1

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Are right let's continue with this animation we got here we're almost towards the end.



2

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Ladies and gentlemen of the blocking So let's go do this now.



3

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The ball attacks him or is interested in him.



4

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I want the mushroom to be startled when he reaches out like that.



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So first



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so right here I want the mushroom select these bones right here which is the same four or five that



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we always select hope right here.



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I mean a hit I and before I want it to be.



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When he stretch right before he stretches out I location rotation scale and then when the ball is fully



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stretched forward his own frame.



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Right there.



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I want his arm to come up in front of him.



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So let's turn on automatic keyframe insertion.



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By the way we always want to make sure to turn it off.



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But also we want to make sure to turn it on from time to.



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And I kind of want to have like a startled and now he's protecting himself.



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Touching his face and R C R Z and rotate this is like kind of shying away from the ball.



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So the ball



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like that and I actually want it to be a little bit delayed after that song and hedgie bring that out



20

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a little bit so that the ball starts to reach out to him and then he starts to turn.



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Once the ball is like half way.



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Otherwise it's like he knows the ball is going to attack him.



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And I mean the ball's not really attacking him per se but you never know.



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I mean he's a mushroom.



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He ain't seen no ball before.



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All right.



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I'm going to bring these back a little bit so that it's a little bit faster when he protects himself.



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And maybe even a little bit faster.



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I want to be like



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we go something like that.



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And now let me try to play one more time.



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Just get a feel for the speed and how you want your animation to look so that looks good to me.



33

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Now what I'm going to do is basically take the ball and on that final animation right here with the



34

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mushroom on them go ahead and move forward.



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One two three four and select the lattice on the look.



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I'm going to hit.



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I to a key for him right here for the latus which it seems that he has done.



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And I actually want to go for ahead of this one or five and hit I right here to insert another key frame



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so that we have two of them here.



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And now selecting the ball are actually the empty itself.



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Which is right there.



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I want to go to this key frame that I just last inserted for the lattice and just insert a key frame



43

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for the empty as well.



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I location rotation scale and now what I want to do is go ahead.



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And you could see that right here when he stretched up he's no longer on the floor.



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So what I want to do is on the stretching right here I want to hit G Z bring the loudest are the empty



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down a bit and right here is what I'm going to copy them shifty and bring it over so that he's staying



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on the floor at least not going ahead.



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One two three four five six frame's I'm going ahead G and X moving forward rather fast and swiftly.



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So he's going to go up like that and the lattice is going to go back to zero.



51

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Like that



52

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so let's see what that looks like.



53

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So what I want with the lattice as well is that right here it's kind of transitioning in between all



54

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of it.



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So I want to select that here and actually put the lattice at one here as well.



56

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So that it's not transitioning.



57

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Actually I do want it to transition but I want it to go faster because for some reason the lattice was



58

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put way out there.



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So bring the lattice in line with the empty.



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There we go.



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I was wondering what the heck you've got to make sure that when you answer your key friends because



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when we hit all day the thing is that we think it's on the final resting pose.



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But in fact your your marker is way ahead of it but it looks like the final resting pose because that's



64

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how it looks.



65

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But final resting pose back here.



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So all right so it looks.



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And then he comes forward a little bit and I want the mushroom to when the ball comes forward.



68

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So right here to here on you select a mushroom base here hit I location rotation scale and actually



69

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I'm going to slide the hand also the other hand.



70

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All right guys this mushroom as he's not happy he's getting scared over here.



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So on the ski frame we're going to hit location rotation scale and then moving ahead.



72

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Two right here just before I'm going to make him kind of slide back.



73

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So G x slide back just like I'm sure a millimeter.



74

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Bring his hand up like that and kind of bring the hammer kind of gang threatening now.



75

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Bring the hammer kind of up and out and R and Z and rotate this a little bit like this



76

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we go mushroom is being threatened by a ball so it looks up and then the boss scoot just closer or any



77

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kind of like slides back



78

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a little bit too fast on backsliding so I'm going to select all of these right here not those bottom



79

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ones and I'm going to hit G and bring these out.



80

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We go



81

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oh looks pretty cool.



82

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So that stretches towards him he gets kind of scary and then he moves back and then it's going to be



83

00:08:21,200 --> 00:08:29,240

kind of a sad ending but while you could probably guess I mean our mushroom has a sledge hammer.



84

00:08:29,480 --> 00:08:33,510

So what do you think will happen to botted.



85

00:08:34,100 --> 00:08:39,650

Unfortunately squishy ball is going to be squashed.



86

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I let me just see that last part.



87

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One last time



88

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I wanted to be a little bit faster or something and bring him back in just a couple frames.



89

00:08:54,160 --> 00:08:57,870

And then what I want is the ball to bounce.



90

00:08:57,880 --> 00:09:02,680

So right here on this last frame where he moves I'm going to go ahead and move forward.



91

00:09:02,680 --> 00:09:05,560

One two three ferrett three frames.



92

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Select the empty hit I location rotation scale select the lattice and on ball squash I'm just going



93

00:09:14,290 --> 00:09:19,930

to insert keyframe go forward 10 frames so to frame



94

00:09:22,530 --> 00:09:23,390

492



95

00:09:26,590 --> 00:09:30,840

with the empty let's hit G Z too and bring that up.



96

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And the last we're going to bring it up to not one we're going to squash it up 2.6 or so.



97

00:09:44,490 --> 00:09:48,100

And right here I want to make him squash down first as well.



98

00:09:48,360 --> 00:09:54,740

So going ahead forward I'm going to select all of these right here.



99

00:09:54,930 --> 00:10:03,190

Shift the select and copy them there just so he stays in this position for a little bit and then shifty



100

00:10:03,210 --> 00:10:04,490

and copy them.



101

00:10:04,500 --> 00:10:11,620

One two three four five six frames over and squash him down.



102

00:10:11,620 --> 00:10:17,600

So with the ball squash bring that to one bring the loudest or the empty down.



103

00:10:17,610 --> 00:10:23,850

I don't know why he's saying let's say flag and serve sign that lattice.



104

00:10:23,880 --> 00:10:28,420

So there we go it squashes down and then bounces up.



105

00:10:28,440 --> 00:10:37,000

Now the balance up we want to separated out a little bit because right now he's bouncing up pretty fast.



106

00:10:39,230 --> 00:10:43,910

Every guy that looks it looks unbelievably cute.



107

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And then you have him come back down.



108

00:10:47,060 --> 00:10:53,300

So going forward 10 frames to frame four and let's make sure that this is 10 frames and parts of four



109

00:10:53,300 --> 00:11:00,410

ninety four ninety five actually maybe a little bit faster would look cool or something to go to 500



110

00:11:00,470 --> 00:11:06,620

frame 500 and we will see by the way a cool way and this is another little trick that I could show you



111

00:11:06,620 --> 00:11:12,750

guys a cool way to extend the the



112

00:11:15,620 --> 00:11:21,530

like the length of your frames or whatnot if you select them and hit s you could scale them and or scale



113

00:11:21,530 --> 00:11:21,870

them out.



114

00:11:21,860 --> 00:11:27,680

And this is based on where your green line is or where your current frame is.



115

00:11:27,680 --> 00:11:32,780

So if you want let's say you wanted to make all of this animation right here a lot longer you could



116

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see that right now it's at this speed right here.



117

00:11:36,520 --> 00:11:42,190

We want to make it longer we could just go here hit as to scale and scale it out.



118

00:11:42,570 --> 00:11:49,250

And now if we play it it's going to be a lot longer and of course vice versa if we want to make it shorter



119

00:11:49,250 --> 00:11:50,800

we could scale it in.



120

00:11:51,500 --> 00:11:53,190

And now it's like super fast.



121

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So keep that mind super cool and useful little trick should have shown you guys at the beginning but



122

00:11:58,640 --> 00:12:01,380

you know not everyone is perfect.



123

00:12:01,500 --> 00:12:13,190

All right back to this let's go from 500 g z to negative and then select the lattice and bring it to



124

00:12:13,490 --> 00:12:23,900

zero as we would say in French and selecting the lattice The empty.



125

00:12:23,900 --> 00:12:24,280

Sorry



126

00:12:27,070 --> 00:12:31,070

GZ bring it up a bit.



127

00:12:31,420 --> 00:12:37,130

So now jumps up back down.



128

00:12:37,140 --> 00:12:42,300

And I want him to squash actually a little bit when he hits the floor so selecting this would make him



129

00:12:42,300 --> 00:12:46,420

squashed just a little bit not as much something like that.



130

00:12:47,690 --> 00:12:49,360

Grab the empty Jeezy.



131

00:12:49,460 --> 00:12:51,200

Bring it down.



132

00:12:52,660 --> 00:12:53,870

Not that far.



133

00:12:55,900 --> 00:12:58,430

Bring it down.



134

00:12:59,440 --> 00:13:01,020

And then going ahead.



135

00:13:01,090 --> 00:13:03,020

One two three four five frames.



136

00:13:03,020 --> 00:13:04,510

It's like the lattice.



137

00:13:04,900 --> 00:13:14,090

Bring it to zero and the empty ring that up above the ground floor.



138

00:13:15,170 --> 00:13:19,030

All right so now he's got kind of bounces up.



139

00:13:19,030 --> 00:13:31,470

So he jumps up and then kind of falls back down and and now this is where our mushroom gets super startled



140

00:13:32,130 --> 00:13:32,760

and just



141

00:13:35,720 --> 00:13:38,860

smashes the poor little ball.



142

00:13:38,960 --> 00:13:39,860

I'm so sorry.



143

00:13:39,860 --> 00:13:41,230

It's going to be sad.



144

00:13:41,510 --> 00:13:42,480

So.



145

00:13:42,770 --> 00:13:50,800

Well happy for the mushroom's sad for the little ball but it's you know it's it's ok.



146

00:13:50,900 --> 00:13:52,660

The ball's going to be fine.



147

00:13:53,480 --> 00:13:53,870

All right.



148

00:13:53,900 --> 00:13:54,500

I'll see you guys.



149

00:13:54,500 --> 00:13:55,280

Nice story.



150

00:13:55,290 --> 00:13:56,420

Very well done.



151

00:13:56,420 --> 00:13:59,460

We're going to finish wrapping it up on the final part.



152

00:13:59,480 --> 00:14:00,560

I believe so.



153

00:14:00,800 --> 00:14:07,480

SIEGLER great job so far and proud of you guys you guys rock around see in the next one.



154

00:14:07,610 --> 00:14:09,210

Appreciate you all.



155

00:14:09,300 --> 00:14:10,400

See you.



156

00:14:11,030 --> 00:14:14,270

So this right here is me hiking in the Tibetan mountains.



157

00:14:14,270 --> 00:14:15,710

Going to go see the monks.



158

00:14:15,710 --> 00:14:17,810

No I'm just kidding.



159

00:14:17,900 --> 00:14:19,010

That's not me.



160

00:14:19,010 --> 00:14:20,410

All right.



161

00:14:20,500 --> 00:14:23,010

I don't you guys believe me there for a second.



162

00:14:23,420 --> 00:14:28,050

Take a chance and you will see what lies deep down in both you and me.



163

00:14:28,250 --> 00:14:32,840

It's a potential that you can feel it's not an illusion it's quite real.



164

00:14:32,990 --> 00:14:40,250

Let it go let it out or it will continue to scream and shout guys you have a potential let that potential



165

00:14:40,340 --> 00:14:41,030

out.



166

00:14:41,030 --> 00:14:41,480

All right.



167

00:14:41,480 --> 00:14:42,010

Ciao.