1

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All right continuing over here let's see how we can leave the flat that the signpost in the ground.



2

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I'm seriously not even trying to save flag and it just keeps popping up.



3

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It's ridiculous.



4

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All right.



5

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So how are we going to leave the signpost up into the floor.



6

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It's pretty simple but it's going to take some tweaking as well.



7

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So let's get right into it.



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Going to the frame where the flat the signpost just sticks into the ground is where I'm going to change



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this flag.



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All right.



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Which is this frame right here where it stops moving going to that one select the signpost handle and



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go into the constraint.



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Let's hit I with our cue or our mouse over that influence and we're also going to hit over here and



14

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a location rotation scale going to the next frame we're going to set that influence all the way to zero.



15

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And you can see that we have a problem there but we'll fix that in just a second.



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We're going to hit the eye over this to answer a key from there as well.



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Now we do not want to set set inverse or clear inverse as that's not going to do anything and it's actually



18

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going to give us some trouble if for what we're going to do next.



19

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Well we actually want to do is we have to hit 7 to go into top view and believe it or not we have to



20

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repossess reposition this manually.



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I know tedious tedious.



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I'm actually going to turn on the automatic keyframe insertion which is down here hit R and Z twice



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to rotate this.



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And I'm just going to position this back to how it was before hitting the left arrow on our keyboard



25

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just to see where it was before and after throwing it down GZ twice bout right on the height.



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Now



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it's going to have to



28

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it's going to have to go in a little bit.



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So are x y y



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go and some more



31

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and maybe if we get on top you'll be a little bit easier that we go.



32

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So right now it's rotate there.



33

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So we want to hit our z twice rotate it.



34

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Rotation seems pretty good.



35

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Now we just can move it to this finger over here.



36

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And then we got rotated so that the bottom is sticking in the middle of the crack right there.



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So hitting are twice rotated like something like that.



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And now we get to



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it over a little bit.



40

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I told you guys this is a tedious process.



41

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And I would just rotate it



42

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bring back though this is a least we only have to do this once and that are easy twice.



43

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Throating Z-axis a little bit



44

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hard twice.



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Bring it.



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And one last week will be good to go.



47

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I'm going to hold down shift to move it.



48

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In a smaller increment and there we go.



49

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Let me move it a tiny bit more because I have to be exactly perfect as I'm going to be noticeable if



50

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there is a tiny little shift.



51

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It might be a sign shaking a tiny bird.



52

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So it's completely fine.



53

00:04:52,930 --> 00:04:54,660

All right so now we got that.



54

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And of course let's make sure that on the Z-axis it's not going up and down because it might look that



55

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might look a little weird.



56

00:05:00,910 --> 00:05:05,480

So here are g z z twice



57

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bring it down a bit



58

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brought it down too far so bring it back up all the way on the shift key if you need



59

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to tell you guys.



60

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It's times like these I wish I just had it but in made it automatic



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down.



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All right down a tiny bit more.



63

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All right.



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Cool.



65

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So that's good enough right there.



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And it's great that you go like this and I'm going to leave it in the ground.



67

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So feel free to tweak it a tiny bit more.



68

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I might tweak it just a tiny bit more not to waste half of your day over here tweaking this flat this



69

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signpost.



70

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And now you can see though that if we go to the frame once he leaves in the ground if we grab his hand



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and make sure turn off automatically from insertion you can see that his hand is no longer parents do



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it.



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But if we go to the previous frame you can see that his hand is still printed to it.



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So pretty cool.



75

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And that's the way we would use the child of constraint.



76

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Awesome.



77

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So it's actually looking pretty good.



78

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All right.



79

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I'll see you guys next to Tauriel.



80

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Take care and keep tweaking it a little bit if you need to to where it is in the same position.



81

00:06:39,290 --> 00:06:40,790

All right see you in the next video.



82

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Ciao.