1 00:00:05,950 --> 00:00:06,730 All right. 2 00:00:06,750 --> 00:00:14,550 Continuing ahead let's do this thing right now what we're going to do is make the mushroom react to 3 00:00:14,550 --> 00:00:15,600 the ball. 4 00:00:15,600 --> 00:00:19,990 So hitting zero to go into camera view. 5 00:00:20,180 --> 00:00:30,900 I want the mushroom to be right around here with this going back a little bit actually. 6 00:00:31,080 --> 00:00:33,300 I want to select all of these right here. 7 00:00:36,800 --> 00:00:39,120 And the top of the head as well. 8 00:00:41,130 --> 00:00:45,790 And at this frame on a hit I location rotation scale 9 00:00:49,850 --> 00:00:51,660 see where we're at over here. 10 00:00:51,910 --> 00:01:01,230 And then go ahead and when the ball comes into the scene I want him to rotate 11 00:01:05,730 --> 00:01:06,970 to look over there 12 00:01:11,550 --> 00:01:15,440 and I still want the hand and everything else in the same position. 13 00:01:15,810 --> 00:01:17,250 So selecting the hands 14 00:01:19,850 --> 00:01:21,080 and this one as well. 15 00:01:21,110 --> 00:01:28,280 And this one and this one why not let's say I location rotation scale and then moving ahead maybe one 16 00:01:28,280 --> 00:01:30,900 two three four five frames. 17 00:01:30,920 --> 00:01:35,500 I want him to be startled so are x. 18 00:01:35,730 --> 00:01:38,430 That's a startled mushroom. 19 00:01:38,490 --> 00:01:42,580 Sorry I got some Shreck in me now. 20 00:01:42,640 --> 00:01:46,520 Is that donkey it's going to be mushroom. 21 00:01:47,960 --> 00:01:50,560 I should talk. 22 00:01:50,700 --> 00:01:56,400 So here I kind of wanted to be like this and rotate his hands up. 23 00:01:56,760 --> 00:02:02,600 And this one up like he's about to defend himself and he's kind of scared. 24 00:02:02,850 --> 00:02:05,560 I mean he's never seen a ball. 25 00:02:05,580 --> 00:02:09,550 Could you imagine being a mushroom and a ball comes. 26 00:02:09,570 --> 00:02:11,370 Jump in. 27 00:02:11,580 --> 00:02:13,420 I don't know. 28 00:02:14,670 --> 00:02:15,650 I'd be scary. 29 00:02:15,690 --> 00:02:18,160 So rotating that as well. 30 00:02:19,090 --> 00:02:22,800 So he looks over and he gets scared. 31 00:02:23,170 --> 00:02:24,540 Let's see how that looks like. 32 00:02:26,400 --> 00:02:30,220 Way too fast so let's adjust that a little bit. 33 00:02:30,390 --> 00:02:31,600 So he's right here. 34 00:02:31,950 --> 00:02:35,180 He looks over there. 35 00:02:35,310 --> 00:02:45,910 That's a beauty about the dope sheet you're able to adjust the time of these things which is absolutely 36 00:02:46,980 --> 00:02:47,670 amazing. 37 00:02:49,830 --> 00:02:55,390 So he looks over and he gets scared. 38 00:02:55,450 --> 00:02:58,340 So let me see the speed of that. 39 00:02:58,810 --> 00:03:00,180 I kind of like that speed. 40 00:03:00,430 --> 00:03:03,730 I like dramatic dramatic speeds you know. 41 00:03:04,340 --> 00:03:08,060 Except it's a little too fast on the going up part. 42 00:03:08,060 --> 00:03:11,430 So let's bring that out a bit. 43 00:03:11,660 --> 00:03:12,710 It's all day 44 00:03:16,220 --> 00:03:16,790 awesome. 45 00:03:16,820 --> 00:03:19,470 I actually want a small delay in between. 46 00:03:19,670 --> 00:03:22,700 So I select all of these before he gets startled. 47 00:03:22,700 --> 00:03:34,850 Shifty and bring it up one frame so kind of looks over and it has us just a millisecond delay but it 48 00:03:34,850 --> 00:03:37,120 makes all the difference. 49 00:03:37,280 --> 00:03:41,740 And then I'm going to grab these actually bring them back to. 50 00:03:42,130 --> 00:03:42,810 Because 51 00:03:46,310 --> 00:03:47,650 it looks better that way. 52 00:03:49,360 --> 00:03:50,560 There we go. 53 00:03:50,560 --> 00:03:51,610 All right cool. 54 00:03:51,790 --> 00:03:55,400 And then it go here. 55 00:03:55,420 --> 00:03:59,730 I don't want to exaggerate this little bit you know me I'm exaggerating it. 56 00:04:00,290 --> 00:04:02,870 I'm I'll write. 57 00:04:02,910 --> 00:04:03,700 So there we go. 58 00:04:03,720 --> 00:04:11,530 Startled mushroom ball starts jumping the scene startled and then I want him to be startled. 59 00:04:11,540 --> 00:04:14,230 Until about this point right here. 60 00:04:14,350 --> 00:04:24,810 So I select all these shifty and copy them over out what we're going to do is go to where the ball lands 61 00:04:25,230 --> 00:04:31,590 the final resting spot of the ball which is right there where you can see we got a lot going on on our 62 00:04:31,590 --> 00:04:32,890 dope sheet. 63 00:04:32,930 --> 00:04:38,710 Pretty crazy anymore and I don't know how we're going to do. 64 00:04:39,110 --> 00:04:40,500 All right so going here. 65 00:04:40,670 --> 00:04:45,950 I want him to now that whole time that the ball is coming across the scene I just want him to kind of 66 00:04:47,190 --> 00:04:49,090 you know follow it along. 67 00:04:49,970 --> 00:04:52,730 On the road take this down it all. 68 00:04:52,770 --> 00:04:57,920 Or on the mushroom head top slash umbrella. 69 00:04:58,100 --> 00:05:01,180 I'm sure this thing has a name OK thing. 70 00:05:01,810 --> 00:05:08,090 And then I'm going to see what that looks like so he gets startled and it kind of follows along with 71 00:05:08,090 --> 00:05:09,130 the mushroom. 72 00:05:09,290 --> 00:05:17,710 And of course going up it RC ring in his hand. 73 00:05:17,950 --> 00:05:27,240 So it's kind of like you know leaning forward but also there's worry on his face. 74 00:05:27,410 --> 00:05:32,120 Of course right now there's absolutely no worry on his face because he's stone dead on his face but 75 00:05:32,570 --> 00:05:35,330 what an amazing face when we do the second run. 76 00:05:38,010 --> 00:05:40,050 Let's see what that looks like. 77 00:05:40,340 --> 00:05:40,780 A 78 00:05:43,900 --> 00:05:45,710 Oh I like it. 79 00:05:46,840 --> 00:05:53,560 I like the feel this has got. 80 00:05:53,930 --> 00:05:59,580 And there's that tiny too long too long the time he's staying up right here. 81 00:05:59,600 --> 00:06:06,230 So I it's like both of these and just had the ring those end a bit. 82 00:06:06,530 --> 00:06:07,740 Let's see what that looks like. 83 00:06:15,180 --> 00:06:16,680 Still feels a little bit too long. 84 00:06:16,680 --> 00:06:17,820 Bring him in more 85 00:06:25,140 --> 00:06:30,560 try bringing me in more too short. 86 00:06:30,720 --> 00:06:34,800 There's a fine line between it being too long and being too short. 87 00:06:34,800 --> 00:06:35,420 There we go. 88 00:06:35,520 --> 00:06:37,500 That's perfect for me. 89 00:06:38,250 --> 00:06:38,640 All right. 90 00:06:38,650 --> 00:06:42,410 Cool so startled and then looks at the ball. 91 00:06:42,900 --> 00:06:46,170 And now the ball is going to kind of interact with the mushroom. 92 00:06:46,170 --> 00:06:51,930 So what we're going to do is now with the ball we're going to grab the ball 93 00:06:54,690 --> 00:07:00,990 and actually go ahead and we're going to add another shape key with this. 94 00:07:00,990 --> 00:07:09,970 So with the ball selected We're going to go over here and add in a new shape. 95 00:07:09,990 --> 00:07:11,250 This one will be kind of 96 00:07:14,570 --> 00:07:20,820 I'm going to call it look because it's going to be kind of ball like looking and peering forwards are 97 00:07:20,850 --> 00:07:27,010 going to bring the value all the way to one and making sure that I don't have all of my keyframe insertion 98 00:07:27,010 --> 00:07:30,800 because I don't want any thing crazy going on while I'm doing this. 99 00:07:30,800 --> 00:07:37,000 We had tabs to go into Edit Mode grab these turn off proportional editing which is still on for some 100 00:07:37,000 --> 00:07:38,540 strange reason. 101 00:07:38,810 --> 00:07:45,850 Grab these and just bring the ball forward kind of it's kind of like he's the he's peering forward like 102 00:07:46,120 --> 00:07:49,200 stretching forward to get the character's attention. 103 00:07:49,330 --> 00:07:53,830 It's hard to go back in Object mode and bring this to zero. 104 00:07:53,830 --> 00:07:58,620 We don't have a negative value because we don't need it to go to the other direction on this frame am 105 00:07:58,630 --> 00:07:59,110 going to hit. 106 00:07:59,110 --> 00:08:01,680 I answered the keyframe. 107 00:08:01,990 --> 00:08:02,560 Move ahead. 108 00:08:02,560 --> 00:08:08,650 One two three four five frames and bring it up. 109 00:08:09,100 --> 00:08:13,430 Now well that's a little fast but 110 00:08:21,340 --> 00:08:24,610 and during this time right here I actually want. 111 00:08:24,610 --> 00:08:29,800 During this time because nothing's happening I actually want the ball to kind of look around so I'm 112 00:08:29,800 --> 00:08:33,610 going to select the empty. 113 00:08:34,480 --> 00:08:37,850 And this already has a keyframe thereby going to move ahead. 114 00:08:39,630 --> 00:08:50,380 Eight frames hit are Z actually what I want to do maybe is adding in a new shape. 115 00:08:52,490 --> 00:09:02,960 Tabs go into edit mode select these right here kind of rotate it on the z axis so bring value to one 116 00:09:03,890 --> 00:09:08,850 hit tab to go into a modes like these are easy. 117 00:09:08,870 --> 00:09:10,650 Just rotate this like this. 118 00:09:11,970 --> 00:09:12,900 And there we go. 119 00:09:12,900 --> 00:09:18,600 So it's kind of like the ball looking around and this one will be called Turn. 120 00:09:19,560 --> 00:09:26,370 So now on this frame right here where the ball lands or when the ball finishes squash are stretching 121 00:09:26,370 --> 00:09:27,310 back up. 122 00:09:27,330 --> 00:09:37,440 We're going to go the turn hit that I.T. and then go ahead go forward like eight frames or so and turn 123 00:09:37,440 --> 00:09:49,200 this around hit I go forward another eight frames or so bring this back down to zero and hit I 124 00:09:54,430 --> 00:09:55,950 let's see what that looks like. 125 00:09:58,860 --> 00:10:02,550 So obviously it's a little too fast right there. 126 00:10:02,640 --> 00:10:09,590 So what we're going to do when he lands right here we're going to select these two right here. 127 00:10:11,610 --> 00:10:12,870 Actually all of these 128 00:10:16,210 --> 00:10:18,640 hit G to grab on to move out. 129 00:10:18,640 --> 00:10:25,750 We're just going to slide all these Chef de move it over twice. 130 00:10:27,200 --> 00:10:31,980 And then he looks and let's separate out the second look. 131 00:10:32,720 --> 00:10:34,190 So he lands. 132 00:10:34,220 --> 00:10:34,940 He looks 133 00:10:41,820 --> 00:10:47,270 and I want him to be longer on that landing stage so grabbing is going to bring this out even more. 134 00:10:48,850 --> 00:10:56,280 Maybe something like that grab these. 135 00:10:56,540 --> 00:11:00,940 So now what I'm going to do is basically just make him turn that way. 136 00:11:00,950 --> 00:11:05,020 So he's going to turn that way and then go back to the center. 137 00:11:05,390 --> 00:11:08,920 And then he's going to look up like that. 138 00:11:09,040 --> 00:11:16,650 Now I do want it to be longer on the looking up because that's looks like he's attacking him and that's 139 00:11:16,650 --> 00:11:17,700 not my intention. 140 00:11:17,700 --> 00:11:29,100 I want him to kind of be interested in the mushroom So kind of like reaching out to him like E.T.. 141 00:11:29,350 --> 00:11:38,720 All right so over here I want also him to stay in that turn for a little bit so shifty bring that up 142 00:11:38,720 --> 00:11:41,730 a little bit. 143 00:11:42,020 --> 00:11:45,850 And then this one I'm going to bring it back just a bit. 144 00:11:46,250 --> 00:11:49,310 Bouncer's turn's. 145 00:11:49,710 --> 00:11:52,190 And then he looks at the mushroom. 146 00:11:52,260 --> 00:11:52,710 All right. 147 00:11:52,710 --> 00:11:53,580 Pretty cool. 148 00:11:53,580 --> 00:11:55,220 So let's see how that looks. 149 00:11:59,510 --> 00:12:02,610 I actually want it a little bit longer right here on this. 150 00:12:02,610 --> 00:12:05,450 Turns are going to select all of these. 151 00:12:05,560 --> 00:12:07,000 Grab that. 152 00:12:07,480 --> 00:12:15,580 So they stay longer there and then over here I want them to stay longer on that one as well. 153 00:12:20,230 --> 00:12:21,160 There we go. 154 00:12:21,160 --> 00:12:22,100 All right cool. 155 00:12:22,120 --> 00:12:24,130 So I'll see you in the next tutorial. 156 00:12:24,130 --> 00:12:25,990 We're almost there with our animation. 157 00:12:25,990 --> 00:12:28,380 See there guys. 158 00:12:28,480 --> 00:12:31,740 I think we died and went to heaven. 159 00:12:32,680 --> 00:12:36,240 All right let's go ahead and read our quote. 160 00:12:36,580 --> 00:12:39,250 You don't need to look to the past for reference. 161 00:12:39,280 --> 00:12:40,340 It's all up to you. 162 00:12:40,360 --> 00:12:41,730 It's your preference. 163 00:12:41,890 --> 00:12:46,510 What if instead of looking to the past to something that never even could last. 164 00:12:46,510 --> 00:12:48,780 You look to the future where you could create. 165 00:12:48,880 --> 00:12:52,150 And that way you wouldn't have to leave it up to fate. 166 00:12:52,390 --> 00:12:57,910 I ladies and gentlemen you can create your future from this moment on. 167 00:12:57,910 --> 00:12:58,590 Take care. 168 00:12:58,630 --> 00:12:59,600 Oh wow. 169 00:12:59,870 --> 00:13:01,660 And I'll see you in the next video. 170 00:13:01,690 --> 00:13:02,510 Ciao for now. 171 00:13:02,590 --> 00:13:03,740 Let's go back down to earth.