All right ladies and gentlemen let's go ahead and actually sculpt something here.
So with the cube selected Let's go to the modifiers tab add a modifier we're going to add a subdivision
surface modifier with the levels of two and apply it.
All right all right now let's go to the sculpting tool and let's turn on Dinah Tropo dying Dinah dying
hobo and i name is tricky.
All right.
So let's go ahead and just start out with this and what I want to do first just to add some geometry
in here is I want to go and hit F to size this up and just draw all over this kind of add in some geometry
there.
All right so now I'm just going to start scoping and we're going to scope the way.
So no not really knowing where I'm going with this yet but you know what we'll we'll get something kind
of have an idea for some reason kind of like a demon head like I did last time kind of thing and I'm
into demon heads I guess but we'll see where this goes and where it takes us and you go over here get
the grab tool hit the F key and bring this down
for his mouth.
That's looking scary already.
And that going back to the raw tool right there again you can hit the F key to increase the size of
your brush and shift math to increase the strength of your brush.
All right now now now now we need some.
And then if you hold down control it will do the opposite of it.
So basically
it will subtract instead of adding
Let's go.
All right.
We need some commentary now.
Well let me tell you my little story I guess while we do this by the way every time you drawn here it
adds in geometry.
So and then another tool or a shortcut to keep in mind is if you hit shift and left click it will bring
up the smooth tool you could see that changes to the smooth tool so very quick and a handy little shortcut
to be able to go the smooth tool right away.
And of course to change the strength of the smooth tool you have to go to the smooth tool then change
the strength down and then go back to draw so when you hit shift it won't smooth it as much.
Now that's a little bit low is going to increase it back up.
What kind of a.
So here it kind of just blocking out some of the face just getting a rough idea of what I'm going for.
Kind looks like a cat right.
I'm not going for a cat but you never know.
This is how it is with sculpting you with sculpting it kind of.
You work on it and then you know it is you just you just roll with it unless you know what you're doing
before of course which sometimes I do sometimes I don't.
I kind of like the free flow of it.
It's cool again.
Also if you zoom in more detail will be finer.
And if you're zoomed out more it will be less fine obviously.
So also you could increase or decrease the detail size right here.
But for now first I want to add in the bigger kind of detail and then we'll go ahead and add in smaller
detail give them some more nostril here.
Cool.
Now want to give them some more cheekbones here.
So again holding down control to do the opposite.
I give them a sunken head.
Maybe we go
interesting notes.
I like it.
All right so I guess I'll tell you guys.
And by the way all I'm doing is right now I'm just on a draw tool and control clicking to subtract shift
to smooth it out and left clicking just to left clicking to add
let's go ahead and add in more here.
So I guess I'll tell you my story very briefly and I'm going to go grab the grab tool every time I want
to get to my story I get distracted and grab the grab tool and grab these up make some kind of hornes
finish these horns and I'll tell you my story I'm doing it on purpose so that you have anticipation.
All right.
Going with the with the draw tool and the smooth tool.
I like it like that.
So the draw and smooth too.
All right.
There we go.
Flook and cords kind of looking like I don't know if you guys ever played Diablo 2.
The video game.
This goes in my story as well so.
So let me quit talking about it and just tell you my story quickly.
And while I do that I'm just going to be drawing here using the same tools and if I switch a tool interrupt
and just tell you what tool I'm using or what I'm doing.
But for the most part I'm not going to explain everything like OK now I'm clicking here and adding here
and now I'm subtracting here because that's going to be boring and you can tell what I'm doing.
But yeah so my story just very briefly is I was actually born in France and moved out here to the U.S.
when I was five years old because my mom was in search of the American dream.
And long story short it was kind of the opposite.
There was lots of struggle financially and a lot of difficulty.
And my parents divorced when I was young.
And then I found myself being home schooled playing about six to eight hours of video games a day for
years and years and before the homeschooling I was going to a private school.
By the way with about 60 kids in the entire school I mean that's pretty crazy.
I still I thought it was normal back then.
Right.
Sixty kids in the entire school.
So I was very shy didn't I didn't want to talk with people super scared of people.
In fact when my family would go outdoors or go to the movies I would stay inside and play video games
because I was terrified of people.
And then.
So yeah that was my humble beginnings.
And then yeah playing videogames and then I got into blender and 3D art.
And the way I got into blender and add some teeth in here by the way I just left click and circling
the way I got into a blender is that I actually was a Barnes and Noble and I found a blender book or
a book on 3-D.
I didn't know was blender back then and I thought this is cool because I've always been an artist my
whole life I've always drawn and stuff like that.
But I saw the course for blender and they had a DVD in it.
So I thought oh cool.
No one else has this you could only get blender through this DVD.
Right now I'm going to get the grab tool to grab the tip down and up.
So I thought I was like getting a deal by getting the book to get the CD.
That's the only reason I bought the book to get the CD little way I find out later that you could download
blender online.
But that's another that's another story.
So so yeah.
It was pretty interesting going into Control-C to undo the top teeth I want wanted in between the other
two though obviously.
But basically I thought I was getting a good deal right there.
And I mean it was because it got me into blender.
But basically I got home I installed blender and after two seconds I closed it because I was overwhelmed
with everything.
I didn't know what to do.
And it was just overwhelming.
So then I opened it back up either the next day after sleeping or something on number and then I basically
started learning Blendr kind of fumbling around with stuff and at first I was just doing the blender
blender internal game engine.
So with the with the gaming side of blender and then I got more into the animation 3D art side of it
but that was kind of how I started blunder.
But
it's it's harder to talk and scope than you might think.
Are you are just smoothing it out.
And where was I.
I'm just drawing a little bit on it to smooth it out.
Yeah and before doing blender actually did some 2-D animation too as well.
But anyways as my story continues I was super shy and my dream before was actually to work at DreamWorks
and I had a friend working at DreamWorks.
And actually it was a friend of my stepdad's who was working at DreamWorks and so we went to go see
him and he actually gave me a tour of DreamWorks and it was like a really really cool place like they
had their own cafeteria their own their own food their own gaming room all this stuff.
It was just like super cool and he was working on Shrek at the time and he kind of showed me some stuff
but then he brought me to where he worked.
And it just wasn't it wasn't for me really I wanted to be more independent working for myself kind of
thing.
But it was a cool experience for sure.
And so that's kind of how I started and later kind of branched off on my own and actually run a health
and wellness company as well with my family globally all over the world its Japanese company we help
people to get healthy and get the best water in the world so it's pretty cool where we're just family
family business with that and then yeah.
But since then it's been drastically different.
I mean I've now spoken on stages in front like a thousand people spoke on global calls and everything
you can say I'm not shy anymore and I talk a lot.
I talk too much now.
But yeah that was kind of getting the grab tool just bringing this out a little bit.
Give them an underbite which I kind of like.
Gives them kind of like a demonic feel and maybe bring this up a little bit bring this back.
So yeah so your life can definitely change and also one big things out me as I got into personal development.
I don't know if you guys know what that is but that definitely helped me a bunch.
So what I'm going to do now is actually go ahead and I'm going to turn the detail size down to six guys
probably hate it when I do that.
Or you love it.
I don't know.
All right.
So detail downsize down to six.
Let's do this thing.
I'm just going to go in here add in some more detail obviously hence the detail down to six
actually going to play even more.
I always go for three.
Why not.
I want to love geometry in here.
Three might be a bit much for
me that's a little bit better.
Going to the blob.
The Blob too was good.
You could add some are some low bumps
so what was I.
All right.
J.B. Paul Alfonso.
No.
And so I'm going to talk in French now and you guys just have to figure it out.
So yeah.
Right here I'm just kind of drawing it and adding some more detail and more more geometry.
Obviously if your detail is down and adds more geometry as well.
And now I want to go to the Crystal Crystal is.
Whoa.
So crease Obviously if you left click you could see that creases it out.
It had some nice you know some nice has some nice creases while yeah.
ALEX It's called the crease tool for a reason you're a dummy.
Well yeah I know I know.
Come on.
But you know I was going to say some nice depth but you could really get some nice detail here with
the crease too.
I just love love love love the crease tool
all rights I get.
Now keep in mind if you cross over here without a lot of detail on there it's actually the crease adds
detail.
So that's cool.
Some brushes do not add detail so that keep that in mind when you're when you're using them.
Like the grab brush I don't believe adds any details so if you grab a while you wouldn't want it to
add detail anyways.
But but just keep in mind that sometimes you want to add detail before you use a certain brush.