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- [Instructor] In this movie,

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I'll show you how to take what I'm calling

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these construction paths right here

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and we're going to clip them
apart using the scissors tool

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in order to create these paths right here.

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So notice we're getting rid of everything

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over on this side and everything
down along here as well.

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Alright so I'll go ahead and switch

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to my illustration in progress here

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and I'm going to zoom way in
on this detail right here.

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And just so that we're getting the most

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precise results possible,
I'll press control Y

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or command Y on a Mac to
switch to the outline mode,

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and I'm going to zoom in even closer

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and notice that we're
looking at the intersection

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of the top black path as
well as this outer red path.

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And we can see that's the
case if I press control Y

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or command Y on a Mac to switch
back to the preview mode.

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But we need to see the outline,

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so I'm going to press
control or command Y again,

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and then I'll click and
hold on the eraser tool,

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and I'll select the scissors
tool from the fly out menu,

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which has a keyboard shortcut of C.

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And then I'll press the control key,

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or the command key on a Mac,

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to temporarily gain access
to my last used arrow tool

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which is the black arrow,

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and I'll click on this path to select it.

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And then I'll release the
control or command key

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in order to switch back
to the scissors tool.

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Notice there's an anchor
point right there,

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we want to avoid it,

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and so you may need to
zoom in a little bit

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and I always forget that Illustrator

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now zooms in on the selection

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so that kind of ruined everything here.

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I need to scroll back up

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and then I'll just
control space bar click.

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That's a command space bar click on a Mac.

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Just so I can see exactly
where I need to click.

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Notice that my smart guides are turned on

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so that I'm seeing the word intersect

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when I click at this location right there.

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Alright that adds effectively
two new anchor points,

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so two end points, because
we just cut it in two.

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And so I'm going to press the control key,

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or the command key on a Mac,

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to temporarily gain access
to my black arrow tool

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once again and click
on this left hand path,

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which is now independent of this path

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over here on the right,

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and I'll press the backspace key,

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or the delete key on a
Mac to get rid of it.

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Alright now I'll scroll down

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using the scroll wheel on my
mouse for what that's worth,

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and I'll control or
command click on this path

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to select it, notice we have
an anchor point right there.

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Want to avoid it.

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And so you want to click
at the intersection

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of these two paths, and then
control or command click

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on the left hand path and
press the backspace key

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or delete key on the Mac to get rid of it.

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Alright now at this point
we can zoom out a little bit

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and control or command click on this guy

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and click when you see the word intersect.

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In order to cut away this
left hand bit of path.

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Then control or command
click on it to select it

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and press the backspace key

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or the delete key on a
Mac to get rid of it.

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Alright now we could
clip this inner circle,

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but we don't really have to,

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so I'm just going to leave it alone.

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And instead I'm going to
move down to this region

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where we're seeing the black paths

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intersect with this
bottom group of red paths.

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Alright so I'll press control Y

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or command Y on a Mac to switch
back to the outline mode,

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and then I'll zoom in on this guy.

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This time I want to cut the path

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that's more or less vertical,

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and so I'll press the control key,

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or the command key on a
Mac, and click on this path

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to select it.

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Notice that we have an anchor point

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right here at this location.

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We want to avoid it.

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So I'll click when I
see the word intersect.

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I've zoomed way in once again,

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and then I'll control or command click

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on this bottom piece of path to select it

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and I'll press the backspace key

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or the delete key on a
Mac to get rid of it.

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Right now you want to
control or command click

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on this path, the one that's
more or less vertical,

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and click at the word intersect,

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so avoid that anchor point right there.

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I want to click right at this location.

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And then control or
command click to select

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the bottom piece of path outline

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and press the backspace key

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or the delete key on
the Mac to get rid of it

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and then control or command click on this

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more or less vertical path outline.

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Click when you see the word intersect

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and then control or command click

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on this bottom piece of path to select it

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and press the backspace key

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or the delete key on a Mac
to get rid of it as well.

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At which point, you're going to end up

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with this effect here.

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To see what it looks like,
we'll press control Y

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or command Y on a Mac to switch
back to the preview mode.

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Alright now what you want to do

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is press the V key to switch
back to your black arrow tool

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and just go ahead and marquis
these paths right here.

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So these four ring paths

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as well as the upright at sign.

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You don't need to select
the one that's upside down.

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And then just press control C

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or command C on a Mac to copy it

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and then go ahead and turn
off this 60.74% layer,

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drop down to the little page icon

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at the bottom of the layers panel

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and Alt or Option click on it

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in order to bring up the
options dialogue box.

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We'll call this new layer pattern

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and I'll change it's color to medium blue,

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let's say, up here toward
the top of the menu,

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and click okay.

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And then I'll press control F

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or command F on a Mac in order
to paste those path outlines.

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Alright, now we need to
rotate them into place

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and we're going to do that
by pressing control zero,

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or command zero on a Mac
in order to zoom out.

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I'm going to click off the
paths to deselect them,

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and then I'm going to zoom
in just a little bit here

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so that I'm looking at the document

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at the 100% zoom ratio,

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and I'll press control
A, or command A on a Mac

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to select all those paths.

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Then I'll switch to the rotate tool,

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which you can get by pressing the R key.

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Go ahead and position your cursor

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exactly at the intersection
of the two center guides

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and Alt or Option click.

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Alright now this time around,

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the math is a little harder to figure out.

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So I'm going to enter
an angle value of 360,

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which is a full circle,

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and then I'll enter slash eight,

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for the eight sides of the octagon,

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and I'll press the tab key,

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and that gives me an
angle value of 45 degrees.

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At which point I'll click copy,

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in order to copy all those paths,

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and then I'll press control
D, or command D on the Mac

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in order to duplicate that rotation

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until I fill out every corner
of that octagonal guide,

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like so.

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Alright now to complete the effect

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I'll go ahead and zoom out here

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and because I have something selected,

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I zoomed out with the art
board at a weird position,

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so I'll just go ahead and
scroll things back here.

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And what I want to do
is make this logo white

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against a dark blue background.

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And so I'm going to
create yet another layer,

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this time by control alt
or command option clicking

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on little page icon at the
bottom of the layers panel,

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and the reason I'm pressing those keys

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is that will result in a
layer below the active one,

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and so I'll just go ahead
and call this layer backdrop,

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let's say, and change
it's color to light gray,

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doesn't really matter, and click okay.

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And now I'll switch to my rectangle tool,

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which I can select from the
shape tool fly out menu,

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and I'll draw a big rectangle

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from one corner of the red
bleed boundary to the other,

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and then I'll change the stroke to none

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and I'll set the fill to this
dark shade of gray right here.

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In which the RGB values are all 51.

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And that'll produce this effect here.

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Now I'm really looking for a
kind of dark shade of blue,

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but it's not a blue that I've created here

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in the swatches panel,

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so I'm going to switch over
to the appearance panel,

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click on the fill, and click
on the little page icon

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at the bottom of the panel
to create a copy of it,

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and then I'll change this
fill to the shade of blue

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that begins R equals zero, G equals 113.

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And I'll click on the word opacity

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and I'll change the blend
mode for this specific fill

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to color and I'll take
the opacity value down

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to 50 percent, and if you loaded D keys,

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you could do that just
by tapping the five key.

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In my case I have to tap
the key a couple of times

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because the first time
ended up closing that panel.

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Alright now I'll press control shift A

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or command shift A on a Mac

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in order to deselect my art work

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and I'll go ahead and zoom back in.

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Now switch back over to the layers panel,

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I'll scroll to the bottom
and turn off the guides layer

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and then I'll scroll up here to the top

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and I'll press the V key

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to switch to my black arrow tool,

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and I'll click on any one
of these black strokes

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to select it, then I'll
click on this icon over here

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on the right side of the control panel,

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the one that reads select similar objects

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and I will change all
the strokes to white.

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And then I'll click on
any one of the at signs,

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I'll click on that icon
again, select similar objects,

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in order to select all the at signs

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and I'll change their fills
to white this time around.

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And I'm going to go ahead and
lock down that backdrop layer,

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incidentally, just so that I
don't end up messing it up.

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And now let's say that I
want to assign a drop shadow

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to this entire layer,

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then I would go ahead and target the layer

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by clicking on this
little meatball over here

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on the right side of the layers panel,

223
00:08:38.00 --> 00:08:39.09
and then with the entire layer selected,

224
00:08:39.09 --> 00:08:42.03
I'll go up to the effect
menu, choose stylize,

225
00:08:42.03 --> 00:08:44.06
and then choose drop shadow,

226
00:08:44.06 --> 00:08:45.08
which if you loaded D keys,

227
00:08:45.08 --> 00:08:47.08
there's a shortcut of control alt D,

228
00:08:47.08 --> 00:08:49.08
or command option D on a Mac.

229
00:08:49.08 --> 00:08:51.05
And these are the settings
they came up with.

230
00:08:51.05 --> 00:08:54.08
The mode's set to multiply, the
color is black, incidentally

231
00:08:54.08 --> 00:08:57.00
and so if need be, you can dial that in

232
00:08:57.00 --> 00:08:59.00
by clicking on a little color swatch.

233
00:08:59.00 --> 00:09:00.08
The opacity is 100%.

234
00:09:00.08 --> 00:09:02.03
The X offset is negative two,

235
00:09:02.03 --> 00:09:04.01
the Y offset is positive two,

236
00:09:04.01 --> 00:09:05.03
and the blur is zero.

237
00:09:05.03 --> 00:09:07.08
At which point I'll click
okay to accept that change

238
00:09:07.08 --> 00:09:13.00
and then I'll click off my
art work to deselect it.

239
00:09:13.00 --> 00:09:15.04
And that's how you whittle
away at your path outlines

240
00:09:15.04 --> 00:09:17.07
using the old school scissors tool

241
00:09:17.07 --> 00:09:22.00
in order to create a ring
logo of interwoven rings

242
00:09:22.00 --> 00:09:24.00
here inside Illustrator.

