1 00:00:05,960 --> 00:00:12,000 Are right back in our scene here now that we've learned a couple other useful tips and tricks. 2 00:00:12,150 --> 00:00:14,900 Let's go ahead and do a lighting for a scene. 3 00:00:14,970 --> 00:00:19,860 But let's do a little bit better lighting than the one we did previously because we're always getting 4 00:00:19,860 --> 00:00:20,130 better. 5 00:00:20,130 --> 00:00:20,970 Always improving. 6 00:00:20,970 --> 00:00:22,050 You know what I mean. 7 00:00:22,050 --> 00:00:27,930 So we're going to do a basic three point lighting for a scene at three point lighting is basically as 8 00:00:27,930 --> 00:00:30,850 it sounds as three different light sources. 9 00:00:30,900 --> 00:00:37,010 The first one being the key light which will illuminate from face on it will illuminate the object. 10 00:00:37,020 --> 00:00:40,180 It will be the key lights that we have for the scene. 11 00:00:40,200 --> 00:00:43,760 The second will be the filler light which will have more to the side. 12 00:00:43,830 --> 00:00:47,750 It will kind of fill out our scene and our object. 13 00:00:47,940 --> 00:00:53,100 And the third will be the backlight which will be illuminating from behind. 14 00:00:53,110 --> 00:00:59,760 Now I'm actually going to select our lamp and hit X and delete it because for our three point lighting 15 00:01:00,090 --> 00:01:05,640 I'm going to be using emission material and our plane object. 16 00:01:05,640 --> 00:01:14,970 So to do that go ahead and hit shift day and Mersch plane and let's move it by hitting g z and bringing 17 00:01:14,970 --> 00:01:17,610 it up above the grid floor. 18 00:01:17,610 --> 00:01:20,190 Now let's split the viewport as well. 19 00:01:21,950 --> 00:01:29,710 And by the way I have you guys gotten any better with my repetition of every single thing that I do. 20 00:01:29,840 --> 00:01:30,880 I hope you have. 21 00:01:31,070 --> 00:01:33,430 So again repetition is mother of all skill. 22 00:01:33,440 --> 00:01:39,640 I'm just repeating everything and soon it will be ingrained in you and you won't ever forget it. 23 00:01:39,680 --> 00:01:45,290 So I just went to the 3-D viewport here and switch it to rendered view and I'm going to hit zero on 24 00:01:45,290 --> 00:01:52,250 the numpad to go into camera view and then go to frame 24 or so so that we have our ball in our scene 25 00:01:53,210 --> 00:01:54,850 now with our plane selected. 26 00:01:54,980 --> 00:01:58,690 Let's go ahead and go to the material tab hit new. 27 00:01:59,180 --> 00:02:11,120 And let's name it he underscore light a change from diffuse to emission which is right there hitting 28 00:02:11,120 --> 00:02:13,900 3 on the numpad to go into side view. 29 00:02:13,940 --> 00:02:23,450 I'm now going to rotate it with the Arki bring it here and I'm going to bump up the strength to 30. 30 00:02:23,710 --> 00:02:27,280 Again with these kinds of things you kind of have to play around with it and see what kind of strength 31 00:02:27,280 --> 00:02:30,160 works for you and works for your scene. 32 00:02:30,160 --> 00:02:36,420 Also keep in mind that when you scale an object up with an emission shader on it will actually get out 33 00:02:36,460 --> 00:02:41,290 the camera it will actually make it stronger so you can see the more I'm scaling it up the stronger 34 00:02:41,290 --> 00:02:42,520 the light. 35 00:02:42,520 --> 00:02:44,360 So I'm going to scale it up to about. 36 00:02:44,370 --> 00:02:57,590 So and this is going to be our key light over here and I'm going to make it a orange ish kind of like 37 00:02:57,650 --> 00:03:07,640 an orange ish yellowish color kind of like as if it's a sun you know a nice light or the the the light 38 00:03:07,640 --> 00:03:09,680 is coming in through. 39 00:03:09,890 --> 00:03:15,530 You know it's on a porch or something coming in from you know over the mountains or something. 40 00:03:15,530 --> 00:03:18,170 A sunset or something of that nature. 41 00:03:18,350 --> 00:03:24,380 Of course you could feel free to use a sphere as well to replicate the sun or a sun lamp. 42 00:03:24,380 --> 00:03:30,500 But again I'm using a plane with an emission shader as it will show you how the three point lighting 43 00:03:30,500 --> 00:03:31,010 is. 44 00:03:31,250 --> 00:03:32,950 And it will make it cleaner. 45 00:03:32,960 --> 00:03:40,700 And again it's all there is no there's different ways to do different things so for now let's stick 46 00:03:40,700 --> 00:03:46,970 with this and let's add in our filler light which will be off to the side. 47 00:03:46,970 --> 00:03:54,540 So hit shift due to duplicate your light and like we saw in the previous tutorial it is now linked. 48 00:03:54,710 --> 00:04:00,680 So because we want to change the value of this to put it down we want to unlink this because if we change 49 00:04:00,680 --> 00:04:07,310 the value here it will change on our main one so hit the number two and it will unlink it. 50 00:04:07,310 --> 00:04:20,220 And let's put let's name this filler light dropped the value down to let's try 20 Let's actually go 51 00:04:20,220 --> 00:04:29,170 for 15 down 15 and I'm going to rotate it and also scale it down a little bit. 52 00:04:29,330 --> 00:04:37,030 Now something that I want to show you is that if if my plane is over here in the scene you will see 53 00:04:37,030 --> 00:04:45,900 that let me try to position it so you could actually see you will see that at a certain angle you will 54 00:04:45,900 --> 00:04:51,630 actually have the shadow from your plane right here. 55 00:04:51,630 --> 00:04:57,330 What you don't want you know if it's too close to the scene you'll see the shadow of the mesh. 56 00:04:57,360 --> 00:05:02,040 So again you don't want this in your scene but even if it's out you might get the shadow in there. 57 00:05:02,160 --> 00:05:09,330 So to make sure that you don't have the shadow of this object just go over here to the object Dedo go 58 00:05:09,330 --> 00:05:14,490 down here to cycle's settings and and click the shadow box. 59 00:05:14,490 --> 00:05:18,040 And so now this object will no longer cast a shadow. 60 00:05:18,180 --> 00:05:22,880 We can see this better on the on the ball if we select the ball we could see the shadow there. 61 00:05:22,990 --> 00:05:27,440 If we uncheck shadow it's no longer casting a shadow. 62 00:05:27,600 --> 00:05:31,900 So obviously we don't want this to cast a shadow because it's not supposed to be there. 63 00:05:32,070 --> 00:05:35,510 It's supposed to be there as lights but not as an object. 64 00:05:35,520 --> 00:05:39,660 We don't want a big square shadow in our scene. 65 00:05:39,660 --> 00:05:41,330 All right back to the materials tab. 66 00:05:41,340 --> 00:05:48,030 I'm also going to change this to a white color back to a whitish color as I just want Arki lights to 67 00:05:48,030 --> 00:05:50,440 have that different shade. 68 00:05:50,580 --> 00:05:51,700 Now hitting shift D. 69 00:05:51,750 --> 00:05:53,270 I'm going to copy this. 70 00:05:53,490 --> 00:05:55,440 Bring this behind. 71 00:05:55,440 --> 00:05:56,090 Hit Alt. 72 00:05:56,130 --> 00:06:01,770 Are to clear the rotation and an R X to rotate on the x axis. 73 00:06:02,510 --> 00:06:09,520 And just place it here rotate it a bit and place it to the back of the room. 74 00:06:09,590 --> 00:06:16,190 I'm going to bring the value of these both of these down to 10 and you could also this one's already 75 00:06:16,190 --> 00:06:19,350 10 actually are now it's because they're still linked. 76 00:06:19,460 --> 00:06:23,660 While these two can be linked as I kind of want the same values on these. 77 00:06:23,780 --> 00:06:29,810 So will be fine on those and figure that I made a tutorial before on being careful on changing things 78 00:06:29,810 --> 00:06:32,040 on length and I do the same mistake. 79 00:06:32,240 --> 00:06:33,540 Well you learn that way. 80 00:06:33,800 --> 00:06:36,460 So that's going to be our filler light. 81 00:06:36,650 --> 00:06:44,510 And what's actually unlinked them because I want to rename this so I unlink it and name this two back 82 00:06:45,320 --> 00:06:48,220 light also gives us more control. 83 00:06:48,800 --> 00:06:53,220 And I'm going to scale it down a little bit. 84 00:06:53,410 --> 00:06:57,360 Scale this one down just a tad and move it more to the side. 85 00:07:01,420 --> 00:07:09,520 Scale it down and put the strength of this back light to five actually and scale it up a little bit. 86 00:07:09,620 --> 00:07:13,970 I like the reflection that has there right. 87 00:07:13,980 --> 00:07:16,160 Alright alright alright. 88 00:07:16,230 --> 00:07:18,060 Just play around with it you know. 89 00:07:19,240 --> 00:07:20,070 See what you like. 90 00:07:20,070 --> 00:07:21,750 Obviously not too bright. 91 00:07:24,140 --> 00:07:26,300 All right looks nice. 92 00:07:26,300 --> 00:07:29,230 I like that. 93 00:07:29,400 --> 00:07:29,750 All right. 94 00:07:29,790 --> 00:07:30,680 Awesome song. 95 00:07:30,690 --> 00:07:32,960 Leave it like this. 96 00:07:32,970 --> 00:07:38,610 You could tweak it more and more if you want to have you know slightly different results you can play 97 00:07:38,610 --> 00:07:41,040 around with the settings with the scaling and the size. 98 00:07:41,040 --> 00:07:43,470 But I like it how it is right now. 99 00:07:43,470 --> 00:07:49,260 And in fact let's see it in full screen cool. 100 00:07:49,260 --> 00:07:49,590 All right. 101 00:07:49,620 --> 00:07:50,110 Awesome. 102 00:07:50,130 --> 00:07:55,640 Now one thing I want to do is I want to I love this little shine that we have here. 103 00:07:55,650 --> 00:08:00,390 I like that we have our main line our filler lights or a key light scuse me. 104 00:08:00,390 --> 00:08:04,770 I actually want to move it so it's facing the object more because it's a little too much off the side 105 00:08:04,770 --> 00:08:05,460 right here. 106 00:08:05,580 --> 00:08:12,150 So I grab it and not in front of the camera grab it and still have a little bit to the side but more 107 00:08:12,150 --> 00:08:14,800 straight on to our object. 108 00:08:16,110 --> 00:08:24,270 Grab it up and rotate it. 109 00:08:24,290 --> 00:08:29,240 I actually do like it from this angle here so that we get a little bit of the shadow we could see the 110 00:08:29,240 --> 00:08:30,440 shadow of the ball. 111 00:08:30,470 --> 00:08:33,790 So if it's straight on the shadow the ball is going to be completely behind it. 112 00:08:33,800 --> 00:08:39,980 So I want it here and rotated to the side so that we could see the shadow of the ball right here. 113 00:08:40,250 --> 00:08:40,600 All right. 114 00:08:40,640 --> 00:08:42,800 That is our three point lighting. 115 00:08:42,800 --> 00:08:46,580 Again we have our key light which illuminates from the front. 116 00:08:46,580 --> 00:08:48,920 And this is the main light source that you have. 117 00:08:49,100 --> 00:08:56,390 We have our fill or light which illuminates usually from the side and helps to you know with the shadows 118 00:08:56,420 --> 00:09:01,890 and illuminating the things from the side and a little bit of the back a tiny bit. 119 00:09:02,030 --> 00:09:07,000 And then our back light which helps to bring in that light from behind. 120 00:09:07,010 --> 00:09:14,510 And it kind of adds like a rim or edge around the ball because there's now light flowing from behind 121 00:09:14,510 --> 00:09:15,380 it. 122 00:09:15,380 --> 00:09:21,440 All right so that's a three point lighting and one last thing that I do want to check with our floor 123 00:09:22,730 --> 00:09:29,120 is that the bump map I actually want to increase it a tiny bit because right now it's it's nice but 124 00:09:29,120 --> 00:09:35,870 let's increase it just a touch more so going back to the note editor with our plane selected because 125 00:09:35,970 --> 00:09:43,860 Noda note editor and let's bump up the distance if we bump this up you could see that it bumps up the 126 00:09:44,370 --> 00:09:47,850 normal map of our floor. 127 00:09:48,000 --> 00:09:52,380 Now one point point one three is a bit much going to put it to 128 00:09:55,530 --> 00:09:56,520 what was it out before. 129 00:09:56,530 --> 00:10:00,540 Point 0 3 I'm going to put it to point 0 6. 130 00:10:00,540 --> 00:10:03,100 I'm going to double it to point 0 6. 131 00:10:03,190 --> 00:10:12,050 And what we have our floor looking nice and we have our scene with our lighting. 132 00:10:12,270 --> 00:10:14,700 Let's check one last thing before we render. 133 00:10:14,970 --> 00:10:17,180 Let's go to the 3-D view. 134 00:10:17,850 --> 00:10:21,740 Had zero to go into camera view and we could see the floor. 135 00:10:21,770 --> 00:10:26,330 It's not going all the way past the camera so let's grab our floor. 136 00:10:26,330 --> 00:10:27,400 Scale it up. 137 00:10:27,470 --> 00:10:29,410 So that's passing the camera. 138 00:10:29,660 --> 00:10:33,530 And you could even hit g y moving on the y axis. 139 00:10:35,590 --> 00:10:39,730 And scale it up a little bit more so that's filling the whole camera. 140 00:10:39,970 --> 00:10:40,340 All right. 141 00:10:40,360 --> 00:10:46,000 Now we're ready for rendering and then we're going to do something really fun and pretty cool after 142 00:10:46,000 --> 00:10:48,510 the render so save your scene. 143 00:10:48,850 --> 00:10:53,840 Let's do a File Save As I'm going to do another project file again. 144 00:10:53,860 --> 00:10:58,210 It's good to have multiple files and save it. 145 00:10:58,210 --> 00:11:01,540 I'll see you in the next tutorial and I'll see you there. 146 00:11:01,660 --> 00:11:02,020 All right. 147 00:11:02,020 --> 00:11:02,640 Ciao. 148 00:11:02,650 --> 00:11:06,330 Try and find something witty to say but you know I can't. 149 00:11:06,540 --> 00:11:07,570 All right see you there. 150 00:11:07,570 --> 00:11:09,070 Great job so far. 151 00:11:09,070 --> 00:11:11,080 You're doing amazing. 152 00:11:11,080 --> 00:11:11,550 All right. 153 00:11:11,590 --> 00:11:12,390 I'll give you that. 154 00:11:12,430 --> 00:11:13,480 Ciao. 155 00:11:13,480 --> 00:11:16,960 All right here is our quote for the end of this video. 156 00:11:17,020 --> 00:11:22,100 Don't put a ceiling on your potential so that others around you are comfortable in your presence. 157 00:11:22,110 --> 00:11:27,040 There is no greatness in putting yourself down so that others won't feel uncomfortable. 158 00:11:27,040 --> 00:11:32,530 Much like a tree that's planted in a pot at some point it reaches its limits and needs to be in another 159 00:11:32,530 --> 00:11:35,440 environment which will promote its future growth. 160 00:11:35,440 --> 00:11:39,100 In turn get around those that will promote your growth. 161 00:11:39,280 --> 00:11:42,420 All right ladies and gentlemen get around a positive environment. 162 00:11:42,490 --> 00:11:43,470 Appreciate you all. 163 00:11:43,480 --> 00:11:44,270 Take care.