1 00:00:06,210 --> 00:00:07,100 All right. 2 00:00:07,110 --> 00:00:08,480 Continuing with this. 3 00:00:08,520 --> 00:00:15,180 Let's go ahead and I'm sad to say let's smash our little book. 4 00:00:18,550 --> 00:00:19,740 I wish you could be another way. 5 00:00:19,750 --> 00:00:26,510 But fortunately the mushroom is too scared and he has a hammer. 6 00:00:26,730 --> 00:00:28,590 It's out of reflexes and reactions. 7 00:00:28,590 --> 00:00:34,610 I mean he really doesn't want to but he's traumatized by little beach balls. 8 00:00:34,630 --> 00:00:39,030 So fortunately we're going to have to do it. 9 00:00:39,410 --> 00:00:46,730 So right here I want the mushroom to when the ball jumps. 10 00:00:46,770 --> 00:00:49,010 So right around here. 11 00:00:49,480 --> 00:00:52,000 A slight the hand right there. 12 00:00:52,010 --> 00:00:56,920 This one this one on the top right there. 13 00:00:56,930 --> 00:01:06,410 And this one just in case it eye location rotation scale go forward one two three four frames and here 14 00:01:06,440 --> 00:01:08,620 I'm going to hit r x x twice. 15 00:01:12,110 --> 00:01:16,280 I see I kind of want him to go like 16 00:01:20,220 --> 00:01:21,210 rs. 17 00:01:24,530 --> 00:01:26,080 Are x x twice 18 00:01:30,870 --> 00:01:31,920 bring his hand out 19 00:01:36,700 --> 00:01:37,870 hand closer 20 00:01:43,200 --> 00:01:44,910 have him like startled. 21 00:01:49,100 --> 00:01:53,080 Like this startled and kind of like a 22 00:01:58,130 --> 00:01:59,220 actually want to hit 23 00:02:01,950 --> 00:02:06,450 on him like this actually. 24 00:02:07,400 --> 00:02:09,110 Now he's just going. 25 00:02:09,780 --> 00:02:12,790 He doesn't even know what's happening now. 26 00:02:12,810 --> 00:02:13,190 All right. 27 00:02:13,190 --> 00:02:13,580 So 28 00:02:16,280 --> 00:02:19,040 now when the ball John he's just like what DAQ 29 00:02:21,930 --> 00:02:23,080 low fast. 30 00:02:23,080 --> 00:02:25,360 Once again I'm going to select 31 00:02:30,050 --> 00:02:37,130 these right here and just bring them out. 32 00:02:38,890 --> 00:02:42,560 Five and let's see how that works. 33 00:02:42,560 --> 00:02:46,760 Now here we go the ball 34 00:02:52,110 --> 00:02:53,090 right. 35 00:02:53,110 --> 00:02:58,690 I like that I like that on a little bit faster. 36 00:02:58,790 --> 00:03:04,110 Maybe two keyframes faster one or two key phrase makes a huge difference. 37 00:03:04,110 --> 00:03:05,650 Ladies and gentlemen. 38 00:03:05,700 --> 00:03:07,080 All right so I started. 39 00:03:07,440 --> 00:03:11,190 And then this is where he just says it. 40 00:03:11,640 --> 00:03:14,610 Now after this keyframe I'm going to select 41 00:03:17,280 --> 00:03:19,800 these right here. 42 00:03:20,050 --> 00:03:25,730 I cannot are make sure that's likely to shift the one to three. 43 00:03:26,230 --> 00:03:28,460 So he stays in this position for a little bit. 44 00:03:28,540 --> 00:03:29,170 Moving ahead. 45 00:03:29,170 --> 00:03:33,530 One two three four five six seven eight nine nine. 46 00:03:33,590 --> 00:03:35,810 Keyframes Let's hear it. 47 00:03:35,820 --> 00:03:42,460 All eyes are with this one are x x Rotti on the x axis. 48 00:03:42,460 --> 00:03:44,700 This hand we can hit. 49 00:03:44,730 --> 00:03:48,690 Oh gee maybe Allt are. 50 00:03:48,840 --> 00:03:55,450 And then this one oh damn this is going to be not a pretty sight. 51 00:03:55,750 --> 00:03:58,190 This one let's raise it high and mighty. 52 00:04:01,050 --> 00:04:09,990 And rotate it. 53 00:04:10,050 --> 00:04:14,300 I don't even want to do this to Rush Week by. 54 00:04:14,470 --> 00:04:17,760 All right let's see how that looks. 55 00:04:20,760 --> 00:04:21,860 It ought to play 56 00:04:25,580 --> 00:04:28,550 looks a little too confident with that hand right there. 57 00:04:28,560 --> 00:04:30,870 So you go back to this frame of 58 00:04:34,410 --> 00:04:38,820 art X rotate on the x axis and a little bit 59 00:04:44,080 --> 00:04:52,000 like that and then there is the other looks I don't know what happened. 60 00:04:52,250 --> 00:04:58,030 There was one frame or something to move that over. 61 00:04:58,150 --> 00:05:01,560 So right here it's moving a little bit too fast with the 62 00:05:06,110 --> 00:05:11,850 with that pose right there I want him to hold hold the scared pose a little bit longer. 63 00:05:12,080 --> 00:05:21,760 So I guess like V's right here grab them over for some reason that animation still playing grab these 64 00:05:21,760 --> 00:05:22,360 over 65 00:05:29,510 --> 00:05:32,000 and then this one. 66 00:05:32,000 --> 00:05:33,010 I like the speed of that. 67 00:05:33,010 --> 00:05:35,670 I just want this one a lot slower. 68 00:05:42,850 --> 00:05:46,180 Let me rewind over here and get some more traction on this. 69 00:05:49,770 --> 00:05:51,090 I actually won. 70 00:05:51,900 --> 00:05:55,900 Because we're going to do some facial features on this a little bit longer here. 71 00:06:01,530 --> 00:06:02,000 Yeah. 72 00:06:02,020 --> 00:06:09,190 There's something like that and that moving ahead a couple of frames right here. 73 00:06:09,260 --> 00:06:16,090 Lex grabs the hammer the arm and bring it down. 74 00:06:16,090 --> 00:06:17,580 Our execs twice 75 00:06:20,380 --> 00:06:22,240 get down on our little ball. 76 00:06:24,440 --> 00:06:31,320 And we're going to hit our easy to rotate this so that the arm is not in the face. 77 00:06:31,470 --> 00:06:34,220 We don't want arm in the face. 78 00:06:34,560 --> 00:06:35,460 Rotate this 79 00:06:38,940 --> 00:06:43,020 like that wearing it forward 80 00:06:48,970 --> 00:06:50,830 his hand on Z-axis 81 00:06:56,680 --> 00:06:57,380 bring it out 82 00:07:04,740 --> 00:07:08,240 and just tweak this a little bit. 83 00:07:14,090 --> 00:07:17,580 And I'm going to bring his mushroom hat head up. 84 00:07:17,750 --> 00:07:20,770 But first I want to go back here and hit. 85 00:07:21,000 --> 00:07:34,120 I answered the location for that and then go down here and hit our execs twice. 86 00:07:34,490 --> 00:07:37,690 There's a path to get squashed. 87 00:07:41,570 --> 00:07:46,710 So violent Oh it looks pretty cool though. 88 00:07:47,090 --> 00:07:51,030 I must admit it's pretty sad for squishy but it is pretty cool. 89 00:07:51,030 --> 00:07:59,220 Now to the sweet action is a little bit slow for me so I'm going to bring this and see how that looks. 90 00:07:59,220 --> 00:08:01,660 There we go. 91 00:08:02,380 --> 00:08:07,020 Man I'm not a violent person at all. 92 00:08:07,020 --> 00:08:09,430 In fact I don't like violence but 93 00:08:12,990 --> 00:08:19,770 yeah this is this is just the storyline I picked for this short little animation here. 94 00:08:19,770 --> 00:08:27,160 So with our ball looks like the lattice here on ball squash just before he gets hit let's hit. 95 00:08:27,160 --> 00:08:34,230 I insert the location of the keyframe and then on the next frame squashing this down 96 00:08:37,780 --> 00:08:43,120 to this and then also with the empty. 97 00:08:43,400 --> 00:08:46,080 Let's go back one frame hit. 98 00:08:46,190 --> 00:08:51,090 Location rotation scale go forward one frame and hit G and Z. 99 00:08:52,290 --> 00:08:54,160 Bring that down. 100 00:08:56,890 --> 00:08:59,010 Now obviously you get squished way too fast. 101 00:08:59,020 --> 00:09:04,260 What I have to do is just select hit a to dislike everything make sure nothing else like that. 102 00:09:04,330 --> 00:09:17,030 Just like these four or five Graben one two three maybe three over you see how that plays on animation. 103 00:09:17,310 --> 00:09:24,130 Well two slots on them bring it back one maybe bring it back one. 104 00:09:24,150 --> 00:09:26,190 There we go. 105 00:09:26,190 --> 00:09:28,080 I be like that even. 106 00:09:28,440 --> 00:09:31,950 I'm going to have like two spaces in between. 107 00:09:31,950 --> 00:09:38,070 So from this one one to that one it's flattened out completely. 108 00:09:38,280 --> 00:09:46,260 And in fact maybe if we put the minimum value or actually the maximum value even higher maybe we could 109 00:09:46,260 --> 00:09:47,760 squash it even more. 110 00:09:49,830 --> 00:09:51,020 LS let's. 111 00:09:51,880 --> 00:09:53,090 Poor ball. 112 00:09:53,380 --> 00:09:59,060 Let's do that let's squash it to the point where it's just like flat completely flattened out. 113 00:10:02,400 --> 00:10:05,640 And then grabbing the empty G and Z. 114 00:10:05,760 --> 00:10:07,860 Let's bring that down. 115 00:10:10,690 --> 00:10:12,600 This is just I guess I did. 116 00:10:12,650 --> 00:10:13,610 I did. 117 00:10:13,800 --> 00:10:15,240 All right. 118 00:10:15,240 --> 00:10:15,700 Now 119 00:10:19,180 --> 00:10:20,850 so let me see the speed of that 120 00:10:23,600 --> 00:10:28,150 now because it squashes down a little bit more we could bring this out one more possibly. 121 00:10:28,160 --> 00:10:28,730 There we go. 122 00:10:28,730 --> 00:10:29,450 I like that speed. 123 00:10:29,450 --> 00:10:37,690 So with the hammer I'm going to with this hand on this frame it's going to be here. 124 00:10:38,000 --> 00:10:46,520 Going forward one more frame that's going to front view are to rotate and bring the hand down. 125 00:10:46,520 --> 00:10:55,530 Justice has come on a poor innocent ball. 126 00:10:55,690 --> 00:11:02,020 Not fair than go forward one more frame GZ. 127 00:11:02,190 --> 00:11:03,640 Bring it down. 128 00:11:04,740 --> 00:11:07,760 All the way on top of the ball. 129 00:11:07,780 --> 00:11:10,640 So let's see how that plays out. 130 00:11:15,680 --> 00:11:19,030 I'm just laughing because it looks cool. 131 00:11:19,040 --> 00:11:28,070 And I just love the personality of these two guys. 132 00:11:31,740 --> 00:11:32,500 Now the swing. 133 00:11:32,520 --> 00:11:35,010 I wanted to be a little bit faster. 134 00:11:35,580 --> 00:11:36,450 Let me see. 135 00:11:39,470 --> 00:11:40,680 Actually it's pretty good. 136 00:11:40,680 --> 00:11:43,380 Got to make sure the frames are correct up here too. 137 00:11:46,160 --> 00:11:46,680 Cool. 138 00:11:46,910 --> 00:11:51,890 Let me play it let me actually take off the subserve modifier completely here. 139 00:11:51,890 --> 00:11:56,600 Make sure it's playing out exactly the right speed and I just want to see the speed. 140 00:11:57,030 --> 00:11:58,510 I like that. 141 00:11:58,650 --> 00:12:01,850 I like it a lot. 142 00:12:01,890 --> 00:12:04,630 I mean I don't like it but you guys know what I mean. 143 00:12:06,710 --> 00:12:12,320 No squishy. 144 00:12:12,920 --> 00:12:14,870 I wish they had become friends. 145 00:12:16,970 --> 00:12:19,040 But mushroom wouldn't want to have that. 146 00:12:19,040 --> 00:12:19,660 All right. 147 00:12:19,670 --> 00:12:21,820 I'm just trying to see the speed of the hammer. 148 00:12:23,340 --> 00:12:26,180 I kind of want to a tiny bit faster. 149 00:12:26,280 --> 00:12:28,020 So that's the beauty of 150 00:12:32,130 --> 00:12:33,660 this what we're doing here. 151 00:12:34,670 --> 00:12:35,580 Fact I don't know. 152 00:12:35,600 --> 00:12:38,810 Let me see in camera of you actually because I'm so close to it. 153 00:12:47,890 --> 00:12:51,850 I want to a little bit faster song like the hand right here. 154 00:12:53,710 --> 00:12:59,190 When he squashes squishy on you select these right here. 155 00:12:59,500 --> 00:13:04,300 Bring you back one ring back one 156 00:13:07,920 --> 00:13:13,680 but now it's just like pretty much instantaneous death. 157 00:13:14,400 --> 00:13:25,260 And then right here I'm going to have his hand up here and bring a forward one and just bring it up 158 00:13:25,320 --> 00:13:34,750 because now obviously because we change the speed the hammer is kind of going through on the last two. 159 00:13:34,770 --> 00:13:35,200 All right. 160 00:13:35,200 --> 00:13:36,700 There we go. 161 00:13:36,700 --> 00:13:37,210 So 162 00:13:41,240 --> 00:13:41,990 I like that. 163 00:13:41,990 --> 00:13:42,750 All right. 164 00:13:43,130 --> 00:13:45,140 I like the fast speed right there. 165 00:13:45,150 --> 00:13:46,190 Perfect. 166 00:13:46,340 --> 00:13:48,530 And so sad at the same time. 167 00:13:48,650 --> 00:13:52,230 So we'll make sure to have a funeral service for Mr. squishy ball. 168 00:13:52,310 --> 00:13:54,190 But for now very well done. 169 00:13:54,230 --> 00:14:00,930 And one last part I want to do just to wrap up this animation and let's do then the next video. 170 00:14:01,100 --> 00:14:01,730 All right. 171 00:14:01,730 --> 00:14:03,340 Ciao. 172 00:14:04,310 --> 00:14:05,090 All right. 173 00:14:05,090 --> 00:14:09,300 Let's read our quote ladies and gentlemen. 174 00:14:09,740 --> 00:14:11,640 Your beliefs bottled up inside. 175 00:14:11,660 --> 00:14:13,560 There's no reason to run and hide. 176 00:14:13,670 --> 00:14:14,990 It's a bunch of lies. 177 00:14:14,990 --> 00:14:21,500 They sit there and traumatize like attacking a victim just waiting sitting just making you think of 178 00:14:21,500 --> 00:14:22,470 quitting. 179 00:14:22,490 --> 00:14:23,990 Don't listen to them at all. 180 00:14:23,990 --> 00:14:26,950 Be the bigger person and stand tall. 181 00:14:26,960 --> 00:14:31,460 All right ladies and gentlemen stand tall stand up to the lies in your mind. 182 00:14:31,460 --> 00:14:32,610 Ciao for now. 183 00:14:32,720 --> 00:14:34,220 Appreciate you over.