I'll right click
in the document window,

305
00:10:30.04 --> 00:10:32.09
choose Arrange, and choose Bring to Front

306
00:10:32.09 --> 00:10:35.01
or you can press Control + Shift + ]

307
00:10:35.01 --> 00:10:37.06
or Command + Shift + ] On a Mac.

308
00:10:37.06 --> 00:10:38.05
And that's just going to make sure

309
00:10:38.05 --> 00:10:41.09
all the stripes are the same thickness.

310
00:10:41.09 --> 00:10:43.01
Alright, now we need to create

311
00:10:43.01 --> 00:10:45.00
the black stroke around everything.

312
00:10:45.00 --> 00:10:47.02
And so I'll go ahead and shift click

313
00:10:47.02 --> 00:10:49.06
on this first light stroke

314
00:10:49.06 --> 00:10:50.09
and then I'll press Control C

315
00:10:50.09 --> 00:10:52.01
or Command C on a Mac

316
00:10:52.01 --> 00:10:53.00
to copy it,

317
00:10:53.00 --> 00:10:55.00
and Control F, or command F on a Mac

318
00:10:55.00 --> 00:10:56.04
to paste in front.

319
00:10:56.04 --> 00:10:58.06
And let's go ahead and change the color

320
00:10:58.06 --> 00:11:00.04
of these strokes to black.

321
00:11:00.04 --> 00:11:02.05
And I'll take the line weight here

322
00:11:02.05 --> 00:11:06.07
down to 0.5 so half the
thickness of everybody else

323
00:11:06.07 --> 00:11:08.06
and I want to move one stroke one way

324
00:11:08.06 --> 00:11:09.06
and the other stroke the other way

325
00:11:09.06 --> 00:11:11.04
and so I'll click off of 'em

326
00:11:11.04 --> 00:11:12.03
to deselect 'em.

327
00:11:12.03 --> 00:11:13.05
I'll select this guy,

328
00:11:13.05 --> 00:11:15.00
and I'll press the enter key

329
00:11:15.00 --> 00:11:15.09
or the return key on the Mac

330
00:11:15.09 --> 00:11:17.07
to bring up the Move dialogue box.

331
00:11:17.07 --> 00:11:18.09
And this time we want to move

332
00:11:18.09 --> 00:11:20.07
this path outline to the left,

333
00:11:20.07 --> 00:11:22.09
so we want a negative horizontal value

334
00:11:22.09 --> 00:11:24.04
and it turns out we're looking

335
00:11:24.04 --> 00:11:27.05
for -0.75

336
00:11:27.05 --> 00:11:29.01
is going to do the trick

337
00:11:29.01 --> 00:11:30.05
as we're seeing right here,

338
00:11:30.05 --> 00:11:32.02
the vertical value of 0 is what we want,

339
00:11:32.02 --> 00:11:34.05
and don't click Copy just click Okay.

340
00:11:34.05 --> 00:11:36.04
And then select this guy,

341
00:11:36.04 --> 00:11:38.07
press the enter key or
the return key on a Mac

342
00:11:38.07 --> 00:11:42.03
and change the horizontal
value to positive 0.75

343
00:11:42.03 --> 00:11:44.09
and you can see that
that works quite nicely

344
00:11:44.09 --> 00:11:46.08
at which point I'll click Okay.

345
00:11:46.08 --> 00:11:48.05
Now shift click on this first path,

346
00:11:48.05 --> 00:11:50.01
so that both of them are selected

347
00:11:50.01 --> 00:11:52.06
and join 'em together
by pressing Control J

348
00:11:52.06 --> 00:11:53.06
or Command J on a Mac,

349
00:11:53.06 --> 00:11:56.01
notice that joins together
the bottom anchor points.

350
00:11:56.01 --> 00:11:57.07
Now to join the top ones,

351
00:11:57.07 --> 00:12:00.08
you press Control J or
Command J on the Mac again.

352
00:12:00.08 --> 00:12:02.07
Alright, once again arrowheads

353
00:12:02.07 --> 00:12:04.02
are not compatible with strokes

354
00:12:04.02 --> 00:12:06.03
so go ahead and marquee all of these guys.

355
00:12:06.03 --> 00:12:08.08
You don't want the big
rectangle to be selected,

356
00:12:08.08 --> 00:12:11.02
so shift click on it to deselect it

357
00:12:11.02 --> 00:12:12.06
and choose Outline Stroke

358
00:12:12.06 --> 00:12:15.05
or again with D keys
you have that shortcut

359
00:12:15.05 --> 00:12:18.01
of Control or Command /

360
00:12:18.01 --> 00:12:19.09
and that gives is this effect right here.

361
00:12:19.09 --> 00:12:20.08
And if you want,

362
00:12:20.08 --> 00:12:21.09
you could just check to make sure

363
00:12:21.09 --> 00:12:25.09
that each one of these guys
is an independent path outline

364
00:12:25.09 --> 00:12:27.02
which in my case it is

365
00:12:27.02 --> 00:12:28.07
so I'll just press Control Z

366
00:12:28.07 --> 00:12:29.09
or Command Z on a Mac

367
00:12:29.09 --> 00:12:33.03
enough times to put everybody
back where they were.

368
00:12:33.03 --> 00:12:35.04
Alright, now let's create an arrowhead

369
00:12:35.04 --> 00:12:37.06
that looks like a kind of spear

370
00:12:37.06 --> 00:12:39.03
as we're seeing right here.

371
00:12:39.03 --> 00:12:41.02
So more or less a conventional,

372
00:12:41.02 --> 00:12:42.06
old school traditional,

373
00:12:42.06 --> 00:12:45.05
back in the very olden days arrowhead.

374
00:12:45.05 --> 00:12:47.01
And so I'll go ahead and switch back

375
00:12:47.01 --> 00:12:48.04
to my file in progress here.

376
00:12:48.04 --> 00:12:50.08
I am looking at the last
arrowhead, aren't I?

377
00:12:50.08 --> 00:12:51.07
Yes I am,

378
00:12:51.07 --> 00:12:54.09
and so I'll go ahead and zoom back in.

379
00:12:54.09 --> 00:12:56.02
Alright so I'm going to need to draw

380
00:12:56.02 --> 00:12:57.02
a new path outline,

381
00:12:57.02 --> 00:12:58.05
so I'll grab my pen tool.

382
00:12:58.05 --> 00:13:00.06
Again, you can get that
by pressing the P key,

383
00:13:00.06 --> 00:13:03.01
and then I'll move my cursor

384
00:13:03.01 --> 00:13:05.01
to about this location right here,

385
00:13:05.01 --> 00:13:06.09
you can see the word intersect.

386
00:13:06.09 --> 00:13:09.09
And that's telling me I'm
intersecting with something

387
00:13:09.09 --> 00:13:12.02
associated with this existing arrowhead.

388
00:13:12.02 --> 00:13:14.00
So I'll go ahead and click there

389
00:13:14.00 --> 00:13:16.07
and now I want to click
up here some place,

390
00:13:16.07 --> 00:13:17.08
this looks pretty good,

391
00:13:17.08 --> 00:13:19.03
and I want to click at this location

392
00:13:19.03 --> 00:13:21.04
but if I do I will join with

393
00:13:21.04 --> 00:13:23.00
this bottom path outline.

394
00:13:23.00 --> 00:13:23.08
I don't want that,

395
00:13:23.08 --> 00:13:25.05
so I'll click right about there,

396
00:13:25.05 --> 00:13:27.00
and then I'll press the control key,

397
00:13:27.00 --> 00:13:28.04
or the command key on a Mac

398
00:13:28.04 --> 00:13:30.04
to get my white arrow tool on the fly,

399
00:13:30.04 --> 00:13:31.09
and I'll drag this guy down

400
00:13:31.09 --> 00:13:34.04
until it snaps into alignment like so.

401
00:13:34.04 --> 00:13:35.05
Alright so that takes care

402
00:13:35.05 --> 00:13:36.09
of that half of the arrowhead

403
00:13:36.09 --> 00:13:38.00
which is good enough for now.

404
00:13:38.00 --> 00:13:40.03
I'll press the V key to
switch to the black arrow tool

405
00:13:40.03 --> 00:13:42.00
and I'll marquee these shapes

406
00:13:42.00 --> 00:13:44.01
and I'll go ahead and
press the backspace key

407
00:13:44.01 --> 00:13:45.02
or the delete key on the Mac

408
00:13:45.02 --> 00:13:46.05
to get rid of all of them.

409
00:13:46.05 --> 00:13:48.07
And then I'll select this path outline

410
00:13:48.07 --> 00:13:50.01
and I'll press Control C

411
00:13:50.01 --> 00:13:51.03
or Command C on a Mac,

412
00:13:51.03 --> 00:13:52.04
in order to copy it.

413
00:13:52.04 --> 00:13:54.01
That's because I'm
going to come back to it

414
00:13:54.01 --> 00:13:55.00
in just a moment.

415
00:13:55.00 --> 00:13:56.02
And now flip this guy

416
00:13:56.02 --> 00:13:58.01
by once again selecting the reflect tool,

417
00:13:58.01 --> 00:14:00.03
which you could get by pressing the O key,

418
00:14:00.03 --> 00:14:01.07
and alt click, or option click

419
00:14:01.07 --> 00:14:03.01
on this right hand point

420
00:14:03.01 --> 00:14:04.05
to bring up the Reflect dialogue box.

421
00:14:04.05 --> 00:14:06.06
Axis is already set to horizontal

422
00:14:06.06 --> 00:14:09.04
so I'll just go ahead and
click on the Copy button

423
00:14:09.04 --> 00:14:10.04
then I'll press the V key

424
00:14:10.04 --> 00:14:12.01
to switch back to black arrow tool,

425
00:14:12.01 --> 00:14:13.06
I'll shift click on this top half,

426
00:14:13.06 --> 00:14:14.06
and I'll join 'em together

427
00:14:14.06 --> 00:14:17.06
by pressing Control J
or Command J on the Mac.

428
00:14:17.06 --> 00:14:19.04
Alright now I want to
swap the fill and stroke

429
00:14:19.04 --> 00:14:21.03
by pressing shift X

430
00:14:21.03 --> 00:14:22.08
so we have a black stroke like so

431
00:14:22.08 --> 00:14:25.02
and now convert it to
a filled path outline

432
00:14:25.02 --> 00:14:26.08
by going up to the Object menu,

433
00:14:26.08 --> 00:14:29.01
choosing Path, and choosing Outline Stroke

434
00:14:29.01 --> 00:14:31.03
or you can Control or Command \

435
00:14:31.03 --> 00:14:33.05
for those of you who loaded D keys.

436
00:14:33.05 --> 00:14:35.05
Now I want to paste that
copied path in front

437
00:14:35.05 --> 00:14:36.08
so I'll press Control F

438
00:14:36.08 --> 00:14:39.02
or Command F on the Mac
to make that happen,

439
00:14:39.02 --> 00:14:41.04
and I'll just go ahead and
click on the Fill Swatch,

440
00:14:41.04 --> 00:14:43.01
first swatch in the Control Panel,

441
00:14:43.01 --> 00:14:47.06
and I'll change it to
everybody = 128 like so,

442
00:14:47.06 --> 00:14:49.00
and now what you want to do

443
00:14:49.00 --> 00:14:51.02
is click and hold on the eraser tool

444
00:14:51.02 --> 00:14:53.02
and select the scissors tool

445
00:14:53.02 --> 00:14:55.01
which has a keyboard shortcut of C.

446
00:14:55.01 --> 00:14:56.08
It'll click right there, this spot,

447
00:14:56.08 --> 00:15:00.08
in order to cut that
anchor point in twain.

448
00:15:00.08 --> 00:15:02.07
Alright and now press the P key

449
00:15:02.07 --> 00:15:04.02
to switch back to my pen tool

450
00:15:04.02 --> 00:15:05.07
and I'll click there

451
00:15:05.07 --> 00:15:08.01
in order to activate that path outline,

452
00:15:08.01 --> 00:15:10.09
and then I'll move my
cursor directly down like so

453
00:15:10.09 --> 00:15:12.05
and click here

454
00:15:12.05 --> 00:15:14.01
in order to create a vertical segment

455
00:15:14.01 --> 00:15:15.04
and then I'll click here

456
00:15:15.04 --> 00:15:17.04
in order to create a horizontal one.

457
00:15:17.04 --> 00:15:19.08
And that goes ahead and
closes off that path

458
00:15:19.08 --> 00:15:20.08
into a triangle.

459
00:15:20.08 --> 00:15:23.07
And now control or command
click on this path,

460
00:15:23.07 --> 00:15:25.05
that doesn't really
select the entire thing

461
00:15:25.05 --> 00:15:27.00
but it selects the one segment

462
00:15:27.00 --> 00:15:28.08
which is enough for me to move it to front

463
00:15:28.08 --> 00:15:31.01
by right clicking, choosing Arrange,

464
00:15:31.01 --> 00:15:32.05
and then choosing Bring to Front,

465
00:15:32.05 --> 00:15:35.01
or you've got that shortcut
Control + Shift + ]

466
00:15:35.01 --> 00:15:37.00
Command + Shift + ] On the Mac,

467
00:15:37.00 --> 00:15:39.00
now click there to activate the path,

468
00:15:39.00 --> 00:15:41.07
click there to create a vertical segment,

469
00:15:41.07 --> 00:15:43.05
and click here to close things up

470
00:15:43.05 --> 00:15:44.08
with the horizontal ones.

471
00:15:44.08 --> 00:15:46.02
So we now have two triangles.

472
00:15:46.02 --> 00:15:47.09
Alright now I'll press the V key

473
00:15:47.09 --> 00:15:49.02
to switch to my black arrow tool,

474
00:15:49.02 --> 00:15:51.03
click in this guy just to
make sure he's selected,

475
00:15:51.03 --> 00:15:53.07
click on the first swatch
up here in the Control Panel

476
00:15:53.07 --> 00:15:56.04
and change it to everybody = 191.

477
00:15:56.04 --> 00:15:57.09
So we have a light shade of gray.

478
00:15:57.09 --> 00:15:59.08
Now shift click on this path

479
00:15:59.08 --> 00:16:01.01
in order to select it,

480
00:16:01.01 --> 00:16:04.02
press the O key to switch
to the reflect tool,

481
00:16:04.02 --> 00:16:07.03
which is now active over
here in the toolbox.

482
00:16:07.03 --> 00:16:09.03
And now you want to alt or option click

483
00:16:09.03 --> 00:16:11.02
on this left hand anchor point

484
00:16:11.02 --> 00:16:13.01
and then click the Copy button

485
00:16:13.01 --> 00:16:14.07
to create a copy of those paths.

486
00:16:14.07 --> 00:16:15.09
Now press the V key to switch back

487
00:16:15.09 --> 00:16:17.04
to the black arrow tool.

488
00:16:17.04 --> 00:16:19.05
Click off the path
outlines to deselect 'em.

489
00:16:19.05 --> 00:16:20.05
Select this guy,

490
00:16:20.05 --> 00:16:22.04
and here's at the swatches panel,

491
00:16:22.04 --> 00:16:24.00
because it feel active I'll change it

492
00:16:24.00 --> 00:16:25.03
to the darker shade of gray,

493
00:16:25.03 --> 00:16:26.08
and then I'll select this guy

494
00:16:26.08 --> 00:16:28.07
and change it to the
lighter shade of gray.

495
00:16:28.07 --> 00:16:31.01
So that we have some alternating fills.

496
00:16:31.01 --> 00:16:33.02
Alright now just so you
don't lose your work,

497
00:16:33.02 --> 00:16:34.09
I want you to go up to the file menu

498
00:16:34.09 --> 00:16:36.06
and choose the save command,

499
00:16:36.06 --> 00:16:38.00
or as you well know by now,

500
00:16:38.00 --> 00:16:41.05
you could just press Control
S or Command S on a Mac.

501
00:16:41.05 --> 00:16:42.08
Now of course if we want to actually

502
00:16:42.08 --> 00:16:45.03
employ these guys as arrowheads,

503
00:16:45.03 --> 00:16:47.01
we need to convert them to symbols.

504
00:16:47.01 --> 00:16:49.03
That's not really going to be anything new

505
00:16:49.03 --> 00:16:50.09
but we are running long.

506
00:16:50.09 --> 00:16:53.00
So I'm going to show you
how to make that happen

507
00:16:53.00 --> 00:16:54.06
in the next movie.

