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All right Blendr heads let's continue here.



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That's going to be my new nickname for you guys.



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All right.



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So what we want to do now is go ahead and start hammering in the flag.



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So let's go to the last frame that we have for a year for our character and then move ahead 10 frames



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to frame to 22.



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I'm pretty sure that is good luck right there.



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So we're going to have good luck during the rest of this because during the last tutorial my mouth stopped



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working so I had to redo this one.



10

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All right so let's continue.



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I'm going to select the base and I want I want to have the base from right here worry's back on the



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floor.



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I want to copy that to frame two twenty two.



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So selecting the base is this one.



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And also on to slide this one right here which is the mushroom MID's Mushroomhead and base hit on this



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one though Mushroomhead and base and hit shift D and copy that over.



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If you can hear a me yelling don't mind it.



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I'm going to increase the frame and then.



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So now you can see what we got there.



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He's putting it in and then jumping back down I'm going to hit Alt-A just to see what that looks like.



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Cool.



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See a gun.



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All right.



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Now of course I want his hand to go back because his hand is kind of making it look a little strange.



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So grabbing this I'm just going to move it.



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I'm actually going to hit alt's am I going to hit up anything I'm going to grab at the elbow.



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And also we don't have RMI keyframe insertion so make sure that that is on.



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Otherwise everything will be for not just not good odds are with the elbow.



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So to bring this back I actually want to rotate the elbow down a little bit and then going to grab this



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one and hit Allt are on this so that he's not looking like he's about to Limbo out of here.



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All right cool.



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So.



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And also with the hammer hand.



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I'm going to bring this down a little bit.



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Like so and again on the on another pass we're going to go in and tweak some more.



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But let's check one thing you can see right here.



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His fingers are going through the signpost.



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Now I know it's a mushroom but pretty sure that shouldn't happen.



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Whatever character we have so let's go ahead and fix that.



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First thing we want to do is go to the keyframe where he puts in the flag select the two thumb armatures



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the bottom finger armatures and that's it.



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And then hit I location rotation scale and then on this frame right here where are you going to hit.



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Or actually we're just going to go ahead and do that second frame right there where his fingers are



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going through them through the Meshal hit all are unclear those rotations right now.



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His hand is letting go of the flag the signpost and not actually going through it.



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And then for this hand right here I'm also going to hit.



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All are clear that rotation and give it a little bit of different pose because that's a little funky



48

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right there.



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We hit our NZ twice go on and give him kind of a more relaxed position over here.



50

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Might even I might even rotate his fingers a little bit but they're not so straight.



51

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So they are more of a route relaxed pose like that.



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All right.



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Wall to wall will obviously tweak this a little bit more later but for now let's go ahead and hammer



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away.



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It's how much time.



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So let's go do this.



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We're going to hammer out the sign post over here.



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Now do that.



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I want to do



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is make him turn around so that he's actually facing the sign of selecting the base measure a year and



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jump ahead 10 frames 10 scenes.



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We are lucky number three 22.



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I'm going to make him our Zeeuw you know make a Marzieh rotate to right there.



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And when we increase these thing I put it on the wrong frame 3:22 is not what I meant.



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I meant to 30 to completely the wrong frame.



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All right.



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2:32 as I was saying 10 was a really key number I put a 100 in there or something.



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Let me see what that looks like in camera view as well.



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All right cool cool cool.



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And that I just want to make sure that the arm can actually reach the post which it cannot right now.



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But we might make him jump.



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So what we're actually going to do is grabbing the bass of it right there.



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I'm actually going to make him go back down and then I want him to stay in a down position for just



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a second.



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So I'm actually going to select these right here.



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Move them out a bit.



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One two three four five six five five.



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Yes like all of these right here on I last keyframe and hit shift d move it up five frames one two three



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four or five.



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Tedious process.



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All right.



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Now on this one I want him to turn but I want him to kind of maybe jump at the same time so let's try



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that.



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Hit GZ one point five actually.



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GZ two because we want him high above the sign and also we're going to stretch his bottoms down.



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So selecting the squashing handle making sure we go back to this frame over here to insert a key for



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him for that inning I and location rotation scale because if we don't it will basically basically squash



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from this one all the way to this one over here.



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So always remembering that whenever you want a movement to put in the location rotation or scaling of



90

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where you want it before before you make any changes to it.



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Now if you did want it to change from here to here then you would do that.



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I'm just going to add G and Z bring this down like that.



93

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And that grabbing the hand and bring this out.



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Out rotate it



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making sure his hand is not inside his face which it is right now trying to rotate this one even more



96

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are Z and then grab his hand once again hand in face is not good.



97

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So let's not do that.



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And then before I do that any further I'm also going to rotate this forwards are x twice.



99

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That will help us get some and then this one as well are x twice now I got more freeflow with the hand.



100

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And the mushroom top.



101

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I'm going to bring this up because right now it's inside the hand hammer.



102

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So going back to the first frame Hey I location rotation scale insert key from there.



103

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Let's hit eyes are now there too.



104

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And we're actually rotated up



105

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and his hand looks that looks like a weak weak.



106

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Hammer hit so let's adjust this a bit.



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I want to



108

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actually see how that looks.



109

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All right so what I actually wanna do is make him jump.



110

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I actually get to do this a little bit differently I'm going to hit our x twice to make him jump like



111

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this.



112

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I'm going to bring this up.



113

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I'm going to hit all the R and all g actually and just bring it up like this and I'm going to make him



114

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swing down afterwards because otherwise that we go that's a lot better.



115

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Now that's looks awesome.



116

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So he's jumping out and I want to exaggerate it like crazy some make him like go backwards.



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I might even exaggerate more after but for now I'm just going leave it like this will do more fine tweaking



118

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after that.



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Going ahead 10 frames to 46 making sure I don't jump over 100 frames.



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Otherwise it's going to be a very slow motion.



121

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And they are an x twice.



122

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Let's bring it down.



123

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Justice has come to lead.



124

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So bring it down.



125

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And before we rotate the hammer anymore let's rotate this down bring this over



126

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and we're going to rotate this back so that I could stretch the hand some more



127

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I actually want him to be stretched out like this.



128

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I actually want it like that.



129

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So what I'm going to do is go back to this frame and maybe if we had an ax to bring this back let me



130

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just test this quickly.



131

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You can be kind of jumping backwards so I kind of like that like he jumps back and then here he.



132

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Now we could go back here and hedgy and X and bring this back a bit as well so that we could have his



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hand outstretched for justice.



134

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All right kind of like that.



135

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I actually want it very stretched out.



136

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It looks like a mighty blow.



137

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And now let's see how that looks.



138

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So he jumps back and hits it.



139

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Obviously we're going to have to go to work a little bit on that right there.



140

00:11:18,300 --> 00:11:21,120

John's back and right here.



141

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I want this to Jeezy.



142

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Bring him up and our acts to bring him down a little bit and maybe bring in the head



143

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not too much.



144

00:11:44,930 --> 00:11:45,960

Look I'm going for us.



145

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I'm going to our x twice.



146

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Like that.



147

00:12:00,070 --> 00:12:01,020

Maybe if we



148

00:12:05,010 --> 00:12:13,440

saturated a lot I'm just testing something you're upset put on the wrong frame.



149

00:12:13,470 --> 00:12:17,930

Let me grab the ones I just put it in here.



150

00:12:24,140 --> 00:12:27,290

And let's see what we got now.



151

00:12:29,400 --> 00:12:30,000

Yeah there we go.



152

00:12:30,000 --> 00:12:41,720

I kind of want to exaggerated so he jumps up and of course we're going to have some more.



153

00:12:42,770 --> 00:12:50,590

We're going to exaggerate it maybe a little bit less because right now.



154

00:12:50,780 --> 00:12:53,330

All right so let's see how that looks.



155

00:12:53,420 --> 00:12:58,370

So plants of full jumps up and then down.



156

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So we're going to work a little bit on the jump.



157

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All right ladies and gentlemen ending on that rather sharp note.



158

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I didn't want to leave you without a poem at least.



159

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So here we go.



160

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If you know who you are chances are you'll go far for when you know there's no telling how far you can



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go.



162

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So ask a question that many try and that question is Who am I.



163

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So ladies and gentlemen ask the question Who am I.



164

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You might get some rather interesting answers and maybe part of that is being a three artist who knows.



165

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All right.



166

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See you on the next video.