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Alrighty now we're going to get into the part where we're going to be adding our second low character



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and it's the ball that we had modeled in a previous tutorial so we're going to be using that as another



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character that's going to interact in our scene here.



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And the way we're going to add him is going to be with the panda feature in Blender.



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So going over here and I'm also going to turn off automatic insertion just in case because if I start



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grabbing stuff I don't want everything inserted everywhere.



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Now you can see that the final part of animation is like so but we're going to go to file a Penda and



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just find wherever you saved your ball and mine is actually in Noad editor.



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Don't ask me why.



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And it's on Project 8.



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Go to object and we're going to Slyke be empty.



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The beach ball latus shift clicking and the beach ball.



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So all three of those.



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And then it's like a panda from the library.



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Cool.



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Now we got the ball and here we're going to make a beach scene.



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I'm just kidding.



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But you can see that our ball is actually go back here.



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You could see that animated.



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We don't want to animated.



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So we're going to frame one selecting first the lattice.



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Let's go in here and just clear out these lattice keyframes so I'm going to go to the graph editor and



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with the curve selected I'm going to hit a disliked all the key friends for the last and X and Leite



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done.



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We don't want they're not welcome here.



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I mean it's like the ball and it's old are to clear the rotation and then selecting the empty which



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is and there isn't a way to select everything on here.



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I'm also going to select all of these and then hit a just like them all x and delete the keyframes.



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So now our ball has no keyframes at all and it's pretty much dead.



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So what we're going to do with this low ball is we're going to make it bounce across the scene and come



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up to our mushroom character kind of like a little dog or cats.



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It's going to hot dog ball but it's just going to be a ball.



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So hopefully that makes some sense.



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Hitting the end key.



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Let's go ahead and remove these locks right here because I'm going to go to seven had seven on numpad



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to go on top you.



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I want to bring it up to our character up there but it's still locked so I'm going to unlock all of



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these hit and to close that.



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And then just bring it up to my character position at where I want it to be.



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So I want the ball to come up in front of the sign post right here.



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Cool.



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So it's going to be blocking a signpost.



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Now obviously it's not going to start there but for the mushroom.



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What I want to do is I want to see what the last animation is which is this.



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I actually want to take the mushroom go to the last frame on the mushroom and let's go back to the dope



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sheet because as much dope with the graphic



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selecting all these frames right here for the for the what you call it the mushroom what's liked all



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those.



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And of course hit.



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The copy down and move them over to so that he still has this location in there.



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And then you add 10 frames to frame to reach 16.



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Let's grab this arm.



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I'm just going to bring his on back down make him a little more relaxed.



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Not so uptight and like that maybe breaking this arm down a bit too.



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And of course we do not have automatic keyframe insertion enabled so let's make sure to select that



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back in.



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And let's go ahead and right here you can see that the I.K. hand doesn't even have a key frame here



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either.



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So we're first going to select these hit I location a rotation scale and then going back here.



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What I want to do is I want to have the same keyframe us here on News like this one right here.



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Shifty and bring it out to their



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There we go.



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All tell you to play that



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rewind that again



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boom I wanted to be a little bit slower more like he's relaxing song like these once again hit G.



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Bring him out of it.



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Yeah that's a little bit better.



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And tweaking tweaking tweaking all the time and actually going to ringless like that that should be



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done good enough again we're going to tweak more later.



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So let's get to the ball portion of this selecting the empty not the ball itself.



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Let's go to frame a.



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So he finishes here hitting zero to go into camera view viewless hit G and X and bring the ball right



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outside of the camera click.



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And now we're also going to select the lattice and squash it down to 1 and hit I to insert a key from



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there.



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It's going to go into front view and do this grabbing the empty G X or Z.



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That's like someone who doesn't know their left and right should know that X is by now which I do.



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Right.



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So now what we're going to do is make him jump across the scene and we're going to do that in a very



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easy way.



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Kind of like what we do with the mushroom.



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Let's go ahead and go forward 10 frames sort of frame three 3:33.



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Another three three three like two to two that's good luck right there.



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We're going to hit G.



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X 2 to move it to G Z.



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One actually easy to move it to.



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And it's like the lattice.



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I bring this to a negative point five I'll try.



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Yeah that looks about good.



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Now you can see our ball bounces moving ahead.



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Ten more frames two three four three.



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I'm sure that has some kind of significance as well.



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And then selecting the lattice or the anti G x 2 and then g z negative 2 and then selecting lattice.



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Setting this to one cool coming along nicely.



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And now you can see that if we go over here we also have the ball keyframes in the dope sheet here as



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well so that's pretty cool.



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I love the dope it's it's just awesome it makes it so easy even though it can be tedious it makes it



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very easy to do things.



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Let's go to frame three fifty three as I'm sure you love it too.



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Right.



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Whoops.



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3:53 over here



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let's increase this G X G x 2 with the lattice with the empty selected G.



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X 2.



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I had the lightest before and then GZ to lattice like that.



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Let's set this two negative point five it so there we go.



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Now you can see one little thing right there is that when it hits the bottom or the ground it kind of



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floats just like what we did the ball animation.



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So an easy way to fix that without going into the whole graph editor thing we could just select these



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key frames right here for the ball shifty and move them one over.



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So now you can see that it stays there for just a millisecond and looks like it's actually impacting



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and hitting the floor.



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Cool let's move ahead.



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Ten more frames.



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Three sixty three.



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Try to get the names right this time grabbing the empty head g x 2 GZ to negative and then selecting



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the lattice braveness to 1 enter.



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And there we go.



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Now we have that let's move ahead 10 more frames 373.



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We're almost there.



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Ladies and gentlemen I said G.



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X 2.



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Number two is like the empty G x to z to.



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And once again you know what to do don't you.



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Boum and then right here we want to see like these as well.



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So once again it looks like he's floating shifty.



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Copy those over.



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Boom boom.



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And now one more I believe.



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Three eighty three.



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I need some kind of elevator music or something over here.



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Dude dude might be more annoying than my my already annoying commentary Jeezy negative 2.



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And then what's like the latus and bring it to one.



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Cool cool cool.



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I'm going to add that what I want him to do.



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Kind jumping across.



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I want him to basically stretch up.



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So like right here he's like this.



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I'm going to then go ahead five frames.



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And so like the lattice and put it to 0 and grab the empty and bring him up above the floor



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it bounces across.



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Bounce bounce and then kind of stops there.



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So it's kind of like I mean look how cute he is.



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It's like a puppy dog beach ball.



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You wouldn't want to do anything bad to do it right.



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Unfortunately our mushroom is not so nice.



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So there we go.



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And there we go.



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All right cool.



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So we got the beach ball.



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Let's continue on in the next tutorial with the rest of the animation.



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We're almost done with the blocking of animation then we could continue on just tweaking some things



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and then wrapping it up and you'll be done.



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Very well done so far.



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Proud of you.



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Would love to see your work as well.



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So you know find me on Facebook.



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Find me on YouTube.



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Find me everywhere.



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You know just send me messages with your work would love to see it.



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All right I'll see in the next story Ciao ladies and gentlemen.



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Don't get lost in the woods.



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I don't know what I'm saying.



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OK.



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Your future potential is calling out.



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Do you hear it scream and shout.



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Listen closely and you might hear it.



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Just that tiny whisper a little bit.



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It's very shy and it tries to hide but keep listening and you'll find the greatness buried inside.



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Listen to the small inner whispers.



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All right you guys.



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Appreciate you.



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Take care.



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Very well done.



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You're doing great.



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I know it.



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Ciao.