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- [Instructor] In this movie,



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we're going to use the revolve effect



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to create something of a classic



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in the form of this 3D soda can.



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Alright I no longer need this ring



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and in fact, it's going

to slow things down.



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So I'm going to get rid of that layer



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by switching to the layers panel,



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and I could just click

on the trash can icon,



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down here in the bottom right corner.



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But if I do that, I'll

get an alert message.



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If that bugs you, then

what you can do instead,



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is drag the layer and drop

it onto the trash can.



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Next I'll go ahead and

turn on the soda layer,



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and you can see that it's a

total of three very basic paths.



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I do the orange path using the pen tool,



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and it's in the background.



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Down here at the bottom is this sliver



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that I created using a

pathfinder operation,



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and then up here at the top

is a standard rectangle.



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Now I want to be able to revolve



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all these paths at the same time.



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So I'll go ahead and marquee them all



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with my black arrow tool,



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and then I'll go up to the object menu



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and choose a group command,



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or of course you can just press control G,



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or command G on the Mac.



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Next I'll go up to the

effect menu, choose 3D,



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and then choose revolve.



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Now many of the default settings



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work great for this particular project,



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and to demonstrate what I mean,



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I'll turn on the preview checkbox.



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We definitely want the offset

value to be zero points,



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because otherwise if I enter

for example, 100 points,



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then we're going to get

this big wide soda can



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with a hole in it's middle.



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That's not what we want

so reset that to zero.



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We also want to rotate the

artwork around the left edge,



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and we want the angle

value to be 360 degrees



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because if it's anything less,



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and I'm going to have to go ahead



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and arrow down that value to

make the preview catch up,



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we'll be able to see inside the soda can.



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Obviously that's not what I want,



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so I'll go ahead and change

this value back to 360 degrees.



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Now we don't want to

see the top of the can



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because that would require us to draw



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a bunch of additional artwork.



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So I'm going to drag the

bottom edge of this cube upward



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until we can no longer see that top edge.



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I also want to add some

perspective in order to



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give the can a little bit of bulge,



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as we're seeing right here.



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In fact I decided to take

the perspective value



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all the way up to 90 degrees.



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Alright now I'm going to

set these guys each to zero.



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So both the yaw and the

role values right there



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want to be zero degrees,



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and I'm also going to take

this pitch value down a bit



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because right now we're seeing too much



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of the middle of the can,



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and so I'm going to take this value down



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to negative five let's say,

to produce this effect here.



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Now it's not quite plump,



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and to demonstrate what I mean by that,



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I'll go ahead and click okay.



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Then I'll turn on the guides layer,



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and you can see that the

right edge of the can



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follows this vertical guide,



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but the left edge of

the can bends outward,



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and that's entirely a function

of that perspective value



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and the fact that we're

rotating around the left edge.



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If I drew my artwork

in the other direction,



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then it would be the right

edge that's poking out.



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So what I decided to do,



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was switch back to the appearance panel,



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and click on 3D revolve in

order to bring back my settings,



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and I'll turn on the preview checkbox,



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and notice if I click in

this roll value right here



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and I press the down arrow key,



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to rotate the can ever

so slightly to the right,



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that for one thing I go to far,



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now the right edge is crooked.



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But also notice at the top of the can,



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doesn't really look flush.



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So what I decided to do

instead was to take this value



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up to 10 degrees in

order to give the artwork



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some obvious rotation,



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so the effect at least

appears to be on purpose.



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Alright I'll go ahead and click okay,



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and I'll switch bact to the layers panel,



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and turn off the guides layer.



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Because I want you to notice

that we have a problem



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down here at the bottom of the can.



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Some of the orange from that



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background path is showing through,



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and that's because these points



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are absolutely aligned with each other.



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What I need to do is bring

them up just a little bit.



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So I'm going to switch

to the white arrow tool,



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which of course you can

get by pressing the A key,



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and then I'll marquee these



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three anchor points

down here at the bottom.



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Just these two along the horizontal edge,



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and this guy right there,



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and then I'll shift-click in

this white path right here,



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you can't really tell it's

white at this point, but it is.



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I'm shift-clicking on it in

order to fully select it,



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and then I'll shift-click

on it again to deselect it.



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Now with these three points



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at the bottom of the

orange path only selected.



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I'll press the up-arrow key



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in order to nudge them upward one point,



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and that takes care of the problem.



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Now it does introduce a new problem,



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but as you'll see this is one



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we can deal with by

adjusting a few settings.



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Alright now I'll press the V key



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to switch back to my black arrow tool,



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and I'll click somewhere inside the path



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to select the entire group, and then,



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I'll switch back to the appearance panel



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and click on 3D revolve

in order to once again



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bring back my settings.



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Alright now at this point



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we need to adjust some lighting settings.



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I just happen to know the

settings I want to use in advance.



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So I'm going to start things

off just by entering them,



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without the preview turned on,



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it'll just make things faster.



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I'm going to take the ambient

light value down to zero,



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and I'll increase the highlight

intensity value to 100%.



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I'll take the highlight size down to 33%.



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The reason being I want

some nice sharp highlights.



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And I'll change the shading

color from black to custom,



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and then I'll click in

that red color swatch,



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I'm okay with the red, as it turns out,



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but I want to take the

brightness value down to 20%.



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We've got a hue value of

zero, a saturation of 100,



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and a brightness of 20, at

which point I'll click okay.



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Now I'll just go ahead and move this light



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up a little bit inside of the sphere,



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and I'll turn the preview checkbox



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so I can better see what I'm doing.



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Now at this point we still

have that weird edge,



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and so I'm going to add a

little light by clicking on



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the little page icon,



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and I'm going to move this light

down and to the right like so,



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and I'm also going to take

the light intensity value



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for this particular light down

to 90%, and as you can see,



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that goes ahead and takes

care of that weird edge



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we were seeing a moment ago.



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I want a little bit of balance



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over here on the left-hand side,



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so I'll create another light,



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and I'll drag it all the way over



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to the left-hand side of the sphere,



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and I'll click on this first icon



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right here to move it to back,



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and that'll give us this

bounce over here on the edge.



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Just to demonstrate what I mean by that,



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I'm going to delete

the light for a moment.



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So I'll just go ahead and click



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on the trash can icon to get rid of it,



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and you can see that

that bounce disappears.



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Now I'm also demonstrating something else,



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which is the unfortunate fact

that you do not have an undo



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when you're working inside

the 3D dialog boxes.



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So if I want to bring that light back,



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I have to add it manually all over again.



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I'll go ahead and click

on the little page icon,



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I'll send that light to back,



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and then I'll move it all the way over



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to the left-hand side.



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Alright now notice that edge

is coming back right there?



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We obviously you don't want that,



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but it's kind of a figment

of illustrator's imagination.



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If I just click on this

light source again,



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the one that's in the down

right corner of the sphere,



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that edge artifact disappears.



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This light incidentally, I should mention,



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is responsible for the highlights

that we're seeing up here



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at the top of the can, which I quite like.



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So I'll go ahead and drag

this guy up a little bit.



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If you decide that you wanted



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the size of those highlights to be bigger,



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you could increase the

highlight size value,



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but notice that also gives



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us a big highlight here in the center.



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It's not really what I want,



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so I'm going to take that

value back down to 33%.



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Then finally we have got quite a bit



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of banding going on here,



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so I'm going to increase

the blend steps value to 60.



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You could of course take

it higher if you want,



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but then the effect is going to

take longer to apply as well.



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After which point,



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I'll go ahead an click

okay to accept that effect.



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Then just for fun, I'll switch

back to the layers panel



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and show you how I've added

this flares layer right here,



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and if you turn it on you'll

see a bunch of flares.



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And I created those incidentally

using the flare tool



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which is available from the

shape tool fly out menu.



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If you like you can add more flares



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by unlocking this layer and selecting it,



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and then for example I can add a flare



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at this location right here.



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And I just drag with the tool,



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in order to add these several shapes,



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you could also click to create



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additional points of

lens flare if you like.



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But again that's not the

effect I was looking for,



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and I don't want this flare either,



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so I'm just going to

press the backspace key



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or the delete key on the

Mac to get rid of it.



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Alright so that's how I

use the revolve effect



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to create this 3D soda can.



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In the next movie,



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I'll show you how to wrap

a logo around the can.