1

00:00:05,930 --> 00:00:11,690

All right let's go ahead and continue with this and make the mushroom walk away because he's filled



2

00:00:11,690 --> 00:00:12,850

with regret.



3

00:00:13,130 --> 00:00:17,150

I know he did it but he really didn't want to.



4

00:00:17,150 --> 00:00:19,610

I'm going to turn him back on a self-serve modifier.



5

00:00:19,610 --> 00:00:29,090

And now with the mushroom selected or the Omniture of the mushroom SMAC And of course we want to grab



6

00:00:30,850 --> 00:00:34,270

all these keyframes right here.



7

00:00:34,270 --> 00:00:39,500

Actually this one and some of them aren't inserted so let's go ahead and insert them.



8

00:00:39,610 --> 00:00:42,360

Just selecting the main ones as always.



9

00:00:43,460 --> 00:00:46,410

That's mainly I can handle are that wasn't there.



10

00:00:46,540 --> 00:00:48,150

I.



11

00:00:48,290 --> 00:00:53,910

Location rotation scale and then I'm just going to move ahead.



12

00:00:55,170 --> 00:01:01,870

Couple frames one two three four five six seven eight nine ten.



13

00:01:01,950 --> 00:01:05,790

Actually a little bit longer than normal because he's in shock.



14

00:01:05,790 --> 00:01:07,950

He doesn't know what happened.



15

00:01:09,810 --> 00:01:16,880

So after frame 10 might even have a little bit longer than that.



16

00:01:17,100 --> 00:01:18,810

So you can grab this bring it out



17

00:01:22,280 --> 00:01:24,790

he's in disbelief and shock.



18

00:01:24,940 --> 00:01:29,330

Then after that one that we just had it move ahead.



19

00:01:29,330 --> 00:01:39,080

Tannish frame's And what we're now going to do is go ahead and select this one hit.



20

00:01:39,090 --> 00:01:45,860

All are clear of the rotation ring is arm down



21

00:01:55,130 --> 00:01:57,020

like that.



22

00:01:57,120 --> 00:02:02,340

Of course he's going to be wide mouth is his mouth is going to be wide open.



23

00:02:05,440 --> 00:02:09,820

And it's like this one are x twice rotated



24

00:02:13,270 --> 00:02:14,080

and



25

00:02:16,900 --> 00:02:18,400

let's see what that looks like.



26

00:02:26,270 --> 00:02:32,610

Of course the facial expression will definitely help a lot here with the startled look.



27

00:02:34,020 --> 00:02:34,970

I don't want to move this.



28

00:02:35,080 --> 00:02:38,400

Well look at that.



29

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Let me see.



30

00:02:47,520 --> 00:02:51,990

So definitely a facial feature will definitely help over here because it's a little bit hard to be startled



31

00:02:51,990 --> 00:02:58,100

without you know with startled with no emotion at all.



32

00:02:58,260 --> 00:03:00,910

And a lot of emotion is in the face.



33

00:03:00,930 --> 00:03:08,810

So we're just doing the body now so that will be fine hold move up to here which is over here.



34

00:03:09,620 --> 00:03:11,460

And then what I want him to do.



35

00:03:11,720 --> 00:03:14,150

Making sure that the speed is OK.



36

00:03:16,820 --> 00:03:17,280

Good.



37

00:03:17,280 --> 00:03:18,440

Good good good.



38

00:03:18,720 --> 00:03:20,190

I want to now.



39

00:03:21,110 --> 00:03:28,400

Make him put down the hammer and then kind of like actually before he puts down the hammer on this like



40

00:03:28,400 --> 00:03:34,790

this and move forward one two three four five five frames.



41

00:03:34,920 --> 00:03:46,550

Hit our z rotate him around and hit our twice to kind of tumble the rotation are x twice and I want



42

00:03:46,550 --> 00:03:47,570

him to look around.



43

00:03:47,570 --> 00:03:51,750

And of course with the eyes later on we'll make him look around like over there.



44

00:03:52,040 --> 00:04:01,640

But looking around like that grabbing this hand going to rotate this over here like this and then wrote



45

00:04:01,640 --> 00:04:03,190

to bring this one back



46

00:04:06,250 --> 00:04:10,210

it was kind of like looking around like Did anybody see me.



47

00:04:10,290 --> 00:04:17,350

Did anybody see me kill this squishy we.



48

00:04:17,430 --> 00:04:17,780

All right.



49

00:04:17,770 --> 00:04:18,870

That was too much.



50

00:04:19,030 --> 00:04:20,980

So it's gonna smack.



51

00:04:21,070 --> 00:04:23,170

Look up look around.



52

00:04:25,260 --> 00:04:32,230

And of course as always I want him to stay in this looking up a little bit longer.



53

00:04:32,250 --> 00:04:35,860

One two and it's selecting these.



54

00:04:36,000 --> 00:04:39,380

Bring him out a little bit like that.



55

00:04:40,860 --> 00:04:41,420

That would go.



56

00:04:41,420 --> 00:04:42,360

I like that.



57

00:04:42,360 --> 00:04:44,900

I like that a lot.



58

00:04:44,910 --> 00:04:46,410

So there it looks over there.



59

00:04:46,480 --> 00:04:48,890

And now I want him to look in the opposite direction.



60

00:04:48,900 --> 00:04:52,130

But of course I want him to stay in this position before for a little bit.



61

00:04:52,130 --> 00:04:57,870

So instead of having to go back let's just do it now shifty bring it out twice and now let's bring it



62

00:04:57,870 --> 00:05:02,560

out to about about here.



63

00:05:02,640 --> 00:05:06,140

It's all r r z.



64

00:05:06,960 --> 00:05:08,750

We're going to rotate them that way.



65

00:05:11,070 --> 00:05:14,020

And swing this arm forward.



66

00:05:14,430 --> 00:05:25,110

And this one back is going to fly back make sure that his hammer is not going to sign.



67

00:05:25,110 --> 00:05:25,740

I mean c'mon.



68

00:05:25,740 --> 00:05:30,050

He just spent all that time working on that sign.



69

00:05:30,780 --> 00:05:32,410

Let's see what that looks like.



70

00:05:37,610 --> 00:05:38,800

I love it.



71

00:05:38,810 --> 00:05:40,860

I don't know why that makes me so happy.



72

00:05:43,280 --> 00:05:44,370

I love it.



73

00:05:44,390 --> 00:05:49,000

I absolutely I absolutely do.



74

00:05:49,050 --> 00:05:49,940

Up.



75

00:05:50,150 --> 00:05:51,320

Someone see me.



76

00:05:51,500 --> 00:05:54,390

I don't know if I could just watch this all day.



77

00:05:54,750 --> 00:05:55,290

All right.



78

00:05:55,310 --> 00:06:01,580

And then we want him to put the hammer down.



79

00:06:01,730 --> 00:06:06,030

So let's finish this part of the tutorial with that.



80

00:06:06,470 --> 00:06:10,790

I'm going to make him stay in this post again for a couple milliseconds so shifty.



81

00:06:10,790 --> 00:06:13,480

Move it over twice.



82

00:06:13,680 --> 00:06:20,000

Then this one let's move forward a little bit to about here and that we're going to select this middle



83

00:06:20,000 --> 00:06:21,120

portion right here.



84

00:06:21,130 --> 00:06:23,990

I guess his waist rotated back.



85

00:06:23,990 --> 00:06:27,260

Hit our ex twice.



86

00:06:27,260 --> 00:06:30,890

Make him lean forward and his arm.



87

00:06:30,890 --> 00:06:37,860

We are going to set it down on the floor because he's going to put the hammer down right here.



88

00:06:39,420 --> 00:06:40,260

Just like



89

00:06:48,520 --> 00:06:49,570

and this hammer.



90

00:06:49,650 --> 00:06:52,520

So heavy right here that the handle is not going to be on the floor.



91

00:06:52,780 --> 00:06:59,590

Is that kind of hammer hammer where the this part is ten times heavier than the handle so that handles



92

00:06:59,590 --> 00:07:04,000

9 I'm going to be resting on the floor you know move this hand forward.



93

00:07:04,020 --> 00:07:08,110

Maybe Actually I'll be back more



94

00:07:11,690 --> 00:07:12,590

kind of like that.



95

00:07:12,590 --> 00:07:14,200

Let me see what that looks like.



96

00:07:17,480 --> 00:07:18,330

You play it



97

00:07:21,270 --> 00:07:25,510

so a little bit.



98

00:07:25,560 --> 00:07:26,200

Let me see.



99

00:07:28,400 --> 00:07:30,530

Love it too fast for my liking.



100

00:07:30,580 --> 00:07:31,090

Right here.



101

00:07:31,090 --> 00:07:33,170

I want him to stay a little bit longer there.



102

00:07:33,220 --> 00:07:36,820

So I'm going to grab this rabbit over a bit.



103

00:07:36,820 --> 00:07:41,410

And then this one I'm going to grab it over a bit as well.



104

00:07:42,830 --> 00:07:43,630

That would go



105

00:07:48,620 --> 00:07:50,960

I love it.



106

00:07:50,960 --> 00:07:52,780

It's like oh shit.



107

00:07:53,660 --> 00:07:57,580

I actually want that a little bit faster when he puts down the hammer.



108

00:08:00,880 --> 00:08:01,930

Lobe.



109

00:08:04,460 --> 00:08:11,980

And I want him rotated further down so it looks like he's actually going down.



110

00:08:12,140 --> 00:08:12,850

So like that.



111

00:08:12,860 --> 00:08:14,490

Let's bring the hand up.



112

00:08:14,490 --> 00:08:15,140

Obviously



113

00:08:17,820 --> 00:08:21,790

And he's retiring his hammer.



114

00:08:28,540 --> 00:08:34,310

Grabs the cheesier are right that should be good.



115

00:08:34,310 --> 00:08:36,850

Let's see that.



116

00:08:37,830 --> 00:08:38,850

All right cool.



117

00:08:39,060 --> 00:08:39,510

And then



118

00:08:42,400 --> 00:08:44,310

I see that one more time one more again.



119

00:08:55,710 --> 00:08:59,520

What I want is right here on this frame where is turned



120

00:09:03,890 --> 00:09:07,050

which is actually this one as well right here.



121

00:09:07,070 --> 00:09:09,610

I want his hand more



122

00:09:13,750 --> 00:09:15,020

this way baby.



123

00:09:15,300 --> 00:09:16,060

So that's not



124

00:09:20,000 --> 00:09:25,670

so that's not so close to the floor just like it is when he puts it down that way there's a little bit



125

00:09:25,670 --> 00:09:29,670

more of a motion between here and him putting it down.



126

00:09:31,540 --> 00:09:34,630

Making sure that's not going through the sign either.



127

00:09:36,410 --> 00:09:38,610

We're pretty good with this line.



128

00:09:38,700 --> 00:09:40,530

It's going like just above it.



129

00:09:41,860 --> 00:09:47,890

Barely touching it which we might tweak after I shoot



130

00:09:55,440 --> 00:09:56,040

an



131

00:10:05,360 --> 00:10:10,650

I actually don't like that more because it looks like he's protecting his face.



132

00:10:11,220 --> 00:10:14,980

So I'm just going to get Control-C to undo all that.



133

00:10:15,000 --> 00:10:19,700

Just leave it as it was right there which was fine with me.



134

00:10:20,340 --> 00:10:20,640

All right.



135

00:10:20,640 --> 00:10:27,160

So here now we're going to set his hammer down where we're going to do that is just like with the flag.



136

00:10:27,190 --> 00:10:29,250

It's like the hammer hits.



137

00:10:29,470 --> 00:10:35,720

I location rotation scale on this last keyframe that we had with the mushroom and on the constraints



138

00:10:35,730 --> 00:10:37,930

Let's hit I as well.



139

00:10:38,040 --> 00:10:43,030

Now going forward one more frame if you guys remember this.



140

00:10:43,030 --> 00:10:44,460

You guys are not going to be happy.



141

00:10:44,460 --> 00:10:49,520

Yes we're going to reposition this spring influence all the way down to zero.



142

00:10:50,100 --> 00:10:56,970

And then we need to grab the hammer head position here by hand.



143

00:10:57,470 --> 00:11:07,640

So I might just stop the video here and just remember all you have to do is reposition the hammer exactly



144

00:11:08,510 --> 00:11:12,020

where it was starting out.



145

00:11:12,020 --> 00:11:14,750

If we go back and forth you can see



146

00:11:17,390 --> 00:11:18,920

there there.



147

00:11:18,920 --> 00:11:26,490

So let's go into this front side view you bring it into the hand.



148

00:11:30,390 --> 00:11:31,250

Rotate it



149

00:11:34,900 --> 00:11:35,610

top view



150

00:11:39,010 --> 00:11:41,710

and I might just pause it right here and you guys you could just



151

00:11:44,660 --> 00:11:48,730

you know just adjust that hammer until it's in the same position.



152

00:11:51,020 --> 00:11:56,210

As the original position.



153

00:11:56,210 --> 00:11:57,010

All right cool.



154

00:11:57,010 --> 00:12:02,110

I'll see you guys the next story also just position it so that the two key frames are in the same position.



155

00:12:02,330 --> 00:12:07,790

And then look at this up with your left arrow right arrow left arrow prayer and then you're good to



156

00:12:07,790 --> 00:12:08,360

go.



157

00:12:08,390 --> 00:12:11,950

And our animation will basically be doing this.



158

00:12:11,990 --> 00:12:17,840

And then he puts the hammer down and the next one will make him jump away from the scene and then we'll



159

00:12:17,840 --> 00:12:20,210

be done with the blocking.



160

00:12:20,330 --> 00:12:21,070

All right cool.



161

00:12:21,080 --> 00:12:23,460

I'll see you guys in the next tutorial.



162

00:12:27,420 --> 00:12:30,510

Mountain man hiking through the mountain.



163

00:12:30,690 --> 00:12:33,690

All right well you give your power away.



164

00:12:33,810 --> 00:12:35,720

Or will you keep it throughout the day.



165

00:12:35,940 --> 00:12:37,630

Thoughts and beliefs come and go.



166

00:12:37,770 --> 00:12:40,270

But who you really are is what you need to know.



167

00:12:40,290 --> 00:12:46,320

Look inside past all the lies past the thoughts that may disguise who you really are deep within.



168

00:12:46,380 --> 00:12:49,150

It's that potential just tap in.



169

00:12:49,170 --> 00:12:52,650

Ladies and gentlemen look inside for who you really are.



170

00:12:52,650 --> 00:12:55,380

Don't listen to what anybody else says.



171

00:12:55,410 --> 00:12:55,930

All right.



172

00:12:55,940 --> 00:12:57,890

Schfer now all of our.