1

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Action.



2

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All right let's continue.



3

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I was looking at the countdown for the recording but I'm ready to go.



4

00:00:12,350 --> 00:00:15,600

So here we're going to continue with the animation.



5

00:00:15,650 --> 00:00:20,770

We're going to bring our mushroom back down to earth because right now he's a little elevated though



6

00:00:20,960 --> 00:00:27,040

going over here to this frame this frame right here.



7

00:00:27,500 --> 00:00:32,260

That's the one right when he the last impact.



8

00:00:32,260 --> 00:00:38,190

Let's go ahead and select these bones right here.



9

00:00:40,030 --> 00:00:45,520

And this hand as well.



10

00:00:46,050 --> 00:00:54,830

Let's head let's go forward one to actually let's just do on this one hit I location rotation scale.



11

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Move ahead 10 frames to 68 and then let's bring him back down.



12

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So to bring him back down.



13

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I'm just going to grab this hat.



14

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Old r g z.



15

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Bring him down to the flow and hit GZ.



16

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Make sure his bottoms are sticking out a little bit.



17

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And let's bring this down and hit all are for that and the other hand let's make him a little looser



18

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over here.



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So.



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So serious stuff.



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So let's spring his hand make him like a moose.



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All right so let's see how that looks.



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I hammers it hammers and then down.



24

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So obviously we're going to have to make a little transition there because it just looks like he's kind



25

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of floating down.



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What I want to do is actually grab all of these from our last frame of him hammering away.



27

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So he didn't beat a box like a shifty one two maybe two keyframes So that just kind of like a hangtime



28

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in the air all right.



29

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Cool.



30

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See that again.



31

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Alright.



32

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And then for the squashing actually we also need to animate those because I forgot we squashed it.



33

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So going to this frame let's head I location rotation scale on the squash.



34

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And when he comes back down let's hit alt G and let's bring his bottom's back down because now he's



35

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floating g z.



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And of course when you bring the hands up because those hands are going through the floor which is no



37

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bueno.



38

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So grab these are some Spanish for you guys.



39

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Grab these.



40

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Move them out.



41

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Cool.



42

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All right let's see what that looks like.



43

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BOEM BOEM BOEM BOEM back down.



44

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All right.



45

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And of course like I keep saying on the second pass we're going to do more with this.



46

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Now what I want to do is make him rotate the sign around.



47

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Because if you haven't noticed yet the sign is backwards because it's kind of a surprise so that you



48

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only see what it says on the sign after he puts it into the floor.



49

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So the way I do that is first let me see if his arm even reaches out to the sign.



50

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There is no way it's going to.



51

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So we're going to have to move him forward a little bit.



52

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So we're going to make a mini jump or mini hop.



53

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So he's coming down and then right here I want him to jump forward a bit song and to go to frame to



54

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78 hit the G key X too negative.



55

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Don't want him jumping backwards.



56

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And I'm actually going to I actually want him here on the final frame so



57

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what I'm going to do is actually undo that hedgy G.



58

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Negative one.



59

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It's going to be kind of a mini hop g z one



60

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so up and then going ahead 10 more frames to 88.



61

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Let's go ahead G x negative 1 and bring him back down to the flow.



62

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And make sure just part of him sticks down.



63

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Cool.



64

00:04:47,440 --> 00:04:55,030

So now we got kind of it comes down and does a mini hop although I don't want him hopping right after



65

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he comes down because that looks ridiculous.



66

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So I'm going to grab these right here when he comes back down.



67

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Select all of these shifty one to two seems to be a good number.



68

00:05:15,090 --> 00:05:15,960

All right cool.



69

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So he does a lot bounce.



70

00:05:18,030 --> 00:05:22,200

Of course we'll probably have to animate the squash in there.



71

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I do that right now.



72

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So when he's up spring the squash up a little bit.



73

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So he squashes and stretches and right here we have the squash.



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Yup.



75

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So and then right here let's hit Allt g to clear the squash clear the squash and the hammer I want to



76

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get out of the way because it's a little bit in his face.



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So what I'm going to do is on this one way it comes back down I'm going to ring this down and rotate



78

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it like so and just select it I cannot ELB shifty ring it there so that all right cool.



79

00:06:09,750 --> 00:06:14,800

So you just kind of like a mini harp mini harp.



80

00:06:15,060 --> 00:06:21,350

Now I'm going to have him spin the sign around hopefully his hand is close enough.



81

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Yup.



82

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All right so now I want to make sure to grab this hand hit I location rotation scale because there's



83

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no keyframe for that hand right there.



84

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And also grabbing this one.



85

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So not that this one and the other hand as well.



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This one right here.



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I location rotation scale and then I'm going to select all of these be the box select of course and



88

00:06:58,450 --> 00:07:05,160

shift the one to three and make them stay there for like a fraction of a second and that jamming I had



89

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10 more frames to frame 3 0 1.



90

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It's almost 300.



91

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But one more Arek.



92

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Now I'm going to grab his hand bring it out over here right there and I actually want to put in the



93

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keyframe for his fingers as well.



94

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Actually mainly these because I rotate these so I location rotation scale because on this one I want



95

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to hit alt or so that his hand his fingers are completely straight.



96

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That will help a little bit with the sign



97

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and just rotating it so that fingers and his thumb is right above it like that.



98

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Maybe rotates hands so it's not so crooked.



99

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And then just rotate it



100

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all right.



101

00:08:12,570 --> 00:08:21,330

I want his hand to be like grabbing it more a little bit so kind of like like this actually maybe



102

00:08:24,060 --> 00:08:25,410

let me see it let me see how that looks.



103

00:08:25,410 --> 00:08:26,730

I'm going to increase the frame



104

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I actually want has maybe I see the answer key for him for the thumb.



105

00:08:37,430 --> 00:08:39,020

No I didn't.



106

00:08:39,020 --> 00:08:44,780

So with the thumb back on this frame let's slide both of them hit I location rotation scale and I'm



107

00:08:44,780 --> 00:08:50,780

going over here and there's so much stuff to keep track of I'm going to need a spreadsheet over here



108

00:08:50,780 --> 00:08:51,850

or something.



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I'm going to rotate the finger right here and just rotate this down our z rotate it over like that and



110

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then hit our x x.



111

00:09:05,130 --> 00:09:11,510

Rotate this down a little bit so it kind of looks like he's kind of grabbing the sign just a little



112

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bit.



113

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All right.



114

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Cool cool cool cool.



115

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So he goes he grabs it.



116

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It's kind of a fast grab right there.



117

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It looks good.



118

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And we go at it after actually I kind of want it faster because it looks kind of slow to me right now.



119

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So grabbing all of these keyframes for the grabbing of the sign.



120

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Let's bring these back.



121

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One two three four.



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Something like that.



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There we go.



124

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That looks a little bit better.



125

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And we're going have him swing this puppy around.



126

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Not an actual puppy.



127

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I meant the sign but you know some people take things literally we're not going to make him swing a



128

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puppy so let's just go ahead and do this thing.



129

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Let's grab making sure we have the keyframes for all of these.



130

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Is this keyframe then.



131

00:10:06,080 --> 00:10:09,670

This is not even keyframe And what am I thinking over here.



132

00:10:09,830 --> 00:10:17,120

All right selecting all of these right here the hats where is at.



133

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Other hat.



134

00:10:18,140 --> 00:10:20,090

There it is the hand.



135

00:10:20,330 --> 00:10:28,240

I am also going to select the elbows thrown elbows I location rotation scale and now moving ahead 10



136

00:10:28,250 --> 00:10:33,070

frames to frame three what would that be.



137

00:10:33,250 --> 00:10:40,610

98 3 0 3 0 8 spacing out there for a second.



138

00:10:40,740 --> 00:10:46,620

Now we're going to have them swing this around so grabbing his hand we're going to thrust his hand that



139

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way.



140

00:10:47,890 --> 00:10:50,870

Well make sure the I.K. doesn't get out of his hand.



141

00:10:55,090 --> 00:10:56,860

And not into his face either.



142

00:10:56,860 --> 00:11:00,830

But although we're going to be rotating body so let's see how that looks.



143

00:11:01,060 --> 00:11:02,080

Let's rotate his body



144

00:11:04,990 --> 00:11:08,980

and rotate his other body.



145

00:11:09,180 --> 00:11:15,550

RZA Well we could just say Ozzy because the Global's the axis is fine.



146

00:11:16,350 --> 00:11:22,560

And then grabbing his hand let's bring it out so as not going through his face which is not what we



147

00:11:22,560 --> 00:11:23,930

want.



148

00:11:24,120 --> 00:11:24,630

Cool.



149

00:11:24,630 --> 00:11:29,350

And then his thumb his thumb fingers and your head.



150

00:11:29,360 --> 00:11:36,830

All are to clear that rotation and also are easy to rotate is hand out so it looks like it's just like



151

00:11:36,830 --> 00:11:40,970

Pflicht So let's see what that looks like.



152

00:11:41,000 --> 00:11:44,260

So he grabs it and flicks it.



153

00:11:44,300 --> 00:11:48,320

Now we're going to obviously add some more animation to his face and stuff later on because right now



154

00:11:48,320 --> 00:11:53,450

he just looks he's got a killer face on right now.



155

00:11:53,480 --> 00:11:58,190

Let's flip the sign around so we can see how this looks and what we're working with.



156

00:11:58,580 --> 00:12:00,740

So the the frame.



157

00:12:00,740 --> 00:12:06,890

Right before he starts flipping it so this frame right here on a select the sign hit by location rotation



158

00:12:06,890 --> 00:12:15,660

scale and then going to frame that whatever frame that is three or one hit are Z.



159

00:12:16,100 --> 00:12:18,120

Rotate this on the z axis.



160

00:12:19,200 --> 00:12:22,970

To something like that and then move ahead.



161

00:12:23,070 --> 00:12:24,610

Couple more frames.



162

00:12:25,690 --> 00:12:27,980

And hit our z.



163

00:12:28,260 --> 00:12:34,750

Rotate it actually and rotate it on a global at the global.



164

00:12:35,140 --> 00:12:36,830

Make sure we have a frame here are.



165

00:12:36,940 --> 00:12:44,530

And then right here are at Z twice to rotate on a normal because on the global is not good.



166

00:12:44,920 --> 00:12:51,740

And then maybe over here our z twice rotated so that's facing the camera.



167

00:12:51,790 --> 00:12:59,200

Now we got to fix this whole stuff about his hand going through the sign because obviously that's not



168

00:12:59,230 --> 00:13:03,110

good and right here it's actually moving way before hand.



169

00:13:03,310 --> 00:13:07,920

So I'm going to select the sign which is a cylinder a here.



170

00:13:09,200 --> 00:13:15,820

And what I'm going to do is select this key right here where it still had Chiv do you bring it out to



171

00:13:15,850 --> 00:13:27,420

just before there and then this one I'm going to bring out a bit so we could see maybe not that far.



172

00:13:33,360 --> 00:13:39,030

And what I could even do is just delete this keyframe just so we could see what we have to work with.



173

00:13:39,120 --> 00:13:40,500

And that way it's easier.



174

00:13:40,500 --> 00:13:54,130

So I want the sign to actually be fully rotated so we kind of need to have his hand kind of flick it



175

00:13:54,520 --> 00:14:01,480

and then flick it up or we could have just so his fingers are behind it so we're going to ask go back



176

00:14:01,480 --> 00:14:02,680

over here.



177

00:14:04,720 --> 00:14:13,640

And on the frame where his hand is which is right here I believe is the



178

00:14:16,710 --> 00:14:18,040

now on this frame right here.



179

00:14:18,110 --> 00:14:25,300

I actually can bring those back in G and x twice or Y twice.



180

00:14:25,350 --> 00:14:29,770

I'm just going to have his fingers so that his fingers are kind of flicking the sign.



181

00:14:32,820 --> 00:14:40,320

Then are to rotate and rotate it up love it so it's kind of like he's flicking it from the top.



182

00:14:40,560 --> 00:14:49,190

That way we don't have is all hand going through the sign which is not good and that you flicks it forward



183

00:14:49,630 --> 00:14:56,320

I'm going to go over here and just ring I'm going to delete this keyframe for the I.K. hand.



184

00:14:58,000 --> 00:15:02,560

Just so I could see that we go.



185

00:15:02,590 --> 00:15:09,820

So now we want to grab the sign on this and this part of the animation where it's going through the



186

00:15:09,820 --> 00:15:15,270

sign hit our z twice rotate it rotated so last night is hand anymore.



187

00:15:16,630 --> 00:15:20,920

And we could hit ours Z twice.



188

00:15:20,920 --> 00:15:22,150

There we go.



189

00:15:22,510 --> 00:15:25,340

And I'll just move ahead right here.



190

00:15:25,360 --> 00:15:30,060

They are easy twice to rotate us not into finger either.



191

00:15:30,260 --> 00:15:37,120

And then over here making sure the side doesn't go back into his hand.



192

00:15:41,080 --> 00:15:46,210

Are right now going over here where his hand is in the final position.



193

00:15:46,430 --> 00:15:53,160

Let's grab his hand and bring it down and see what that gives us.



194

00:15:55,700 --> 00:16:00,410

Or actually I want to hear



195

00:16:05,660 --> 00:16:06,890

grabbing the signpost.



196

00:16:06,910 --> 00:16:08,510

RS see twice



197

00:16:11,350 --> 00:16:13,760

or actually with the hand let me see it right.



198

00:16:13,880 --> 00:16:15,620

I saw that keyframe where I moved it



199

00:16:20,240 --> 00:16:23,050

us that we go let's remove that key frame with the hand



200

00:16:29,620 --> 00:16:30,550

and then right here.



201

00:16:30,580 --> 00:16:36,220

I'm just going to insert a key for him right there so I location rotation scale.



202

00:16:36,220 --> 00:16:37,750

Now let's see what we got here.



203

00:16:39,270 --> 00:16:43,180

So he needs to move way faster than that because that's way too slow.



204

00:16:44,000 --> 00:16:50,420

So grabbing all of these right here and again this is tweaking kind of process.



205

00:16:50,420 --> 00:16:51,970

So bear with me.



206

00:16:51,980 --> 00:16:52,880

Ladies and gentlemen



207

00:16:57,920 --> 00:16:58,390

there we go.



208

00:16:58,390 --> 00:17:01,380

I like I like the speed of the hand there.



209

00:17:01,640 --> 00:17:12,220

Now we just need to go in here and get his hand out from inside the sign which is another job in itself.



210

00:17:12,380 --> 00:17:16,700

So on each frame hitting our z twice to rotate it.



211

00:17:16,700 --> 00:17:21,890

So that's just out of his hand.



212

00:17:31,210 --> 00:17:33,880

All right something like that let me see what that looks like.



213

00:17:35,440 --> 00:17:36,180

Perfect.



214

00:17:36,400 --> 00:17:42,740

So if I wanted to be facing more at the camera right now it's off to Hilter Hilter.



215

00:17:42,780 --> 00:17:45,330

That's the first time I use this word in this entire course.



216

00:17:45,330 --> 00:17:50,030

All right word of the day Helter I don't know if I'm using it correctly.



217

00:17:50,300 --> 00:17:50,770

All right.



218

00:17:50,770 --> 00:17:54,280

Now let's see what that looks like.



219

00:17:54,300 --> 00:18:00,720

Also of course we're going to animate more of his body so he has more of some body language there because



220

00:18:00,720 --> 00:18:08,060

right now it's just kind of he just you know he's got his poker face on pretty much right here.



221

00:18:08,100 --> 00:18:11,840

He's got his game face on but it's looking good.



222

00:18:11,850 --> 00:18:17,130

And again like I keep saying on the second pass we got some more life to this guy because he's looking



223

00:18:17,130 --> 00:18:20,610

a little a little bit dead.



224

00:18:20,810 --> 00:18:21,500

But it's all.



225

00:18:21,500 --> 00:18:22,450

It's also looking.



226

00:18:22,460 --> 00:18:23,450

It's coming to life.



227

00:18:23,450 --> 00:18:24,070

So.



228

00:18:24,500 --> 00:18:25,040

All right.



229

00:18:25,040 --> 00:18:26,300

That's this bar that's Tauriel.



230

00:18:26,300 --> 00:18:30,090

We just made him spend our sign around which is awesome.



231

00:18:30,320 --> 00:18:34,780

Let's go ahead and continue and the next part we're going to be doing.



232

00:18:35,120 --> 00:18:40,430

We're going to be tweaking a little bit more stuff making it more natural and we're going to be doing



233

00:18:40,670 --> 00:18:42,410

a hammer drop.



234

00:18:42,410 --> 00:18:43,190

You'll see what I mean.



235

00:18:43,190 --> 00:18:43,970

Stay tuned.



236

00:18:43,970 --> 00:18:46,140

See you in the next tutorial up.



237

00:18:46,730 --> 00:18:50,450

Oh man we're going into Antarctica now with our pictures.



238

00:18:50,540 --> 00:18:51,520

Hopefully the next one.



239

00:18:51,530 --> 00:18:57,890

Not a polar bear are right forever changed forever in you.



240

00:18:57,950 --> 00:19:00,990

Your beliefs are just some things that have been said to you.



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But do you believe them to be all true even if they now look mighty and tall question them and they'll



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start to crumble and fall.



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All right ladies and gentlemen.



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Question Your beliefs are not all true.



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See you in the next video of what.