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- [Instructor] In this
movie, I'll show you how

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to update an asset
across multiple documents

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in a single operation.

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And this is what really
makes libraries worthwhile,

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because just imagine you have an element

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such as a logo, and it appears not only

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in multiple documents, but
they're being worked on

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by multiple people as well,
and yet you can modify

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that logo and have it update

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in every single document automatically.

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Alright, I'll go ahead and select the logo

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by pressing ctrl+a or cmd+a on the Mac,

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and then armed with the black arrow tool,

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I'll drag and drop the logo
into the libraries panel.

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Now of course it doesn't
have to be in this library,

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it could be in any library you choose,

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but I'm still working inside
the design elements library.

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Alright, now I want to rename this guy

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by double-clicking on artwork one,

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and I'll just call it logo.

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Alright, now let's add
that logo to our artwork

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in progress, and I'm going
to do that by first selecting

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this lower text here, with the
black arrow tool once again,

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and I'm going to change
the type size value

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up here in the control panel to 60 points,

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and then I'll press the T key
to switch to the type tool,

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and I'll get rid of both
of these parentheses.

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Alright, now I'll press the escape key,

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and I'll go ahead and
drag and drop an instance

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of this logo into the artwork,

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and then I'll switch to the scale tool,

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which I could do by pressing the S key,

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I'll press the enter key,
or the return key on a Mac,

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to bring up the scale dialog box.

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I'll change the uniform
value to 20 percent,

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and I'll press the enter key,
or the return key on a Mac.

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Alright, now I'll press the
V key to switch to my black

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arrow tool and I'll go
ahead and drag this guy down

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to right about here,
just want to make sure

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it's in a good location, so I'll nudge it

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either up or down, not sure
which way to go right now,

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this looks pretty good actually,

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and then I'll press shift
left arrow a few times

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in order to nudge it back.

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Now I might decide I want to give this guy

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a drop shadow, so you
can assign transparency

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and dynamic effects to these
guys as much as you want.

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And I'll do that just by
selecting the eye dropper,

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which you could get by pressing the I key.

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Go ahead and press the enter key as well,

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or the return key on a Mac,
and turn on the appearance

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checkbox right there, so it'll be expanded

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when it's turned off, as
soon as you turn it on,

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it will collapse, and then click OK,

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and click on the text,

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to lift its drop shadow,
that's a little bit too much,

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so I'm going to switch over
to the appearance panel,

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and click on drop shadow
in order to bring up

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the dialog box, and I'll
take the x offset value

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down to one, and let's try
y offset value of four.

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And then I'll turn on the preview checkbox

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to see what that looks like,

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that's pretty good, so I'll click OK

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in order to accept that change.

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We've placed the logo into this document,

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that works out beautifully.

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Now I'm going to go ahead and switch over

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to the sample logo document for a moment,

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switch to the layers panel,
turn off the rings layer,

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and the reason I'm doing
this is I want to have

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another instance, just for
the sake of demonstration,

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in this document as well.

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And so I'll drop down to
the page icon at the bottom

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of the layers panel, and
I'll alt or option click

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on it to bring up the
layer options dialog box,

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and I'll call this layer,
place logo, let's say,

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and I'll change the color to violet,

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and then I'll click OK.

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Alright, now we want to place an instance

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by switching to the
libraries panel and this time

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I want the logo to go right in the middle,

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and so I'm going to right click on it,

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and choose place linked,

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and that will create a link
to the creative cloud asset.

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Now if you choose place copy,
then you will just go ahead

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and add some static path outlines.

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So you'll have no link whatsoever,

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and notice, we're just seeing
the words mixed objects

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on the far left side of the control panel,

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which is Illustrator's way of telling us

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that some of the paths are
stroked, and one path is filled.

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Another way to do that, by
the way, just so you know

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everything that's available to you,

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I'll press ctrl+z or cmd+z on
the Mac to undo that change.

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The other way to pull that
off is when you're dragging

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an asset from the libraries
panel, you press the alt

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key or the option key on
a Mac, and then drop it,

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and that will create a
copy instead of a link.

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That's not what we want,
however, so I'll just get rid

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of that guy, and then I'll
right click on that logo

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and choose place linked,
and that will create

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an instance of that logo right there

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in the center of the artwork.

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And we can tell its
linked, because we can see

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the words linked file on the far left side

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of the control panel.

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Alright, I'll ciick off
the artwork to deselect it.

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Now let's say we need to update the logo

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for whatever reason.

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Then just go ahead and
double click on its thumbnail

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here inside the libraries
panel in order to open it

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in an independent document window.

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Now the reason we can't
see anything is because

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it's a white logo
against a white artboard,

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so what you need to do is
go up to the view menu,

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and choose show transparency grid,

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and that'll bring up this
checkerboard pattern,

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which represents the transparent
portion of the artwork,

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and now, let's change that
checkerboard a little bit

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so we can better see what we're doing,

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by clicking on the document setup button,

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which will bring up the
document setup dialog box,

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and then click on this
white swatch right here,

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and change it to a darker shade of gray,

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which is going to look
different on the Mac,

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but you can probably figure it out by now.

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And then I'll click OK
to accept that change,

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and then I'll click OK again in order

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to better distinguish the logo.

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Alright, now I'm going to click
on the at sign right there,

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and I'm going to get rid of it
by pressing the backspace key,

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or the delete key on a Mac,

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and then I'll select this
inner circle right there

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and I want to make it smaller
by clicking on the word

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transform, make sure that
the link is turned on,

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that little chain icon right there,

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and that both of the scale
checkboxes are turned off.

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Then, change either the
width or height value to 72,

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and then press the tab
key, and that will update

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both values as we're seeing here.

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Alright now you want to
grab these two circles

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and get rid of 'em, and
in case you're wondering

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where I'm going, doesn't really matter,

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I'm just making a different logo effect,

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but I'm eventually
going to create a blend.

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And so I'm going to select
this inner circle right there,

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and I'll go up to the
effect menu, choose distort

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and transform, and
choose pucker and bloat.

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And then you want to turn
on the preview checkbox,

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click inside that value
right there, and press shift

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down arrow three times

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in order to reduce that
value to negative 30 percent,

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then click OK, and now shift
click on the outer circle

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there to select it, and
go up to the object menu,

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choose blend, and choose make,

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or just press ctrl+alt+B,
or cmd+opt+B on the Mac,

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and we'll get this effect here,

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and with any luck, you'll get three steps

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in between automatically.

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If you don't, return to the object menu,

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choose blend, and then
choose blend options,

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which if you loaded D keys,
now has a keyboard shortcut

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of mash your fist B, at which point

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you want to change
specified steps to three.

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So I guess there's a
good chance that that's

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not the way it's set by default.

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If I have smooth color
turned on, what do I get?

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Just one step, alright,
so you will have to switch

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to specified steps, and go with three,

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and then click OK.

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Alright now that's a pretty cool effect,

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but it kind of makes the
outer circle look squarish,

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and to change that,
press the A key to switch

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to the white arrow tool,
click off the paths

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to deselect them, click on
the outer circle to select it,

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and I'll actually alt
or option click on it

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to select the whole thing.

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And then, you want to
return to the effect menu

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and choose pucker and bloat, dot dot dot,

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so the second command, and if you turn on

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the preview checkbox,
you'll see that that ends up

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puckering it, as well.

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I want it to bloat, so I'll get rid of

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the negative sign and press the tab key,

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and we end up with this
effect here, at which point

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I'll click OK.

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And now, I'll just close the
logo, and then I'll click

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the yes button here on the PC,

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that's the save button on a Mac.

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And you can see just
like that we've updated

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this artwork, and this artwork
could be on your machine.

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We could be working back
and forth, and I could

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make the adjustment, and
it would just automatically

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pop up on your screen
if you were subscribing

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to this library.

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Same goes for the other file right there.

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Notice that it has updated, as well.

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And that is how you update an asset across

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multiple documents in a
clean and single operation

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using CC libraries.

